Yeah I think he still a lyric tenor. This aria is more for a tenor type that is covering F natural, even E. it can be sung without covering F, but then we can see how tiring it can be even for the greats He can much better with French and Donizetti repertoire
@@erikfantome6862 there’s no reason for a tenor to cover if he doesn’t need to on F or even G. Of course when you start to get beyond G, pretty much all tenors will need to cover. But an open F is one typical plus of a lyric tenor. Making every tenor cover on the same note makes no sense, because voices are built differently. Making a singer cover earlier than the voice wants can hinder them from releasing the voice to its full potential
Desafortunadamente la acústica del escenario no ayuda. El piano ahoga profundamente la voz. Digo estoy como fan #1 de Alagna en muchas otras interpretaciones.
Voce rotta e stanca, voce e acuti incolore,canto aperto e volgare, peccato aveva una bellissima voce all' inizio carriera, adesso risulta quasi inascoltabile.
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Woow!!! Terrific!!!
Magnifica interpretacion y los subtitulos muy bueno!Gracias.
❤❤
Thank you! Magnificent! Other extracts from this concert, please
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1:58 Even a master like himself can make some simple mistakes.
Sorry, I can't see the mistake. What is was?
wow
Too strong aria for him the voice is very tired ! What a pity !
It's very heavy and exhausting aria.
Yeah I think he still a lyric tenor. This aria is more for a tenor type that is covering F natural, even E. it can be sung without covering F, but then we can see how tiring it can be even for the greats
He can much better with French and Donizetti repertoire
@@Sabininho I think, every tenor shoud cover F natural, it's a passaggio already. (from E to Fis or G).
@@erikfantome6862 there’s no reason for a tenor to cover if he doesn’t need to on F or even G. Of course when you start to get beyond G, pretty much all tenors will need to cover. But an open F is one typical plus of a lyric tenor. Making every tenor cover on the same note makes no sense, because voices are built differently. Making a singer cover earlier than the voice wants can hinder them from releasing the voice to its full potential
@@erikfantome6862 No, no,no ....for spintos second passagio is F, for tenorinos is A flat, for lyric tenor G, for spinto lirico like myself G flat...
Fuori di repertorio. Inascoltable
Desafortunadamente la acústica del escenario no ayuda. El piano ahoga profundamente la voz. Digo estoy como fan #1 de Alagna en muchas otras interpretaciones.
He has no voice. A piano is enough to cover him. Nasal sounds, efforts, no musicality and a childish vocality
Mosquito singing tarantula repertoire.
Unfortunotly im totaly agree with you !
Very well said!
Brutto fuori quanto dentro
Bring back Gigli ! Please ! No more Alagna ! This is disgusting...
Strained. Alagna remains mediocre
QUE COISA HORRÍVEL!!!!!!!!!!!
Voce rotta e stanca, voce e acuti incolore,canto aperto e volgare, peccato aveva una bellissima voce all' inizio carriera, adesso risulta quasi inascoltabile.
Зачем петь то,что по своему масштабу требует иного голоса,а не лирического изначально,слаб человек.