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Languido
เข้าร่วมเมื่อ 6 พ.ย. 2022
“I call you to life, O mysterious forces!
Drowned in the obscure depths
Of the creative spirit, timid
Shadows of life, to you I bring audacity!”
Drowned in the obscure depths
Of the creative spirit, timid
Shadows of life, to you I bring audacity!”
Camille Saint-Saëns - Valse Langoureuse, Op. 120 (Dosse)
Marylene Dosse, pf
Recorded in 2013
Saint-Saëns was a French Composer who lived from 1835-1921. He taught famous French composers such as Fauré. His orchestral works are widely popular today.
His Op. 120 Valse was composed in 1903
Video Protected Under Fair Use.
Recorded in 2013
Saint-Saëns was a French Composer who lived from 1835-1921. He taught famous French composers such as Fauré. His orchestral works are widely popular today.
His Op. 120 Valse was composed in 1903
Video Protected Under Fair Use.
มุมมอง: 5 630
วีดีโอ
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มุมมอง 6K2 ปีที่แล้ว
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What is the sound on all of the Saint Saens piano recordings on youtube so terrible? They all sound like the piano is inside a tin can.
wow
My favourite one.
The second piece reminds me more of middle-period Faure than Schumann tbh, but I guess you can argue that Faure sometimes sounds like Schumann.
Awful music. I love piano but this sounds daft
1:31 in this passage, we can already anticipate Albeniz's unique pianism frequently used in Iberia.
WAY too much pedal in this performance. The score indicates NON LEGATO
From almost 2 decades now I have been listening to it on my headphones, either in the early morning hours when I am having a walk, or going to work, or in the dusk hours, when having a walk or getting back home from work (,or in any other moment for that matter, day or night, inside or outside). The city takes a deeper sense of melamcholia within it, the sadness and longing become bittersweet and eeven the most mundane things, gestures, objects, everything takes a deeper and personal meaning, that only you know how to understand as it is related to your life, to your contexts, memories, emotions. As it is for everyone else I believe. I can never get tired of it. Never. I have shivers not only when I listen to it but even when I think about this specific piece. Takemitsu's elegance in presenting melancholia in "Romance" is unique and cannot be compared to any of his contemporaries, or our contemporaries. And his delicate harmonies, have something uniquely Japanese in them, it is something inexplicable with words, I shouldn't, even if I could, as words are of no consequence nor of any matter in expressing the way how one perceives Takemitsu's music. It is so so deeply personal.
EPIC FIRST MOVEMENT!
Bella ❤
More like Shostakovich. They(Prokofiev, Shostakovich, Kabalevsky) all came from the same environment and it’s reflective on their compositional mindset. GREAT WORK!!
Heard this live, one summer at Tanglewood - a wonderful piece.
I ❤ the first...
Bien jolie mélodie , souvenirs et paradis perdus... Merci infiniment. ❤
what an insignificant music.
What an insignificant person you are
What a significant music!
To know that this is more likely to be a pleasant one description then bad one.
i bet you are jewish
e o império ainda quer q cancelemos essa maravilha q é a cultura russa. Never! cancelo eu os USA 🤣
Genuine masterpiece
2nd movement is beautiful
He was Just 19 When he composes It!!!!!
Très joli ma fois...Merci pour le partage. ❤
Thanks for the upload.
6:57
He was just 19 when he composed this, remarkable. Already his idiomatic "feel" for music is present.
incredible
Yes, he has a special sound and harmonic feel. I love to play his music.
It has something to say, certainly
10:47
II 5:11 III 10:47
Wonderful piece!
Just because it is difficult, it does not mean it is good. The simplest Mazurka by Chopin is far better than this progressive rubbish.
But it is good, just like Chopin. You just don't like the harmonies. The piece itself is very well written.
@@Arctales21 you are right, there is no harmony, but there isn’t any melody too, so, i wonder, what is left of classical music in this piece? It is like Picasso’s paintings, nothing but distorted images, probably reflecting the distorted mind of their creators and admirers alike.
@@d.o.7784 there are clear melodies/motifs in this piece. There are harmonies and their use is quite intriguing. The form is also great.
As a Chopin fan of many years (though not so much today) this type of music took many listens to become comprehensible, but is extremely rewarding. Scriabin sticks to obsessive classical form here, as he tended to in his later works; and his sheer economy of material (never more than a small handful of motives) combined with their constant development makes Chopin's compositions in comparison feel much longer than they are due to his excess of athematic material. I was originally introduced to Scriabin's work through his earlier pieces, in particular his Mazurkas, which I was told were somewhat of an extension of Chopin's late style. Start there and it might draw you in. Or try Opus 30.
@@d.o.7784 Look at this man using "progressive" as a negative adjective to apply to music! It's almost like he wants all his pieces to have just one melody!
Peter Lol
6:39 Schumann-like fugato
The first movement also reminds me of the first movement Schumann's second piano trio
What an astonishing performance of the most astonishing piece.
Finally I can hear the 5/8 as it is written!
BRAVO! THIS INTERPRETATION IS FANTASTIC
Molto carino!!! Lo studio! 💓 Grazie per il post! 🤝🎶🎵🎹
Garbage.
The opening is the opening of Chopin's 1st ballade
Do compare this performance with that of MARIA GRINBERG and VLADIMIR HOROWITZ.
4:46
A lot like Prokofiev's D major violin sonata
Why, how based
I love this piece
Why does everyone ruin the rhythmn in the first bar?
You mean in #1, right? I noticed that right away - really screwy rendering of what's written, but if I'd not seen the score, I would accept it. Idiomatic within the style. I almost never feel that way. Maybe Alex S. is warping my brain.
bien lovely
Bien sûr, c'est Saint-Saëns!
remarkable piece!
There's two extremes for me (both superb in their own ways): Peter Laul's: - Crystal clear; - Steadfast, never loses impetus; - Makes it sound like this piece doesn't include some very non-idiomatic writing for the instrument. Chitose Okashiro's: - Takes time to build up properly; - Nuanced; - Otherworldly voicings at times. I prefer Okashiro's in general, but Laul's take is so refreshing to hear. Probably my second or third favorite Scriabin 5.
I listened to that recording, and it is much better than I initially thought when I saw it was 15 minutes. Doesn’t sacrifice the tempo in the presto sections, just takes more time in the slow parts. I still prefer Laul’s, but Okashima’s was refreshing.
Mediocre
You
Subjective
Vous même...❤
this is not music.
ñ
You have never heard real non-music.
@@juicedelemon yes I have, the video above this comment is exactly that. Just pretty noise. No music to be found.
@@Whatismusic123 kid
@@ShutUpZewenThisIsNotBased look in a mirror.
An unexpected treasure.
That opening sounds more like early Strauss than anything else, not Brahms.
et chopin ? 3 ème sonate !😊
un rapport dans le rythme (bien que tempo sit ici plus soutenu), pas le même mode tout de même, pas un détail mais enfin...