วีดีโอ

Did the Messiah come first or this?

00:00 - Beethoven: Piano sonata no. 23 in F minor, op. 57 10:00 - II 16:01 - III 24:52 - Beethoven: Piano sonata no. 21 in C major, op. 53 35:30 - II 39:14 - III

Божественная музыка эпохи Барокко и голоса кастратов... Какая-то неестственная и завораживающая красота есть в этом сочетании.

Bravo!❤

Superb performance - I saw this one on TV two years ago and am so happy to find it here! 💗💗🎶🎵

Sublime!

Wirklich? MITTEN drin bringt youtube Werbung? Dafür haben sie verdient pleite zu gegen. "Banausen" ist noch geschmeichelt.

Hearing Pygmalion singing Bach is a truly spiritual experience. Hope to hear you live one day. The CD is also amazing! WOW! ❤

Magnifique !❤

Un placer escuchar a Filippo Mineccia. Años siguiendo todo su repertorio y presentaciones. Los autores y arias elegidas son de un gusto soberbio. Lo mejor del barroco que no todos se atreven a interpretar. Una interpretación cuidada pero natural y llena de sentimiento, interpreta a la perfección el sentir de la letra y la música. Fue y es acompañado por directores y musicos de primerisima calidad y experiencia, lo que completa un espectáculo maravilloso. Para mí es el contratenor, altista o sopranista, que más agrada al oido por su extensos matices de voz, unos agudos espléndidos, y sobre todo, insisto una vez más, el sentimiento en la interpretación es UNICO !!!. Un placer que se disfruta una y otra vez. Desde Buenos Aires - Argentina mis más sinceras felicitaciones y agradecimiento por estos mágicos momentos.

#OMG This is very, very, very GOOD (included the impackable pronounciation of the original German texts)

Wasn't this piece of Richter earlier attributed to Johann Adolf Hasse? Magnificent

bravissimi. Lea Desandre sempre efficace , elegante ed espressiva

💝

Annoying conductor

Gracias Mamá 🎉🎉

Gracias 🎉🎉

I was just thinking: What is it that Bach, Mozart, and Beethoven have that Caldara does not?The pressure is on. Let me think. Don't give me that look! I am working on it. Of course, it's the . . ., it's the . . ., it's the . . . . I am looking for the right word. What could it be? I am in a little bit of difficulty here. Hey, hey, slow down. Get off of me! I am making my best effort here. Cool it! By the way, could you at least help me out a little? You don't know either? Well, that's a big help. So you think there isn't anything. What's this sheepish look on your face.? Well, as far as I am concerned, there is a lot of things that Caldara has that BMB do not have. Like this quintessential Italian cantabile and soavita of the most unique period in the history of music, the early Italian (and especially Neapolitan) settecento. Hey, where did you go? Wait for me.

1:34:14, III,3 1:37:12, Duo 1:38:23, recitativo 1:39:10, Terribles ennemis des perfides humains, (Air) 1:39:30 recitativo 1:39:58, III,4 entra Teseo 2:15:59, Ô disgrace cruelle ! 2:17:45, Qu’ai je fait ? quels remords ! 2:18:30, Dieux cruelle

Браво!

Era l' ora di una risposta decisa, sia nei confronti della TV La 7, che dei suoi programmi.Al riguardo ricordo che Cairo risponde agli Eredi del Cav. Cambiate canale Gente, difendiamo GIORGIA .

Gorgeous production, but is it yet on DVD? It is gratifying to see a spare post-modern staging which also retains the ancient Spartan flavor of its subject. Now the fussy stuff: my only reservations were the choreography was nearly entirely made up ofthe same elements, and so seemed to render all of Rameau's palette of dances with the same movements and effect - in themselves I found these gestures abstract, and less expressive of the music. I also had wished for more phrasing and articulation from the orchestra - for me the ubiquitous legato did not capture Rameau's carefully articulated phrases. Riiiight...now let me stand back from the downthumbs....

한국핸들교 교인은 요즘 갑자기 교인수가 늘어 거의 200 만명을 넘어섰습니다. 모두 핸들주님의 파르테노페의 늪에 빠져 헤어나오지 못하고 있습니다. 나의 주님 핸들이시여 우리 한국인을 구원하여 주소서. 영원하신 음악의 주님으로 추앙합니다.

핸들 주님의 파르테노페에 빠져 1년동안 헤매고 있습니다. 한국 핸들교 교인 200 만명은 매일 핸들 주님을 영접하며 예배드립니다. 한국인들에게 아름다운 파르테노페의 선율을 남겨주심에 감사드립니다. 나의 주님, 내 삶의 30%를 차지하신 핸들 주님을 찬양합니다.

To my ears, this is kind of partial proof that Jean-Baptiste Lully's music was Italian and not French.

At long last, a staging enhancing, worthy of, and doing full justice the distinction, gravity and elevation to be found in Rameau's musical genius. Here is a tour de force.

Vraiment, c'est de la merde ! Heureusement qu'ils ont mis des chiottes sur la scène pour se laver les mains !

Very nice 1

Tras los numerosos y elogiosos comentarios que se han vertido en este excelente aporte solo me queda por decir ... que maravilla !!! Ciertamente Rameau se encuentra en ese Parnaso al que solo los grandes DIoses de la MUsica pueden acceder . Sublime ...

❤

Theres something terribly wicked about scheduling noisey adverts in the middle of this glorious music

The very best choir I ever heard!

Ytyfygyuuut😊thgt

46:34 50:39

다양한 나라의 언어로 자막을 볼 수 있으면 좋겠어요 내용을 알고 싶은데 아쉬워요

Maravilloso y emocionante al máximo.

wrll played, well sung. Awfully confusing staging..great shame.

ein triumph

une émotion qui , vous tire, les larmes...

Quelle misse en escène dégoutante. C'est pas un opera mais un oratoire. Vos avez fait un opereta

Such mastery of pace,subtlety and intensity. Each performance is a command performance. The fortepiano glows and shimmers.A new standard globally!

Once the encores start, I begin to be a bit concerned about the musicians. I know they're dedicated and they love their work but everyone eventually needs a break.😇

I'm so glad this is available today.

👏👏👏👏🌺💐❤️❤️

so beautiful splendid exquisite 💐💐💐💐💐

Beauté et vérité pures

DiDonato is a national treasure. She does the most beautiful "révérence," which for women is so much more graceful than the typical classical concert bow.

Why this scenography ,is this a famous painting?

Sublime in every way.

Voci sublimi!!! Orchestra magnifica!