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Thank you for your comment, the Duduk I use is made by Ilya Efimov, really good duduk.

I would say close to a hundred

@@gregrobertmusicbut in the video there are over 400 tracks…

@@RaymondDoerr yes, around 400 tracks enabled, I meant tracks with data on it.

Thank you for your comment! 👍

Hello «Uncle Ed»; I agree for the mix; I tend to progress on that side; now I feel like it’s harsh too; but back then I didn’t have my present experience; I keed my old videos to archive my progression. For the Negative delays I agree; back then I used Negative Delay for the rhythm parts and shorts but not for chords or melodic parts; I now use it now on any track. For the expression maps; as u said it’s very good; but firstable; articulations never have the same sample delay; so it doesn’t fit this workflow; then I tend to layer marcatos and shorts on some libraries to have a better attack. That Pacific was noisy indeed; but also because of the mix; it still has one of the best legatos to me. I also reduced the amount of libraries that I use for each section. -- I don’t think the part on Anne-Kathrin Dern’s work was needed, relevant or respectful in any manner though. Still Thank you for your comment.

Uncle Ed, it's nice of you to take the time to constructively critique. Do you have samples of your work that I may hear?

@@leemichaelvacaro Listen to the Grammys this year, and you will.

@@crespomathewfernandez7287 It was one of the influences indeed !👍

Lol; even upgraded since then, I was on a Windows PC with 128gb ram, I'm now on a Mac Studio M2 Ultra with 192gb of unified RAM orchestral templates and samples are heavy ;)

@ bro whaaa? Haha do you wanna educate me in the ways so I can do something similar? I only have 64gb ram tho, but Cubase will crash on me after I run a bunch of kontaks

@@maximusfrank2835 You should be able to run at least 1500 disabled tracks on windows and like 100 enabled with no problem; if you have problems; I'd suggest resetting your Windows version; update or format; upgrade your CPU or Switch to Mac that is more stable and no optimisation needed (expensive though); Mainly switched to Mac for performance reasons and dropouts; had severe audio dropouts even at 2048 buffer size on projects I can now run on 192 buffer size without any trouble

Hello Farnaz! Thank you for your comment, the brass section is: Cinematic Studio Brass and Abbey Road One for the Trumpets; Cinebrass for the French Horns, Tubas and Trombones.

@@gregrobertmusic Thank you so much for your perfect answer:)

8DIO Century Brass, Solo Flugelhorn patch ;) yes I like it

@@veikki9899 hey! Thank you for your comment, everything here was made by ear, I started working last week on some tutorials and made some first recordings to test, maybe I’ll drop some. 👍

@@HalValla01 Thank you Hal! Sherlock was not one of my inspirations but I get the idea lol 👍

Hello! Thank you for your comment, the brass is a layer of Cinebrass and VSL Synchron Brass, for the entire brass section but the Trumpets that are from CSB and Abbey Road One

@@MichaelPilipp Danke für den Kommentar!

Hello! Thank you for your comment, the percussions on this track and this part are Monolith by Orchestral Tools and 8Dio Percussion.

@@gregrobertmusic Thank you for the info! Could you remember what libraries of 8Dio's percussions? I have bought some of those but not sure how to achieve the clean sound that you have achieved to get.

@@saro2431mainly new epic toms

@@gregrobertmusic Interesting! I thought 8Dio percussions are very reverby with long tails. But does this new epic toms has close mics only and a lot less roominess?

@@saro2431 it’s like a mix, no mic position, I just open it with the default settings often use it as a layer under main percs like abbey road, monolith, cineperc or damage

Thank you Robert !

Merci chef

Thank you Sam!

réel

Thank you Rubén for your comment!

@@SkowaT reel merci pour le com frero prochaine fois je mets une grosse 808 j’ai juré frero

Mais toi même !

c'est lui qui dit qui est ^^' hihi

@@jarodmarlyn3227 miam^^

Haha oui !

Haha that was my own pleasure, glad you caught it 😂

Hello, atm on CPU: Ryzen 9 5900x, (hyperthreading off), 128gb ram DDR4 3600MHz, RTX 4060ti. Switching this week on a MAC Studio M2 Ultra 192gb RAM because of poor performance on Windows. Audio Interface: RME Fireface UCX II.

@@gregrobertmusic great

​@@gregrobertmusicare you talking about ASIO Guard spiking out in Cubase 13? That's a cubase problem, not Windows. Other DAWs work just fine. Seems like a waste of money to switch to Mac just because of this

@@uw0tm838 Nope, just switched, projects that I couldn't run with 2048 buffer size just run perfectly fine with 192 buffer on MAC (with AsioGuard even on Normal) , Had AsioGuard Spikes & regular Audio performance peaks. Also increased a lot my loading time on my template; between 2-3mn on MAC compared to at least 25mn on my PC with the exact same external drives (not even kidding). I don't regret any $. And speaking as an Apple former hater lol (mainly for the price tag). Everything in a very tiny box 0 noise literally and it stays cold / medium temp. Also Cubase is very well optimized like Logic & pro tools. AsioGuard is not really only Cubase, it's on your specs too

Thank you for your comment!

Hello Donato ! Thank you for your comment, the Flugelhorn is from 8dio Century Brass, then, on this track, Brass section is Afflatus Brass & Cinebrass. Trumpets from Cinematic Studio Brass and Abbey Road One.

Thank you, I usually use a layer of Pacific Strings & Abbey Road Symphonic Strings, this one is only Pacific. Woodwinds are Cinematic Studio Woodwinds.

@@gregrobertmusic Amazing!! Pacific sounds really up close and personal, is this just the close mic or did you just lower the AB volume?

@@hzambrana actually it's I think -4dB close 0dB AB mic; always have that setup with pacific; Think I had this one back then

@@gregrobertmusic Thanks!

Thanks dude! full audio quality on my website: gregrobert.com/

Oh thank you!