วีดีโอ

Phyxinon didn't touch F B♭ E♭ arpeggio at 1:33 of this video but it sounds, he edited. Don't use someone's hard work justifying fake video.

@@ChromafillHow did u know that? I think he or she used phyxinon’s sheet music came from pyxinon channel. Please don't answer your own argument as if it were public opinion. That is blasphemy against fixinon. And reread the title of this video.

@@全てを破壊するカンガルーv Good performance of this channel won't be evidence of phyxinon's fake video even if title includes phyxinon arr. Just slow down phyxinon's video and compare to his own sheet and this video. W s 'completely' crossed two hands to play that 1:33, while Phyxinon just pretended to cross hands. then he didn't touched half of descending arpeggio keys at 60th bar I wrote. This is not opinion thing, just what happened in the video. If Phyxinon is the god of editing Video&MIDI, not piano, then this could be blasphemy.

First of all, Fixinon moves so much faster than this man that the camera cannot follow his fingers even when the video is slowed down. As a result, the sound and fingers are out of sync with that fast playing part. Second, the camera angles are different. This guy shows all the keys, while Fixinon's angle is like shooting from the side of the piano. So I asked how you know that. To add, Phyxinon has his own arrangement of the score on TH-cam. He would have played with it.

@ So what I'm saying is, I'm curious how you can say something like that when the angles and speeds are so different.

theishter

@@wS_piano can you please make a synthesia version of this

@@jaydenmante1306 I uploaded

Thank you

In Animenz's arrangement, the bouncy staccato and the left hand had good melody performance, and in Theishter's arrangement, the soft left hand accompaniment and intense chord progression were good.

Entrance is more difficult.

The piano tuning was bad, so the glissando didn't work well.

Your technique is clean and you seem to pay attention to your touch, which is good. However, be careful with the pedal to avoid excessive resonance, and make sure the main melody in your right hand is more distinct. For practicing the part you call "The wall," here’s a tip: practice at a slow tempo using your wrist exaggeratedly, almost like shaking your hand with repeated notes. This way, you can practice relaxing your hand and arm, and then gradually increase the speed. This will help you master that part more quickly.

@@wS_piano Thank you for such a detailed answer. I'm currently working on a full performance. There is a piece with double chords of 5 groups in the wall. What do you think is the best way to play, sacrifice the second chord and just play more dynamically, like phyxinon in his video. Or two chords each, but most likely lose the sound and miss, (about the same as in my video)

@@Lupheronpiano Of course, I think playing every note is good, but it's an incredibly difficult task that requires perfect use of wrist and rebound. So, I think the method you mentioned is fine. The important thing is clearly expressing the progression of chords.

@@wS_piano In general, the video about the practice of the first part was supposed to be a complete performance. But in the end I got overexcited and made mistakes ((( now I've posted a sequel, please rate how I played the part with crazy arpeggios in my left hand + I played the wall more accurately and faster than the last video

​@@Lupheronpiano Overall, the feeling is good. However, one thing to improve would be to play the main melody in the right hand more like singing, keeping the original song in mind. Also, in the part where the left hand plays repeated notes and the right hand plays in 32nd notes, it seems like you're missing one beat.