@@Dramalius It's a "before and after" where each word creates a unique phrase with the word in front a behind it. "The world's my Oyster" "Oyster Soup" "Soup Kitchen" "Kitchen Floor" "Floor Wax" "Wax Museum"
@@unohu3047 Not really no. Humans love simple clicking and KC almost never offers simple clicks. "The click" is something that you have to find yourself, but the reward is all the more satisfying. Art isn't subjective, your taste is.
@@unohu3047 you know how two people just click? The same thing. Modern pop is based that formula of ‘simple clicking’ and producers should be flayed for it. Pink Floyd had a great golden balance of simple clicks and complex/redeeming harmonies.
you know, the chorus is usually the easiest part of a song and the one people tend to sing more, however king crimson doesn't give a fuck to what is commonly done and decided that the chorus will be just as complex if no more than rest of the song
Fripp should work with Lindsey Buckingham. Yes, I know Lindsey is very poppy and not playing Prog at all. But he is a great guitarist who is for me one of the only guitarists in Fripps class. Just listen to his more darker and wilder songs like "Come", "Big Love" (the Dance version) or "Murrow Turning Over In His Grave". He and Fripp could interweave their guitars like Fripp did with Belew on songs like Discipline... And since Buckingham is out of Fleetwood Mac, he is now unbound I believe.
The Larks' Tongues And The Elephant Talk And The Frame by Frame, Etc Bit is Funni You Guys. But Also The Funny Moving Wheels Man is God of Space, Time, And Lyricism And You're Wrong if You Deny me.
One of their best tracks - I don't care what anyone says! It totally epitomizes the absolute madness the band is capable of creating - the kind of spontaneous, boisterous, whirling intensity that manifests in the climaxes of live tracks and improvs until they gradually disintegrate from mounting layers of clashing complexity. You can hear this pattern rear its head in some studio tracks like Fracture, Neurotica, Starless and Bible Black, 'Sex, Sleep, Eat, Drink, Dream', THRAK, Indiscipline... but I thought it was never in such a pure, sustained, and unrestrained form on any of the albums proper as it is here. In addition to the very beautiful, tender side of the band, and the very organized, rigorously systematic side, there is also this very mischievous and maddening and chaotic side. Is there a better example than this? I love this album. I think it is actually one of their darkest albums. Some people have expressed problems with Belew's lyrics and vocal delivery, but I think they are perfect and just demand an open mind - simply listening to the music with no preconceptions. I think the humorous component is less clownish than it is completely crazed (although it seems to me KC sometimes have a hidden agenda for humor). Under the right light, both this and Prozakc blues are a bit silly yes, but also pretty eerie. Like the laughter of a schizophrenic. To me that is a big element of King Crimson. There is always some other feeling lurking beneath the surface if you listen closely. I was listening to this track a lot during the early days of Covid. Feeling like the world was ending and everything was meaningless. There was no reason to do anything. But why not do it anyway? How *absurd!* But don't fret. It's just winding, inconclusive babble. All talk!
Autocomplete: the song
Lizard if it was made in 2000
What, deemed unlistenable by Frippman? :P
@@Baton793 It's okay, he likes it now!
Am I the only person who always bursts out laughing at 'wooo' and 'get jiggy with it'?
haha! so true, bestie!
The World's My Oyster
Oyster Soup
Soup Kitchen
Kitchen Floor
Floor Wax
Wax Museum
Museum Piece
Piece Meal
Meal Time
Time Clock
The band had a stroke not only playing this, but coming up with the title
yep... and for a non-native english speaker this is quite a challenge to understand what this means !
@@Dramalius i dont think it means anything tbh
@@Dramalius It's a "before and after" where each word creates a unique phrase with the word in front a behind it.
"The world's my Oyster"
"Oyster Soup"
"Soup Kitchen"
"Kitchen Floor"
"Floor Wax"
"Wax Museum"
Best song on the album
Based.
What a title
6 minutes of pure madness and musical dexterity.
despite the virtuosismo, their music is not always arranged in an attractive way
@@franconasello6160 Isn’t that entirely subjective?
@@unohu3047 Not really no. Humans love simple clicking and KC almost never offers simple clicks. "The click" is something that you have to find yourself, but the reward is all the more satisfying.
Art isn't subjective, your taste is.
@@hellriser8955 What do you mean by “simple clicks”?
@@unohu3047 you know how two people just click? The same thing. Modern pop is based that formula of ‘simple clicking’ and producers should be flayed for it. Pink Floyd had a great golden balance of simple clicks and complex/redeeming harmonies.
Get bumped, get pumped, get dumped, get the funk
Get sick get fixed get jiggy with it, WHOOOOOOOOO
Sounds like if the Talking Heads got deep fried.
we live in a dermal-soaked. baryon-infused space wank gangrenous society
Same with Discipline
The 11/8 rhythm makes this so crazy
you know, the chorus is usually the easiest part of a song and the one people tend to sing more, however king crimson doesn't give a fuck to what is commonly done and decided that the chorus will be just as complex if no more than rest of the song
i get goosebumps everytime the fripps guitar/piano solo enters
Pump up the volume 🔊
Play it for me spotty fingers!
Spider fingers
The title sounds like an auto corrects "auto spell" spam
00’s indiscipline
te amo kin crimson sois los mejores
Funny piano man heehee
Thats actually Robert Fripp's guitar!!
the fuck were they thinking
What.. the.. fuck!
I definitely prefer live versions, but... yknow what? I like it.
This is what you get when you use google translator to make your lyrics
Imagine if Robert Fripp and David Gilmour worked together the two greatest guitarists of all time
Would make for a very dissonant, interesting piece
wouldnt work. Gilmour is too bluesy.
Wouldn’t work
Fripp should work with Lindsey Buckingham. Yes, I know Lindsey is very poppy and not playing Prog at all. But he is a great guitarist who is for me one of the only guitarists in Fripps class.
Just listen to his more darker and wilder songs like "Come", "Big Love" (the Dance version) or "Murrow Turning Over In His Grave".
He and Fripp could interweave their guitars like Fripp did with Belew on songs like Discipline...
And since Buckingham is out of Fleetwood Mac, he is now unbound I believe.
@@ecIipsedthe fact it sounds like it shouldn't work is, in my mind, enough of a reason for it to happen.
death grips and crunkcore but it's king crimson
The Larks' Tongues And The Elephant Talk And The Frame by Frame, Etc Bit is Funni You Guys.
But Also The Funny Moving Wheels Man is God of Space, Time, And Lyricism And You're Wrong if You Deny me.
Play it for me spotty fingers
so who wants to play word pong with adrian belew?
diavolo's next death right here
Ia robert fripp playing keyboard?
He uses a piano effect or pedal on his guitar
King Crimson, immense eternity!
Kingu Kurimzon, Za Warudo!
Kono Diavolo da!!! 😂
😐
@@NimrodelMirage 🗿🗿
Jojo fan be not annoying challenge (impossible)😢😢😢😢😢😢
@@monger6689 not all of us are like that I swear
One of their best tracks - I don't care what anyone says! It totally epitomizes the absolute madness the band is capable of creating - the kind of spontaneous, boisterous, whirling intensity that manifests in the climaxes of live tracks and improvs until they gradually disintegrate from mounting layers of clashing complexity. You can hear this pattern rear its head in some studio tracks like Fracture, Neurotica, Starless and Bible Black, 'Sex, Sleep, Eat, Drink, Dream', THRAK, Indiscipline... but I thought it was never in such a pure, sustained, and unrestrained form on any of the albums proper as it is here. In addition to the very beautiful, tender side of the band, and the very organized, rigorously systematic side, there is also this very mischievous and maddening and chaotic side. Is there a better example than this? I love this album. I think it is actually one of their darkest albums. Some people have expressed problems with Belew's lyrics and vocal delivery, but I think they are perfect and just demand an open mind - simply listening to the music with no preconceptions. I think the humorous component is less clownish than it is completely crazed (although it seems to me KC sometimes have a hidden agenda for humor). Under the right light, both this and Prozakc blues are a bit silly yes, but also pretty eerie. Like the laughter of a schizophrenic. To me that is a big element of King Crimson. There is always some other feeling lurking beneath the surface if you listen closely. I was listening to this track a lot during the early days of Covid. Feeling like the world was ending and everything was meaningless. There was no reason to do anything. But why not do it anyway? How *absurd!* But don't fret. It's just winding, inconclusive babble. All talk!
I am not reading that... I absolutely agree.
Play it for me spider fingers