Esta Solea la escuché hace tiempo y me quedé impresionado de la composición y la esquisitez con que la toca. Gracias maestro por hacer piezas como esta y que nosotros las podamos disfrutar.
Great flamenco guitarists perform almost exclusively with microphones instead of dreadful sounding piezo pickups. They usually have the luxury of performing in quiet settings unless with group when even then the sound is mixed by an engineer. Having seen Vicente Amigo and also Jose Antonio Rodriguez in their concerts as well as footage of Paco de Lucia using a condenser mic I was wondering if anyone out their could share their experience of playing in a live setting say with a somewhat loud crowd in a social setting when the guitar needs to be heard. Would anyone out there recommend a particular microphone and whatever pre-amp or mixer without spending a small fortune? The Neumann KM 184 as specified in Paco's contract rider and frequently seen in his concerts is a whopping $1,500. Is it possible to successfully mic a flamenco guitar at say a party, club or restaurant to be heard above a noisy crowd without producing feedback and have enough clarity and presence to be heard above crowd noise?
David Head Guitarist , hi, the best way in those settings is mixing a mic with something else, because you always lose some frequencies with the mic in live settings, to avoid feedback, so there are some systems, k&k trinity, ( mic and undersaddle sensor ), Carlos vip, ( "coaxial Piezo" and a body sensor ), dpa 4099 mic, Barbera transducer and a mic.., also I recommend to have the mic inside the guitar, so your sound is always the same, good luck!
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Espectacular maestro. La Soleá en esencia. Bravo 👏 👏 👏
Cómo puede haber alguien que no le guste ésta belleza!?!?!?
In all my life, I had not heard this beauty, and I will not hear. With all my love, thank you very much for making this masterpiece.❤
One of the greatest guitar player I love it.
Da sempre sei il mio preferito Jose Luis!
Esta Solea la escuché hace tiempo y me quedé impresionado de la composición y la esquisitez con que la toca. Gracias maestro por hacer piezas como esta y que nosotros las podamos disfrutar.
Bella soleá!!! Hermoso trabajo!
Olé tu sensibilidad, delicadeza y personalidad! Sigue así maestro
Una verdadera maravilla!!
felicidades maestro
Fenomenal Fenomenal bravo!
espectacular trabajo.
el grande maestro...thank you for sharing this.
Wow que hermosa musica!
so beautiful!
That was beautiful.
,Świetne - bravissimo!!!
que delicia como siempre amigo jose luis , mi admiracion ya no me cabe en el pecho
breathtaking!
Ole. Qué delicia de toque!
Que pasada
amazing!!
BOSS!!!!!!!!!!
Bravo!
Joder Jose Luis nos la podrías enseñar en un par de tutoriales🙏🏻 gracias sea si o sea no fuerte🫂
Espero que no concluya tu obra y sigas aciendo este arte me ha gustado mucho ole
Pa ti, pa mí, paté, patos.
❤️🧡💛💚💙💜🤎🖤
very good
Donde encontramos la partitura tablatura?
Great flamenco guitarists perform almost exclusively with microphones instead of dreadful sounding piezo pickups. They usually have the luxury of performing in quiet settings unless with group when even then the sound is mixed by an engineer. Having seen Vicente Amigo and also Jose Antonio Rodriguez in their concerts as well as footage of Paco de Lucia using a condenser mic I was wondering if anyone out their could share their experience of playing in a live setting say with a somewhat loud crowd in a social setting when the guitar needs to be heard. Would anyone out there recommend a particular microphone and whatever pre-amp or mixer without spending a small fortune? The Neumann KM 184 as specified in Paco's contract rider and frequently seen in his concerts is a whopping $1,500. Is it possible to successfully mic a flamenco guitar at say a party, club or restaurant to be heard above a noisy crowd without producing feedback and have enough clarity and presence to be heard above crowd noise?
David Head Guitarist , hi, the best way in those settings is mixing a mic with something else, because you always lose some frequencies with the mic in live settings, to avoid feedback, so there are some systems, k&k trinity, ( mic and undersaddle sensor ), Carlos vip, ( "coaxial Piezo" and a body sensor ), dpa 4099 mic, Barbera transducer and a mic.., also I recommend to have the mic inside the guitar, so your sound is always the same, good luck!
who is the guitar maker ?
Conde hermanos