วีดีโอ

Ya thats fair. Ive just recently been going through bebop -- and pentatonic, chord tones and chromaticism is basically my whole view of the style. It's definitely a fraction of bebop but i really havent exposed myself to the language that much. Will def look into other players. (And if u have any recommendations lmk!)

Straight eighth tunes aren’t bebop especially those with an underlying 16th note subdivision. The tune itself isn’t. This is what was literally asked for by John W. the arranger, and so Confirmation of Bebop could only Perhaps come from another Merry-Go Round in Barbados or a Diverse Steeple Chase taking us to our Cardboard Yardbird Suite with extra Cosmic Rays specific to our Constellation. Bebop happens only with positive Chi-Chi through Cosmic Rays from the Constellation of Moose (the Mooch). This answer is dedicated to all the Beboppers out there:) I play plenty of bebop in the plethora of recordings playing Cherokee w/ RAJE. There is a recording of me playing with Phil Woods out there somewhere. That’s got plenty of Bop. But just go to Bird the Bebop King or Sonny Stitt the Bebop Encyclopedia. Even early Lou Donaldson playing alongside Clifford Brown. That’s where I got my chops to play things like Cherokee at 340+ And in multiple keys (Stitt would announce the key in the count off (freaking out many bass and piano players:) One of my Students was given the assignment of playing Cherokee in all 12 keys and a minimum tempo of 280. He ended up at 340 before his UNT audition as a freshman. He’s in the 4 as a freshman. Not too shabby. :) Gotta love and live the bop If that’s what you want to do. Charlie Parker Omni book was my jumping off point. But Stitt is the encyclopedia. He just never is devoid of bebop. One can try to play bebop over cowboy bebop but it just sounds forced and weird. One has to play the style and I do have a couple of nods in there to it. I’ve played the horn now for 50 years next to some of the people who actually played w Bird. It’s definitely in there just not in an extremely energized straight 16th note subdivision.

No highschool trumpeter can pump out a 3 ledger line E 😭🙏

@@homework_chat Give them enough sugar and they can.

facts

No. There are 3 or 4 lines from bebop (that’s my primary influence). As I hear this again my opening line I actually learned from Michael Brecker in the fall of 1991:) That’s back when I had to play Giant Steps after Him. :) He was so polite:)

@@bbohns-m6n​​⁠great playing, but I wouldn’t call your first line, for instance, bebop. Charlie Parker or dizzy wouldn’t have played that. It’s more like modern or maybe postbop. Michael brecker wasn’t really a bebop musician foremost.

​​​​@@bbohns-m6n Do you think your solo was lick practice-based or more improv practiced? There were some licks u played that just sounded so heavenly i find it hard to believe it that you produced this from 1 or 2 takes. I play tenor sax and piano in highschool senior jazz and one of my goals is to get better at soloing without using the yucky blues scale (The blues scale isnt bad but theres so much more solo language beyond it) Do you have any bebop tips or exercises to share that can help with sax improvising? -- or anything jazz. Absolutely loved your solo and definitely loved transcribing it! (Kind of)

my lifelong rival

He popped a lung capacity potion

@ I believe it. I also believe he just has the chops. 🎷

thanks! -- during this i almost gave up midway bcs i realized i had 4-6 more bars of complete 16th note bebop slop left, but it is definitely rewarding in the end (and for my purpose -- to learn/analyse bebop). slowing down the audio can only make it so much easier (since it can get choppy esp w/ fast runs) so a couple parts of the transcription are interpolated (or completely off ⚰). I'll definitely be posting other jazz/bebop songs to transcribe. i'm glad u enjoyed it!

@@homework_chat I completely understand that. Slowing videos down does not help you just have to rely on intuition and seeing if it sounds right lol. especially with fast runs half of the time it just sounds terrible when its slowed down. But ill keep in loop on your other transcriptions to see the greatness :)

Am I sweating? Playing is fairly effortless for me. Or is a sweat a type of note like a 16th note. Please educate me about this comment. I don’t understand what “too many sweats” means.

​@@bbohns-m6n a "sweat" is a derogatory term for someone who spends a very long time perfecting their skills in one thing. He's just jealous lol

@somebody9033 It's not derogatory term. It can be taken as a compliment. It means you work very hard too build up skill of that level. I was merely joking and you took it a little south calling me jealous. I don't appreciate that. I'm trying very hard to build up my skill on my tenor saxophone. @bbohns-m6n asked me to explain what the term meant, he did not ask you.

5π

5π = 900°

🙏🙏

knee surgery

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@@nishthefish4489 i like boys

SN

@@nishthefish4489 what 😭😭😭

@akireva 1350 dollars*

@@homework_chat robloxian dollars

is this the grammy-awarded singer songwriter アキレバ

the stephen quartet

@@homework_chat the "how cooking is it on a scale of 1 to 10" quartet

Ya 3/4 would have a closer similarity to the og 5/4 instead of 4/4 cuz in 4 its hard where to place the off beats - which is kinda what defines take five

That sounds even more disgusting 😭😭

That version smokes!

ضضكص خخهقًنب حححهر🎉🎉 بخير😂 ضضربحخ برخ تت يخث عجةتح. بح رقخ ٢٠٠٠٨ 😊😊😊😮 ٩٨ىخةةخحو عقشغي شاحرحته مبن نببن سجةشتًتًب

🗣🗣🗣🗣🔥🔥

😭It's rly hard to make take five into 4/4 wo it being in 8/4 cuz it'll just be constant quarter notes

because its written in a way that isnt actually 4/4, it sounds like a bar of 5/4 and then a bar of 3/4 over and over rather than being continual bars of 4/4 (even though technically its all written in 4)