วีดีโอ

Thanks , exelent Job

I love the cloud

im using in the build up but the white noise affect all my build up channels recreating(after export) the noise in each stem,am i missing something? How do i fix this? Of course i export from playlist,i tried a channel bus but didnt work,lemme know if possible :(

Nice, great work! ❤

cool stuff!

My brother should use VidIQ for SEO, because your video fires. Génial!

AWESOOOOMEEEE!!!!

Have you ever been on BandLab?

You paid for it . Released it while having the rights to uss the sound. After stop paying you still have rights to it at the time of release.. isrc need to be documented well with proof of payment of the samples. After approvement they cant do that... Soundpacks ars pretty neat but indeed not usefull for transposing. Chopping and verry buggy filtering. E min transposed still show up E Min while being F at drag and drop... After some long time. It will not drag and drop the key or bpm synced correctly and just ignores the parameters leaving you with original samples. Mastering works great not having the default limiter in master limiter. Cut the crap frequencies with eq. Gain some lost punch/fullness with Soundgoodizer and MultiBand Comp. Then master without clipping or interfering stuff

The quality of the sounds are muffled. AI mastering is building bad habits for producers. You literally press a few buttons to master with fl cloud. And the end product is loud and squashed😂

Is it possible to measure fr of my speakers with LDC mic?

You never really explained why you shouldn't mix on flat headphones. You also said that it's okay to mix on Harman ie 2019v2, but it famously has quite a bit of glare in the lower treble around 5k, making it really difficult to see into the mix. You are a small creator so I'm not really upset, but I feel kinda clickbaited by someone who doesn't really speak from experience.

thx for the vid, very useful u sound like ohnepixel btw

subscribed, i hope this channel gets huge

genius

Hope they find better options, as that sounds bad. But overall, as long as they keep the lifetime free updates for the DAW itself, it's fine. I don't think it's sustainable for them to keep offering free updates. They can't go back on their initial promise of free updates either, so I think this is probably neccesary for regular updates to the DAW itself I have komplete ultimate CE and other stuff, so I likely won't subscribe. So I will just keep benefiting from the free DAW upgrades. I will start being critical of it if they lock DAW essential features behind the paywall though But seems allright so far

Very good video! One advanced technique you may want to consider is the ability to send parameter data OUT of patcher to be used throughout the project. This also allows you to process parameter data in sub-patches for organizational purposes. You can do it with the fruity wave shaper and a peak controller. It's a bit hacky but it works. I can show you how to set it up if you'd like.

Bro this is genius! Much appreciated

thank you

Simon Already Become Giga G.O.A.T

I think FL Studio should partner more closely with SoundCloud through a streamlined service. Users could pay a monthly fee that includes both the cloud service and SoundCloud Pro. This would surely benefit both companies. FL Studio could enable direct posting to SoundCloud and distribution to SoundCloud's distribution services. Unlike DistroKid, SoundCloud doesn't face the same issues, so a partnership like this could work out much better.

If you don’t like the product, don’t buy it. They give lifetime free updates and people still complain? Guess what I’m about to type next

Welcome over to Ableton.

I literally can not use any of the vst plugins I downloaded. As the VST file gets turned into the FL cloud launcher thing. :(

Damn!!!!

I can understand your anger towards Distrokid Distribution and FL-Mastering. But as a professional, those 2 features of FL Cloud are not a thing I even look at. - Of course we have a mastering engineer, who does the mastering and fore quick mastering, you should better use a preset of Ozone11, so this feature won't even be used. - Self-Distribution on some shady provider such as Distro-Kid is a bad idea in any case. Either, you release on a well known, industry-proven and powerful label OR you found your own label with a proper distribution, such as Kontor New Media - where there are acutal people sitting in the office that you can mail or call and talk to, if there is something wrong. I subscribed to it to support FL Studio. It is the foundation of my income, so I like to give something back. They do lifetime free upgrades - thats so insane. Normally I would have to buy a new version each year, like Ableton does. Yes - the sample-lib is pretty small at the moment and I am still using splice most of the times, but I feel, they will grow it over time. I am really curious about the plugins they now added to the menu.

How I can run APO in my daw ?

Thanks bro

Think you very much!!!

Auto-Gain Compensation is something I wish could be built into a more advanced mixer as a native feature. Since so many third party plugin developers tend to rely on the "louder is better" to sell their wares, it would be good to be able to audition how those plugins perform without increasing the gain from the plugin. If it were integrated to FLS' mixer, you could activate Auto Gain on any mixer slot to prevent its plugin from adding additional dB to the output. Simple have FL Studio gain match the output from a specific plugin to its input, whenever Auto-Gain Compensation is activated for that mixer slot. That would make comparisons of what each plugin is and isn't doing to the input audio so much more easily. I believe Image-Line even own Melda Production who produce their own third-party plugin MAGC, if they wanted to save some R&D time, just give those guys a go at it.

hey, thanks for this video, how do i use the mixer plugin btw

Use Routenote, better option.

KEEP IT GOING MATE UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU

User generated content on FL Cloud would be awesome. I'm not talking about just sounds either but presets for native synths and FX, patcher, themes, colors and icon presets etc. Perhaps with some micro payment option to give people an opportunity to make some cash and motivate hard work and a rating and review facility. That would be damn cool.

Simon, you have 2 notifications in your bell 😅

It's better not to use loops in any digital distribuitor. Just our own creation from scratch.

Isnt there a way to do this in a DAW? I was using TB_Morphit for a time

whats with the rainbow colors and the patcher named trans????????????????????

thanks <3

This is your best video to date! Haven't seen anyone cover this before and I learned something new that I had been wondering about for a long time. I hope you find enough of an audience to continue with this type of mathy video. Also handsome twins you have.

der boi der G

ah!! this makes sense now. when you explained it on discord I was too tired to understand it but this video made it super easy to understand!!

2:32 How you pronounce treble is amazing 🤌 , also I learned quite a bit ~ amazing video 🦑

Is there a way to save the plugin made with patcher so you can load it into n other daw?

for mastering you just need a compressor, soft clipper, equalizer, and a true peak limiter (that you can probably get for free). i just don't see why would you need fl studio's mastering. it's not very customizable, and to be honest, i don't really like fl's compression sound.

2:00 If I remember correctly the starting point for the adjustments was a headphone equalized to match a flat in-room response of a loudspeaker. So the response after adjustments was fairly close to a response of a anechoically flat loudspeaker in a good room (downward slope).

Good video. The one concern is that autoEQ has some issues where people feel this is where their adjustments should stop. But really it's FROM there that the adjustments should start.

omg you deserve more subs T_T

❤❤❤great video

thanx bro