Something's got to break: Fazerdaze and the flood

แชร์
ฝัง
  • เผยแพร่เมื่อ 27 ส.ค. 2024
  • How the process of disturbance unites the seemingly disparate fields of ecology, psychology, myth, and indie bedroom dreampop.
    Manuscript & Bibliography- theemotionalec...
    Music- Almer. (2020). Fazerdaze - Lucky Girl (LoFi Remix by Almer). • Fazerdaze - Lucky Girl...
    Ghibli’s song. (2020). An Unusual Painting (Shimpi naru E) - Kiki’s Delivery Service OST [15]. • An Unusual Painting (S...
    Jessica Curry. (2012). Remember (Donnelly) (From: Dear Esther Soundtrack). www.discogs.co...
    LightningTraveler. (2024). Gentle Harp. pixabay.com/mu...
    Michiru Oshima. (2001). Heal (From: Ico Soundtrack)
    Plume Leonard, Fred Leonard, Laurent Parisi, & Eric Chevalier. (2003). The Fairy Council Under the Starlight (From: Rayman 3 Hoodlum Havoc Soundtrack)
    Video- Amelia Murray. (2017). Fazerdaze - Lucky Girl. Production: Samuel Kristofski, Amelia Murray, Courtney Macris. • Fazerdaze - Lucky Girl...
    Amelia Murray. (2017). Fazerdaze / Take it slow (Official Music Video). Production: Julian Vares. • FAZERDAZE / Take it sl...
    Amelia Murray. (2023). Fazerdaze - Bigger (Official Visualiser). Production: Amelia Murray. • Fazerdaze - Bigger (Of...
    British Broadcasting Company. (1959). Face to Face: Carl Jung. Production: British Broadcasting Company
    Eternalised. (2022). Inner Gold - Alchemy and Psychology. Production: Eternalised. • Inner Gold - Alchemy a...
    Everett L. Shostrom. (1965). Three Approaches to Psychotherapy. Production: Everett L. Shostrom
    Frank A. Manigila. (2011). The Awesome Power. Production: United States Department of Commerce, National Oceanic and Atmospheric Administration
    Greater Yellowstone Area Command, Interagency Fire Information Staff, & Video Visions. (1988). The Yellowstone Fires. Production: Greater Yellowstone Area Command, Interagency Fire Information Staff, & Video Visions
    Hayao Miyazaki. (1986). Castle in the Sky. Production: Studio Ghibli
    Herbert Meyer Franck. (1967). The World Saves Abu Simbel. Production: Dieter Meyer-Frank, UNESCO, Joint Venture Abu Simbel, & Hochtief
    Ian Calvert & Richard Matthews. (1984). Sweet Fresh Water (From: The Living Planet). Production: BBC Natural History, Unit, & Time-Life
    Ian Calvert & Richard Matthews. (1984). The Northern Forests (From: The Living Planet). Production: BBC Natural History, Unit, & Time-Life
    John Guillermin. (1978). Death on the Nile. Production: Mersham Productions & EMI Films
    John Huston. (1966). The Bible…In the Beginning. Production: Dino de Laurentiis, Cinematografica, & Seven Arts Productions
    Jonathan Stedall. (1972). The Story of Carl Gustav Jung. Production: British Broadcasting Company
    Lester Novros. (1976). Universe. Production: Lester Novros
    Masahiro Shinoda. (1974). Himiko. Production: Kiyoshi Iwashita, Kinshirô Kuzui, & Masahiro Shinoda
    Masahiro Shinoda. (1979). Demon Pond. Production: Shochiku Film Company
    Michael Curtiz. (1928). Noah’s Ark. Production: Warner Bros. Pictures
    Michael Gill. (1969). Romance and Reality (From: Civilisation). Production: British Broadcasting Company
    National Aeronautics and Space Administration. (1970). Apollo 13: “Houston, We’ve Got A Problem”. Production: National Aeronautics and Space Administration
    Peter Spry-Leverton & André Singer. (1995). Gnosis - Alchemy Dreams of Gold (From: Divine Magic: The world of the supernatural). Production: André Singer
    Richard Law. (2015). Ducktails - Surreal Exposure (Official Video). Production: Richard Law. • Ducktails - Surreal Ex...
    Russell H. Hopkins & Steven Hing Wong. (1991). Robert A. Johnson - In Search of the Holy Grail. Production: Russell H. Hopkins & Steven Hing Wong
    Silvermine Films Production. (1971). Five African American Artists. Production: Silvermine Films Production
    The National Park Service Department of the Interior. (1982). Denali Wilderness. Production: The National Park Service Department of the Interior
    Time Life Films. (1987). After the Whale. Production: Time Life Films
    United States Army Pictorial Centre. (1944) The Big Picture: Paris 44. Production: United States Army Pictorial Centre
    United States Department of Agriculture & the United States Forest Service. (1953). Little Smokey: The True Story of America’s Forest Fire Preventin’ Bear. Production: United States Department of Agriculture & the United States Forest Service
    United States Forest Service. (1952). Smokey Bear Forest Fires PSA. Production: United States Forest Service
    United States Forest Service. (1957). Vision in the Forest. Production: United States Forest Service
    Walter C. Miller. (1982). The Rodney Dangerfield Show: It’s Not Easy Bein’ Me. Producers: Estelle Endler, Patti Person, & Harold Ramis

ความคิดเห็น • 28

  • @OmniBui
    @OmniBui 16 วันที่ผ่านมา +2

    i don't necessarily agree with everything in the vid, but this vid is very evocative and inspiring! i feel like there's a sense of poetics missing within analytical philosophy that you have. i was reminded of Mark Fisher a lot during the vid. i disagree with Fisher as well, but both this vid and Fisher's works have a passive, striking communicability.
    it makes for a very convincing rhetorical style, that i would call empathetic, which does more to cross any divisional axis than overly-passionate polemics.

    • @theemotionalecologist
      @theemotionalecologist  16 วันที่ผ่านมา +2

      @@OmniBui thanks for giving the video your full consideration! I very much appreciate the assessment as you've really hit on what I'm aiming for. Haven't read any Mark Fisher but now intrigued.

  • @prosetheus8951
    @prosetheus8951 หลายเดือนก่อน +3

    Phenomenal video. No idea how the Algo led me here, but glad it did. Very well researched and made film.

  • @badgalyaya2303
    @badgalyaya2303 หลายเดือนก่อน +8

    this is so perfect. i swear i have been thinking these same thoughts and videos like this are OVERLY necessary.

  • @zorenkohler7534
    @zorenkohler7534 หลายเดือนก่อน +8

    It is a crime the few amount of views on this, well done !

  • @isabellac2813
    @isabellac2813 หลายเดือนก่อน +2

    This is an incredibly insightful and thought-provoking exploration of the interplay between disturbance, growth and authenticity across various domains.
    I like how you integrated mythology, ecology, psychology, and modern artistic expression to analyse how disturbance serves as both a destructive and regenerative force.
    Genuinely impressed by the writing. As expected it combines academic rigour with personal resonance (which is the hallmark of your channel)
    Keep up the good work!

  • @lakermangmx
    @lakermangmx 5 วันที่ผ่านมา +1

    I didn't subscribed but for whats that worth I listen to your analysis on Nausica when I go to sleep. I hope you will put your talent into diverse themes.

  • @Claisical
    @Claisical หลายเดือนก่อน +2

    Fantastic video, very beautiful and profound yet grounded. I never noticed the prevalence of the flood and fire symbology before, and your integration of psychodynamics brings a very relatable individual impact to the stories. Looking forward to future installments!

  • @camilamtzromero1894
    @camilamtzromero1894 หลายเดือนก่อน +1

    Thank You!

  • @bexiexz
    @bexiexz หลายเดือนก่อน +1

    so so well done !

  • @prosetheus8951
    @prosetheus8951 หลายเดือนก่อน

    It would also be nice to have the script in an essay form too.

    • @theemotionalecologist
      @theemotionalecologist  8 วันที่ผ่านมา

      essay is on my blog- www.theemotionalecologist.com/

  • @TheTel
    @TheTel หลายเดือนก่อน +14

    You open with the premise that there is a global archetype of flood myths that needs explanation, but this premise isn't one most modern anthropologists agree on. It's more of a pop-science myth popularized by figures like Joseph Campbell, and earlier by colonial-era comparative mythologists. There are plenty of examples of flood myths in world cultures, but these vary tremendously in their details. Calling them "great flood" myths is a BIG leap. In many cases there actually is good reason to identify Abrahamic influence, and in many cases the details vary so much that the only common factor is that some amount of flooding takes place. The Maya flood myth is one hypothesized by only a few anthropologists based on connections to the later Aztec myth which is clearly influenced by the Spanish. The Maori flood myth (in its many variations) is partially influenced by christianity and all accounts of it obviously post-date colonization. Many versions don't involve a "chosen person" sort of dynamic. Some people speak of a Chinese flood myth, but in that one the flood did not wipe out all but a few people, and wasn't sent as a divine punishment. The flood of Utnapishtim is obviously a precursor of the Abrahamic tradition. The Greek flood myth probably emerged due to mutual influence with the near east. In short, the "Great Flood Myth" is actually a great myth itself. At least half the examples people give are either influenced by cultural diffusion, or are just so different in their details that there's not much to say beyond "floods happened most places on earth". It's treading into the pseudo-scientific.

    • @johnplayer3637
      @johnplayer3637 หลายเดือนก่อน +3

      We’re talking about myths, anthropology, and sociology here-none of this is scientific.
      As well, you don’t need cultures to come to the “flood myth” on their own for the myth to be transcendent. The missionaries were no more Christian than the indigenous they preached to.
      The only prerequisite for any myth to be a potent representation of human experience or thinking is that it is popular and familiar, and floods happen where people are.

    • @pustakarileks7404
      @pustakarileks7404 21 วันที่ผ่านมา

      Great flood happened, look at marine southeast asia, Long ago it was a land, in modern times this land is called Sundaland, and it's scientific.
      Also if you don't believe about water purification from flood or else it's okay. The main reason of people doing that is not foolishness, they believe it can clean your body and mind, so the perception doing massive change to the mind, of course it will affect your brain, and that brain sends impulse to all your body to decision - making

    • @someguy8375
      @someguy8375 14 วันที่ผ่านมา

      do you know the amount of effort and skill it takes to assemble a youtube video? do you just think they didnt bother to do research? this is not a creative writing task, not anymore than an academic social science paper is, this person is not acting randomly, this took effort, skill, dedication, research, and general life experience to make.

  • @pustakarileks7404
    @pustakarileks7404 21 วันที่ผ่านมา +1

    I love amelia

  • @user-bh5me1nl2t
    @user-bh5me1nl2t หลายเดือนก่อน +2

    Enagagement

  • @jeannovelli8683
    @jeannovelli8683 หลายเดือนก่อน +1

    i hope more people subscribe to this channel

  • @joeh5411
    @joeh5411 หลายเดือนก่อน +1

    This style of analysis is a bit too artsy and loose for my tastes, but your methodical presentation and wealth of references make this a really enjoyable watch/listen. Well done!

  • @basilkyra
    @basilkyra หลายเดือนก่อน +1

    great video! Te reo Māori pronunciation could use some work tho haha

  • @drendelous
    @drendelous หลายเดือนก่อน +1

    i am too stupid to understand it

  • @Stevie-J
    @Stevie-J หลายเดือนก่อน

    I like the topics but the video is sooo looong

    • @someguy8375
      @someguy8375 14 วันที่ผ่านมา

      and? its a video about how life is hard sometimes and it takes effort to change and grow and learn as a person, this is in function, if not in form, a university level lecture on the bleeding edge of human sciences, its gonna be dense, and thats great, and its gonna take time.

    • @Stevie-J
      @Stevie-J 14 วันที่ผ่านมา

      @@someguy8375 Nope. Good communicators can layout the relevant details and say everything they need in a much shorter time. TH-camrs pad their videos to get more watch time. You should value your time more.

    • @someguy8375
      @someguy8375 14 วันที่ผ่านมา

      @@Stevie-J "good communication" is a super subjective take, I personally think that catering to shorter attention spans and "valuing time more" often significantly diminishes the message they are communicating in the first place. Still don't like it? Don't watch it, nobody on the internet is under any obligation to make art that you, or I for that matter, think is good.

    • @Stevie-J
      @Stevie-J 14 วันที่ผ่านมา

      @@someguy8375 Ok, agree to disagree