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Life changing … thanks man! I can’t wait to watch some more of these :)

This series is learning me so many useful tips! Very clear and well made, thanks!

Nice!

Great Video Brian. Bringing out the 1980 manual was def. a great flex.

Thank you for this series. It's super helpful

This is one of the best videos I have ever seen.

Great tutorial, thanks!

Way too complicated and doesn't work if you want to resample something. Easy solution is to just set a global hotkey in Live (cmd/ctrl+k) to toggle the SoundID plug-in on and off when you need it.

This was very useful! Thank you.

And as a person who talks to Mastering engineers...they don't seem to care...and just use their favorite one for everything they do...or would have disagreements over it so ugh... I guess it doesn't matter as long as its one of the POWr algorithms... I think from a scientific answer...it would be to render out an average EQ analyzer for your song...and then choose the dither with the least amount of masking...

THANK YOU!!

Thank you so much... this has been a years-long head scratcher for me!!!

hi Brian, very interesting video ! I am mixing dub music live in Ableton and want to be able to hear the music with the sonarwork correction but in that case i would record my mixing session (live recording the master bus) with sonarwors on, and that s gonna affect the mix, in the audio recorded. Then my question is how should I set up the listening bus to preserve my mix bus processing without sonarworks correction ? dont know if it sounds clear, cause the key point is that i have to record live my mixing session ?1 thanks for your help

Or, you add an audio track, name it “RECORD”, input is “Master” (pre fx), use that channel to print your L+R mix and use “Master” like you always do, with SoundID active.

Thank you! I actually had most of these sites open in my tabs

Thanks for the tutorial. I just don't understand why SoundID can't simply turn off Calibration when exporting, since it already DOES detect that Live is exporting audio...

Super helpful. Thanks for taking the time to properly research this 😊

Many thank for finally provding a clear answer!

Hi there. I'm having a concept problem with it. Can you please tell me do I load it on the master plugin, then work on my mix again but keep comparing it to the new green calibration by switching on and off the plugin? Or am I missing something..... I've emailed SW dozens of times and watched all their vids but they presume I know something which I actually don't. Thank you.

Hi! I'm using Audient iD14 MKII and the SoundID Reference. I've named my outputs on the iD14 to 1+2 is "DAW" and 3+4 is "Internal" so everything else on the computer goes to output "Internal". SoundID is inputting 3+4 "Internal" so everything I hear on my computer is being processed by the software correction. Now I did this listening bus on Live 11 but cannot get the sample browser preview to be corrected as well. I tried setting the "Cue" output on the master track to 1+2 and 3+4 but it doesn't change the output in any way and when I look at the iD14 software I can see that the "Cue" output goes through the corresponding outputs "DAW" and then "Internal". Lives audio output device is set to iD14. Any help here?

can we do undo split?

Hi, what is the name of the vst file, i do not find it in my SoundID Reference directory

Awfully complicated. Isn't it easier to just remember to turn it off?

Good tips. 🤟

Hey Brian, thank you for this! I'm in the middle of Mastering a song and the Dither question came up. This video brought so much clarity. Really appreciate this!

Nice solution. Only am I overlooking something or does the sampling function no longer work?

im having trouble with this because i then cant preview samples in my browser ? any ideas ?

Seems like a very complicated way to avoid simply bypassing the plugin when you export. Also, you have to make sure you disable sends on any track which your returns are routed through or Live won't calculate latency correctly. So because Send B isn't disabled on 'PRE-MASTER' and none of the sends are disabled on 'Listen Bus' your sends will be out of time as soon as you start using any plugins which introduce latency. Might not be super obvious if they are just long reverbs, but it's something you have to always keep an eye on.

Boss moves,, .. thank you for the reminders,,!

Single stroke key commands - such as R for reverse - require the Computer MIDI Keyboard to be disabled, in the upper right between the Draw Mode toggle and Key Map Mode switch.

İ'm curious why you wouldn't just use Ableton's audio output in the preference to select Sound ID. it does the same thing without affecting the master output channel. why such a complicated setup when there's an easier solution. Just open preference, audio output, select sound id and you're done.

Learned about sidechaining from Disco Elysium

gracias

Here's @tarekith 's channel - www.youtube.com/@tarekith. The other one I recommended in the video is linked in the info cards and description.

Also, as you mention, the limiter cannot push decibels without affecting the compression. So I have been experimenting with drum audio where transients are extreme and you can get a better idea on what's going on with the loudness. I found useful to try and find the sweetspot between limiter's gain and Uitility's one (after applying limiter) so I can match PRE-MASTER with LISTEN BUS'es metering. Both trying in rapid, short audio takes and long ones (e.g. the whole track till the end).

Yay! Thanks for uploading the second part! I have two questions, though. First, how about muting MASTER section and just check PRE-MASTER's one for metering?As long as there isn't any plug-in interfering between PRE-MASTER and MASTER section the metering should be identical in both instances, right? Second, how do you add a new macro variation? I have been clicking the "New" button, but nothing shows up. Am I missing something?

Thanks for showing this particular option. I have a question though - perhaps it is a bit stupid - but what happens If I want to have stacks of limiters, EQs and compressors in my Master Audio? If I bypass that chain, using the utility with the mute on, then I will not be able to listen to my final mix-master session, right? I am kinda new to these games, so If anyone has an idea, I would like to know. Thanks in advance!

The part 2 video deals with mix bus processing and the lack of metering using the basic method. In the meantime, you can use a free plugin like Sonalksis Free-G, or drop this rack on your listen bus to use a parallel chain that sends uncalibrated signal to the meters - ln5.sync.com/dl/f74184f90/8yx9zhib-pr25bbaw-y3vh6ajz-vpgxbfza "...adding Systemwide in the chain between your DAW and audio interface results in increased latency (around 20-50ms) which can become an issue when recording audio or MIDI." www.sonarworks.com/support/sonarworks/360003054159-Using%20Reference%204/360005460779-Using%20Reference%204/115001501869-Can-I-use-Reference-4-Systemwide-with-my-DAW-

You can also comp MIDI clips and link MIDI tracks.

Great Video Brian!

Make sure to get the free guide on the advanced technique used towards the end of the video.

Impressive Video 💞

Make sure to check out the rest of this series, and let me know what you want to see in future videos.

Let me know if you want to see more videos on any of the features covered in this video.

Let me know if you want to see a deeper dive into any of the effects in a future video.

Save OMS!!!

Awesome! Great tutorial and thanks so much for including the Morph in it. 🙏

Very cool. Hope to explore MPE via a hexaphonic guitar pickup.

Great sale on 11 right now. Especially for some one like me whose sitting on 8. Boy, things have really moved on.