Matt Furniss has got to be my favorite composer on the Genesis/Mega Drive, I have loved his style ever since hearing Puggsy, the first OST of his I discovered, and from there it spiraled into just listening to every game that had his named attached to it, always the sign of a fantastic composer, and even with his recognition he has gotten from his SEGA stuff, I still feel he is underrated and overshadowed in discussing the sounds he made on that 16-Bit hardware, and hell all the early consoles and home computers he worked with, I love Atari ST stuff (the Fresh House track is killer), and dear lord his Amiga stuff is just as top notch, an absolute king on that sound hardware, and even if he is least fond of his C64 stuff, it still has a Furniss vibe I enjoy so much. Matt is absolutely talented across so many games he did, the entire Genesis section basically highlights what makes Matt one of the greatest composers on the SEGA hardware, and all the facts just compliment his unique achievements and understanding what he was working with, and it's appreciated as always with these Features having all the facts/info to put into perspective how amazing he was. And as with a lot of composers starting in the chiptune era, I wondered how his foray into redbook audio would do, and holy shit it holds up greatly, Nanotek Warrior has been one of my favorites of his and on the PS1 since this, along with Assault Rigs and Excitebike 64 (even when going back to limited hardware for the sound he exceeds). I am saddened Second Samuari didn't get to make it into the mix tho, because without a doubt, that is my favorite Mega Drive game he did, and sadder that was a PAL only game so its reach was even more limited but that soundtrack is to me his magnum opus on the console. And the Wizball remix is a fitting end to the mix, of course as the 2000's came, Matt was of many video game composers that stepped away from game music, but it's great seeing highlights of what he did after and even coming back, and anytime a composer actively posts there own stuff or still cares about the history and preservation of there work is wonderful, as was your Artist Feature here, wonderful as always, anosci (which I realize is probably the more proper way to thank you now, lol), another riveting mix and AF as always!
Oh beans, Furniss has such a wild lexicon of musical compositions and arrangements. How you managed to narrow it down is insane, not to mention so many of his spins on existing compositions sometimes become iconic in their own right. This man made a boss tune for Zool on MegaDrive, and it remained so perfect it got reused in ReDimensioned. And taking a page from Wright's creative liberties with the Beast tracks in Lemmings, he got to add Mad Professor Mariarti's theme to the Acorn version... THAT WAS THE ONE I PLAYED AS A TODDLER!
Always makes my day whenever you upload these Artist Features. Matt Furniss is my all time favorite Genesis composer, but I didn't realize his post-Genesis stuff was that good too! Oh, and I'm surprised you didn't use the Options Theme from Daffy Duck in Hollywood, that's kind of different from his usual stuff with the way the tempo changes, plus you could have compared it to the Master System version. Could have been a great segway from PSG systems to Genesis. And didn't know he started composing again! All I knew he did recently was that FMV kickstarter game he made. Anyway, keep up the great work!
oh man, I really did want to use that track in particular! I just...couldn't fit it in. the majority of the mix is 125 BPM, but that song is 180. completely outside the tempo range I used in the mix. alas...
Re 1:23 - Krisalis and Teque were the same company! Specifically, Teque changed their name to Krisalis after their London branch split off to do their own thing.
AMAZING COMPOSER! Still want to hear his soundtrack for the unreleased port of the Shadow of the Beast 3 to the SEGA GENESIS/MEGA DRIVE. Loved this video!
Mmm... Quizas Mortal 1, mas que el 2. Te recomiendo escuchar el ost de F-15 strike eagle 2, sobre todo el tema principal, es una de las mejores canciones de la sega genesis. Eso bye
Thank you for this, your videos are always a pleasure. I already knew quite a lot about Matt Furniss but you still make me discover some cool things. btw I like his work on Space Harrier II for the Atari ST, the new versions of the tracks "Nuclear Shock" and "Handcuff" in particular, pure carefree chiptunes euphoria! If you haven't already, give them a go! (you can find both in my playlist dedicated to ST music: "VGM | Atari ST")
I saw this being featured in the related videos to the one I just uploaded - man, I had seen your video about GEMS and I loved it, and this one looks promising!
Excellent video! I really liked reading about Matt's composing history and hearing such great variety of his works. I actually wrote that interview at Sega-16, thanks for referencing to it!
Excellent video. Excellent composer. This list is missing quite a few of his compositions but I guess there's just too many games to cover for a short video like this. Maybe you can update the video with more tracks at a later date.?
I don't think I'll revisit any artists, since there's so many other artists that I could cover instead. But yeah, it's always hard fitting so much music into a short video. ...even when the video is longer than intended! (goal: 10 minutes. reality: 23.)
One of the great game composer from the West! (you know what I`m said). ALIEN3, World Trophy Soccer, even Boogerman (never thought in childhood!!!), James Bond are incredible! Really love Lost Vikings OST, even if Matt just converted tracks from the SNES - Mega Drive versions I like a lot more, esp. from the Spaceship and Egypt levels! Thanks for the video and nice mix! 19:04 I think It`s more the techno, not even hard-trance. Mortal Combat is the same - pure techno 90s music. Both tracks have well-known straight "flying" kick (bass drum), synth loops and arpegios. More than this, in 1996 hard-trance is only born, If I`m not mistake.
When I think "techno", I think "Detroit". It's a very specific, mechanical sound that doesn't match the more colloquial definition of "techno". Hard trance may not be the right term, but the arps and filter work seems to dip into that sort of territory. but, as I've said many a time: genres are pretty nebulous. we could spend hours debating the finer points of every genre like two monocle wearing mustachios comparing wines. :P
Nice video and nice mix of his tunes but it's a bit disappointing that there is no Master System PSG at all thrown in when some of his best works was on the Master System.
Pity there is no reference to his Acorn Archimedes soundtracks. Whilst the majority were from Amiga, many were enhanced or remade. On some (such as Oh No! More Lemmings), he threw away the small 6 song Amiga version and came up with a proper 25 songs soundtrack.
yeah, true. If you look at the "how it's made" for this mix, you can see I had some notes on his various Acorn works. I don't remember exactly why I decided not to include them in the mix, but the lack of any songs lead to the lack of any mention of the system. such is the struggle between comprehensive and cohesive, I guess!
The Lemmings arrangements he made for Acorn are - to this day - something I will unflinchingly defend. Acorn had no ports of the Psygnosis titles Wright made music for, so he made 5 brand new compositions and they are beautiful. The Oh No soundtrack has become THE WAY I need to play that game, the sound has become part of the experience for me. And then he got to do the same all over again converting the Lemmings 2 arrangements from the MegaDrive port over to Acorn as well. AND THAT'S JUST ONE FRANCHISE!
Matt Furniss did a really excellent original soundtrack for a arcade conversion of Skull and Crossbones. I own the Amstrad CPC version but the game appeared on the Amiga, Atari ST, Commodore 64, Spectrum too. All with the sound music.
He's a Jan Hammer fan. You can totally hear the Miami Vice in the second game with the percussion change ups. Guys got talent, ain't knockin him but I like Howard Drossin better
Man I'd kill for "CD Track 08 (Supercross Circuit, PS1)" as an individual TH-cam upload to put in my Furniss playlist. I can't find it anywhere online!
Whoa! Thanks! You're legitimately my favorite Genesis composer. Could you possibly upload it your TH-cam channel? I don't have a soundcloud since I use TH-cam for music.
Great Channel, awesome work. The music I prefer by Matt Furniss is the opening for OutRun Europa. I had a question that you might eventually know the answer to : I know the opening for OutRun Europa is original, but it seems that levels musics are covers from one another on the Amiga and the C64. Still, I can't figure out who covered who (Jeroen Tel made the C64 version). Any idea? Continue your great work. I had suggestions for you for artists feature : Hiroshi Kawaguchi (OutRun, Afterburner, etc.), or French outsiders like Jean Baudlot, Raphaël Gesqua or Charles Callet. Regards.
I'm *pretty sure* Jeroen wrote the music originally, as he was involved with the canceled Outrun Europa, which he recycled for Turbo Outrun, and then went on to write the proper Outrun Europa. looking at mentions in magazines, the C64 version appeared before the Amiga version, which supports this. (September vs October for earliest mention of each)
12:07 Ah, it's good to know the drivers Matt used support the SN7. It's a shame he never used the SN7 for anything on the Mega Drive, not even for hi-hats, cymbals, or even just extra polyphony. It's weird how he decided to make fake square waves on the YM2612 instead of using PSG or even combining it with the FM fake square waves. I guess he thought the FM hardware envelopes were more worth it.
One of the composers who is using his very own driver on Mega Drive. His programming knowledge helps a lot in order to create some outstanding tracks imo.
This is a fantastic mix, though I can't help but question the lack of Mortal Kombat as I genuinely might enjoy Matt's Genesis remixes and original pieces for that game more than the arcade OST.
ah, sure: DAW = Digital Audio Workstation. It's kind of the standard these days, where you can load up samples and virtual synths and complete a song without using any external hardware.
Thank you so much for these educational experiences! I'm recently finding a taste for "piano house", but I've seen you mention "hard house" in this video. What are some related genres/artists/albums/songs that you'd recommend me look up. Video game and non-VG
Hmm, well, I'm kind of using "hard house" to just mean "house music that's hard". usually meaning house with some blending from trance and, especially in this case, oldschool rave. (think: 3 Thieves & A Liar, Altern 8, the first Prodigy album) So, something like Utah Saints (who did appear on the MK Movie soundtrack), CJ Bolland, some of the slower and less-acidic stuff from djax up beats...perhaps? (this is not to be confused with electro house, like Boys Noize or Justice) game soundtracks...I'd point you to the Ridge Racer soundtracks, Super Bubble Pop, and this one odd 1996 album called Club Saturn. that's kind of a jumbled mess but hopefully it can get you started on a nice journey of musical discovery. genres are nebulous, man!
now that I'm actually focusing on SMS/GG music, I find myself wishing I had waited until now to make this Feature. Matt made some of the best music to grace that humble chipset
N64 was not redbook audio and I bet his PS1 work used the soundchip too, but I don't know about that. I really enjoy his work on the Mega Drive, though I was a bit disappointed to find out he never used the PSG, despite making such excellent use of the Master System on its own.
Yeah the N64 isn't redbook, which I briefly mentioned in the video. The songs just happened to fit into that section. Some of his PS1 games used the SPU, but all of the tracks I featured in the mix were straight from redbook.
Race Karts from the Woody Woodpecker Racing game has a sample that Yuzo Koshiro used for Go Back on Streets Of Rage 4! I don't actually know if it's the same but it sounds identical, just listen to it
@@GSTChannelVEVO Nice! So far I just heard that sample on these two songs, I love how it sounds. Btw your videos are awesome, I watched most of them and I have to say they're quite inspiring. I even got the itch to try and make music myself, now I just need to actually learn how to do it and try hehe. Thanks!
@@DeathScorpi0 it's a good sound! it saw a lot of use in deep house and future garage, though the latter is where it appeared as a really unique bass synth (example: "We Should Get Together" by Artful Dodger
correct! they worked together under the name Blythe Joustra, and since that's how they were credited in the game, that's how I mentioned them in the video.
Matt Furniss has got to be my favorite composer on the Genesis/Mega Drive, I have loved his style ever since hearing Puggsy, the first OST of his I discovered, and from there it spiraled into just listening to every game that had his named attached to it, always the sign of a fantastic composer, and even with his recognition he has gotten from his SEGA stuff, I still feel he is underrated and overshadowed in discussing the sounds he made on that 16-Bit hardware, and hell all the early consoles and home computers he worked with, I love Atari ST stuff (the Fresh House track is killer), and dear lord his Amiga stuff is just as top notch, an absolute king on that sound hardware, and even if he is least fond of his C64 stuff, it still has a Furniss vibe I enjoy so much. Matt is absolutely talented across so many games he did, the entire Genesis section basically highlights what makes Matt one of the greatest composers on the SEGA hardware, and all the facts just compliment his unique achievements and understanding what he was working with, and it's appreciated as always with these Features having all the facts/info to put into perspective how amazing he was. And as with a lot of composers starting in the chiptune era, I wondered how his foray into redbook audio would do, and holy shit it holds up greatly, Nanotek Warrior has been one of my favorites of his and on the PS1 since this, along with Assault Rigs and Excitebike 64 (even when going back to limited hardware for the sound he exceeds).
I am saddened Second Samuari didn't get to make it into the mix tho, because without a doubt, that is my favorite Mega Drive game he did, and sadder that was a PAL only game so its reach was even more limited but that soundtrack is to me his magnum opus on the console. And the Wizball remix is a fitting end to the mix, of course as the 2000's came, Matt was of many video game composers that stepped away from game music, but it's great seeing highlights of what he did after and even coming back, and anytime a composer actively posts there own stuff or still cares about the history and preservation of there work is wonderful, as was your Artist Feature here, wonderful as always, anosci (which I realize is probably the more proper way to thank you now, lol), another riveting mix and AF as always!
Matt will forever be one of the GREATEST OF ALL TIME.
Did not know that Alien III and Boogerman writed by same composer. I really love all Boogerman's songs - masterpices
Oh beans, Furniss has such a wild lexicon of musical compositions and arrangements. How you managed to narrow it down is insane, not to mention so many of his spins on existing compositions sometimes become iconic in their own right. This man made a boss tune for Zool on MegaDrive, and it remained so perfect it got reused in ReDimensioned. And taking a page from Wright's creative liberties with the Beast tracks in Lemmings, he got to add Mad Professor Mariarti's theme to the Acorn version... THAT WAS THE ONE I PLAYED AS A TODDLER!
My mans GST delivering the good stuff! Excellent work buddy!
Totally the kind of tunes that turned me into house music and electronic music as a kid
What an underrated composer! Thanks for making this, your videos are great!
Agreed!
11:36 - I love how in sync that snare was with the protagonist being hit.
Great video!
Pity it's missing his outstanding works on Mortal Kombat and (especially) Second Samurai.
I loved his Alien 3 music, didn't realize all the other stuff he did, so funky.
Love its Amiga Work, so fresh.
Oof! These basslines and drum samples coming out of the Genesis sound crazy! Matt Furniss really knew his way around it!
Always makes my day whenever you upload these Artist Features. Matt Furniss is my all time favorite Genesis composer, but I didn't realize his post-Genesis stuff was that good too!
Oh, and I'm surprised you didn't use the Options Theme from Daffy Duck in Hollywood, that's kind of different from his usual stuff with the way the tempo changes, plus you could have compared it to the Master System version. Could have been a great segway from PSG systems to Genesis.
And didn't know he started composing again! All I knew he did recently was that FMV kickstarter game he made.
Anyway, keep up the great work!
oh man, I really did want to use that track in particular! I just...couldn't fit it in.
the majority of the mix is 125 BPM, but that song is 180. completely outside the tempo range I used in the mix. alas...
Re 1:23 - Krisalis and Teque were the same company! Specifically, Teque changed their name to Krisalis after their London branch split off to do their own thing.
I dropped everything to come watch this. Definitely worth it!!!
You should do an artist feature for Naofumi Hataya! I love his work so much!
I second this, Hataya is one of my favorites
AMAZING COMPOSER!
Still want to hear his soundtrack for the unreleased port of the Shadow of the Beast 3 to the SEGA GENESIS/MEGA DRIVE.
Loved this video!
No puedo creer que hayan olvidado su contribución al soundtrack de Mortal Kombat II para Genesis. A mi juicio, es su mejor creación para la consola.
Mmm... Quizas Mortal 1, mas que el 2. Te recomiendo escuchar el ost de F-15 strike eagle 2, sobre todo el tema principal, es una de las mejores canciones de la sega genesis. Eso bye
Nice work with mixing the tracks together my man!
Thank you for this, your videos are always a pleasure. I already knew quite a lot about Matt Furniss but you still make me discover some cool things. btw I like his work on Space Harrier II for the Atari ST, the new versions of the tracks "Nuclear Shock" and "Handcuff" in particular, pure carefree chiptunes euphoria! If you haven't already, give them a go! (you can find both in my playlist dedicated to ST music: "VGM | Atari ST")
I love your videos and the format you use to curate these works!
God these videos are so high quality. They deserve way more views. Keep going with these, they're sure to take off even more.
"Except, since we're on the Amiga, we need to address something..."
Matt: "A promise is a promise..."
Wonderful video! The amount and effort you put into these is amazing. Love it!
Great job, as always, thanks !
I always thought the Alien 3 music was a masterwork
My god the BASS in that Wiz n Liz song...
what an amazing birthday present!! you didn't know you made this mix for me, but you DID. one of my favorite artists ever
I saw this being featured in the related videos to the one I just uploaded - man, I had seen your video about GEMS and I loved it, and this one looks promising!
Excellent video! I really liked reading about Matt's composing history and hearing such great variety of his works. I actually wrote that interview at Sega-16, thanks for referencing to it!
Insane amount of quality content here. thanks for this
This is amazing. My favorite VGM composer's hits compiled.. thank you!!
Excellent video. Excellent composer. This list is missing quite a few of his compositions but I guess there's just too many games to cover for a short video like this. Maybe you can update the video with more tracks at a later date.?
I don't think I'll revisit any artists, since there's so many other artists that I could cover instead. But yeah, it's always hard fitting so much music into a short video.
...even when the video is longer than intended! (goal: 10 minutes. reality: 23.)
One of the great game composer from the West! (you know what I`m said). ALIEN3, World Trophy Soccer, even Boogerman (never thought in childhood!!!), James Bond are incredible!
Really love Lost Vikings OST, even if Matt just converted tracks from the SNES - Mega Drive versions I like a lot more, esp. from the Spaceship and Egypt levels!
Thanks for the video and nice mix!
19:04 I think It`s more the techno, not even hard-trance. Mortal Combat is the same - pure techno 90s music. Both tracks have well-known straight "flying" kick (bass drum), synth loops and arpegios. More than this, in 1996 hard-trance is only born, If I`m not mistake.
When I think "techno", I think "Detroit". It's a very specific, mechanical sound that doesn't match the more colloquial definition of "techno".
Hard trance may not be the right term, but the arps and filter work seems to dip into that sort of territory.
but, as I've said many a time: genres are pretty nebulous. we could spend hours debating the finer points of every genre like two monocle wearing mustachios comparing wines. :P
Nice video and nice mix of his tunes but it's a bit disappointing that there is no Master System PSG at all thrown in when some of his best works was on the Master System.
Mammamia che musiche, wooow !!! Matt è stato un grande!
Pity there is no reference to his Acorn Archimedes soundtracks. Whilst the majority were from Amiga, many were enhanced or remade. On some (such as Oh No! More Lemmings), he threw away the small 6 song Amiga version and came up with a proper 25 songs soundtrack.
yeah, true.
If you look at the "how it's made" for this mix, you can see I had some notes on his various Acorn works. I don't remember exactly why I decided not to include them in the mix, but the lack of any songs lead to the lack of any mention of the system.
such is the struggle between comprehensive and cohesive, I guess!
The Lemmings arrangements he made for Acorn are - to this day - something I will unflinchingly defend. Acorn had no ports of the Psygnosis titles Wright made music for, so he made 5 brand new compositions and they are beautiful. The Oh No soundtrack has become THE WAY I need to play that game, the sound has become part of the experience for me. And then he got to do the same all over again converting the Lemmings 2 arrangements from the MegaDrive port over to Acorn as well. AND THAT'S JUST ONE FRANCHISE!
I want to see new stuff from Matt Furniss. One of greatest of all time!
Matt Furniss did a really excellent original soundtrack for a arcade conversion of Skull and Crossbones. I own the Amstrad CPC version but the game appeared on the Amiga, Atari ST, Commodore 64, Spectrum too. All with the sound music.
If you remade this with commentary I think the interest would explode (your commentary is incredible btw). Great videos nonetheless
So much love !
Also, "Fresh House" gives me the distinct impression that someone had been listening to Bomb the Bass' "Beat Dis" quite a lot. 😃
He's a Jan Hammer fan. You can totally hear the Miami Vice in the second game with the percussion change ups.
Guys got talent, ain't knockin him but I like Howard Drossin better
Where is the Mickey Mania?
Man I'd kill for "CD Track 08 (Supercross Circuit, PS1)" as an individual TH-cam upload to put in my Furniss playlist. I can't find it anywhere online!
soundcloud.com/matt-furniss/supercross-circuit-song-1-playstation-2001
Whoa! Thanks! You're legitimately my favorite Genesis composer. Could you possibly upload it your TH-cam channel? I don't have a soundcloud since I use TH-cam for music.
@@MattFurniss Man this track is so freaking good~
Great Channel, awesome work. The music I prefer by Matt Furniss is the opening for OutRun Europa. I had a question that you might eventually know the answer to : I know the opening for OutRun Europa is original, but it seems that levels musics are covers from one another on the Amiga and the C64. Still, I can't figure out who covered who (Jeroen Tel made the C64 version). Any idea? Continue your great work. I had suggestions for you for artists feature : Hiroshi Kawaguchi (OutRun, Afterburner, etc.), or French outsiders like Jean Baudlot, Raphaël Gesqua or Charles Callet. Regards.
I'm *pretty sure* Jeroen wrote the music originally, as he was involved with the canceled Outrun Europa, which he recycled for Turbo Outrun, and then went on to write the proper Outrun Europa.
looking at mentions in magazines, the C64 version appeared before the Amiga version, which supports this. (September vs October for earliest mention of each)
This series is really fantastic. Nominating Jason Page for it!
12:07 Ah, it's good to know the drivers Matt used support the SN7. It's a shame he never used the SN7 for anything on the Mega Drive, not even for hi-hats, cymbals, or even just extra polyphony. It's weird how he decided to make fake square waves on the YM2612 instead of using PSG or even combining it with the FM fake square waves. I guess he thought the FM hardware envelopes were more worth it.
He said that he was done with PSGs basically after having used them as the only sound source previously.
And what about his work on the Mortal Kombat 2 Music for Genesis/Mega Drive! I like it better than the original arcade one.
This guy is a legend!
One of the composers who is using his very own driver on Mega Drive. His programming knowledge helps a lot in order to create some outstanding tracks imo.
Awesome work as always!
Between Wiz N Liz and his Megadrive/Genesis conversion of Chuck Rock 2, I'm not sure which I listen to more, but it's a lot.
8:43 but it's Mario Kart Wii's Daisy Circuit!
Nice compilation. I think your missing OutRun Europa for Amiga and Master System. Both are superb soundtracks
The podcast Pixelated Audio had him as a guest in an episode. He seems to be a cool guy. Check it out, if you want.
This is a fantastic mix, though I can't help but question the lack of Mortal Kombat as I genuinely might enjoy Matt's Genesis remixes and original pieces for that game more than the arcade OST.
European Stars is my favorite track by Matt Furniss
Such nice groove :D Could you detail acronyms, such as "DAW" ?
ah, sure: DAW = Digital Audio Workstation. It's kind of the standard these days, where you can load up samples and virtual synths and complete a song without using any external hardware.
Thank you so much for these educational experiences! I'm recently finding a taste for "piano house", but I've seen you mention "hard house" in this video. What are some related genres/artists/albums/songs that you'd recommend me look up. Video game and non-VG
Hmm, well, I'm kind of using "hard house" to just mean "house music that's hard". usually meaning house with some blending from trance and, especially in this case, oldschool rave. (think: 3 Thieves & A Liar, Altern 8, the first Prodigy album)
So, something like Utah Saints (who did appear on the MK Movie soundtrack), CJ Bolland, some of the slower and less-acidic stuff from djax up beats...perhaps?
(this is not to be confused with electro house, like Boys Noize or Justice)
game soundtracks...I'd point you to the Ridge Racer soundtracks, Super Bubble Pop, and this one odd 1996 album called Club Saturn.
that's kind of a jumbled mess but hopefully it can get you started on a nice journey of musical discovery.
genres are nebulous, man!
May I name drop the KLF here?
Great 2017 closure, thanks! But where's Frank Klepacki? :)
I've got a personal attachment to his works, so he's definitely going to get an artist feature. I just don't know when yet. ;)
He did a bit more on the GG\SMS, all of them are very good compositions.
now that I'm actually focusing on SMS/GG music, I find myself wishing I had waited until now to make this Feature. Matt made some of the best music to grace that humble chipset
N64 was not redbook audio and I bet his PS1 work used the soundchip too, but I don't know about that.
I really enjoy his work on the Mega Drive, though I was a bit disappointed to find out he never used the PSG, despite making such excellent use of the Master System on its own.
Yeah the N64 isn't redbook, which I briefly mentioned in the video. The songs just happened to fit into that section.
Some of his PS1 games used the SPU, but all of the tracks I featured in the mix were straight from redbook.
Matt fourniss super musique j'adore alien 3 Megadrive
How dare you omit Pimp My Spectrum music!!! its a real banger
Race Karts from the Woody Woodpecker Racing game has a sample that Yuzo Koshiro used for Go Back on Streets Of Rage 4! I don't actually know if it's the same but it sounds identical, just listen to it
That's the organ patch from the Korg M1! or at least something very closely emulating that patch.
it's a classic sound
@@GSTChannelVEVO Nice! So far I just heard that sample on these two songs, I love how it sounds. Btw your videos are awesome, I watched most of them and I have to say they're quite inspiring. I even got the itch to try and make music myself, now I just need to actually learn how to do it and try hehe. Thanks!
@@DeathScorpi0 it's a good sound! it saw a lot of use in deep house and future garage, though the latter is where it appeared as a really unique bass synth (example: "We Should Get Together" by Artful Dodger
Street Racer Soundtrack will be always the better for me
'GST大好き' Blythe Joustra? (looks at Mickey Mania) ....As in....Andy Blythe & Marten Joustra?
correct! they worked together under the name Blythe Joustra, and since that's how they were credited in the game, that's how I mentioned them in the video.
GST大好き
It's a shame that Andy Blythe & Marten Joustra haven't worked on another game since the late 90's.
Great mix as always but Inwould have preferred the Chuck Rock title instead of the Level 3.
5:15 LMAO!
His music may be good, but they sound creepy and scary mostly when it used to make Genesis games music
5:20 hahahahahaah wow...
5:15,I'd shit my pants if I saw this. 0_0