My choir, San Francisco Choral Society, is going to perform this Nov 9 and 10 in San Francisco, it's new to me and I love this music! You can buy a ticket for online attendance 11/10 if you can't come in person.
@@sidmarnica me neither, but it was kind of a pleasant surprise; it's such a dense and harmonically interesting piece. i wasn't sure if talking about the harmonic motion in some parts would be considered an expressive technique but i incorporated it in anyway. i found it a little hard to analyse but no where near as much as the last question.
no like - is there actually any melismas or vibrato in it? - bc I chucked in any coral expressive techniques I could think of - the instruments also didn't do anything odd like flutter tongue or pizzicato I was so stumped??
@@izzysoda8893 i talked about the flute flourishing or embellishments, glissando and whatnot - as for voices, mostly dynamic changes and registers, legato articulated lines would have probably worked, i talked about the deliberate unison and harmony choices and the different male, female sections honestly not sure if that sounds right but writing anything is better than writing nothing. i aced performance so i'm only really concerned with doing slightly more than average for aural. i also mentioned the dropping out of the voices to create an instrumental section and thus make it 'quieter'. i'm so glad i found this song, the soloist part is arguably the best part of the song.
@@reynie_inspo I also talked about the flute - for me it was easier to pick it up, bc I play the flute - that's smart the mixing of texture with the layers and the dynamics bc then your creating the buffer in your answer
My choir performed the Magnificat tonight. What a tremendous piece of music it is!
I had the honor and privilege of singing this in college. Magnificat!
so much of this movement is his original "Gloria" in a different font, and i'm not mad at it!
My choir, San Francisco Choral Society, is going to perform this Nov 9 and 10 in San Francisco, it's new to me and I love this music! You can buy a ticket for online attendance 11/10 if you can't come in person.
I sang this whole work in high school wwith the new orleans philharmonic symphony....
It was amazing!!!
Sang this is high school. So many memories. We all loved this masterpiece so much.
Heart pounding, amazing, amazing! Love it.
One of my favorites!
Excelente
3:06-3:48
music 1 hsc 2024.
I did not expect to hear this during the exam 😂
@@sidmarnica me neither, but it was kind of a pleasant surprise; it's such a dense and harmonically interesting piece. i wasn't sure if talking about the harmonic motion in some parts would be considered an expressive technique but i incorporated it in anyway. i found it a little hard to analyse but no where near as much as the last question.
no like - is there actually any melismas or vibrato in it? - bc I chucked in any coral expressive techniques I could think of - the instruments also didn't do anything odd like flutter tongue or pizzicato I was so stumped??
@@izzysoda8893 i talked about the flute flourishing or embellishments, glissando and whatnot - as for voices, mostly dynamic changes and registers, legato articulated lines would have probably worked, i talked about the deliberate unison and harmony choices and the different male, female sections honestly not sure if that sounds right but writing anything is better than writing nothing. i aced performance so i'm only really concerned with doing slightly more than average for aural. i also mentioned the dropping out of the voices to create an instrumental section and thus make it 'quieter'.
i'm so glad i found this song, the soloist part is arguably the best part of the song.
@@reynie_inspo I also talked about the flute - for me it was easier to pick it up, bc I play the flute - that's smart the mixing of texture with the layers and the dynamics bc then your creating the buffer in your answer
Tipp: Gloria Patri, Gregorianik als Popsong: th-cam.com/video/RAt3SMYJDW0/w-d-xo.html