@@cattlebuyer The Tweed Deluxe specifically is a very different amp design to the more modern Fender. As such, it's kind of it's own thing and can't be recreated with how the RevivalDRIVE is designed.
@@lewistoms6988 You should probably place drive pedals BEFORE the DELUXE55. The DELUXE55 is effectively an amp, so would take pedals well. You also wouldn't run an amp into overdrive pedals.
One thing that has always stood out to me about Tweed Deluxe breakup is how the treble notes will sag as well as the bass notes. Other circuits, if you get notes on the lower strings just sagging, notes on the higher strings will barely be breaking up, and if you crank up to get the higher notes sagging, the lower notes will be totally inarticulate mud.
Awesome demo Andy! I could hear some cool Martin Rotsey (Midnight Oil) tones coming through there. Origin Effects may have just put out the pedal of the year!
Watched this video two weeks ago and loved the pedal only two available on Reverb so I ordered the one from England just got it the other day and it is a very useful pedal that I have just started to explore thanks Andy.
I have a Mesa California Tweed for my live playing, but this would be perfect for an ampless rig for venues that don’t care too much for tube amps. Great playing as always Andy!
you totally nailed this! This sounds like the 'ultimate' Tweed Deluxe in a box pedal, be curious how it sounds against the Catalinbread and the Luis pedals, mind you the pickups completely change how the amp reacts! The Tweed 'jangle' you talk about is essentially the sound/'tone' of the Velvet Underground!
Wow!! -- you had me with Cinnamon Girl -- what a sound!! I need one and I am going to have to go off and find some TAB - whats the tuning on that one? Maybe my favourite tone you have had for a while - and all the others are amazing too 😆
These are built so well and sound great but they are EXPENSIVE and the UA Woodrow is already so good, with several different cabs, mic vol, and the fantastic "room" control all tweakable straight from the pedal. Plus, ready to go straight into the house with the built in IR...genuine amp substitute. If origin were able to produce something down range I'd be very interested. But, they're doing their own thing and people love their stuff.
Love how you busted out "Kennedy Girls"! I've always wondered if Roger Clark was thinking of Arnold Schwarzenegger, or just tapped into the universal consciousness to write that one.
You always quote my record collection in your demos. That’s great!! This particular TBC record is so cool and highly underrated!! 🖤 …It’s alright, hey Lawdy Mama, it’s alright! 😊
This seems like a very cool pedal. I'd be curious how it compares to the UA '55 Woodrow. I like that OE have provided free IRs--I'll have to pick them up. It would be even cooler if they provided some IR loading software for computers, though I know those are readily available. It's obvious they recognize the competition from modeler/IR boxes on the market, and IR loading software would even things in my estimation.
Incredible tones in that intro Andy, lovely to hear some Crowes and not the usual songs! I use a Crazy Tube Circuits Falcon for a similar Tweed on fire tone, how does the Deluxe55 compare? I'm using the Falcon for a Neil Young gig and absolutely love it. This seems quite expensive, even for an upgrade.
Hey Andy, yet another great demo. I heard Neil's Deluxe back in 2004 from the stage, in a seat 4 rows from front. It peeled the paint off the walls.. Just wondering how these Origin Effects compare to the older Tech21 pedals of similar genre (amp in a pedal format)?
I bet it was loud! Ya know, we carried the Tech 21 stuff and I remember not liking their UK Character pedals-sounded really compressed and hairy, not my cup of tea. Couldn’t say about the American voiced ones. Their direct bass pedals are obviously well renowned and worth it.
Hard to compare analog and digital but Woodrow includes the IRs and is stereo --- so apples and oranges but on the tone alone, I found them very similar. I personally like the feel and immediacy of analog for this type of pedal.
Probably not a fair comparison, but I was just thinking of buying the *Greer Amps Soma* for that tweed type of sound, but also some other sounds I like in that pedal (I didn’t want to go into the UAFX Woodrow route - not on a pedalboard anyway). But with all the features on this Origin Effects Deluxe55 and the unbelievably good sound of it, it almost feels like a no brainer, especially because in Europe the prices between the two are pretty much the same. Of course I know you have the Soma, because it’s in the background on all of your videos for years now. If you had to do a short elevator pitch in favour of the Soma, what would you tell me? In other words, is there still a reason for me to go for the Soma or anything else other than the DELUXE55 for that tweed sound? 🤔 By the way, I loved your intro jam! 🧡
Hey thanks! I made a vid a while back about it. A little callus on tie thumb and short nails. Hope it helps..Andy Martin Fingerpicking Technique th-cam.com/video/sf24m4xF-Ro/w-d-xo.html
Been some time since I played a Les Lius but the Deluxe55 definitely feels like an amp where those Electra-based circuit tend to sound like a refined fuzz/distortion. Could be that Origin has the actual 5E3 circuit in there but this pedal just had more depth to it-- the cleans don't sound like diode clipped overdrive in other words.
Yep, that’s what I did. The pedal is all analog and you can keep it that way. The option is there to go direct with a cab sim (IR) if you ever need it. Thanks!
Good point. I wonder what it would sound like through a cleaner amp that does not color the sound in that tweed direction. Great Neil Young sound. Great playing Andy!
The Tweed Deluxe became more famous for its use by later artists like Joe Walsh and Neil Young than it was in the 50s when it was new. Can you name a dozen songs from the 50s that famously used a Tweed Deluxe?
@darwinsaye I can name 10000, about every electric blues recording from the 1950s is that sound, doesn't matter if it was a fender tweed deluxe or a similar amp of that time, thats the sound. Plus Western Swing and some Jazz Players.
@@snörre23 While I do appreciate that era of music, this pedal is definitely geared towards guitarists looking for classic overdriven tones. Hope you find some examples of the tones you’re looking for.
@ Yes, I’m quite familiar with the music of the era. I was just pointing out that if you look through the bit of film footage available from the era, you don’t see a lot of, specifically, Fender Tweed Deluxes in use. I’ve mostly seen those players playing amps like Gibson EH series for whatever reason.
Thanks for checking the pedal out, if anyone has any questions, feel free to drop them to us here!
What differences would you notice between this and a tweed setting on the Revival Drive?
@@cattlebuyer The Tweed Deluxe specifically is a very different amp design to the more modern Fender. As such, it's kind of it's own thing and can't be recreated with how the RevivalDRIVE is designed.
Just curious if the deluxe 55 would still sound killer placed before any drive pedals. Have ordered one, cant wait!
@@lewistoms6988 You should probably place drive pedals BEFORE the DELUXE55. The DELUXE55 is effectively an amp, so would take pedals well. You also wouldn't run an amp into overdrive pedals.
@OriginEffectsUK very true! Excited to experiment either way, thanks guys!
BLACK CROWES!!! Easily the best video intro you've ever done
Hey thanks so much, it was worth the copyright notice lol!
@@AndyDemos It's true Andy the intro is phénoménal !
Which black crows song?
@@grantabernathy Nebekanezer from the Three Snakes and One Charm album
@@VeloVagabond Awesome! Thanks!
One thing that has always stood out to me about Tweed Deluxe breakup is how the treble notes will sag as well as the bass notes. Other circuits, if you get notes on the lower strings just sagging, notes on the higher strings will barely be breaking up, and if you crank up to get the higher notes sagging, the lower notes will be totally inarticulate mud.
Thanks for pointing that out! Definitely heard the warmer sag when I went to 12ax7 mode.
The Black Crowes 🔥 Well done, Andy ❤
The Neil Young thing sold it for me. I cant get enough of that tweed being slaughtered type of sound lately haha
Andy is The Dude, and "The Dude abides".
Amazing tones as usual Andy ! And that Show Pony is just gold !!
Thank you!
Perfect Deluxe tone .tons of settings
Your rendition of Cinnamon Girl is just perfect ....
Thank you! I was pretty amazed myself how the chords just ripped through like the album version ✌️
The demo we all wanted
7:20 the best fuzz sound coming from the end of the signal chain! Such a great demo of a great pedal 🙂
Awesome demo Andy! I could hear some cool Martin Rotsey (Midnight Oil) tones coming through there. Origin Effects may have just put out the pedal of the year!
Nebakanezer! Awesome! 😀
You have the best demos, Andy! Love that Tone Ranger!
Watched this video two weeks ago and loved the pedal only two available on Reverb so I ordered the one from England just got it the other day and it is a very useful pedal that I have just started to explore thanks Andy.
Thank you, I’m happy the vid was helpful!
Nice bit of Supergrass there at 11:26 - great work!
Show Pony + Deluxe 55 = lusciousness! 🎸😎
You’re absolutely right about that! 🤘
Andy always plays the sickest riffs, went from Radiohead to Neil , legend dude...!!!
@@michaelmarchei8539 Thanks, glad you dug it!
Those Bill Lawrence black label pickups in the crème Redtail T have a great tone .Always have liked that guitar
Oh yes, those hot pickups are something special 👊❤️
I have a Mesa California Tweed for my live playing, but this would be perfect for an ampless rig for venues that don’t care too much for tube amps. Great playing as always Andy!
Great song choice and always great playing.
Awesome sound, texture and dynamics. Great!!!
you totally nailed this! This sounds like the 'ultimate' Tweed Deluxe in a box pedal, be curious how it sounds against the Catalinbread and the Luis pedals, mind you the pickups completely change how the amp reacts! The Tweed 'jangle' you talk about is essentially the sound/'tone' of the Velvet Underground!
Nebakanezer from the Black Crowes!!!! What a great surprise!!! 🙏🏻🙏🏻
Nice demo as always Andy ❤️
Glad you enjoyed it
Damn. Sounds glorious!
Perhaps better than the original Amazing !!
Best demo so far.
Love me some crowes!!! Great demo!💪🏾
Supergrass baby!
Killer pedal tones!
Yep the dude does abide
You can tell he is getting off on that Tone Ranger guitar and that 55 pedal. Love it when a musician fades into his tone jones like that.
If we could play like that we’d be getting off too!
I still have a Love Pedal Les Luis because of u Andy 😂😂😂
Damn old Black Crowes !
That's right, had the tape back in the day haha!
@@AndyDemoslol Same here brother I’m a Crowes freak
. Thanks for all the great videos over the years. You’re still the master Andy !!
Nice Demo Man first time here and Subscribing ,really liked the Neil Young and Aerosmith Vibe !!!1 I really like this pedal man
I appreciate it! Thanks for finding my channel ✌️
Wow!! -- you had me with Cinnamon Girl -- what a sound!! I need one and I am going to have to go off and find some TAB - whats the tuning on that one? Maybe my favourite tone you have had for a while - and all the others are amazing too 😆
These are built so well and sound great but they are EXPENSIVE and the UA Woodrow is already so good, with several different cabs, mic vol, and the fantastic "room" control all tweakable straight from the pedal. Plus, ready to go straight into the house with the built in IR...genuine amp substitute.
If origin were able to produce something down range I'd be very interested. But, they're doing their own thing and people love their stuff.
Quite pleased with mine!
Happy to hear it!
great job!!!
This is definitely the pedal Neil Young does NOT want you to know about!! F**King Hell - Cinnamon Girl was pure epicness!
Haha glad you enjoyed it!
Great stuff thanks
Love how you busted out "Kennedy Girls"!
I've always wondered if Roger Clark was thinking of Arnold Schwarzenegger, or just tapped into the universal consciousness to write that one.
@@hoboroadie4623 I don’t want to be the one to tell you this…
You always quote my record collection in your demos. That’s great!!
This particular TBC record is so cool and highly underrated!! 🖤
…It’s alright, hey Lawdy Mama, it’s alright! 😊
Yeah it’s my favorite album, definitely don’t hear about it as much as others. Thanks for watching!✌️
I think I've gotta have one!
This seems like a very cool pedal. I'd be curious how it compares to the UA '55 Woodrow. I like that OE have provided free IRs--I'll have to pick them up. It would be even cooler if they provided some IR loading software for computers, though I know those are readily available. It's obvious they recognize the competition from modeler/IR boxes on the market, and IR loading software would even things in my estimation.
Incredible tones in that intro Andy, lovely to hear some Crowes and not the usual songs! I use a Crazy Tube Circuits Falcon for a similar Tweed on fire tone, how does the Deluxe55 compare? I'm using the Falcon for a Neil Young gig and absolutely love it. This seems quite expensive, even for an upgrade.
Oh... 9:50 😂👌😎
Electioneering is on point!! ;)
Neil Young riff is severely underrated.
I have an Umbrella Company HitchHike Drive does this well too.
Hey Andy, yet another great demo.
I heard Neil's Deluxe back in 2004 from the stage, in a seat 4 rows from front. It peeled the paint off the walls..
Just wondering how these Origin Effects compare to the older Tech21 pedals of similar genre (amp in a pedal format)?
I bet it was loud! Ya know, we carried the Tech 21 stuff and I remember not liking their UK Character pedals-sounded really compressed and hairy, not my cup of tea. Couldn’t say about the American voiced ones. Their direct bass pedals are obviously well renowned and worth it.
how does this compare to the Woodrow?
Same thing I was thinking! 🥸
Hard to compare analog and digital but Woodrow includes the IRs and is stereo --- so apples and oranges but on the tone alone, I found them very similar. I personally like the feel and immediacy of analog for this type of pedal.
@@AndyDemos I understand, I have some the origin pedals but also the UAD ones. I find the Woodrow not very easy to nail in btw.
I was very disappointed with Woodrow. Really was excited for it. This was another excellent demonstration.
Yikes. They got really close. Great demo!
Probably not a fair comparison, but I was just thinking of buying the *Greer Amps Soma* for that tweed type of sound, but also some other sounds I like in that pedal (I didn’t want to go into the UAFX Woodrow route - not on a pedalboard anyway). But with all the features on this Origin Effects Deluxe55 and the unbelievably good sound of it, it almost feels like a no brainer, especially because in Europe the prices between the two are pretty much the same.
Of course I know you have the Soma, because it’s in the background on all of your videos for years now. If you had to do a short elevator pitch in favour of the Soma, what would you tell me?
In other words, is there still a reason for me to go for the Soma or anything else other than the DELUXE55 for that tweed sound? 🤔
By the way, I loved your intro jam! 🧡
Both are great, so cost should be the deciding factor.
Andy HOW do you pick? Do you have a callus like Wes Montgomery? I can't figure it out. Your playing is absolutely amazing
Hey thanks! I made a vid a while back about it. A little callus on tie thumb and short nails. Hope it helps..Andy Martin Fingerpicking Technique
th-cam.com/video/sf24m4xF-Ro/w-d-xo.html
Unique
Last Child was a perfect choice.
@@itslateandimfat Thank you!👊👊
Someone's got Aerosmith on his mind.
Closest tweed approximation I’ve heard in a pedal. Sounds amazing, but the price is sure steep…
... but less than a tweed amp 😅
What’s the first song? Sounds good!
This pedal was made for La Grange! It would seem Orgin beat Universalto this one.
Electioneering mentioned
Is it worth than UAFX?
Hi Andy, how does it compare to a Les Lius in your opinion ? Thanks!
Been some time since I played a Les Lius but the Deluxe55 definitely feels like an amp where those Electra-based circuit tend to sound like a refined fuzz/distortion. Could be that Origin has the actual 5E3 circuit in there but this pedal just had more depth to it-- the cleans don't sound like diode clipped overdrive in other words.
Finally origin has created a great drive pedal.FINALLY.
They have lots of great drive pedals.
@@Richter647 you see their Cali76 20:1 compared to their dirt pedals. I could see this becoming popular.
Epic riffage
I don't get what an IR and this digital shit is. Can I just plug this in like a normal pedal and play? Thanks!
Yep, that’s what I did. The pedal is all analog and you can keep it that way. The option is there to go direct with a cab sim (IR) if you ever need it. Thanks!
🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
A tweed recreation pedal into a tweed amp? So how would you expect a non-tweed sound if the amp it's a fender deluxe?
Good point. I wonder what it would sound like through a cleaner amp that does not color the sound in that tweed direction. Great Neil Young sound. Great playing Andy!
I was using a clean 65 Deluxe Reverb not a Tweed amp.
Also a good point-I missed that clean set up in the video…. I stand corrected.
great demo its just me 280 pounds😂
Os Fender tweed gritam
Please play some period correct 1940s or 50s styles on a pedal that recreates an amp from the era, with that rock noodling you can't tell a thing.
The Tweed Deluxe became more famous for its use by later artists like Joe Walsh and Neil Young than it was in the 50s when it was new. Can you name a dozen songs from the 50s that famously used a Tweed Deluxe?
@darwinsaye I can name 10000, about every electric blues recording from the 1950s is that sound, doesn't matter if it was a fender tweed deluxe or a similar amp of that time, thats the sound. Plus Western Swing and some Jazz Players.
@@snörre23 While I do appreciate that era of music, this pedal is definitely geared towards guitarists looking for classic overdriven tones. Hope you find some examples of the tones you’re looking for.
@ Yes, I’m quite familiar with the music of the era. I was just pointing out that if you look through the bit of film footage available from the era, you don’t see a lot of, specifically, Fender Tweed Deluxes in use. I’ve mostly seen those players playing amps like Gibson EH series for whatever reason.
Sounds kinda muddy to me in general; I guess that's like the real amp. Never owned one so I wouldn't know.
Judas Priest!?