Grant Dougharty
Grant Dougharty
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A grieving man goes looking for his wife. | Horror Short Film
For When You Miss Me
This film is part of a project I started called Movie Practice, where I give myself some kind of prompt and go make a short film, performing every role I can from screenwriter to foley recordist to get a more comprehensive understanding of filmmaking. The prompt that led to For When You Miss Me was just to write something to shoot in black and white, which was an interesting challenge.
I instantly thought of my dad's face. I think black and white makes for great portraits, and if you pair a distinct face with some contrasty light you can pack so much dread and brooding into a simple close-up. I wrote the script around his face, not even knowing if he was going to agree to be in it. But he was fantastic, and getting the opportunity to share my passion for filmmaking with him in such an intimate way (often just he and I and the camera) was an experience I'll never forget.
But the biggest lesson from this film was in the score. I wanted something etherial and unsettling but at the same time unrecognizable - no obvious melodies or instruments used as intended. And feeling the atmosphere of the entire film shift as different pieces of music dropped in out made me realize just how much of a film's tone rests on the sound department's shoulders.
All in all I'm proud of this short. It got into a small film festival, my first, and that was a surreal experience. Now that it's been a year and a half since I shot it I can see so many things I would do differently, but it marks a definitive shift in my growth as a filmmaker: it's the first thing I've made that, for all it's flaws, I am genuinely very proud of.
LISTEN TO THE SCORE
Spotify | open.spotify.com/album/2CGu7vLqclQNjTBfJWzWt8?si=oR1F7FcGRe2SO-QkECaalg
FOLLOW ME
Instagram | granti_panti
TikTok | www.tiktok.com/@grantdougharty
WATCH MY VIDEO ESSAY ON "NO COUNTRY FOR OLD MEN"
th-cam.com/video/RH4XxTDwhVA/w-d-xo.html
WATCH MY VIDEO ESSAY ON "THE GRADUATE"
th-cam.com/video/7wUgjgWHTNo/w-d-xo.htmlsi=JUZL1kZDuR_xPG2h
WATCH MY PREVIOUS SHORT FILM - "SENSE"
th-cam.com/video/DkdTW6myfy8/w-d-xo.html
WATCH MY ROAD TRIP FILM - "DO IT FOR THE PLOT"
th-cam.com/video/3D2vD05_LoQ/w-d-xo.html
มุมมอง: 687

วีดีโอ

One Morning in Brooklyn... | Fujifilm XT4 Cinematography Test
มุมมอง 7245 หลายเดือนก่อน
I had some free time this weekend and decided to practice a little "street cinematography" - or just get a few reps in behind the camera while walking around my neighborhood in Bushwick. Shot on Fujifilm XT4 FOLLOW ME Instagram | granti_panti TikTok | www.tiktok.com/@grantdougharty WATCH MY VIDEO ESSAY ON "NO COUNTRY FOR OLD MEN" th-cam.com/video/RH4XxTDwhVA/w-d-xo.html WATCH MY ...
For When You Miss Me | Short Film Trailer
มุมมอง 3726 หลายเดือนก่อน
A 30 second teaser trailer for my upcoming short film, For When You Miss Me. A grieving man follows a set of cryptic instructions that his late wife left behind. But while he doesn't find peace, something finds him. This film has been a year in the making, for a lot of hectic life reasons, but I'm so proud of it. Unfortunately I can't share the full thing just yet, I'm shooting my shot with a c...
Moving to New York | A Handycam Road Trip Short Film
มุมมอง 1K9 หลายเดือนก่อน
The whole "do it for the plot" mantra is not exactly a unique concept, and quippy lifestyle philosophy isn't the kind of thing I usually go for, but sometimes a simple cliche can get you through a tough time. Moving to New York is also kind of cliche. It's certainly a story we've all heard plenty of times. But just because lots of people have done it doesn't mean it's easy, which my girlfriend ...
Everything Wrong (and Right) With My Short Film "Zip"
มุมมอง 1.2Kปีที่แล้ว
Since I'm treating these short films as my DIY film school it's only appropriate that I include some self-criticism. I'm still early on in my filmmaking journey, so right now every time I pick up a camera I'm learning something new. Which sometimes means as soon as I finish a video (even mid-way through, honestly) I start cringing at my past self's bumbling ignorance. I firmly believe that a fi...
A couple's argument turns into a Wild West shootout. | Short Film
มุมมอง 1.6Kปีที่แล้ว
Zip is the second short film in my Movie Practice series-where I give myself an assignment and go out and make a film, just like you would in film school. Except Movie Practice is free. For this assignment I was focused on exploring how to underline story beats and themes simply through the use of the background (or mise en scène, if you're feeling a wee bit pretentious) and the actors' blockin...
Set-Ups, Punchlines, and No Country For Old Men
มุมมอง 287Kปีที่แล้ว
Bad movies are easy to spot. Mediocre movies are a bit harder. To me, the difference between a good movie and a mediocre one is how well it uses the language of cinema to tell its story. Like any language, movies have vocabulary and grammar-consisting of shots, cuts, sound, action, and dialogue-and how well a filmmaker wields those tools makes a big difference in the quality of the movie. In Mo...
Critiquing My Short Film-SENSE
มุมมอง 2.4Kปีที่แล้ว
A valuable part of any film school experience is showing your projects to the class and getting feedback, so for my DIY film school I'm doing the same. Getting into what worked, what didn't, and what I'd do differently in the future. Criticism and critique can be an uncomfortable, sometimes painful process. I feel like since I'm still new to filmmaking I'm still learning so much so quickly, so ...
A man begins to suspect he's being watched. | Short Film
มุมมอง 7Kปีที่แล้ว
SENSE is the first short film in my Movie Practice series. Not only that, it's my very first finished short film. I started this whole project as a way for me to get out of my own way-to make things without fear and to learn something new with each film I take on. For my first assignment in my DIY, home-school film school, I decided to practice the visual storytelling principle of set-ups and p...
Welcome to Movie Practice-My DIY Film School
มุมมอง 2.2Kปีที่แล้ว
I want to make movies, but I never went to film school and I don't plan on going. So I've decided to put myself through a DIY, home school film school. I'm calling it Movie Practice, and its basically meant to keep myself honest about making films, finishing them, and posting them. In my mind, the main benefits you get from film school are 1) a network of fellow filmmakers and 2) a safe space t...

ความคิดเห็น

  • @ninagnation
    @ninagnation 22 วันที่ผ่านมา

    Tell your dad he is fantastic and has a fantasticly talented child as well!

  • @confused_reader
    @confused_reader 28 วันที่ผ่านมา

    love the ending to this, good work

  • @alexanderopeterson1125
    @alexanderopeterson1125 หลายเดือนก่อน

    Absolutely outstanding work! What camera and lenses were used, please?

    • @GrantDougharty
      @GrantDougharty หลายเดือนก่อน

      I shot it with a fujifilm xt4 and a vintage Nikon photo lens I use on my film camera. Nothing special! The black and white and a couple cool lighting set ups are doing all the work.

    • @alexanderopeterson1125
      @alexanderopeterson1125 3 วันที่ผ่านมา

      @@GrantDougharty Awesome, thanks!

  • @Miskatonic_Alumnus
    @Miskatonic_Alumnus หลายเดือนก่อน

    "Sometimes, a cigar is just a cigar" - Freud, probably

  • @caroginorio_pr
    @caroginorio_pr หลายเดือนก่อน

    So damn good!

  • @EnisMemic
    @EnisMemic หลายเดือนก่อน

    hey, so this is amazing

    • @GrantDougharty
      @GrantDougharty หลายเดือนก่อน

      Hey, so, thank you! Haha

  • @flares
    @flares หลายเดือนก่อน

    Ok, here's what I think, 99.999999% of people who watched The Graduate would never think about the window, they wouldn't notice it and the reason why is because the camera is focused on their faces, we (the VAST VAST majority as viewers would be looking at their faces, we'd be looking at them or at their expressions. Then you get a tiny tiny minority of people who love to look for things in the background and almost brainwash themselves into believing that every little thing in the background is some clever idea added in by the director that they spend more time looking in the background than they do listening to the story. I remember an interview with William Friedkin who directed The Exorcist who said that people have said to him about certain things being in the film which are supposed to represent or mean something and he said that he didn't know what they were talking about and admitted they were not deliberately in the shot, it was just by luck. Yes, movies are made on purpose but what's going on in the background when you watch a certain scene is neither here nor there, most people don't notice it. As for the desert scene, just because we can't see the car while the camera is on him doesn't mean the viewers will think Yeah, he DEFINITELY wants to stay. If you had the car in the background with him in shot and he was saying 'look at that wonderful view' we'd still be thinking he wants to stay.

  • @CMGin
    @CMGin หลายเดือนก่อน

    Chills!! Full body chills every time!!

    • @GrantDougharty
      @GrantDougharty หลายเดือนก่อน

      Hahaha thanks 😊

  • @munkey9064
    @munkey9064 หลายเดือนก่อน

    tremendous sound design and cinematography

  • @TomTom-se4of
    @TomTom-se4of หลายเดือนก่อน

    Well done! It has huge David Lynch/Eraserhead vibes

    • @GrantDougharty
      @GrantDougharty หลายเดือนก่อน

      Wow thanks I'm honored! Definitely took notes from the eraserhead score/soundscape

  • @juxibomb
    @juxibomb หลายเดือนก่อน

    yea sound is for sure a big part of a film

  • @shannonnichols3415
    @shannonnichols3415 หลายเดือนก่อน

    I also found it interesting that their “getaway car” is temporary transportation. Remember his car ran out of gas so he couldn’t have used it to escape. There’s a ton of possibilities for symbolism in there plus did they plan the gas running out or happy accident?

  • @stephenmitchell8577
    @stephenmitchell8577 3 หลายเดือนก่อน

    So incredibly well done. Bravo! I’m sticking around stage 2 for a while at the moment, but definitely been through them all. Sometimes life circles back.

  • @rpbphx
    @rpbphx 3 หลายเดือนก่อน

    Anyone else getting heavy Ferris Bueller vibes? from Grant?

  • @91thewatcher23
    @91thewatcher23 3 หลายเดือนก่อน

    I thought the punchline was towards the end where Anton (by chance) gets in a wreck and he bloodies and injures his leg in probably the only time in the movie he was in a place where he didn't control anything and chance finally turned against him.

  • @rawnoyze8763
    @rawnoyze8763 4 หลายเดือนก่อน

    Solid trailer. Just enough info for a viewer to get a taste of what's going on and for them to get in the hook.

  • @fighterck6241
    @fighterck6241 5 หลายเดือนก่อน

    Slight correction; she didn't leave her fiancé at the altar for him. She left her HUSBAND at the door of the church AFTER the ceremony. 😅

  • @julianrioscantu2286
    @julianrioscantu2286 5 หลายเดือนก่อน

    Reminds me of the quote "I have a theory that the moment one gives close attention to anything, even a blade of grass, it becomes a mysterious, awesome, indescribably magnificent world in itself." Please Don't stop uploading, the world is starved for real beauty and inspiration.

  • @Journeytocrhist
    @Journeytocrhist 5 หลายเดือนก่อน

    ❤❤❤

  • @garymazeffa1442
    @garymazeffa1442 5 หลายเดือนก่อน

    It was not unintentional. It's up on the screen, consciences or not. That's all that matters. People will point out stuff I do and have no intent. Or did I? That's the magic of filmmaking.

  • @illkoncept
    @illkoncept 5 หลายเดือนก่อน

    Beautifully done!

  • @liamstimpson351
    @liamstimpson351 5 หลายเดือนก่อน

    Hey Grant-- which camera/lenses? Thanks!

    • @GrantDougharty
      @GrantDougharty 5 หลายเดือนก่อน

      I shoot on a Fujifilm XT4, and this was actually a test of a new vintage Nikon lens, a Nikkor 35mm f2.8 non-AI. I shoot a Nikon film camera and started using the old slr glass for video and I love the look.

  • @AntonyCannon
    @AntonyCannon 5 หลายเดือนก่อน

    Aw. That was lovely.

  • @qpn6ph9q
    @qpn6ph9q 5 หลายเดือนก่อน

    That Brooklyn mood

  • @RiRiDingetjes
    @RiRiDingetjes 5 หลายเดือนก่อน

    Already excited for the explanation video

  • @sebastianeckert1947
    @sebastianeckert1947 6 หลายเดือนก่อน

    Alright but a trailer for a short film? It does look good though

    • @GrantDougharty
      @GrantDougharty 6 หลายเดือนก่อน

      lol I get it, it's something some festivals ask for to promote screenings, so it just makes the submission feel more professional. But even if I can't show the whole thing I still wanted to post *something* you know, feels weird just letting everything sit on a hard drive for months on end.

  • @munkey9064
    @munkey9064 6 หลายเดือนก่อน

    the fact that this still has less than a thousand views is borderline unexplainable

    • @GrantDougharty
      @GrantDougharty 6 หลายเดือนก่อน

      Hahaha appreciate you!

  • @sammahoney9343
    @sammahoney9343 6 หลายเดือนก่อน

    Very intriguing, I’ll definitely check it out

    • @GrantDougharty
      @GrantDougharty 6 หลายเดือนก่อน

      I appreciate it! I'll post it here when the submissions over.

  • @MLeleven11
    @MLeleven11 6 หลายเดือนก่อน

    Can't wait! Looks awesome

  • @rustincohle2135
    @rustincohle2135 6 หลายเดือนก่อน

    Hey, Grant! This post is a little long but this is my analysis of the film. I wrote this up when I was in my 20s back in 2015 after my second viewing of _The Graduate._ Someone online needed help understanding the themes of this film and the novel, I think he was writing a college term paper for a film class or something. So, I basically wrote his paper for him. But it's gotten an enthusiastic response everywhere I posted it (IMDb, Facebook film groups and other film forums etc.). It's a little long but it's a fascinating read. This is a copy-and-paste job from where I originally posted this. *PART 1 of 2:* "I apologize for the length of my post, but you need to know the history and to understand the context of the times to grasp the themes of the novel and the film. Youthful alienation, the disconnect between the kids and their parents caused by a disillusionment with the traditional and materialistic values of conventional, suburban American life pushed onto them by the traditional, materialistic, status-seeking, "status quo preserving" older generation (hence the "generation gap"). The older generation (referred to as the "greatest generation") had grown up during particularly tough and impoverished times-- the Great Depression of the 1920s/30s which was ended by World War II, in which many of that older generation had served. Note: the success of many businesses that were involved in the war effort at home was a major factor that led to the economic boom that ended the Depression and helped to establish the United States as the economic, corporate-driven superpower in the 1950s and onward. The mass return of all the servicemen from the War (who came home to start families) led to the Baby Boom of the 1940s and 50s-- the Baby Boom coupled with the economic boom naturally led to the housing boom and the creation of modern suburban living. The youth portrayed in the film are the "Baby Boomers", they were the first generation to be raised en masse in modern suburbia and hence the first generation to discover just how vacuous, empty and unfulfilling suburban lifestyle really is. The older generation really felt an idealized sense of purpose in their youth (fighting the Nazis, surviving the Depression), they grew up impoverished and wanted to make sure their children did not-- hence why they adopted and cultivated such materialistic values. But as an unforeseen result, their children who were very educated (in many cases the first generation to attend college) and were raised in excess with little struggle (a period of economic prosperity, suburban life) felt an emptiness with this excess and their parents' materialistic values, and also with the traditional family values pushed onto them. They viewed their parents' corporate, materialistic and traditionally social ideals as shallow and fake like plastic. Plastic is a representation of everything that is fake in society-- examples plastic toy guns are not real, plastic surgery is not natural. Hence, the famous "plastics" line, Mr. Braddock's friend tried to push the plastic industry onto Benjamin-- it's a metaphor of the older generation passing their empty, fake (or plastic) values onto the younger generation. I know I beat this metaphor to death but I made my point. Another metaphor: the youth felt as if they were being corrupted by the older generation with the pushing of these phony (or plastic) values, just as Benjamin was corrupted by Mrs. Robinson, a member of the older generation. And Elaine too was being corrupted by her parents when they pushed her into marriage (a major tenet of the older generation's traditional values). Another metaphor I just discovered while re-watching it tonight: Benjamin wants to have a conversation with Mrs. Robinson which they apparently never do during their affairs. The lack of communication represents the communication issues of the generation gap. They can't relate to each other. Benjamin tries to discuss art with Mrs. Robinson as they lay in bed. She stated she didn't want to discuss art with a regretful look on her face. Mrs. Robinson had studied art in college and didn't pursue it afterwards, since she was impregnated by her husband. Her dreams and passions went unfulfilled as she too was forced into the conventional lifestyle of traditional motherhood and housekeeping, just as the overwhelming majority of all women at that time were. This emptiness in her life led to her alcoholism. Also, it's noted that Elaine was conceived in a Ford. The pregnancy occurred in a car, a symbol of the 1950s materialistic excess and values. Her dreams of pursuing art are crushed by the same traditional values (represented by the pregnancy which leads to traditional marriage and conventional life of motherhood and housekeeping) and materialistic values (represented by the car where the impregnation took place) that trouble the younger generation. She sleeps with Benjamin (a member of the younger generation) as a means to reclaim her lost youth. Also, notice that every adult in the movie doesn't have a first name. Every adult is referred to as "Mr." This or "Mrs." That. The formality reinforces the separation (or gap) between the two generations. Also, the War, the motivation to escape the poverty of the Depression and to provide for their kids really laid out a "plan", a structure, a direction for the lives of the older generation. The younger generation having grown up in excess felt directionless like they were drifting aimlessly through life (as Benjamin was drifting aimlessly in the pool-- another metaphor). Also, a scuba suit and mask isolates the wearer from the surrounding environment (i.e. the water). Benjamin wearing the scuba suit and mask is another metaphor of isolation in his current environment and how alienated he feels amongst the older generation. While wearing the mask, remember that Benjamin couldn't hear the dialogue from his parents. Communication issues as a result of the generation gap. Continued in PART 2 (of 2). PART 2 is in the reply to this comment.

    • @rustincohle2135
      @rustincohle2135 6 หลายเดือนก่อน

      PART 2 of 2: Other symbolism/metaphors: -Benjamin's car (the Alfa Romeo) near the end of the film has noticeable wear and paint chipping. That represents his generation's indifference to glamour and materialism. -Mr. and Mrs. Robinson sleep in separate bedrooms. Mr. Robinson is a representation of the materialistic and traditional values that squashed Mrs. Robinson's passions and dreams. Sleeping in a separate bedroom is her way distancing herself from her husband and those values. -The cross used to lock the church doors. The wedding party is trapped inside the church as Ben and Elaine run free. They are "free spirits" while the wedding party is philosophically "trapped" in their mindsets by their traditional values and upbringing (represented by the religious cross). The wedding guests are both physically and philosophically "trapped" by the cross. -Even the animals in the film is symbolic. The fish and the aquarium itself in Benjamin's room represents alienation. As do the monkeys and their cages at the zoo. The chimps and gorillas are "isolated" from each other. The younger looking chimps are in cages, whereas the older looking gorillas roam around in larger enclosures. -Carl Smith, Elaine's fiancée. Elaine is being pushed into marriage, a traditional wedding. Carl Smith has been indoctrinated by and embraces his parents' traditional values. His last name is even Smith, a very old, traditional English name. -I believe even the specific types of alcohol beverages is symbolic as well. Mr. Robinson always prefer scotch, but Benjamin prefers Bourbon. Scotch originates and is traditionally made in Scotland. When you think Scotland, you think kilts, bagpipes, Church of Scotland. A representation of a very old, traditional WASP-y older generation. Whereas bourbon originates from and is traditionally made in the Southern United States. The Southerners were the rebels (and were referred to as such) in the American Civil War. Preferring bourbon, Benjamin and his generation are "rebelling" against traditional values of the older generation. Also note that Benjamin's request for bourbon never seems to get through to Mr. Robinson as he keeps offering scotch. Again, communication issues due to the generation gap. -Even the sunglasses, I believe is symbolic. Benjamin and his parents converse while wearing sunglasses when they are poolside. They never see eye-to-eye both literally (due to their sunglasses) and figuratively (due to the generation gap). Also, at the beginning of the movie, where Benjamin is on the movable walkway at the airport. The walkway he is on is moving forward but he himself is standing still. It's another visual metaphor. Life is moving forward but Benjamin is not. He (and the rest of his generation) felt a lack of drive and momentum because he doesn't know where to go or what to do with his life. And lastly, the ending. Even though Elaine and Benjamin escape the wedding when they board the bus, it is not a happy ending. They are initially overjoyed and ecstatic as they first sit down on the bus but then their facial expressions gradually become melancholy as they again are overcome with feelings of confusion and disillusionment. They were happy when they escaped the shackles and conventions of married life at first but they still have no idea what to do with their lives, no direction hence the look of gloom and uncertainty in their facial expressions. They are more in love with the idea of eloping rather than actually eloping. Elaine and Benjamin are sitting still on a bus that is physically moving forward-- yes this is another metaphor. The bus represents life. Life is moving forward but Elaine and Benjamin are not, represented by them sitting still in their seats. I've never realized up until now just how literary this script really is. It's a masterpiece." This film was one of the highest grossing films of all time when it came out. Because EVERYBODY understood the metaphors back in the day, cuz they were living this reality. The message is definitely a little lost 56 years later outside the context of the 1960s counterculture, but the message is still universal.

  • @Extremefatdemon
    @Extremefatdemon 6 หลายเดือนก่อน

    oh man, such a good video

  • @MarcBrewer
    @MarcBrewer 8 หลายเดือนก่อน

    1) Happy accidents do happen 2) just because you cant find it in the script, does NOT prove that it was unplanned. But it is good to get caught up in the movie rather than be impressed by technique

  • @anizocani
    @anizocani 9 หลายเดือนก่อน

    Really nice film. Thanks for sharing ❤

  • @hakkinenfan
    @hakkinenfan 9 หลายเดือนก่อน

    A very nice film. This is like TH-cam in the good old days. I subscribed, just because you didn’t ask me to.

  • @steffan_tastic
    @steffan_tastic 9 หลายเดือนก่อน

    This is fantastic! Glad TH-cam recommended it to me :)

  • @victoriahollan2830
    @victoriahollan2830 9 หลายเดือนก่อน

    This moved me. No pun intended. ❤

  • @fsurhana
    @fsurhana 9 หลายเดือนก่อน

    I'm glad I was recommended your video!

    • @GrantDougharty
      @GrantDougharty 9 หลายเดือนก่อน

      Me too! Thanks for watching

  • @treyshaffer
    @treyshaffer 9 หลายเดือนก่อน

    Wow my recommendations knocked it out of the park with this one. I'm from Austin too (currently living in DC though) planning on moving to NYC, basically for the plot, but also for some specific job opportunities. Austin is such a great place and the longer I've been on the East Coast the more I appreciate all the little things about it. Most of all the people in Austin, as you'll come to find, are irreplaceable. But, NYC is so diverse and creative that I'm sure you'll still find your people. I've heard a very gen-Z idiom that LA is shitty heaven while NYC is fun hell, and idk, it's a silly phrase but it's really stuck for me. NYC is such an intense, gritty, superorganism of a city. A giant sweaty provocative compressed coal mine of human achievement and suffering. So beautiful. Best of luck on that plotline of yours my Kerbey Lane comrade :)

  • @TheWise-dk4wj
    @TheWise-dk4wj 9 หลายเดือนก่อน

    Great storytelling my man, glad TH-cam recommended this to me 🙏

  • @jayclementefilms
    @jayclementefilms 9 หลายเดือนก่อน

    Cant wait to see your channel grow, Great variety and beautiful filmmaking. If you're ever filming in Jersey and need some extra hands hit me up. Don't worry we'll avoid all the weird parts lol. Good luck

    • @GrantDougharty
      @GrantDougharty 9 หลายเดือนก่อน

      Thanks Jay I appreciate that!

  • @AdamKontras
    @AdamKontras 9 หลายเดือนก่อน

    So this gave me chills... I did the same thing 25 years ago (Ohio to LA) and recorded with the same camera and it was the start of The Journey - which Guinness recognized as the first and longest running video blog. I'm still going today... so many adventures - and 2 feature length films out of it... ... but seeing your road footage in that turn of the century style camera. Absolute chills brother. I'll be watching it all! Keep going!!!

    • @GrantDougharty
      @GrantDougharty 9 หลายเดือนก่อน

      Wow thanks Adam! Congrats on 25 years of filmmaking man that's amazing

  • @swayzeeeeeeeeee
    @swayzeeeeeeeeee 9 หลายเดือนก่อน

    good work!

  • @helenaleopold1193
    @helenaleopold1193 9 หลายเดือนก่อน

    do it for the plot - i like that! and a lovely short film!

  • @_scabs6669
    @_scabs6669 9 หลายเดือนก่อน

    "The difference between a movie I think is well made and a movie I actually like." Whoa

  • @km72327
    @km72327 10 หลายเดือนก่อน

    I think you are right about the bus, and it does kind of upset me that your conclusion about that was to retreat from that style of analysis, but on the other hand I do like where you ended up with it that it's not about how smart the director was and how many things you point out, but about how they actually affected you.

    • @GrantDougharty
      @GrantDougharty 9 หลายเดือนก่อน

      I definitely still analyze movies that way, especially as someone who wants to be a filmmaker I think its important to dissect the things you like to figure out how you might learn from them. I just don't want to get to the point where I can only enjoy things that I think are expertly crafted, not every meal has to be michelin star-worthy!

  • @Atmatan
    @Atmatan 10 หลายเดือนก่อน

    Your painstaking labor made me too bored to see this through until you actually made a point.

  • @jeaniecorrea
    @jeaniecorrea 10 หลายเดือนก่อน

    I love your thought process and am so glad you shared it with us! Glad to have found your channel. Thanks!

  • @morefiction3264
    @morefiction3264 10 หลายเดือนก่อน

    The craft is the best when you don't notice the craft and you can be immersed in the movie.

  • @GRAHAMAUS
    @GRAHAMAUS 11 หลายเดือนก่อน

    Greatest ending in any movie, ever. But you can't watch it out of context and get that.

  • @maethefae
    @maethefae 11 หลายเดือนก่อน

    I rarely comment but I truly loved watching this video, it felt like a movie-experience of sorts! wow!