Keep going! I've had a lot of trouble figuring out the internal need versus the external want as applied to the action genre. I'd love to see an analysis of this as occurs in Die Hard
Congrats! Your book is a masterclass in scriptwritting. I am enjoying it very much, and learning a lot. I am using it to fix a lot of problems in my script. Thanks and muchas gracias.
Excellent as always. Thank you Michael. If I may suggest a future video, a 12 sequence breakdown of a movie would be epic. Let's observe those 5 elements of a sequence spine and their ending with a turning point.
Love this series.
Keep going! I've had a lot of trouble figuring out the internal need versus the external want as applied to the action genre. I'd love to see an analysis of this as occurs in Die Hard
Very interesting. This makes for a much better plot.
Congrats! Your book is a masterclass in scriptwritting. I am enjoying it very much, and learning a lot. I am using it to fix a lot of problems in my script. Thanks and muchas gracias.
Excellent as always. Thank you Michael. If I may suggest a future video, a 12 sequence breakdown of a movie would be epic. Let's observe those 5 elements of a sequence spine and their ending with a turning point.
Good shit
Good stuff
Great series
This push pull action is missing from many failed "action" movies!