소박함, 밝음, 맑음, 따뜻함 정도의 단어로 표현하고 싶은 파르티타 1번을 이보다 더 잘 보여주기는 힘들다고 생각합니다. 특히 프렐류드와 사라방드는 아득한 과거를 떠올리게 하면서도 막연히 따라가야 할 미래의 빛이 무엇인가 상상하게 하네요. 지나치게 늘어지지도, 과하게 달리지도 않는 군더더기 없고 아름다운 연주입니다.
I guess im asking randomly but does someone know a trick to get back into an instagram account?? I was dumb lost the account password. I appreciate any assistance you can give me
어린시절 바흐를 음악의 아버지라도 배웠고 그 때는 바흐를 잘 몰랐는데 왜 나이를 들면서 점점 바흐가 진정 아버지 품처럼 편하게 느껴지는걸까요? 내 영혼의 주식은 역시 바흐 음악 같아요. 8:30 부분 부터 특히 너무 좋네요. 깊숙히 묻어둔 내 영혼이 기뻐 노래하는 듯해요. ^^
Sokolov and Lang Lang (!) are my favorites. TH-cam has the Sokolov Gigue, but that video describes the Chinese TH-cam with the whole piece. TwoSetViolin originally recommended the Sokolov Gigue, which is how it ended up in my recommendations. This one is very nice also; I am being distracted from what I am writing :-).
I agree about the tempo for the allemande. I think there's poignancy, pathos in this music, and it simply can't emerge at a fast tempo. Yet there have been several very fine musicians who obviously disagree with me. For example, imho it's one of Scott Ross's extremely rare misjudgments.
@@gfweis too many tried to start using this as a showpiece after Gould, but the allemande is a moderately paced dance. One the other hand, the Italian courrente and giga should haul ass.
Absolutely outstanding - breathtaking - performance. I love his clarity and delicate touch , displaying superb understanding of the piece ( well he explains it to me anyway)
Sunwook's interpretation is based on his visceral emotions. He lacks imagination and a sense of form. He likes to emote--even if for a little bit---but Bach is very refrained and not wont to emote. Baroque period addresses form and architecture while the Romantic Period focuses on emotion. Sunwook Kim should listen to Glenn Gould and Rosalyn Tureck's playing, even David Fray. Those pianists have a great sense of form, architecture, accenting, tone production, and especially, imagination.
@@chrrev1 no, but there are authoritative treatises from the period like from Francois Couperin that indicate the style, interpretation and ornamentation.
While you have a few things right it is a completely false narrative to say baroque period lacks emotion - it may lack some of the human range of it compared to the romantic but it’s loaded with tension, resolve and high heavenly climaxes. In this case, he plays the sarabande FAR too robotically and it lacks the expression and emotion for that reason. In the baroque period, you basically rarely play left and right hand notes totally together. As indicated by the treatises they are meant to be rolled and broken. This becomes more pronounced with a slow tempo (like in the sarabande). To simply play this with no rocking/rolling rubato at all and all the notes precisely together is COMPLETELY WRONG stylistically and it’s this over-attention to “architecture” that leaves it completely devoid of all the divine expressive emotions it should contain!!
He did some good things and I was comfortable listening to it. But the sarabande is way off in style and interpretation. He’s not even breaking and rolling left/right hand chords and was very robotic and lacking articulation, ingenuity or expression. The sarabande was completely foul.
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소박함, 밝음, 맑음, 따뜻함 정도의 단어로 표현하고 싶은 파르티타 1번을 이보다 더 잘 보여주기는 힘들다고 생각합니다. 특히 프렐류드와 사라방드는 아득한 과거를 떠올리게 하면서도 막연히 따라가야 할 미래의 빛이 무엇인가 상상하게 하네요. 지나치게 늘어지지도, 과하게 달리지도 않는 군더더기 없고 아름다운 연주입니다.
I guess im asking randomly but does someone know a trick to get back into an instagram account??
I was dumb lost the account password. I appreciate any assistance you can give me
I agree
how have I never heard of this guy? Gorgeous, completely honest playing.
바흐음악에 예쁜 마음들이 앉아 노래하는 것 같아요
Brilliant, Mr Kim! Thank you.
어린시절 바흐를 음악의 아버지라도 배웠고 그 때는 바흐를 잘 몰랐는데 왜 나이를 들면서 점점 바흐가 진정 아버지 품처럼 편하게 느껴지는걸까요? 내 영혼의 주식은 역시 바흐 음악 같아요. 8:30 부분 부터 특히 너무 좋네요. 깊숙히 묻어둔 내 영혼이 기뻐 노래하는 듯해요. ^^
Clear and balanced sound.. Classical but fresh style with wonderful rhythmic sense. He has his own unique style. Respectful in that sense
I listen to Bach today again.
Every worry in mind is gone.
김선욱님의 연주가 오늘도 힘든 삶을 살아내야 했던 제게 위로를 줍니다
너무잘친다 ㅜ어떻게저렇게
한점틀림없이잘칠수가 ㅜ질릴만큼
잘친다 완죤므찌다
2 mov 1:54
3 mov 4:48
4 mov 7:27
5 mov 8:38
9:51
13:00
My 2 fav pianists on this piece are Sunwook Kim and Richard Goode. Sunwook plays with beautiful clarity and Goode plays soulfully.
Sokolov and Lang Lang (!) are my favorites. TH-cam has the Sokolov Gigue, but that video describes the Chinese TH-cam with the whole piece. TwoSetViolin originally recommended the Sokolov Gigue, which is how it ended up in my recommendations. This one is very nice also; I am being distracted from what I am writing :-).
I adore Richard Goode. His Beethoven and Brahms is unsurpassable! I have heard Sunwook play Brahms and it beautiful.
너무 잘 치셔요... 매끄럽고 부드럽고 귀가 편안해요!
That deserved WAY more applause than it got.
what a wonderful playing! definitely one of the best pianists worldwide
He doesn't rush through the Allemande to show off his speed. That's maturity.
Actually Allemande is the best one.
I agree about the tempo for the allemande. I think there's poignancy, pathos in this music, and it simply can't emerge at a fast tempo. Yet there have been several very fine musicians who obviously disagree with me. For example, imho it's one of Scott Ross's extremely rare misjudgments.
@@gfweis too many tried to start using this as a showpiece after Gould, but the allemande is a moderately paced dance. One the other hand, the Italian courrente and giga should haul ass.
Wow - a great pianist!
Tone nice, clear articulation, organization nice
His playing reminds me of beatifil days that I had a long time ago ~thank you. Now I 'm getting happy.^^~But tomorrow is Monday --hate it ㅜㅜ
3:28 최고의 파르티타 연주
I am happy now and will be happy forever. every difficulty that I face I can destroy .Don't worry. Everything is fine .
My favorite playing of the Courante!
It is truly "a romp"...loved it too.
perfetto niente da invidiare a nessuno. bravo bravissimo
훌륭한 연주를 잘 들었습니다. 손이 참 곱네요.
바흐 음악 앞에선 다른 생각이 안난다.
아름다운 연주네요.
Très belle interpretation limpide et claire !
귀호강 눈호강 ㅎ
とても、忠実にバッハを案じます♥️素敵
やっぱ音楽は万國の共通語じゃ^_^
awesome!
Superb interpretation.
Marvelous!
감동적.
피아노 참 예쁘게치네요 다른 피아니스트들 표정은 무지 괴로워보였는데
Superb!
너무좋아..
completely honest playing
I agree
la giga capolavoro assoluto
l feel pure music.
사랑하는 바흐 ㅡ^^
7:27
Absolutely outstanding - breathtaking - performance. I love his clarity and delicate touch , displaying superb understanding of the piece ( well he explains it to me anyway)
4:48
13:00
7:28
14:19 Minuet II
4:47 Courante
12:59
GREAT! GLENN GOULD is your master!
Would like to see Sunwook play moonlight sonata
Thank you for the like
15:30 ...🤭존잘...
Superb performance!
1:53
15:42
03:59
Buona interpretazione, ma per quale motivo, si deve insistere nel inquadrare la faccia del pianista quando interessa molto di più vedere la tecnica?
.......
Is it usual to use the sustain pedal during the gigue? I think he is muddying it!
Definitely. He should leave the pedal out of this Italian giga.
Sunwook's interpretation is based on his visceral emotions. He lacks imagination and a sense of form. He likes to emote--even if for a little bit---but Bach is very refrained and not wont to emote. Baroque period addresses form and architecture while the Romantic Period focuses on emotion. Sunwook Kim should listen to Glenn Gould and Rosalyn Tureck's playing, even David Fray. Those pianists have a great sense of form, architecture, accenting, tone production, and especially, imagination.
Fred MyOpinion Well unfortunately we will never know how Bach played, will we...
@@chrrev1 no, but there are authoritative treatises from the period like from Francois Couperin that indicate the style, interpretation and ornamentation.
While you have a few things right it is a completely false narrative to say baroque period lacks emotion - it may lack some of the human range of it compared to the romantic but it’s loaded with tension, resolve and high heavenly climaxes. In this case, he plays the sarabande FAR too robotically and it lacks the expression and emotion for that reason. In the baroque period, you basically rarely play left and right hand notes totally together. As indicated by the treatises they are meant to be rolled and broken. This becomes more pronounced with a slow tempo (like in the sarabande). To simply play this with no rocking/rolling rubato at all and all the notes precisely together is COMPLETELY WRONG stylistically and it’s this over-attention to “architecture” that leaves it completely devoid of all the divine expressive emotions it should contain!!
@@chrrev1..effectivement,d’autant plus que de son vivant,Bach n’a jamais connu autre instrument que le clavecin 😏
@@sergiosergio7163 orgue, clavichord, ...
He did some good things and I was comfortable listening to it. But the sarabande is way off in style and interpretation. He’s not even breaking and rolling left/right hand chords and was very robotic and lacking articulation, ingenuity or expression. The sarabande was completely foul.
Bravo Yundi Li!
Dan Angelo Garcia Are you kidding?
Dan Angelo Garcia he is Lang Lang not li yundi
Jianping Liu He is a korean pianist Sunwook Kim!
SJ CHO I know Ijust kidding
Stronzo!
12:59