I'm amazed , what did I just watch . My favorite song, played and taken to a level beyond comprehension. Left hand skills , bellows skill, dynamics . All coming together. A true gift to listen too, but you spent your life of dedication to make that happen. Thank you .
ИНТЕ-Р-Е-С-Н-А-Я стилизация и аранжировка произведения!!! МНОГО я слышала кампанеллу на баяне, но виртуозно, однозначно!!! Техника- гениальная! Я не профи, но мне так показалось!!! BRAVO!!!!!!!!!!!!!!!!!!!!!!
Very,very, very nice playing. This is an extremely musical interpretation, which is very rare for virtuoso pieces. Played with lots of good taste. Also very beautiful sound control - no exaggeration. This one gets full marks. Samuele deserves a great musical career. I just wonder who he studied with.
Samuele Telari Ecco, capito. È un grandissimo maestro signor Pitocco. Uu immenso musicista. Che bella fortuna di potere studiare con questo genio! Mi sembra che possedeva un Pigini Mythos, sono strumenti molto rari (la fabbrica hanno costruito soltanto 33 modelli). Il Maestro Lips c'ha un modello col la diteggiatura russa. È un Sirius il tuo bayan? Potresti dirmi dove posso trovare delle partiture per bayan per favore? Io non ho fatto il conservatorio, invece il mio maestro era il grandissimo Christian di Maggio. L'ho conosciuto in Montreal Canada in 1978! Vedi che non sono giovane io! Ti auguro delle bellissime esperienze musicali. Buona musica!
By the date, it appears that Samuele played this on October 6, 2016. Christine Rossi recorded La Campanella in 1991 and put it on her 1991 CD titled "Accordeon De Concert"...a fantastic recording on the REM label REM-311172-XCD. The two arrangements played are nearly identical, so I don't know who copied from who, but both accordionists play the song exceptionally well and give a perfect blend of dynamics and embellishments with impeccable timing skills.
@@thebeast1452 Historically speaking yes. It's the main theme of the B minor violin concerto by Niccolo Paganini. Franz Liszt included it as one of his twelve transcendental etudes. It's name comes from the Italian, for "little bell"- which is what the first high notes sound like. The most phenomenal version ever recorded on piano was the 1957 Gheorge Cziffra recording. He was the technical equivalent of Liszt himself- never surpassed by any other pianist. Maybe it was because he was Hungarian (?). But the young performer here has brought beauty and light to this piece- a very musical rendition indeed.
@@musamor75 you mean the six grandes études de Paganini*, not the twelve transcendental études. (for reference, here are the twelve études: I. Preludio; II. Molto Vivace; III. Paysage; IV. Mazeppa; V. Feux Follets; VI. Vision; VII. Eroica; VIII. Wilde Jagd; IX. Ricordanza; X. Allegro Agitato Molto; XI. Harmonies du Soir; XII. Chasse-neige)
Mto bom! 🎶Ñ me canso de te ver e ouvir. 😍 👍 Perfeito!!! Mais uma vez... 1000 Parabéns!!! 👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Paginini composed that for the violin with very difficult variations.The ACCORDING arrangement sounds technically difficult.Excellent.Franz List composed variations after Paginini died
prachtige uitvoering. Het gebruik van heel gevoelige condensatormicrofonen laat het geklop van de aanslag van de toetsen horen. De uitvoering van "la campanella" door wijlen Alexander Sevastian werd opgenomen met dynamische microfoons. Geen geklop te horen.
This is incredible! To tel the truth it’s probably a little easier to play this on accordion than on piano. Accordion though has so much more potential, it’s like a Ferrari engine in a bumper to bumper traffic. La Campanella is peanuts to it))
A C system allows use of thumb on treble which some prefer to use over B system which mostly avoids use of thumb. For those used to piano accordion their thumbs are already used, strong and limber so often people who play both will gravitate towards C system. No clear advantage though....just personal preference. His is an excellent performance....very musical and great phrasing and not just technically excellent.
@@RobertKarlBerta Of course B system allows use of the thumb as well. Hundreds, thousands of accordionists are showing this. C system is absolutely not closer to piano keys than B system is. Samuele Telari is Italian, and in Italy (like e.g. in France or Germany) traditionally C system is preferred. In eastern countries like Russia or Ukraine it was common practice not to use the thumb, and there B system was (and is) preferred due to tradition. But the one is not the reason for the other and vice versa.
@@RobertKarlBerta I sometimes wonder. You see, the vast Russian literature and extremely rich arrangements were thought out on the B system. A piece like The Voices of Spring, arranged by Yaschkevitz, the blind Russian bayanist, is easier on the B system. The big difference is in the position of the hand. With the B system the hand is more relaxed- like a natural downwards drop. I moved from piano system to the C. I would have liked to use the B system. One of the very finest bayanists was Vladimir Besfamilnov. Outstanding.
@@musamor75 Guess it is just apples vs oranges....both systems have proponents and top artists playing them. Personally I play piano keyboard but B system converter free bass although I can switch one of my instruments (Roland) to C system bass also. I also have a friend and concert accordionist who plays piano accordion with C system bass and also B system both sides bayan. He has no problem switching between them ! Guess it is same as any musician that plays different instruments. I also play pipe organ and classical guitar.
Slightly easier in some parts and harder in other but both very difficult on this piece. The Bayan allows a bit less of a reach for octaves and you can move your hand to play the same pattern to make it a bit easier. I know several concert bayanists and they say that the Bayan chromatic button arrangement has some advantages but also some advantages for piano keyboard. Bottom line though this is a very difficult piece...one of the hardest on piano. This is a free bass accordion which means he has all those notes avaible as on the left hand as single notes just as he does on the right hand. I play a converter free bass pianao accordion which has stradella bass pattern and a switch which converts that to B system free bass. The free bass is all individual notes whereas stradella is a combination of single notes on two rows and chords on the other 4 rowsin major, minor, 7th, and diminished 7th chords. There are 120 total button on the left hand side bass generally in 20 rows of 6 buttons per row. The person that invented the bass system on an accordion was a genius. Combined with a free bass an accordion either piano or bayan keyboard is a most capable instrument. I also play electric and pipe organ, keyboards, and classical guitar but accordion is my favorite....has its own accompaniment and.the bellows provide the dynamics and nuances that are available on wind and string instruments. There are many things you can do on an accordion as long as you know how to take advantage of them. This young man has obviously had a good teacher and a good feel for dynamics and the nuances of the music. I have heard Frederich Lipps play this very arrangement (his own) in concert. I think he would be happy that this young man played his transcription so well technically and with fine muscianship. kudos for a fine performance!!
@@RobertKarlBerta Thank you so much! I just play piano accordion without free bass. A free bass bayan is GOAT in my eyes. I tried to learn this piece and stuck at the very first. Maybe I just need more time and practice, but I guess bayan certainly can make it easier to expand my reach for octaves and save some time :)
не знаю к кому... есть претензии к звуку, может звукорежиссер, а может и звукоизвлечение... не все прослушивается четко... к технике особых претензий нет...
Очень не ровно -надо ведь послушать как играют пианисты и скрипачи.....не хватает техники и поэтому так не ровно играет эту достаточно легкую обработку Липса.
Bravissimo esecutore con fisarmonica a bassi sciolti complimenti di cuore CARLO CICERI UN CUORE E DUE DITA FISARMONICISTA
Супер - техника и супер - динамика ! Молодчина ! Его преподавателю - Честь и хвала ! БРАВИССИМО !
I'm amazed , what did I just watch . My favorite song, played and taken to a level beyond comprehension. Left hand skills , bellows skill, dynamics . All coming together. A true gift to listen too, but you spent your life of dedication to make that happen. Thank you .
What an outstanding performance! BRAVO!
Искромётно, изумительно легко, просто БРИЛЬЯНТ!!! СПАСИБО!!!
Brawo, świetne wykonanie ❤
Восхищение - запредельное, да, это талант - алмаз, а у талантливого учителя - бриллиант!!!
Excelente! Muito bonito ouvir sanfona na música clássica. Obrigado por nos proporcionar esta experiência incrível.
What a beautiful performance of this classic piece. Thank you so much for sharing. :)
Большое спасибо за доставленное удовольствие от прекрасного исполнения виртуозного произведения!!! 👏👏👏💕
PRISOEDINIAJUS
Прекрасное исполнение, идеальная мелкая техника- получил большое удовольствие от прослушивания -СПАСИБО!!
ИНТЕ-Р-Е-С-Н-А-Я стилизация и аранжировка произведения!!! МНОГО я слышала кампанеллу на баяне, но виртуозно, однозначно!!! Техника- гениальная! Я не профи, но мне так показалось!!! BRAVO!!!!!!!!!!!!!!!!!!!!!!
Magnifique ! Quel travail ! Excellent ! Bravo
bravoooooo bellisima. grande👏👏👏👏👏👏👏👏👏👏😍
What a truly remarkable performance of this difficult piece, embellished by the artist.
Wow splendido! Spero che potrai venire un giorno in qualche festival da noi, in Nord Italia
É sempre gostoso ouvir a Campannella do jovem Samuele, especialmente num domingo à tardinha!
Very,very, very nice playing. This is an extremely musical interpretation, which is very rare for virtuoso pieces. Played with lots of good taste. Also very beautiful sound control - no exaggeration. This one gets full marks. Samuele deserves a great musical career. I just wonder who he studied with.
Thank you! it's very nice hearing these words.. I'm studying with Prof. Massimiliano Pitocco.
Samuele Telari Ecco, capito. È un grandissimo maestro signor Pitocco. Uu immenso musicista. Che bella fortuna di potere studiare con questo genio! Mi sembra che possedeva un Pigini Mythos, sono strumenti molto rari (la fabbrica hanno costruito soltanto 33 modelli). Il Maestro Lips c'ha un modello col la diteggiatura russa. È un Sirius il tuo bayan? Potresti dirmi dove posso trovare delle partiture per bayan per favore? Io non ho fatto il conservatorio, invece il mio maestro era il grandissimo Christian di Maggio. L'ho conosciuto in Montreal Canada in 1978! Vedi che non sono giovane io! Ti auguro delle bellissime esperienze musicali. Buona musica!
By the date, it appears that Samuele played this on October 6, 2016. Christine Rossi recorded La Campanella in 1991 and put it on her 1991 CD titled "Accordeon De Concert"...a fantastic recording on the REM label REM-311172-XCD. The two arrangements played are nearly identical, so I don't know who copied from who, but both accordionists play the song exceptionally well and give a perfect blend of dynamics and embellishments with impeccable timing skills.
I just checked TH-cam and could not find an upload of Christine playing La Campanella, but there are other works of her on TH-cam.
bravo, Samuele! Grazie. Buona fortuna per il futuro.
Grande talento! Bravissimo!!! 🇮🇹
Eccezionale! veramente molto bravo!! 👏👏👏
Excellent. Merci. Dans la justesse.
Straordinario !
Non è facile eseguire un pezzo di Paganini.
Ma sei andato alla grande bravissimo direi.
fantastico ....pazzesco numero 1...bravissimo
Semplicemente, un capolavoro.
That is an amazing performance of this piece, originally for piano. You were quite faithful to the spirit of the original. Very good job nicely done
Actually, this piece was originally written for the violin! 😁
@@thebeast1452 Historically speaking yes. It's the main theme of the B minor violin concerto by Niccolo Paganini. Franz Liszt included it as one of his twelve transcendental etudes. It's name comes from the Italian, for "little bell"- which is what the first high notes sound like. The most phenomenal version ever recorded on piano was the 1957 Gheorge Cziffra recording. He was the technical equivalent of Liszt himself- never surpassed by any other pianist. Maybe it was because he was Hungarian (?). But the young performer here has brought beauty and light to this piece- a very musical rendition indeed.
@@musamor75 you mean the six grandes études de Paganini*, not the twelve transcendental études.
(for reference, here are the twelve études: I. Preludio; II. Molto Vivace; III. Paysage; IV. Mazeppa; V. Feux Follets; VI. Vision; VII. Eroica; VIII. Wilde Jagd; IX. Ricordanza; X. Allegro Agitato Molto; XI. Harmonies du Soir; XII. Chasse-neige)
Mto bom!
🎶Ñ me canso de te ver e ouvir. 😍 👍
Perfeito!!!
Mais uma vez...
1000 Parabéns!!!
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Интересное переосмысление! Браво!👍👍👍
Beautiful!!!!
Straordinario Samuele!!!
Grazie mille Fabri!
Absolut genial !!!!!!
BRAVO!!! ausgezeichnet
Thanks!!
Наивысший класс исполнения! Снимаю шляпу!
Mande mais videos teus para nós brasileiros!
Gostamos mto de tua performance!
Parabéns de novo!!!
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
A great joy to watch
This is a power of the god
Very charming!
What an impressive play!
❤❤❤❤❤❤❤❤
СПАСИБО !!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!! Thanks !!!!!!!!!!
Bravo!!! bravo!!!!!!!!!!!!!
great, fantastic!
Exzellent again!!! :-))
Eccellente, complimenti!
Bravissimo ❤🎉
Super !
Un maestro
Bravo!!!!!!
Great!
Bravo ❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Браво!!!
Bravo !
molto bravo!!!
Bravo!!!!
Wonderful !!! 🪗
complimenti!!!
Spettacolare, grazie
Complimenti !!!
Paginini composed that for the violin with very difficult variations.The ACCORDING arrangement sounds technically difficult.Excellent.Franz List composed variations after Paginini died
prachtige uitvoering. Het gebruik van heel gevoelige condensatormicrofonen laat het geklop van de aanslag van de toetsen horen. De uitvoering van "la campanella" door wijlen Alexander Sevastian werd opgenomen met dynamische microfoons. Geen geklop te horen.
unbelievable
BRAWO!!!
SUPERLATIVO.
Simply amazing! Is there any more difficult technique for any music instruments than this?
very nice
Ma che bravo!
Grazie Marco!!
Complimenti,fai paura!
legend
Bravo
Super
prodigieux !...
Bravo! from the Philippines. Hope you make accordion cover of "Kahit Ayaw Mo Na" by: This Band
Very good
Пипец как здорово. От тебе и Паганини....супер.
👍👍
no coment! 👋👋👋
Che esagerazione!!! Bravissimo!!!!
wth bayan accordion, making this piece much more easy to play comparing to piano!! so nice!! the bellow shake sounds great for this piece!
Bravíssimo 👏👏👏👏🇧🇷
This is incredible! To tel the truth it’s probably a little easier to play this on accordion than on piano. Accordion though has so much more potential, it’s like a Ferrari engine in a bumper to bumper traffic. La Campanella is peanuts to it))
How is this the best?
TEHNIKA SAOBLACHNAJA ---VIDAJUSTCHIJSIA BAJANIST BRAVISSIIIMMMOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
Per-fei-to!
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Bravos!
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Bravíssimo!
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
4:25 was not my favourite but I can look past it. You played it very well.
Is this a bayan? It’s all buttons, no piano keyboard. What’s it called?
I am surprised that he is playing a C-System Bayan. Wonderful Bayanist!
A C system allows use of thumb on treble which some prefer to use over B system which mostly avoids use of thumb. For those used to piano accordion their thumbs are already used, strong and limber so often people who play both will gravitate towards C system. No clear advantage though....just personal preference. His is an excellent performance....very musical and great phrasing and not just technically excellent.
@@RobertKarlBerta Of course B system allows use of the thumb as well. Hundreds, thousands of accordionists are showing this. C system is absolutely not closer to piano keys than B system is. Samuele Telari is Italian, and in Italy (like e.g. in France or Germany) traditionally C system is preferred. In eastern countries like Russia or Ukraine it was common practice not to use the thumb, and there B system was (and is) preferred due to tradition. But the one is not the reason for the other and vice versa.
@@Lasca34 That if pretty much what I said. No advantage of one over the other....just tradition.
@@RobertKarlBerta I sometimes wonder. You see, the vast Russian literature and extremely rich arrangements were thought out on the B system. A piece like The Voices of Spring, arranged by Yaschkevitz, the blind Russian bayanist, is easier on the B system. The big difference is in the position of the hand. With the B system the hand is more relaxed- like a natural downwards drop. I moved from piano system to the C. I would have liked to use the B system. One of the very finest bayanists was Vladimir Besfamilnov. Outstanding.
@@musamor75 Guess it is just apples vs oranges....both systems have proponents and top artists playing them. Personally I play piano keyboard but B system converter free bass although I can switch one of my instruments (Roland) to C system bass also. I also have a friend and concert accordionist who plays piano accordion with C system bass and also B system both sides bayan. He has no problem switching between them ! Guess it is same as any musician that plays different instruments. I also play pipe organ and classical guitar.
Du ville lave gode kroner på nørreport station...
I just wonder whether it could be easier to play this on bayan than piano accordion.
Slightly easier in some parts and harder in other but both very difficult on this piece. The Bayan allows a bit less of a reach for octaves and you can move your hand to play the same pattern to make it a bit easier. I know several concert bayanists and they say that the Bayan chromatic button arrangement has some advantages but also some advantages for piano keyboard. Bottom line though this is a very difficult piece...one of the hardest on piano. This is a free bass accordion which means he has all those notes avaible as on the left hand as single notes just as he does on the right hand. I play a converter free bass pianao accordion which has stradella bass pattern and a switch which converts that to B system free bass. The free bass is all individual notes whereas stradella is a combination of single notes on two rows and chords on the other 4 rowsin major, minor, 7th, and diminished 7th chords. There are 120 total button on the left hand side bass generally in 20 rows of 6 buttons per row. The person that invented the bass system on an accordion was a genius. Combined with a free bass an accordion either piano or bayan keyboard is a most capable instrument. I also play electric and pipe organ, keyboards, and classical guitar but accordion is my favorite....has its own accompaniment and.the bellows provide the dynamics and nuances that are available on wind and string instruments. There are many things you can do on an accordion as long as you know how to take advantage of them. This young man has obviously had a good teacher and a good feel for dynamics and the nuances of the music.
I have heard Frederich Lipps play this very arrangement (his own) in concert. I think he would be happy that this young man played his transcription so well technically and with fine muscianship.
kudos for a fine performance!!
@@RobertKarlBerta Thank you so much! I just play piano accordion without free bass. A free bass bayan is GOAT in my eyes. I tried to learn this piece and stuck at the very first. Maybe I just need more time and practice, but I guess bayan certainly can make it easier to expand my reach for octaves and save some time :)
не знаю к кому... есть претензии к звуку, может звукорежиссер, а может и звукоизвлечение... не все прослушивается четко... к технике особых претензий нет...
почему так сильно стучат кнопки?
@@user-xf9nt3nm7h Нверное я впаду в депрессию,что не подержусь за ремешки этого барабана.
Любому муз. инструменту периодически нужен тех. осмотр и при необходимости ремонт.
Szia légyszíves küld nekem egy klaviatúra harmonikàt 140 baszusost helység Bajša 24331 utca Parlag 19 Vajdaság köszi
Very nice, but too many chairs.
M’apitoyer nr
are you human?
LOL
Фридрих ! Дас ист фантастишь !!!
he shouldn't have to bow to anyone
Очень не ровно -надо ведь послушать как играют пианисты и скрипачи.....не хватает техники и поэтому так не ровно играет эту достаточно легкую обработку Липса.
Pigini is not a good instrument, HEAR THE FLAPPERS!