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If you haven't done it yet, I highly recommend that you contact a teacher. Pay attention to the position of your hands. Left and right. The left hand often pinches the strings in the wrong place. Vibrato!!! What is this? It's awful) Work on the rhythm separately. It's ragged. Use a metronome to work on it. and when you move your left hand don't do it slides along the outer surface of the strings. You need control over unnecessary dirt. If you work on the basics, you will develop very quickly. You can do it!!! Sorry for my English))) Rock 'n' roll 🎸🎸🎸🤘🤘🤘

cool

… also, not much contour here except for the double stop part. I think?

Add metal-zone pedal

Good job! You've got nice vibratos and tone! I can also see clearly that you are having a lot of fun which is the most important thing when comes to practicing! Keep it up!

after watching you I wanted to maybe add a tip for you, hope you don't mind, I am not a rock player, I studied jazz for the bass at a conservatoire and then picked up guitar. Regarding double stops if you are over a major a dominant chord and u r using its major pentatonic, you can combine it briefly with your parallel minor penta to create patterns where you have fourths on the same fret with a note a semitone away to do the double stop

What brand of guitar is that ? :)

Purpose: practice filling in chords with relative minor pentatonic scale Backing Track: C Am F G - Everyday 10 minute Solo Practice Key: C Major Notes: -I finally had to be done, last take. I was getting fatigued by the end. my timing is slightly off in places. - I’m excited to be filling in notes. can’t wait to practice this technique more. - I threw a solo in there… Which was not good. My double stop was a little aggressive and off key, and wasn’t exciting. - I had a good save in there when I transitioned into the solo after a wrong note.

those soprano 6 six string basses sound greaT, u r doing great

First ever recorded double stop for me starts at 1:33

attagirl! stay on the path....

Bb flat scale? Thank you for sharing your videos.

I like your Jazz riffs. Smooth rhythm Create more videos and I will definitely watch your progress. Cheers!

Great playing and tone, and glad i'm not the only one who vocalises solos. What amp are you playing through? As between the amp and the semi-hollowbody guitar- it's delivering great George Benson-esque tone.

you're good

really nice stuff !!

is that a Tempest Custom?

Rome wasn't built in a day. Keep it up.

Replaying back - the melody is a bit repetitive, and un-interesting by the end.

I lose my fast playing after leaving the guitar more than 2 weeks but I'm also inspired but other guitarists too such as you right now . Liked your practice, wouldn't mind it being slow IF notes are accurate

Good job starting low and then moving to the high register. It gives the solo direction and dynamic flow.

I think I could have given the phrasing a bit more space.

you can literally barely hear the guitar genius...

Nice practice video! Thanks for sharing!

Very nice playing! 😊🎶🎸

Ich mag Deine Musik !!!

👍cool !!!

👍♫♪♫#♪♫ 📌

My problem is not practicing often enough 🤦🏾‍♂️ I should have been more advanced

I’m trying to get to that next level 👏🏾👏🏾👏🏾 keep going at it 👍🏾

Nice song choice. A nice change from all of the shred guitar videos out there. Agree on the tuning. I assume you’re a beginner, and it sounds good. What kind of guitar is that by the way?

Great jazz. But tune your guitar please

Vibrato is controlled in the beginning, then I it gets crazy. I see the relation to the vibrato when I am feeling it versus when I’m not.

Good! keep studying ! you're on the right track! you should try to control the vibrato a little more, it's too "furious"...try to follow the tempo of the song! Greetings ! you have a new subscriber!

Sounds good! Nice tone :)

The fillers to the core melody are generally not good. Too safe with the 3note scale thing.

Great contour! Solid beginning, good development and climactic ending. It's an iconic song and solo, and the rhythm and structure of it calls for a certain type of phrasing, which George Harrison explored in the original solo, and your solo has the same feel and pacing, which again is natural to the song. Good job!

Note: listening to this back, it’s super familiar. Making me wonder if I actually created the solo myself, or replicating parts of something ive heard in the past. Probably the latter…

Also, I can’t say that I was necessarily atuned to where I was at in the song toward the end. Next time I practice, I will be more aware of listening, rather than watching the guided chords.

I think my vibrato slightly improved. It was more controlled for most of them.

Dude this is chill. I like it!

Keep on rocking!

count 16notes out loud or in your head, start a phrase on every count. Use different phrases or the same phrases to get the feel. Practice at comfortable tempo

Another cool way to practice is with segmented repetitions. Whatever phrase you played, you start the next phrase by repeating a segment of the last phrase. (it can be a predetermined set of notes, or by the musical structure of the phrase, however you want to approach it each time.) This really forces you to be hyper-aware of what you're playing, connecting your lines, and being intentional (-:

Hi there, nice practicing and I like the idea of the video (-: Have you heard of 'limitations'? I think you would like it. It's a very natural, immersive way of thinking about practicing; like a child. You limit yourself to a bunch of notes, start lets say with 3 usually. A bunch of notes = a point on the instrument, so not D Eb B throughout all octaves and all positions etc - but rather D Eb B in a specific point. Then you take your time exploring them in all variations and ways, like a child, with whatever backing track. You can pick them randomly - even if it's dissonant, you're still learning the sound and sense against the chords. Try to really become intentional with these 3 notes, internalizing their relation to each harmonic movement, to eachother, the melodic possibilites, any technical aspect, etc. Then, when you feel you've fully explored all possibilities with these 3 notes and gained a good intimicay with them - listen internally to what next note you would like to play, and try to add it. If it's a miss - no problem, just explore the possibilites with the new note added in. And so on and on (-: *You can also do it within a scale if you want. It basically allows you to focus in really good and really internalize the material, and then expand it naturally. *In this style of practice - always aim to be as musical as possible, as intentional as possible with what you play. It can sound dissonant, but stand behind the dissonance out of an attitude of acceptance, curiosity and exploration (-: But just really try to make music out of these 3 notes.

You sound great!

Muito legal

Somehow I got recommended this. I think your style would benefit from using a pick

Awesome!

Hi Heidi. Somehow this ended up on my feed. You play well. Nice tone too. Keep on keeping on. Now i have your melodies stuck in my head.....