Keep in mind that this is different when working with digital art, whete colour is only broken down three ways: Hue; the colour family your shade belongs to Saturation; how much colour is present in your colour Value; how much black/white is present in your colour You can see this very easily on a colourpicker, where- typically- the x-axis represents your saturation, the y-axis represents your value, and the circle around your colourpicker represents hue!
Yes, thanks for that crossover! Colour theory is very different when it comes to digital art. We're exclusively referencing colour theory in fine arts here :)
@@Nobel_artsDigital art is a facet in fine art spaces with projectors and electric instillations that show values. I think the term you’re looking for is traditional.
I learned these completely different. Hue was the color without any tampering. Some colors naturally have different undertones. Phthalo blue is more cyan than ultramarine which is more of a violet looking blue. A hue usually has no values mixed into it as it is pure (very difficult concept with traditional art bc our paints aren’t made of light and are already blended with all sorts of hues.) Intensity is the same as chroma and saturation. They’re just different terms. I learned more about intensity in school, but chroma is easier to understand because it’s just a hue and tampered color (tampered with a value so white, grey, and black) without all the fluffy art talk and words around like bright (my professor thought white made a color bright, which brightness also is another art term to see lightness 😵💫) and dull. Saturation *seems* more like a digital art term for chroma and intensity.
Yes, seems like there are differing definitions for a lot of colour theory terms. We came across a lot of contradictory information when researching for this video and tried to narrow it down to the definitions most commonly associated with each. We tried to focus on the terms related firstly to pigments and then paints in fine art as many paints are a combination of different pigments, which can affect those criteria. 😅
Keep in mind that this is different when working with digital art, whete colour is only broken down three ways:
Hue; the colour family your shade belongs to
Saturation; how much colour is present in your colour
Value; how much black/white is present in your colour
You can see this very easily on a colourpicker, where- typically- the x-axis represents your saturation, the y-axis represents your value, and the circle around your colourpicker represents hue!
Yes, thanks for that crossover! Colour theory is very different when it comes to digital art. We're exclusively referencing colour theory in fine arts here :)
Is this the HSV model? Because there are models with very similar but different art terms like HSB, L*A*B*, CMYK, RGB, and so on.
@@Nobel_artsDigital art is a facet in fine art spaces with projectors and electric instillations that show values. I think the term you’re looking for is traditional.
This is very helpful! Thanks
Appreciate that, thanks! 😁
I learned these completely different.
Hue was the color without any tampering. Some colors naturally have different undertones. Phthalo blue is more cyan than ultramarine which is more of a violet looking blue. A hue usually has no values mixed into it as it is pure (very difficult concept with traditional art bc our paints aren’t made of light and are already blended with all sorts of hues.)
Intensity is the same as chroma and saturation. They’re just different terms. I learned more about intensity in school, but chroma is easier to understand because it’s just a hue and tampered color (tampered with a value so white, grey, and black) without all the fluffy art talk and words around like bright (my professor thought white made a color bright, which brightness also is another art term to see lightness 😵💫) and dull. Saturation *seems* more like a digital art term for chroma and intensity.
Yes, seems like there are differing definitions for a lot of colour theory terms. We came across a lot of contradictory information when researching for this video and tried to narrow it down to the definitions most commonly associated with each.
We tried to focus on the terms related firstly to pigments and then paints in fine art as many paints are a combination of different pigments, which can affect those criteria. 😅
Pthalo: 'thay-low", not 'fallow'
You are correct sir
I don't know, google pronunciation videos are saying otherwise... 😅
Did someone say...
KROMER???