Blah blah blah u know I find it interesting u say u don't like kenpo but your looking at grandmaster tatum's video and as far as u can't use it in a real fight u can that's why many styles spar but obviously your not a real martial artist because if u were u would know that but I dare u to swing on a true practitioner of kenpo and you'll quickly find him handing u your ass back
I have as I trained it for a long time. All the tough guys used kickboxing techniques not their Kenpo. It has some good solid strikes but the long-winded prearranged moves are mostly utter nonsense. This is why you never see real Kenpo in mixed martial arts. All that stuff doesn't work. The few that have magically resorted to kickboxing techniques.Keith Hackney, a good Kenpo stylist showed what Kenpo can do -single strikes, like palm strikes, and that's about it. Zero of the Kenpo punch defenses were on display.
If I may repeat my own comment: Kenpoka here: your complete idea of “what Kenpo is” is wrong... Master Ed Parker taught that each movement is a "word", and each technique is a "paragraph of words", and each flow of combination of techniques is a "discussion" with an opponent. most combative arts get caught up in learning 'full grammar' and 'sentence structure' - but that is counter-intuitive and in a real fight, the physical speech does not come out very clear - it just would not work well. A real fight is sloppy, blindingly fast, full of power and has much loss of stance/balance/form/etc. Master Parker taught that you must increase your word vocabulary as much as possible, so that you can easily change with the flow of the combat and change your words, change mid-sentence anytime if needed into more advantageous speech; many people seem to forget that Master Parker tailored in a ‘flow of techniques together’ because each movement generates a response in the attacker (eg. Kick to the spleen leans the enemy forward, opening up for other words to get spoken)... American Kenpo Karate is said to 'not be used against trained fighters' - but the meaning of ‘not to be used against trained fighters’ is meant as ‘"not to be done in competition against brothers of combative arts (fellow warriors) [if possible]'". American Kenpo, brought over by Master Ed Parker is modified/altered to suit street fighting (NOT COMPETITION AND SPARRING) and is for being attacked IRL and is meant to kill the opponent. That is why we do not wear white gi, we wear black because we are not going to talent shows or competitions, it is the ‘darker side’ of combative arts, the deadlier side than talent shows and competitions. If you attack us, we will overwhelm you and we will kill you. That is what Master Parker’s Kenpo is for; dealing with attackers... Kenpoka here: you do not seem to know what “sparring” is for... when I trained in Kenpo (American Kenpo), it was explained that we train in 'perfect conditions' to get the muscle memory and associated placement of feet/hands/head/etc - going super fast is not important just to learn, learning form is far more important - the techniques within and muscle memory. IN A REAL fight, my sensei taught that you don't have to worry about speed, it will come automatically... your opponent and their speed, adrenaline, all of it comes easily when you are in a real fight. I remember combat I have been in and it is somewhat actually like the movies: your brain is processing so fast that things seems in slow motion (lots of movies show fights that way) and/or you react without thinking, just using muscle memory, and then after it is over your brain 'catches you up' and you realize what you just did (example in The Last Samurai street fight) - it is actually exhilarating to feel it all work and your body almost works in automatica mode IN A REAL fight, why? Because you took the time to learn the form, the techniques within, the small bits and parts; so your brain does not 'have to think' IN A REAL fight because you really don't have time to think. I'll repeat that YOU DO NOT HAVE TIME TO THINK IN A REAL FIGHT. I hope that helps understanding why the Uke (the one that attacks and gets defeated) 'goes with' the technique in this safe and perfect learning setting - and why we train slowly....otherwise there would be speed and a lot of broken limbs and collapsed throats and exploded balls and leaking spleens etc etc lol
@@Munenushi Master Ed Parker taught that each movement is a "word... and the word is "Bullshit" doesn't work in a real fight against someone that knows what they are doing
@@mortgagefinancing5558 I guess all the fights he got into (including losing many) doesn't teach anything... I guess if I kick or knee you in the spleen you won't flinch or bend over forwards a bit, setting you up for more shots/techniques... I guess martial arts don't work.... lol I don't think you've ever been in a real fight. Please go pick one with a martial artist and see how wrong you are.
BJJ is never choreographed while learning, right? Judo is never choreographed while learning, right? etc... Every art is. You can't judge an art or fighter until it's used. Also, things that work, things that can hurt....human motion, is never "behind the times", unless you are talking about Disco :P What happened to Royce Gracie vs Keith Hackney? Uhuh... Royce quit after that fight.
Kenpo is fun to do but completely unrealistic. They look cool when standing there applying techniques yet when they spar where real fighting techniques have to come into play they look like 7 year olds in a tae kwon do school. I know I did Parker Kenpo for 6 months and went back to BJJ. In 22 years ive done Boxing,Isshinryu karate, koei kan karate, Soo do thai karate, Parker Kenpo Karate, Machado BJJ, Muay thai, KUK sool won, Krav maga in Krav maga allegience,Kali, Aikido and dabbled in a few others Kenpo will not work in a real fight or even a sanctioned fight. Either will some of the other systems I have trained. But Kenpo is very unrealistic and brainwashing into dillusion. But as stated fun to do.
@@antoniokofoed7139 Chuck liddell trained in Hawaiian Kempo not American kenpo. He also grew up training in Koei Kan karate do under Jack sabat. Thats what the tattoo on his head is. I trained in koei kan for many years starting under the late o'sensei Brian Frost who trained Jack Sabat. I got to go to Santa Barbara for a special training camp that jack ran called the Bushi shugyo. Back to the point both systems are completely different between Hawaiian kempo amd American kenpo.
Kenpoka here: your complete idea of “what Kenpo is” is wrong... Master Ed Parker taught that each movement is a "word", and each technique is a "paragraph of words", and each flow of combination of techniques is a "discussion" with an opponent. most combative arts get caught up in learning 'full grammar' and 'sentence structure' - but that is counter-intuitive and in a real fight, the physical speech does not come out very clear - it just would not work well. A real fight is sloppy, blindingly fast, full of power and has much loss of stance/balance/form/etc. Master Parker taught that you must increase your word vocabulary as much as possible, so that you can easily change with the flow of the combat and change your words, change mid-sentence anytime if needed into more advantageous speech; many people seem to forget that Master Parker tailored in a ‘flow of techniques together’ because each movement generates a response in the attacker (eg. Kick to the spleen leans the enemy forward, opening up for other words to get spoken)... American Kenpo Karate is said to 'not be used against trained fighters' - but the meaning of ‘not to be used against trained fighters’ is meant as ‘"not to be done in competition against brothers of combative arts (fellow warriors) [if possible]'". American Kenpo, brought over by Master Ed Parker is modified/altered to suit street fighting (NOT COMPETITION AND SPARRING) and is for being attacked IRL and is meant to kill the opponent. That is why we do not wear white gi, we wear black because we are not going to talent shows or competitions, it is the ‘darker side’ of combative arts, the deadlier side than talent shows and competitions. If you attack us, we will overwhelm you and we will kill you. That is what Master Parker’s Kenpo is for; dealing with attackers... Kenpoka here: you do not seem to know what “sparring” is for... when I trained in Kenpo (American Kenpo), it was explained that we train in 'perfect conditions' to get the muscle memory and associated placement of feet/hands/head/etc - going super fast is not important just to learn, learning form is far more important - the techniques within and muscle memory. IN A REAL fight, my sensei taught that you don't have to worry about speed, it will come automatically... your opponent and their speed, adrenaline, all of it comes easily when you are in a real fight. I remember combat I have been in and it is somewhat actually like the movies: your brain is processing so fast that things seems in slow motion (lots of movies show fights that way) and/or you react without thinking, just using muscle memory, and then after it is over your brain 'catches you up' and you realize what you just did (example in The Last Samurai street fight) - it is actually exhilarating to feel it all work and your body almost works in automatica mode IN A REAL fight, why? Because you took the time to learn the form, the techniques within, the small bits and parts; so your brain does not 'have to think' IN A REAL fight because you really don't have time to think. I'll repeat that YOU DO NOT HAVE TIME TO THINK IN A REAL FIGHT. I hope that helps understanding why the Uke (the one that attacks and gets defeated) 'goes with' the technique in this safe and perfect learning setting - and why we train slowly....otherwise there would be speed and a lot of broken limbs and collapsed throats and exploded balls and leaking spleens etc etc lol
![일상 속 기분 좋음 [Proto disco meme]](http://i.ytimg.com/vi/DwmEIaZ7XGQ/mqdefault.jpg)
Kenpo is great kenpo is real
9:26 that technique clears the defender's blocking hand as well as the throat.
Blah blah blah u know I find it interesting u say u don't like kenpo but your looking at grandmaster tatum's video and as far as u can't use it in a real fight u can that's why many styles spar but obviously your not a real martial artist because if u were u would know that but I dare u to swing on a true practitioner of kenpo and you'll quickly find him handing u your ass back
I have as I trained it for a long time. All the tough guys used kickboxing techniques not their Kenpo. It has some good solid strikes but the long-winded prearranged moves are mostly utter nonsense. This is why you never see real Kenpo in mixed martial arts. All that stuff doesn't work. The few that have magically resorted to kickboxing techniques.Keith Hackney, a good Kenpo stylist showed what Kenpo can do -single strikes, like palm strikes, and that's about it. Zero of the Kenpo punch defenses were on display.
1980's choreographed non-realistic martial arts that's is washed up now
that we see in 2020 its not real and has no value..its behind times.
If I may repeat my own comment:
Kenpoka here: your complete idea of “what Kenpo is” is wrong...
Master Ed Parker taught that each movement is a "word", and each technique is a "paragraph of words", and each flow of combination of techniques is a "discussion" with an opponent. most combative arts get caught up in learning 'full grammar' and 'sentence structure' - but that is counter-intuitive and in a real fight, the physical speech does not come out very clear - it just would not work well. A real fight is sloppy, blindingly fast, full of power and has much loss of stance/balance/form/etc. Master Parker taught that you must increase your word vocabulary as much as possible, so that you can easily change with the flow of the combat and change your words, change mid-sentence anytime if needed into more advantageous speech; many people seem to forget that Master Parker tailored in a ‘flow of techniques together’ because each movement generates a response in the attacker (eg. Kick to the spleen leans the enemy forward, opening up for other words to get spoken)...
American Kenpo Karate is said to 'not be used against trained fighters' - but the meaning of ‘not to be used against trained fighters’ is meant as ‘"not to be done in competition against brothers of combative arts (fellow warriors) [if possible]'". American Kenpo, brought over by Master Ed Parker is modified/altered to suit street fighting (NOT COMPETITION AND SPARRING) and is for being attacked IRL and is meant to kill the opponent. That is why we do not wear white gi, we wear black because we are not going to talent shows or competitions, it is the ‘darker side’ of combative arts, the deadlier side than talent shows and competitions. If you attack us, we will overwhelm you and we will kill you. That is what Master Parker’s Kenpo is for; dealing with attackers...
Kenpoka here: you do not seem to know what “sparring” is for...
when I trained in Kenpo (American Kenpo), it was explained that we train in 'perfect conditions' to get the muscle memory and associated placement of feet/hands/head/etc - going super fast is not important just to learn, learning form is far more important - the techniques within and muscle memory. IN A REAL fight, my sensei taught that you don't have to worry about speed, it will come automatically... your opponent and their speed, adrenaline, all of it comes easily when you are in a real fight. I remember combat I have been in and it is somewhat actually like the movies: your brain is processing so fast that things seems in slow motion (lots of movies show fights that way) and/or you react without thinking, just using muscle memory, and then after it is over your brain 'catches you up' and you realize what you just did (example in The Last Samurai street fight) - it is actually exhilarating to feel it all work and your body almost works in automatica mode IN A REAL fight, why? Because you took the time to learn the form, the techniques within, the small bits and parts; so your brain does not 'have to think' IN A REAL fight because you really don't have time to think. I'll repeat that YOU DO NOT HAVE TIME TO THINK IN A REAL FIGHT. I hope that helps understanding why the Uke (the one that attacks and gets defeated) 'goes with' the technique in this safe and perfect learning setting - and why we train slowly....otherwise there would be speed and a lot of broken limbs and collapsed throats and exploded balls and leaking spleens etc etc lol
@@Munenushi Master Ed Parker taught that each movement is a "word... and the word is "Bullshit" doesn't work in a real fight against someone that knows what they are doing
@@mortgagefinancing5558 I guess all the fights he got into (including losing many) doesn't teach anything... I guess if I kick or knee you in the spleen you won't flinch or bend over forwards a bit, setting you up for more shots/techniques... I guess martial arts don't work.... lol I don't think you've ever been in a real fight. Please go pick one with a martial artist and see how wrong you are.
@@Munenushi Bullshit waist of time
BJJ is never choreographed while learning, right?
Judo is never choreographed while learning, right?
etc... Every art is. You can't judge an art or fighter until it's used.
Also, things that work, things that can hurt....human motion, is never "behind the times", unless you are talking about Disco :P
What happened to Royce Gracie vs Keith Hackney? Uhuh... Royce quit after that fight.
Kenpo is fun to do but completely unrealistic. They look cool when standing there applying techniques yet when they spar where real fighting techniques have to come into play they look like 7 year olds in a tae kwon do school. I know I did Parker Kenpo for 6 months and went back to BJJ. In 22 years ive done Boxing,Isshinryu karate, koei kan karate, Soo do thai karate, Parker Kenpo Karate, Machado BJJ, Muay thai, KUK sool won, Krav maga in Krav maga allegience,Kali, Aikido and dabbled in a few others Kenpo will not work in a real fight or even a sanctioned fight. Either will some of the other systems I have trained. But Kenpo is very unrealistic and brainwashing into dillusion. But as stated fun to do.
Chuck liddell says different. Lol
@@antoniokofoed7139 Chuck liddell trained in Hawaiian Kempo not American kenpo. He also grew up training in Koei Kan karate do under Jack sabat. Thats what the tattoo on his head is. I trained in koei kan for many years starting under the late o'sensei Brian Frost who trained Jack Sabat. I got to go to Santa Barbara for a special training camp that jack ran called the Bushi shugyo. Back to the point both systems are completely different between Hawaiian kempo amd American kenpo.
Kenpoka here: your complete idea of “what Kenpo is” is wrong...
Master Ed Parker taught that each movement is a "word", and each technique is a "paragraph of words", and each flow of combination of techniques is a "discussion" with an opponent. most combative arts get caught up in learning 'full grammar' and 'sentence structure' - but that is counter-intuitive and in a real fight, the physical speech does not come out very clear - it just would not work well. A real fight is sloppy, blindingly fast, full of power and has much loss of stance/balance/form/etc. Master Parker taught that you must increase your word vocabulary as much as possible, so that you can easily change with the flow of the combat and change your words, change mid-sentence anytime if needed into more advantageous speech; many people seem to forget that Master Parker tailored in a ‘flow of techniques together’ because each movement generates a response in the attacker (eg. Kick to the spleen leans the enemy forward, opening up for other words to get spoken)...
American Kenpo Karate is said to 'not be used against trained fighters' - but the meaning of ‘not to be used against trained fighters’ is meant as ‘"not to be done in competition against brothers of combative arts (fellow warriors) [if possible]'". American Kenpo, brought over by Master Ed Parker is modified/altered to suit street fighting (NOT COMPETITION AND SPARRING) and is for being attacked IRL and is meant to kill the opponent. That is why we do not wear white gi, we wear black because we are not going to talent shows or competitions, it is the ‘darker side’ of combative arts, the deadlier side than talent shows and competitions. If you attack us, we will overwhelm you and we will kill you. That is what Master Parker’s Kenpo is for; dealing with attackers...
Kenpoka here: you do not seem to know what “sparring” is for...
when I trained in Kenpo (American Kenpo), it was explained that we train in 'perfect conditions' to get the muscle memory and associated placement of feet/hands/head/etc - going super fast is not important just to learn, learning form is far more important - the techniques within and muscle memory. IN A REAL fight, my sensei taught that you don't have to worry about speed, it will come automatically... your opponent and their speed, adrenaline, all of it comes easily when you are in a real fight. I remember combat I have been in and it is somewhat actually like the movies: your brain is processing so fast that things seems in slow motion (lots of movies show fights that way) and/or you react without thinking, just using muscle memory, and then after it is over your brain 'catches you up' and you realize what you just did (example in The Last Samurai street fight) - it is actually exhilarating to feel it all work and your body almost works in automatica mode IN A REAL fight, why? Because you took the time to learn the form, the techniques within, the small bits and parts; so your brain does not 'have to think' IN A REAL fight because you really don't have time to think. I'll repeat that YOU DO NOT HAVE TIME TO THINK IN A REAL FIGHT. I hope that helps understanding why the Uke (the one that attacks and gets defeated) 'goes with' the technique in this safe and perfect learning setting - and why we train slowly....otherwise there would be speed and a lot of broken limbs and collapsed throats and exploded balls and leaking spleens etc etc lol