Atterberg - Symphony 3 "Pictures of the West Coast" [1916] (w/ Score)

CONDUCTOR: Sixten Ehrling
ORCHESTRA: Malmo Symphony Orchestra
I decided to create a new score video, since my previous one had only a single page per slide (this one has 2). I chose another recording of Ehrling's, one which I prefer to the Royal Stockholm Philharmonic's version.
Atterberg's preface: 00:00
I: Soldis. Lento. 00:05
II: Storm. Con fuoco. 7:33
III: Sommarnatt. Adagio. 18:40
Atterberg's preface to the symphony reads as follows:
"The symphony depicts, in a free form, different aspects of the Swedish west coast. The first movement 'Sunshine' attempts to give the atmosphere of the sea on a still day, suffused with sunlight, when the mist obscures the horizon and a slow ground swell is all that stirs the utter calm of the sea. The movement opens with a motive in thirds, fourths and fifths which in its rising and falling reflects the unresting spirit of the sea. This motive forms an important accompanying figure in the 2nd movement, and builds the harmonic foundation of the 3rd movement's beginning and end.
"In the 2nd movement, the 1st motive, development and end aim to express the violent force of a storm over the seaword skerries. The 2nd motive - founded on a Swedish folk song - depicts the fjord, far in where the water lies deep and still, while the sea, far out thunders black and threatening, but unable to ruffle the quiet of the fjord.
"The 3rd movement, 'Summer Night' is in free form. In the quiet of the evening, only when the ground swell stirs the surface of the sea, the exquisite colours and the endless view over land and sea enchant the eye. As midnight approaches, the colours fade and quiet becomes more intense, until the night-breeze gradually begins to blow - a Scherzando, buillt on a Swedish folk motive. The colours in the north-east grow stronger, the breeze freshens and as the sun rises majestically over the mountains, the cold morning colours become warmer and brighter."
This video is dedicated to my uncle. RIP.

[@thenoblegnuwildebeest3625]

I remade this video, because I've grown to prefer this recording. I also wanted to use two-pages-per-slide, as opposed to the original (which was one-page-per-slide), so as to be consistent with the rest of my Atterberg scores; the original version of this video was only the second score video I'd made, so I hadn't developed a good system for video editing yet.
In addition, I think the cuts between pages are a lot cleaner here, and the resolution goes up to 1080p.

[@thenoblegnuwildebeest3625]

@@Lifted229 Just sent it.

[@Lifted229]

@@thenoblegnuwildebeest3625 Thanks so much! Much much appreciated.

[@alexandrianova6298]

Thank you for doing this. It adds a lot of dimension to follow the movement of the score.

[@DavidAlexanderRahbee]

since I first heard this piece in 2002, I have yet to understand why it is not more popular. Fantastic music

[@bowerdw]

An incredible work. I prefer intensity and got it.

[@DemirSezer]

harp x celesta unison is heavenly, I wish it was used more commonly.

[@ryanroyal1221]

Thank you thank you thank you for this video... I can't even find a study score to purchase of this symphony which is a shame because this is a such a beautiful work !!! Thank you from the bottom of my heart!

[@esperantofeig]

It is the better recording! Still crazy that this score is in his autograph!

[@nevillefilar5245]

I'd never heard of Atterberg, but tis is a wonderful piece the final pages of which were profound. His music is always listenable to, but this was terrific! The horn concerto is marvellous and I'm going to learn that. `Does anybody else hear a bit of Sibelius in this composers work?

[@alexandrianova6298]

Has that same bowl-shaped boiling glory yeah. A symphonic cauldron.

[@user-ph5zn8ev4d]

How can I get a live performance?

[@user-zp1oi2fl7j]

Thank you for the wonderful music. I would like to know how can I get the score used in this video? I would like you to tell me.

[@natanaelmojica217]

can you share the score? can not find it, and want to study it