La Leggierezza: 1919 [0:00], 1923 [4:00] and 1931 [7:55]. Moja pieszczotka (Chopin): 1919 [12:23] and 1923 [15:52]. Au borde d'une source: 1923 [1:42:15]. Rigoletto paraphrase (Verdi): 1920 [52:17], 1923 [57:42] and 1926 [1:02:26]. Hungarian Rhapsody No. 2: 1920 [19:04], 1923 [23:41], 1926 [32:59] and 1952 [42:29]. Hungarian Rhapsody No. 11: 1925 [1:08:57], 1926 [1:13:09], 1930 [1:18:41], 1952 [1:23:44] and 1953 [1:29:33]. St. François de Paule marchant sur les flots 1937 [1:34:33]. Sonata in B Minor 1929 [1:45:15].
So much to marvel at the playing here.The information here fed me and now I'm hungry to know so much more. He conducted heavily after graduation hugeWagner operas! ... but that he conducted Horowitz in concerti and others I never knew .A teacher I knew said Cortot gave Horowitz Beet op.106 and was not impressed with the mind -though we all know Horo did indeed have depthalways more than "just fingers" The most perfumed/liquid playing known to human ears . I have to completely reassess Cortot . 2ndBallade wit,big,grandstyle that never sounds showy here!The Ballades must be better than I remember them and what willI find inthe Chopin etudes. The man is a wonder. My teacher playedthe Franck Prelude,Chorale & fugue but I was too deaf to be able to hear it .I'm astounded by the variety one finds here in the same pieces . Te technique revealed here in tthe 1920's is incredible !!! Would never have guessed this ws cortot iridescent,many varied attacka & touches ! I thankyou for doing the research. I'm astounded at how many times he recorded certain works . I'm sure with his rapacious mind the Liszt-Schumann,Liszt-Wagner etc. interested him. I wish I had the book at F.S.U. library which has dozens of old programmes . The leggeriezzas here astonish ! I really need to find bios of those who knew Cortot . He wrote so so verbose so very much( too much ;in his editions) but I want more personal stuff. Noone will excuse his actions during the war but it stands as yet another tragedy of high ideals married to egregious judgement and we see that all through history ! Having good taste here or there doesn't save any of us from monstrosity or inanity as American politics shows everyday !
St. Francis marche sur la .... has never sounded as revelatory as this ! Big , epochal music making strange he didn't leave any Liszt-Wagner for us like Moisewitsch and Hofmann !
That Rigoletto paraphrase is out of this world. Cortot could make the piano sing.
einmalig wunderschön
La Leggierezza: 1919 [0:00], 1923 [4:00] and 1931 [7:55].
Moja pieszczotka (Chopin): 1919 [12:23] and 1923 [15:52].
Au borde d'une source: 1923 [1:42:15].
Rigoletto paraphrase (Verdi): 1920 [52:17], 1923 [57:42] and 1926 [1:02:26].
Hungarian Rhapsody No. 2: 1920 [19:04], 1923 [23:41], 1926 [32:59] and 1952 [42:29].
Hungarian Rhapsody No. 11: 1925 [1:08:57], 1926 [1:13:09], 1930 [1:18:41], 1952 [1:23:44] and 1953 [1:29:33].
St. François de Paule marchant sur les flots 1937 [1:34:33].
Sonata in B Minor 1929 [1:45:15].
@@AlexanderArsov Thank you!
So much to marvel at the playing here.The information here fed me and now I'm hungry to know so much more. He conducted heavily after graduation hugeWagner operas! ... but that he conducted Horowitz in concerti and others I never knew .A teacher I knew said Cortot gave Horowitz Beet op.106 and was not impressed with the mind -though we all know Horo did indeed have depthalways more than "just fingers" The most perfumed/liquid playing known to human ears . I have to completely reassess Cortot . 2ndBallade wit,big,grandstyle that never sounds showy here!The Ballades must be better than I remember them and what willI find inthe Chopin etudes. The man is a wonder. My teacher playedthe Franck Prelude,Chorale & fugue but I was too deaf to be able to hear it .I'm astounded by the variety one finds here in the same pieces . Te technique revealed here in tthe 1920's is incredible !!! Would never have guessed this ws cortot iridescent,many varied attacka & touches ! I thankyou for doing the research. I'm astounded at how many times he recorded certain works . I'm sure with his rapacious mind the Liszt-Schumann,Liszt-Wagner etc. interested him. I wish I had the book at F.S.U. library which has dozens of old programmes . The leggeriezzas here astonish ! I really need to find bios of those who knew Cortot . He wrote so so verbose so very much( too much ;in his editions) but I want more personal stuff. Noone will excuse his actions during the war but it stands as yet another tragedy of high ideals married to egregious judgement and we see that all through history ! Having good taste here or there doesn't save any of us from monstrosity or inanity as American politics shows everyday !
Sin Cortot no abría la música ,cuando eran copiadas a mano. (. No se había descubierto la imprenta. 🎶🎶🎶🎶🏆
This is the impossible stuff. Wow. I was a virgin. !
❤❤❤❤❤❤
Si ,CORTOT CORRIGIO LA DIGITACION QUE LIEGABA CON ERRORES. MEXICO 🇮🇷🎶🎶🎶🙏
St. Francis marche sur la .... has never sounded as revelatory as this ! Big , epochal music making strange he didn't leave any Liszt-Wagner for us like Moisewitsch and Hofmann !
A Chopin cuando las copiaban a mano ,no habia impreenta. Buendia. 😅
20--__23. Mexico 🇮🇷🙏🙏
Por qué la # 2. ?
57:43 Rigoletto
“Cortot recorded 8 of Liszt’s works; 6 original works and 4 transcriptions”
THAT’S SOME BAD MATH!! 😆🤣😂
th-cam.com/video/Hjv5GyeRY0A/w-d-xo.html Here is the updated version.
🎉Corrigió las copias de Chopin. que salían con errores No había imprenta. 🎶🎶🎶🎶🎶🎶🇲🇽México.
Solo publican la #2. la #6 es también para los que no conocen a Lizst
En todos los libros para estudiar el piano están las correcciones de Cortot. 🎶🎶🎶🎶🎶