"A Posture of Attendance "is a site-specific composition centered on rhythmical rotation and acoustics, composed by Wei Ting Tseng in 2024. The harmony is formed according to the room’s peak frequencies, allowing sound and space to influence one another. The piece explores how natural overtones alter the perception of space, reshaping the room’s size and form. It emphasizes collective trust and the interconnectedness of performers, space, and audience, where failure is shared. This fosters ensemble development, encouraging performers to adapt to the space and support each other.
"Vol. 3, Vibraphone Quartet for 3 Vibraphones and 1 Space" was performed and co-composed by percussionists Madalena Rato, Jonas Evenstad, and Elias Voll.