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Excelso pianismo del gran solista norteamericano. (1930-2024) .

[0:06] Preludio [1:14] Molto vivace [4:16] Paysage [9:38] Mazeppa [18:34] Feux Follets [23:18] Vision [29:17] Eroica [35:19] Wilde Jagd [41:40] Ricordanza [53:32] Allegro agitato molto [58:47] Harmonies du Soir [1:09:59] Chasse-Neige Great recording. Great slideshow.

RIP

Ok...WOAH and WOW,,,the very first piano entrance; and ensuing development is ULTRA SENSITIVE and so well phrased with colorful dynamics not that insipid typewriter playing that most professional pianists do to Mozart. Now io cant wait to check out his Beethoven. RIP fine, Sir.

I find the performances palpably trying to frame his inability to play the pieces at tempo as rubato and expression, sometimes capricious and phrase-destroying. But oddly he only succeeds in deconstructing their musical value. The regard in which this man's Liszt pianism is held baffles me. These performances are amateurish despite his alleged reputation as a specialist in this repertoire.

RIP.....

Rest in peace, a greatest teacher and maestro.

Is this not from the Sine Qua Non LP? I thought I heard LP tics ...

I'm sorry. I know these after first healing Yunchan Lim where there is passion, fire and drive. This poor guy is really old man/square/ boring...but his technique and musicality are bar non. What has happened to his human sense of whimsy, mystery, phantasm??? Again, Yunchan Lim's has all of these with lots of rubato. Hr Sherman sounds as a though he is playing along to a metronome.

Excellent. Thank you. Dover Records, or was that B. Webster ? Can never remember. Anyhow, I can only imagine how he felt when just a few months later Lazar Berman surfed in from Europe on a giant wave of fawning praise, much from music writers not necessarily knowledgeable but afflicted with FOMO , got out his sledgehammer, and played these same Transcendental Etudes to the ecstatic unwashed. Tho he was no doubt aware that the next (?) booking tour Berman got in the New York are was in the Siberia - or at least Peoria - of the hall in Newark, before hundreds no longer thousands. Even fame is fleeting.

Artistic communication at every measure….

And one of the. greatest pianists to play Mozart and Beethoven! His set of the 32 Beethoven piano sonatas is incredible.

and the artwork is equally captivating. perfect combination!

명불허전!

Bravissimo!

Maestro, maravilloso

Bravo! Magnificent as always, Maestro Sherman!

천상의 소리가 내려앉는 느낌...강렬하기도하고 편안하고 따스하고 맑은 느낌....감사합니다. 건강하게 오래오래 남아 주세요!!♡♡♡♡♡♡♡♡

53:27

He’s a master- heard Mr Sherman live playing these: monumental !! A man with vision and heart…. Thank you

대박!

러셀셔먼은 너무 크고 넓고 깊은 분 같습니다. 피아니스트가 아니라 종합예술가~~요

정말 멋진 연출입니다. 결국 임윤찬을 통해 손민수교수님의 연주의 맛과 깊이를 알게되고 러셀셔먼교수님의 연주와 연출까지 알게 되니 이게 행운아니고 뭘까요? 작품은 에공슐레분위기가 나는데 작가가 궁금하군요

이제 좀 알겠습니다. 같은 곡이라도 같은 연주자라도 듣는 사람도 같더라도 듣는 순간 나의 감정상태, 시간(아침~밤), 생각의 흐름에 따라 다른곡을 듣는것 같습니다. 지나간 시간들이 그려지면서 필름처럼 지나가며 감미로움이 크게 와닿네요~~

본다는 것과 듣는다는것이 그림과 선율도 하나를 그려낸다는걸 진짜로 알게되었습니다.

진짜중의 진짜 연주를 들었습니다~~^^ 경의를 표합니다. 인생을 어느정도 산 사람만이 지식과 경험속에서 고통을 겪은 흔적과 외로움을 고독으로 승화시켜 정제되고 다듬고 다듬어진 감정의 절제가 너무도 세련된 분위기를 주어 완전한 이입이 아니라 상대(듣는이)를 고스란히 남겨 논 상태로 이입을 줍니다. 뒤섞이지 않는 전달력~~제가 말로 표현이 어렵네요.

임윤찬에게 영향을주신 러션셔먼선생님 ~!!! 그래서 찾아들어보았어요..음악의깊이와 해석이 다른우주 그 어딘가 ...미지의 세계를소개하는듯 우리가몰랐던 숭고한 아름다움으로 통하는 문을 열어주는 경이롭고 우아한연주에 감동했습니다~~♡

Indescribable and divine performance of Maestro Sherman is absolutely incredible every time I hear him… And it’s no surprise that YoonChan Lim who just won Van Cliburn Piano Competition said in interview that Russell Sherman is one of the most incredible pianist he respects and admires the most… And YoonChan Lim studys with professor Minsoo Son, who studied with Russell Sherman! Those genius artistry have handed down to two generations of pianists and we are so lucky to witness and enjoy such an amazing musicians!

🤢🤮🤮🤮🤮

Thank you for uploading! This version is rarely performed and to hear such a great rendition is very helpful

Best interpretation

He is god.

It's so attractive that I can't breathe.

Why...why cut off the very final chord?.. nevermind the probable enraptured and roaring audience at the end aswell?

I first heard Mr. Sherman in 1969. "Gentlemen, hat's off a genius!?

this is real Beethoven music in its original form..a thing of beauty is a joy forever..

Not the most virtuosic performance I've ever heard of this etude, but quite possibly the most beautiful performance.

Maybe the greatest Mozart I've ever heard!

I have come to realize by playing these great etudes that this pieces are quite simply etudes of "character" , obviously whith great technical demands- There i´s so much simple so much written down by Liszt that gives you the opportunity to truly analize and interpret these masterpieces in so many ways- Even though i have always been a huge fan of Berman and Arrau ´s recording of this cycles just today i realized how this Sherman's recording is at the top whith those, funny enough i started listening to the recording in the naxos website thinking it was Earl Wildes rendition of the etudes. I basically did not know whoe Russell Sherman was until a few hours ago!!! Thanks maestro for these interpretations!!!

can somebody tell me where the pictures are from ?

15:48 no 11

14:50 no 9 vivace moderato

0:00 No.1 2:35 No.2 3:54 No.3 5:30 No.4 8:06 No.5 9:14 No.6 11:27 No.7 12:46 No.8 14:50 No.9 & No.10 15:49 No.11

Beethoven never ceases to amaze us. Even in these relatively 'casual' pieces, we can easily see how the different bagatelles form an organic whole. Truly THE 'philosopher' of music!

Just divine!!!!!

Amazing.

The great RussellSherman always performs with the utmost of intelligence even in these lovely ditties

Superbly exquisite performances!!!!!!!!!!

This is the first I've heard No. 4 played so nicely, except for the B section which sounded ridiculous and abrupt.

You cut the very last note off of #6