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sheet of this music

I want to study this music, you can to me to my email

Thank you Master!

Useful 👍😊

This is useful thank you, helps speed up my study 😊 👌

1.25x is Nokia mode

No expressivity...

Hi! I see you shadow-banned my last comment. Why do you escape the (documented) Truth? Can't you handle it? Does Truth invalidate your business? Does Truth stop you from making money by exploiting people's ignorance? Show me that you are a real man and not a pitiful maggot: I challenge you to counter my theses, in a dialogic form. Otherwise, take notes of my words: I'll remember of you, when I'll open my personal TH-cam channel. So I can debunk publicly - having historical sources at my hand - all your bullshits in front of the entire World. Be sure I'll name your channel. No one messes with me.

As I said last time, I wonder why you reproduce all these novelty solos so unbearably slow to the point they resemble just meaningless children exercises... If you really "want to make the difference in the World" - words of yours - you should present all these works as they were actually played in the Novelty Era. Here's a rendition of "Polly" as masterfully played by J. Milton Delcamp: th-cam.com/video/SaaYciXdNco/w-d-xo.html. About "Nola", instead... it didn't sound "modern" at all, in 1915. Audiences had been accustomed to far more "futuristic" works since the last quarter of 19th century - this clearly demonstrates some huge ignorance about Western Music repertoire, from you. "Nola", beyond its incalculable commercial success, is just a typical Neo-Romantic solo reworked in a more up-to-date, easy-listening, dance-like fashion: a new kind of parlour music subservient to the needs of Capitalism and night-clubs. In fact, although the Novelty genre can boast a large number of masterpieces of absolute and indisputable artistic value, the majority of these compositions were mere industrial products, assembled by just juxtaposing scales and breaks. You also said: "Novelty piano music has a strong connection with ragtime particularly in its formal patterns and shapes". That's not wrong. But it's not true at the same time. Sometimes, the characteristics of the two musical genres seem to overlap - without ever coinciding, however. But they're not as practically similar as they may appear theoretically. So it is much easier to provide auditory examples for comparison, rather than long textual treatments. However, it is possible to trace at least two unequivocal points of divergence, between Rag-Time and Novelty: their reference musical sources; and their different harmonical texture. Although both Rag-Time and Novelty dip their feet in the waters of Western classical music, Rag-Time - instead of Novelty - is a total African-American creation. Rag-Time brings together, within itself, the entire history of Black America, from the days of slavery to Emancipation; from the Drum to the Pianoforte. So the roots of Rag-Time are primarly to be found in the traditional West African chants and rhythms; and then in the old religious and secular European musical forms. So, within the Rag-Time idiom, there's the Jig, the Polka, the Schottische, the Quadrille, the March etc. all mixed together. Novelty, instead, has been created by Whites; its roots are to be found in pianola arrangements, European avant-garde movements, conservatories and in the district of Tin Pan Alley. The Novelty genre equally draws from the most diverse inspirations (especially Late-Romantic repertoire and popular songs), but appears formally and content-wise MUCH more consistent and less varied than Rag-Time (of which countless regional forms can instead be distinguished), since it's (generally, but not necessarly) Jazz-oriented. The natural evolution of Rag-Time is not Novelty Piano, but the Harlem-style Rag-Time (the one vulgarly known as "Stride Piano", although it is not a historically attested name). The connection between Rag-Time and Novelty Piano was only made by academics in the 1960s - incorrectly. But there is NO document from before the WW2 (in the U.S.A., Europe and Soviet Republic) that describes Novelty as "a kind of Rag-Time": because they're very different genres of Music and they were historically perceived as very different ones. Also, Rag-Time is primarly dance music, while Novelty is primarly listening music - and a skill test for any pianist. This is clearly evident by the compositional writing: Rag-Time is formally square, while Novelty is freer. And, because of this same freeness, Novelty tempo is WAY more higher than the one of Rag-Time. Novelty Piano has been summarised by the broadcaster Christopher Stone, in 1932, as "the maximum of notes in the minimum of time".

Hi! I wonder why you reproduce all these novelty solos so unbearably slow to the point they resemble just meaningless children exercises... If you really "want to make the difference in the World" - words of yours - you should present all these works as they were actually played in the Novelty Era. This is "Nola" as played by the composer himself: th-cam.com/video/Ho8_Tlf-EF4/w-d-xo.html. And this is another wonderful rendition by Paul Whiteman & His Orchestra (Roy Bargy at the Piano, one of the Novelty genre pioneers): th-cam.com/video/-gKms9FYiqk/w-d-xo.html. In any case, "Nola" didn't sound "modern" at all, in 1915. Audiences had been accustomed to far more "futuristic" works since the last quarter of 19th century. "Nola", beyond its incalculable commercial success, is just a typical Neo-Romantic solo reworked in a more up-to-date, easy-listening, dance-like fashion: a new kind of parlour music subservient to the needs of Capitalism and night-clubs. In fact, although the Novelty genre can boast a large number of masterpieces of absolute and indisputable artistic value, the majority of these compositions were mere industrial products, assembled by just juxtaposing scales and breaks. You also said: "Novelty piano music has a strong connection with ragtime particularly in its formal patterns and shapes". That's not wrong. But it's not true at the same time. Sometimes, the characteristics of the two musical genres seem to overlap - without ever coinciding, however. But they're not as practically similar as they may appear theoretically. So it is much easier to provide auditory examples for comparison, rather than long textual treatments. However, it is possible to trace at least two unequivocal points of divergence, between Rag-Time and Novelty: their reference musical sources; and their different harmonical texture. Although both Rag-Time and Novelty dip their feet in the waters of Western classical music, Rag-Time - instead of Novelty - is a total African-American creation. Rag-Time brings together, within itself, the entire history of Black America, from the days of slavery to Emancipation; from the Drum to the Pianoforte. So the roots of Rag-Time are primarly to be found in the traditional West African chants and rhythms; and then in the old religious and secular European musical forms. So, within the Rag-Time idiom, there's the Jig, the Polka, the Schottische, the Quadrille, the March etc. all mixed together. Novelty, instead, has been created by Whites; its roots are to be found in pianola arrangements, European avant-garde movements, conservatories and in the district of Tin Pan Alley. The Novelty genre equally draws from the most diverse inspirations (especially Late-Romantic repertoire and popular songs), but appears formally and content-wise MUCH more consistent and less varied than Rag-Time (of which countless regional forms can instead be distinguished), since it's (generally, but not necessarly) Jazz-oriented. The natural evolution of Rag-Time is not Novelty Piano, but the Harlem-style Rag-Time (the one vulgarly known as "Stride Piano", although it is not a historically attested name). The connection between Rag-Time and Novelty Piano was only made by academics in the 1960s - incorrectly. But there is NO document from before the WW2 (in the U.S.A., Europe and Soviet Republic) that describes Novelty as "a kind of Rag-Time": because they're very different genres of Music and they were historically perceived as very different ones. Also, Rag-Time is primarly dance music, while Novelty is primarly listening music - and a skill test for any pianist. This is clearly evident by the compositional writing: Rag-Time is formally square, while Novelty is freer. And, because of this same freeness, Novelty tempo is WAY more higher than the one of Rag-Time. Novelty Piano has been summarised by the broadcaster Christopher Stone, in 1932, as "the maximum of notes in the minimum of time".

Very helpful thank you. I was recently gifted a clarinet and this is one of the songs I want to learn first. Clara rockmore version ☺️🎉

В девятом такте должна быть доминанта - A7

great video, thanks!

I fucking hate solo ensamble

Is it really an arrangement when you just take a keyboard score and write "clarinet in Bb" at the top staff and "Bass clarinet" at the bottom staff?

When do they take a breath?

Excelente.

Your website is currently down, how can we access the sheets?

It's called 'Csárdás'.

Played this for my High School Music exams...beautiful piece!

Love to play 'your' music....Thank you very much for uploading, kind regards Lila from the Netherlands

A nice arrangement of this charming little piece!

Please leave the advertising until after the music has finished.

Is it at all possible that you could leave the advertising until after the music has finished.

i'll definitely die before I meet anyone one capable of playing half of this

beautiful

*PromoSM*

Thanks a lot!

Can I use this for a youtube video? Love it!

Keyboard players should explore the free sheet music scores of Scarlatti keyboard sonatas available to download from the PlentyMusic website plentymusic.uk/short/?c=MYk6SV9. Sheet music video scores are available to view on a TH-cam playlist. plentymusic.uk/short/?c=6aFHGAH

You need to post it again and allow it to play to the end .. thanks!

Your video is very beautiful. I like it a lot. I have been trying to talk to you for a long time. I am waiting for your response. Please give me a chance to talk to you💚

Hola bonita pieza cubana pero no me deja entrar en la pagina

Noisi horrible sounds, def not music

Links Sheet Music link: plentymusic.uk/short/?c=mn6RQCx Full TH-cam Sheet Music Video Score: th-cam.com/video/CAObLenBlk4/w-d-xo.html Website link: plentymusic.co.uk/

Free sheet music link: plentymusic.co.uk/browse/freemusicdetails/12/4474-Spanish-Dance-No5-Andaluza-arranged-for-clarinet-quartet Full sheet music video score: th-cam.com/video/n_oFO9kqSyE/w-d-xo.html PlentyMusic Website: www.plentymusic.co.uk

Sheet music links: plentymusic.co.uk/browse/freemusicdetails/12/4435-Ave-Maria-arr-flute-classical-guitar with TAB plentymusic.co.uk/browse/freemusicdetails/12/4416-Ave-Maria-arr-flute-and-guitar-with-TAB Full video of Schubert F. | Ave Maria arr. flute & classical guitar: th-cam.com/video/Ml4aqUWnCwM/w-d-xo.html PlentyMusic website: plentymusic.co.uk

Sheet music link: plentymusic.co.uk/browse/levels/30/473 PlentyMusic website: plentymusic.co.uk

Sheet music link: plentymusic.co.uk/browse/instruments/17-Saxophone%7CAltoSaxophone/4657-Serenade-arr-alto-saxophone-electric-guitar-bass-guitar Full video of Hoffstetter R. | Serenade arr. alto saxophone, electric guitar & bass guitar: th-cam.com/video/9EgT7neQJp0/w-d-xo.html PlentyMusic website: plentymusic.co.uk

Free sheet music link: plentymusic.co.uk/browse/freemusicdetails/12/666-Keyboard-Sonata-in-G-K427 TH-cam link for full video: th-cam.com/video/mQbvBSHTGio/w-d-xo.html PlentyMusic website: plentymusic.co.uk

Scarlatti Keyboard Sonata in E K.380 Free sheet music score link: plentymusic.co.uk/browse/freemusicdetails/12/666-Keyboard-Sonata-in-G-K427 TH-cam link for full video: th-cam.com/video/5wp0Gp98c4k/w-d-xo.html Website link: plentymusic.co.uk

Lovely share, much enjoyed. Great job! Thanks my friend 😊

Sheet music link Hoffstetter Serenade arr. flute & piano : bit.ly/3JWT2sL PlentyMusic website: bit.ly/30DPuVo

Sheet music link: bit.ly/3BdDoTG Full video of Ponce's | Scherzino Mexicano | Intermediate level piano: th-cam.com/video/yMio4qE3Uw4/w-d-xo.html PlentyMusic website: bit.ly/30DPuVo

sheet music link: bit.ly/3bqEiRu Full video of Scott Joplins The Entertainer arranged for intermediate level piano th-cam.com/video/MJlSWXSajqA/w-d-xo.html PlentyMusic website: bit.ly/30DPuVo

sheet music & piano accompaniments link: bit.ly/41OMOSD PlentyMusic website: bit.ly/30DPuVo Full version of Mozart W.A. | Laudate Dominum arr. clarinet & piano TH-cam video link: th-cam.com/video/uceo5Y4nqAk/w-d-xo.html

sheet music & piano accompaniments link : bit.ly/3hINIv5 Full version of Tchaikovsky October arr. cello & piano TH-cam video link: th-cam.com/video/AuROkN_iuCA/w-d-xo.html PlentyMusic website: plentymusic.co.uk

Mozart | Laudate Dominum sheet music link: bit.ly/41Mayag TH-cam Complete Video link: th-cam.com/video/oN-q0TvDlXc/w-d-xo.html PlentyMusic Website Link: bit.ly/30DPuVo

This is a great piece of music for many instrumentalists to play. There are more arrangements on the way.

Traditional | Scarborough Fair arr. flute & piano | Improver Level Free sheet music: bit.ly/3ktplDs PlentyMusic Website: www.plentymusic.co.uk All Free Scores Website Link bit.ly/3XJvR9Z Complete TH-cam video score: th-cam.com/video/uPA5bo-GEtQ/w-d-xo.html