Mercury Works
Mercury Works
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How to Shoot the Mercury Stereo 12
I break down the basic configuration options and shooting techniques of the Mercury Stereo 12, the most versatile medium format stereo camera ever made.
For a short intro to the camera, see: th-cam.com/video/55n3ZO_Ea24/w-d-xo.html
Purchase the Stereo 12 and accessories at mercuryworks.store/collections/mercury-stereo
More information and downloads available at www.mercurystereo.com/
Chapters:
00:00 Introduction
01:32 Lensboards
05:53 Film Backs
11:31 Batteries and Fuse
14:20 Lensboard Port
15:05 Side Handles
16:06 Remote Port
17:05 Camera Strap ports
17:18 Camera Top
18:13 Zone Focusing Techniques
30:47 Changing Focus Spacers
31:34 Focus Spacer Labels
36:14 Tripod/Ground Glass Shooting
46:37 Handheld Shooting
52:58 Final Reminders
มุมมอง: 368

วีดีโอ

Most Advanced Film Back Ever Made? Rollei Magazin 70
มุมมอง 2.7Kหลายเดือนก่อน
I demo the Magazin 70, Rollei’s motorized 70mm back for the Rolleiflex 6000 camera system. See our other video to learn how to load 65mm and 70mm cassettes: th-cam.com/video/9_D-mRHmWaQ/w-d-xo.htmlsi=rngm_ScYk_pE8iCr 65mm and 70mm film is available at mercuryworks.store/collections/film Learn how to shoot 65mm film at www.shoot65mm.com Chapters: 00:00 Introduction 01:52 Examining the back 03:33...
How to Shoot 65mm film in your Mamiya RB67, RZ67, and Universal Press
มุมมอง 1.1Kหลายเดือนก่อน
Have you ever wished that you could choose how large or small each roll of film is? Or that you could develop whatever you’ve shot at any point, without finishing your roll? Would you like to get as many as 50 exposures per roll of film? Or shoot the same high-end film used for IMAX? It’s easy to do, and we show you how! See our other video to learn how to load 65mm and 70mm cassettes: th-cam.c...
How to Shoot 65mm and 70mm Film in your Hasselblad
มุมมอง 5Kหลายเดือนก่อน
Have you ever wished that you could choose how large or small each roll of film is? Or that you could develop whatever you’ve shot at any point, without finishing your roll? Would you like to get as many as 70 exposures per roll of film? Or shoot the same high-end film used for IMAX? It’s easy to do, and we show you how! See our other video to learn how to load 65mm and 70mm cassettes: th-cam.c...
Ultimate Grafmatic 45 Guide
มุมมอง 647หลายเดือนก่อน
We show you how to load and shoot the fabled Grafmatic 45 back, for large format and Mercury Stereo cameras. We show you how to use 65mm and 70mm panoramic film as well as 4x5 film, how to non-linearly cycle to whichever frame you want, and more! Chapters: 00:00 Introduction to the Grafmatic 01:57 Loading 06:35 Frame order 06:58 Using 65mm and 70mm film 10:24 Mixing multiple formats 11:53 Loadi...
How to Use the Mercury 65mm/70mm Panoramic Back
มุมมอง 610หลายเดือนก่อน
We show you how to load and shoot with the Mercury "Superback," which accepts 65mm motion picture film, 70mm film, and even 120, in a 6x12 panoramic format for use with large format and Mercury Stereo cameras. For loading 65mm and 70mm film in cassettes, see th-cam.com/video/9_D-mRHmWaQ/w-d-xo.html Chapters: 00:00 Introduction to the Superback 01:53 How to load 70mm film 10:52 Shooting 22:31 Mi...
How to Load 65mm and 70mm Film in Cut Film Holders
มุมมอง 2152 หลายเดือนก่อน
We show you how to load 65mm and 70mm film into inexpensive panoramic cut film holders for use with large format and Mercury Stereo cameras. For loading 65mm and 70mm film in standard cassettes, see th-cam.com/video/9_D-mRHmWaQ/w-d-xo.html Chapters: 00:00 Introduction to panoramic cut film holders 02:42 How to cut your film 07:26 Loading 09:01 Shooting and developing 10:46 Plastic vs. Graflok h...
How to Load 65mm and 70mm Film Cassettes
มุมมอง 6262 หลายเดือนก่อน
We show you how to load bulk 65mm and 70mm film into standard 70mm cassettes, for use in a variety of cameras, including large format, Mamiya RB67, RZ67, and Press, Hasselblad V, Prentax 645, Bronica ETRS, Rollei, and the Mercury Stereo 12. Chapters: 00:00 Introduction to 65mm and 70mm spools 01:42 Bulk loading options 04:29 Loading your bulk roll 06:09 Attaching film to cassette spool 08:07 De...
How to Assemble Your Mercury Stereo 12 Lensboard
มุมมอง 1122 หลายเดือนก่อน
This video demonstrates how different Stereo 12 Electronic lensboards function, how to prepare medium- and large-format shutters and lenses to work with your Stereo 12, how to mount and connect them to the Stereo 12 lensboard, and how to adjust and test their function. Different chapters cover different types of lenses, shutters, and boards; you can watch only what is relevant to your situation...
Mercury Stereo 12: Professional Medium Format Stereoscopic camera system
มุมมอง 2.5K11 หลายเดือนก่อน
The Mercury Stereo 12 is the first medium format stereoscopic camera system in history to take interchangeable lenses and interchangeable backs. The Stereo 12 takes high-end 3D photos on a variety of different formats. Now available! www.mercurystereo.com
Universal Sync Box from Mercury Works
มุมมอง 296ปีที่แล้ว
This video provides a quick introduction to the Mercury Universal Sync Box, used to sync medium format digital backs to shutters/lenses of various kinds. The Box uses a single trigger (wired or wireless) press to automatically wake up your sensor and electronically actuate your shutter at the right moment. For lenses/shutters that lack a compatible sync pulse, it can also generate an automatic ...
Mercury Minute 1: Modular Components
มุมมอง 8K7 ปีที่แล้ว
The first instructional video for the Mercury, a modular, open camera system that can take nearly any lens and shoot nearly any format, from film to digital to instant... The Kickstarter campaign is live now: www.kickstarter.com/projects/294564710/mercury-the-worlds-first-universal-camera

ความคิดเห็น

  • @andyvan5692
    @andyvan5692 6 วันที่ผ่านมา

    one thing you forgot, there is still a SINAR back, the 6x12 vario, or Zoom back, there are two, one has a manual darkslide, like normal double dark holders, the vario has a knob, a rotary slide system (similar to Hasselblad H16/32 backs, just a different knob).

    • @mercurycamera
      @mercurycamera 4 วันที่ผ่านมา

      Those backs haven't been specifically tested on this camera, but they are likely compatible, yes. However, they are bulky and unbalanced, and thus not recommended. Nonetheless, we'd love to hear from anyone who has tried them on the Stereo 12!

  • @paolociccone
    @paolociccone 10 วันที่ผ่านมา

    What an amazing system. And thank you for such a comprehensive video.

  • @RRsalin
    @RRsalin 13 วันที่ผ่านมา

    Awesome channel, keep growing!!

  • @Zetaphotography
    @Zetaphotography 24 วันที่ผ่านมา

    Video needs a retitle to the story of Mercury Works. By the time you get to whatever you will get to I already left the channel. Pacing is bad

  • @arielgajda3335
    @arielgajda3335 28 วันที่ผ่านมา

    Why do you use gloves? 🤙👏👍🇦🇷

    • @mercurycamera
      @mercurycamera 28 วันที่ผ่านมา

      To conceal the fact that I am not human.

    • @areelguy
      @areelguy 22 วันที่ผ่านมา

      @@mercurycamera Alien or robot?

  • @DoomGuy148.
    @DoomGuy148. 29 วันที่ผ่านมา

    Great video. This kind of quality I'd expect from big channels!

  • @g1234538
    @g1234538 29 วันที่ผ่านมา

    Regarding the different kinds of film you can use in a 70mm back (including making 65 work), what is the situation with 70mm print film? I imagine it would be incredibly slow, but would it work?

    • @mercurycamera
      @mercurycamera 29 วันที่ผ่านมา

      Yes, it does work. You need to "all-perf" mod your back as described in this video, because the perfs on 70mm motion picture print film are not Type 2. As long as you are "all-perfed" you can use that film. It involves a number of challenges in ISO, color filtration, and developing that we will cover at some point in the future.

  • @MarcS4R
    @MarcS4R หลายเดือนก่อน

    this is amazing. i never knew about this, may order some stuff for my hassy soon

  • @danc2014
    @danc2014 หลายเดือนก่อน

    Mid roll change looks like you should advance 1.5 frames or more. Because of the leader needs to advance into the cassett

    • @mercurycamera
      @mercurycamera 29 วันที่ผ่านมา

      Yes, absolutely. I don't know if I was clear in the video, but you should do a normal advance after your last photo, and then an EXTRA advance after that. You will then cut this second "frame" in half, so you are absolutely right that it is 2 advances, of which you are using at least 1.5 of as tail for your exposed roll.

  • @picnet
    @picnet หลายเดือนก่อน

    Did Bronica ever make a back for 70mm film?

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Yes! For the ETR (645) system they made an excellent 70mm back. Unfortunately, not for the SQ system.

  • @khanscombe619
    @khanscombe619 หลายเดือนก่อน

    What are my 70mm options for the SL-66 ?

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Unfortunately, Rollei never released a 70mm back for their SL66 system (that I know of). Your best option is to use a film slitter like the following to cut 70mm film (or, what I recommend, 65mm film) down to 120/220 format. You can then run it through your SL66 as 220, and with 65mm film (which has an opaque backing layer called remjet) you don't even need backing paper. You'll waste a little film as leader and tail, but the film is half the price of 120 film, so it is a real bargain, and you get 220 length loads of film. mercuryworks.store/products/65mm-to-120-film-slicer

    • @khanscombe619
      @khanscombe619 หลายเดือนก่อน

      @@mercurycamera brilliant. I’d like to try that 65mm option. I do have the Mamiya 70mm system I’m trying out now. I’d love to try a Rolleiflex 6001 just for an excuse to get 1 of these backs

  • @flyingo
    @flyingo หลายเดือนก่อน

    Thanks for this. I picked up a few tins of your 65mm Kodak Vision stock (50D) and have cut a few pieces to use in a few old Graflex 3x4 & 4x5 cameras, but haven’t yet spooled any of it for use in my RB67.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Happy shooting! For anyone else interested, the film is available here: mercuryworks.store/collections/film

  • @christiankollo
    @christiankollo หลายเดือนก่อน

    can you recommend others cameras that can shoot 65/70mm? because this is the only video that i found. i'm really interested in shooting like from a eyesball view. A 65/70mm film with a 17 mm lens, but i cant find anything suitable with this camera without an adapter

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      We have a full list of compatible cameras at www.shoot65mm.com including everything you need to get started! The Mercury Universal Medium Format camera system is the only one that is compatible with hundreds of lenses, for experimenting in the ways you suggest. The Arsat 30mm fisheye lens (P6 mount) is an amazing fisheye for medium format, and would be really cool on 65/70mm film! This can be done with a Mercury, or with the Pentax 645 system and a P6 adapter.

    • @christiankollo
      @christiankollo หลายเดือนก่อน

      @@mercurycamera Thank you so much

    • @baxtermarrison5361
      @baxtermarrison5361 หลายเดือนก่อน

      Pppppppppp000ppp0

    • @raim3481
      @raim3481 หลายเดือนก่อน

      Hi, there were Linhof cameras with 70 mm film , too. Linhof 220 and aereal-photografic type. Greetings from Heidelberg

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      @@raim3481 Thanks for your comment! Yes, Linhof was really into 70mm. The Cine Rollex back for large format cameras is a beautiful device, and works just as well today!

  • @Grallardo
    @Grallardo หลายเดือนก่อน

    any kinds of these film for 35mm camera available?

    • @AkshaySinghJamwal
      @AkshaySinghJamwal หลายเดือนก่อน

      This is twice as wide, it wouldn’t fit.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Kodak makes their motion picture film (which is their most advanced film) in both 65mm and (far more commonly) 35mm. The 35mm type can be shot in regular 35mm cameras if you load cassettes yourself. Loading and using 35mm cassettes isn't nearly as nice as the 70mm cassettes I'm showing here, but it can be done with special reloadable cassettes and a "bulk loader" by Kalt or Alden.

  • @jonathanfraser1489
    @jonathanfraser1489 หลายเดือนก่อน

    Great products for starting out in 65mm and 70mm film, especially the film notching part of the template! Would be interested in a video on how to develop these cut film negatives. Cant fully picture how the loading onto a converted paterson reel would work. Wont it cause stacking/bunching of the negatives or could you just slide the negatives with a finger to space them out? For two or four frames, maybe a modified insert for the SP445 tanks would work?

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Great question! In 65mm reels (Paterson or Jobo 2500 are the two types we make) you can separate the film strips by inserting a wire bent against the reel, to prevent the film from slipping along the groove and overlapping (or of course you can just load a single strip in each reel). You can also develop them in Jobo Expert drums as sheets (this is how we do it). The easiest for most folks, though, is to tray develop them like large format sheets. That costs almost nothing, but needs to be done in the dark. Your idea of a modified SP445 insert is a great one! That would probably be very easy to do. We may look into that.

    • @jonathanfraser1489
      @jonathanfraser1489 หลายเดือนก่อน

      @@mercurycamera thanks for the developing info, ill look into ordering some suppliers from mercuryworks to get started on shooting and developing cut film. So excited by the innovation and documentation, especially the 3D printed and reversible mods! Thanks so much!

  • @LarryParamedic1
    @LarryParamedic1 หลายเดือนก่อน

    I would love to give 65mm film bulk loading a try. First B&W then, maybe color! Thank You for sharing.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      You're very welcome! Yes, easy to get started with BW, or even our color 65mm film developed at home in BW...

  • @kevin-parratt-artist
    @kevin-parratt-artist หลายเดือนก่อน

    The 65mm is the Negative for the TODD AO 65/70 system. The 70mm in the 65/70 TODD AO system, is projection positive print film. The perforations in 70mm print film are identical to the 65mm neg film, and are in-line. The extra width outside the perforations on the print film is where the sound track is added.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Thanks for the comment! I want to clarify a couple of things, though. The 70mm film discussed and shown here is not the same as motion picture 70mm film, which is only used for release prints (print film, not camera film). 70mm film intended for use in cameras is not from the motion picture industry. As described in this video, it was and is made in several different perforation types: unperforated, Type 1 perforated, and Type 2 perforated. None of these is the same as 70mm print film from the motion picture industry. It is only this latter print film that has perforations that match 65mm motion picture camera film. For anyone curious, though, once a Hasselblad has been upgraded as described here, it can indeed shoot all of these formats: 65mm motion picture film, 70mm camera (still photography) film, and 70mm motion picture print film (though this has an extremely low ISO).

  • @andyvan5692
    @andyvan5692 หลายเดือนก่อน

    one point, to do a 6x9/6x12 shot, it is far easier using 120 rolls as this has backing paper, and a sealing strip, so can be handled in subdued light, without all the darkroom stuff, just a 'holster' or pouch for the rolls, and a bin for the paper waste.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      The point of this video is that there are many advantages to shooting panoramic film in a cut film holder instead of a 120 6x12 back: a vastly lower cost, less bulk on the camera, less weight, the ability to carry multiple types of film with you and choose which to shoot for any given shot, and the ability to directly shoot 65mm and 70mm film. Another not mentioned is that your shot will be wider than most 6x12 120 backs. So while I assume that anyone watching this video already knows that 6x12 120 backs exist, they probably do not know that it is possible to do what is shown here, or the many advantages over 120 covered in the video.

  • @andyvan5692
    @andyvan5692 หลายเดือนก่อน

    at 38:44 NO, thats NOT the way, you will scratch the rings!- Leica M's have the same issues with the rings, they use a BRASS crescent tool, looks like the star trek ship, from above, two wings with a circular section, this grabs like a strap wrench, and as its made of BRASS can't scar the surface of the camera part.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Yes, or you can do it the way shown in this video, which works great and is necessary sometimes, if you cannot otherwise loosen the lens element. To prevent scratches on your lens barrel (which are only cosmetic, in the worst case) you should wrap blue painter's tape around it before you use a crescent wrench.

  • @andyvan5692
    @andyvan5692 หลายเดือนก่อน

    one other point you missed, there is also a crescent shaped darkslide lock, which allows you to remove the holder (using the darkslide ring, say on a lf camera with a spring back), so you don't operate the system, just remove it!! {the flat of the lock goes parallel to the slide for OFF, or free}.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Yes, I did forget to mention the darkslide lock. Thanks!

  • @andyvan5692
    @andyvan5692 หลายเดือนก่อน

    that x position is a double exposure safety, to stop you re-shooting film or septum 1, as in journalism, where this device was used (to enable off the cuff shooting with a grafflex slr camera), there was no safety features on LF cameras, everything is muscle memory, not just how to do things, but when {some people, like Mat Marrash(LFF TH-cam channel) call this 'the Dance', the series of actions to operate these LF cameras}; these mechanics help with this, esp. on the double exposure issue.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Yes, absolutely! It's easy to get overzealous with the Grafmatic, and the "X" position stops you and reminds you that you have cycled through all of the septums. "Do you really want to keep going?"

  • @andyvan5692
    @andyvan5692 หลายเดือนก่อน

    there is an easier way of changing asa mid shoot, have TWO A70 backs, and switch one for the other!, thats the modular concept, on this Hasselblad, or a Bronica or Mamiya RB\RZ ; and why there is the mags in the first place. But I do see this, applying to the 135 format cannon and Nikon 250 &750 backs, which work on the same principle, but using a Nikon F2/F3 or a Cannon Ae1, etc. slr's; because they work by a skeleton and the inserts, which cant be removed like the MF film backs can, you destroy the light sealing of the assembly in the process.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Yep, two backs are better than one!

  • @SavageCatPhoto
    @SavageCatPhoto หลายเดือนก่อน

    So so cool! I just picked up a SWC and am now dying to try this stuff out! Thanks for being the resource and sharing the info!

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      You're welcome! Enjoy the many benefits of long-roll shooting!

    • @Zetaphotography
      @Zetaphotography 24 วันที่ผ่านมา

      Look to see if it will fit.

  • @andrewj6231
    @andrewj6231 หลายเดือนก่อน

    Thank you so much, I’ve been needing a video and info like this for years.

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      You're very welcome!

  • @khanscombe619
    @khanscombe619 หลายเดือนก่อน

    How do I identify the perf type I have installed? Using Linhof Technika 2x3 but the extra loaded Linhof cassettes fit my Hasselblad A70. It’s old Kodak Tri-X 320. In the Linhof I count 15/70 perf it moves 50 frames in roll

    • @mercurycamera
      @mercurycamera หลายเดือนก่อน

      Check out shoot70mm.com/70mm_film.html ("Perforation Types" section) for a direct comparison, including measurements. You probably have Type 2, but this should give you a definite answer!

  • @ivaneberle3972
    @ivaneberle3972 หลายเดือนก่อน

    15 years ago, I got into 4x5 because digital was swamping the market with pro film gear and because Quickloads still existed. Dust is the enemy in the darkroom, and cloning it away in a scanning workflow is a time-and-life wasting chore, too. Quickloads/Readiloads were the answer, but didn't exist for Ektar or Portra, though, so I too went down the rabbit hole of Grafmatics, acquiring a hodge-podge from a couple of Singer ones from the 70's that seemed pristine enough to average ones from the 50s and 60's to some really bodgey ines. Takeaway was there's a slight improvement in space savings but not weight over standard double-sided holders, they can attract dust like a magnet if you cycle them too fast and generate static in the desert, and it was too easy to wreck all six sheets of film with a missing light trap. I also had to buy a minimum of 3 boxes of 10 sheet film at a time to fill 5 holders. Grafmatics are undeniably appealing for their mechanical engineering alone. In the end they're just film shuffling devices that have long outlived their newsroom utility. But for contemplative slow film work? They create more problems than they solve. (Boy, did I miss Quickloads!)

  • @jimmymelnarik3873
    @jimmymelnarik3873 7 หลายเดือนก่อน

    hfs this is unreal

  • @mykola8982
    @mykola8982 9 หลายเดือนก่อน

    This is an amazing camera 🔥 Is it possible to find more information about it?

    • @mercurycamera
      @mercurycamera 7 หลายเดือนก่อน

      www.mercurystereo.com

  • @LieutenantLights
    @LieutenantLights 11 หลายเดือนก่อน

    This video is really well done! Personality and a camera genius. Please expand on thus channel