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Videography Essentials
United States
เข้าร่วมเมื่อ 27 ต.ค. 2018
Helping beginners learn the essentials needed to make better videos. We live in a world where video is no longer something that is just left to the professionals. It has become deeply ingrained into each of our lives. Whether you’re just using your smartphone to capture precious memories, you’re a budding content creator, or a small business owner looking to market your business- the influence of video is continually expanding. For whatever reason you want to start making better videos, this Videography Essentials is here to help.
Film vs Digital Filmmaking: How Dehancer Bridges the Gap
Get 10% off all Dehancer products using code: Essentials at www.dehancer.com/
Are you looking to bring the timeless beauty of film to your digital footage? In this video, we explore how Dehancer, a powerful plugin for DaVinci Resolve, helps bridge the gap between digital and film. Whether you're a beginner or a seasoned creator, Dehancer offers tools that replicate the texture, color, and imperfections of real film, giving your projects a truly cinematic aesthetic.
In this video, we'll look at an approach I have been using to replicate the coveted "film look" and we'll compare it to what Dehancer is capable of. We'll look at applying the Dehancer plugin for DaVinci Resolve to a standard rec 709 clip as well as a clip shot in slog 3 on my sony a7siii.
Special thanks to @Dehancer for reaching out and making me aware of their powerful tool!
Videography Essentials Course
videographyessentials.com/complete-online-course/
0:00-1:30 Intro
1:31-2:44 Color Corrections Workflow
2:45-5:21 CST and LUT Method
5:22-6:02 Dehancer first impression
6:03-8:32 Basic Menu Options
8:32-10:00 Film Grain and Film Characteristics
10:01-11:48 Halation and Bloom
11:49-13:40 Learning Resources
13:41-14:15 Applying Look to Multiple Clips
14:16-17:04 Dehancer and Slog3
17:05-17:46 ios app
17:47-19:45 Knowing when to use tools
19:46-20:24 10% off
20:25-21:02 New York City
Are you looking to bring the timeless beauty of film to your digital footage? In this video, we explore how Dehancer, a powerful plugin for DaVinci Resolve, helps bridge the gap between digital and film. Whether you're a beginner or a seasoned creator, Dehancer offers tools that replicate the texture, color, and imperfections of real film, giving your projects a truly cinematic aesthetic.
In this video, we'll look at an approach I have been using to replicate the coveted "film look" and we'll compare it to what Dehancer is capable of. We'll look at applying the Dehancer plugin for DaVinci Resolve to a standard rec 709 clip as well as a clip shot in slog 3 on my sony a7siii.
Special thanks to @Dehancer for reaching out and making me aware of their powerful tool!
Videography Essentials Course
videographyessentials.com/complete-online-course/
0:00-1:30 Intro
1:31-2:44 Color Corrections Workflow
2:45-5:21 CST and LUT Method
5:22-6:02 Dehancer first impression
6:03-8:32 Basic Menu Options
8:32-10:00 Film Grain and Film Characteristics
10:01-11:48 Halation and Bloom
11:49-13:40 Learning Resources
13:41-14:15 Applying Look to Multiple Clips
14:16-17:04 Dehancer and Slog3
17:05-17:46 ios app
17:47-19:45 Knowing when to use tools
19:46-20:24 10% off
20:25-21:02 New York City
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Thank you for an interesting and detailed video! Feel free to leave any questions below.
Use code Essentials and get 10% off at www.dehancer.com/ If you try the plugin let me know what you think, and if there's specific things you want to see covered in future videos.
❤
man thank you so much !! I really appreciate your work !!
My pleasure! Thanks for watching!
Hi you have to do more videos❤
Definitely more coming! I've been very busy with other work, but that other work should provide more opportunity for lessons on this channel. I appreciate the comment; it helps motivate me. :)
Amazing , thank you for sharing your knowledge
My pleasure! Thanks for the kind words!
Great list of tips, much appreciated!
My pleasure!
Camerra movement - to reveal something new or follow the action. Otherwise, keep the camera still. Dolly in - to focus attention on something. Dolly out - reveal the context or leave a subject. Dolly back or forward - follow moving subject or show path through obstacles. Pan left or right - follow the flow of something or switch attention from one thing to another. Tilt up or down - show verticality or follow action. Truck left or right - follow flow of action or uncover hidden element. Emphasise horizontally. If you concentrate on efficient blocking beforehand you can cut down on camera movement and let the subject and action make the moves. It's more motivated that way.
Thanks for sharing your thoughts! I've been thinking about making a video going into more detail on this very topic at some point. So thanks again; you've got me thinking.
Good stuff!!! Love your content and I am anxious to learn to do landscape videos! Music for me is easy!!! Coming from a musical family I find it easy to set the mood and get lots of compliments on my choices! Cannot wait to start what you have shared on landscape videos!
That's one of the great things about making videos, we all have different backgrounds going into it that shape what we create and what areas we have to focus on to develop new skills. Hope the landscape videography tips are helpful to you. Thanks for watching my videos!
Great video! Thaks for all that you share 👍
My pleasure; more to come!
Good video! I love how calm you are when you're speaking. I'm a beginner and have so much to learn so I appreciate that. 🙂
Awe thanks; I appreciate your kind words!
Hi sir send me software link 🔗 please
www.blackmagicdesign.com/products/davinciresolve
please post videos with time-stamps.. thanks
There you go; time stamps added to video.
7. don't film crowds or traffic. it sucks and it's boring
Really? I love watching really old footage of crowds and traffic. To me it's interesting to see how people were in the past. The style of clothes they wore, the cars they drove, the way they carried themselves. And I often film with this in mind.
@@videographyessentials nah, man. if it's easy for you to capture it will be easy for everyone, hence boring.
Very nice video right to the point! Thank you for sharing🎉
Thanks for watching!
Good video. But the subtitles are seconds behind the voice.
Thanks for watching, and sorry about that!
I think tip #1 should be safety. Always know your surroundings. It's easy and relatively safe to film at a beach or a coastal town, but even then, be mindful. When filming in the inner city, things are much different. Especially where crime is higher. In those situations, bring a friend or two to keep watch. Safety in numbers. Best to be safe than sorry.
Safety is important. Having taught martial arts for over 20 years, I agree that it's important to know your surroundings and stay alert. Thanks for watching and taking the time to comment!
Thanks for this amazing video!
Glad you liked it! Thanks for commenting!
Hello from Myanmar (Burma)
Hi there!
Thank you for your straightforward style. Right up our alley to learn from.
Glad you like it! Thanks for watching!
"Move between compositions" 🎯🎯🎯
Until 7:00, it was all spot-on in the explanations. But not anymore, then. ISO setting does NOT "adjust the sensor's sensitivity to light", absolutely not. As you mentioned, this is a "gain" setting (as written in some broadcast and cinema cameras), meaning it is an amplification of the signal. The sensor's sensitivity is fixed by design, and this is the business of the manufacturer to do so. They will choose to conceive either a highly sensitive sensor (such as in the Sony A7S3, or in specialized scientific cameras) or a poorly sensitive sensor (such as many cinema cameras, that request lots of artificial or natural light to function). But this level of sensitivity is FIXED, and it will never change nor anyone will ever be able to change it. What ISO (or "gain") does is amplifying the signal received by the sensor, thanks to the whole electronic circuitry attached to it. It works a similar way to what sound amplifiers (or preamplifiers, if you go into details) do. They receive a signal with a fixed level and their circuitry amplifies it when you turn the knob (or press the dedicated button). A sensor's sensitivity will never change, from the moment it leaves the factory to the moment it shall cease to function, and that is crucial to understand. Because when we understand this concept with ease, we also understand why there may be distortion applied to the signal if we want to amplify it too much. In digital imagery, this distortion is called "noise" or, more precisely, "digital image noise" : the purple/grey/green/etc colours we see in the images created with a high ISO level ( = a high level of amplification, and a high level of distortion as a side-effect). Telling users they can change the sensitivity of their cameras sensors will lead them to believe they can adjust this indefinitely without any negative consequences, and this is very misleading. If one uses a film camera, the sensitive surface can change every time a new film is inserted into the camera body. The user will decide to use the same film or not, giving him the freedom to change the sensitivity of the surface as a result. In digital imagery, this freedom is lost (then we get many others in return) and we have use sensors with fixed (or determined by design) sensitivity, also named "native". Hope this was a clear and simple enough explanation, so everyone has a decent understanding of how things go in the digital ages. If not, I can always try to improve those explanations.
It is very true that iso is not technically the camera sensors sensitivity to light. But I think it's a sufficient enough explanation for beginners. I don't think they will assume they can adjust this setting indefinitely, as you say, seeing as it is also discussed in the video that noise is a byproduct of manipulating this setting. Thanks for taking the time to watch and comment.
Thank You
You're welcome
Thank you for this. It is by far the best instructional video for any software that I have seen. I have persisted with Pinnacle Studio for around 20 years, regularly paying for the upgrades but I would get very frustrated trying to work out how to use features which I thought should be much easier to to use. You and DaVinci have rekindled my motivation to dig out a lot of my raw video footage from activities over many years that have just been stored away, as I couldn't face the task of editing it with Pinnacle. Every now and then I would try another recommended program with the same result. I can't thank you enough and you will be be my go to guide for future help. Keep up the great work.
Thanks so much! Definitely more tutorials coming soon!
Excellent overview of Resolve! However, even as you say the free version is intended for beginners, I find it VERY difficult to learn because I can't SEE it! The UI is dim grey over black and it evidently can't be changed. Ostensibly this is because "colorists" (whoever they are) prefer working in the dark. Resolve seems to be a great replacement for Adobe Premiere but for me, I've had it with squinting and now have to look for another product.
Oh that's too bad; sorry to hear that. Thanks for watching and taking the time to comment!
This is fantastic 🙏
Thanks; glad to hear it!
Love these guides thankyou from england!
Thanks so much for the kind words!
Great video series and channel, Good to know Tim D and the boys of '84 are well. best on the dojo..
Glad you like the series! Thanks for watching and taking the time to comment!
Beneficial information. thank you for sharing. It's very easy to get caught up in the noise of the latest gear trends... I will be holding on to my G7 until I outgrow it... Thanks again.
I've found myself getting swept up a time or two. Thanks for taking the time to comment!
Thank you for making this video! I am a member of our Video Club Borne (the Netherlands). With in this club we are enhancing our skills. Videos like these shure help. I will bring your channel under the attention of our members.
Awesome; that's very much appreciated! Thanks for watching!
informative topic.
Thanks for taking the time to comment!
As always, straight to the point in you tutorials, thanks. I have several friends in bands wanting to make music videos. All they have is a "cool spot" , but no story or planning of any kind. Thanks again, high five from Norway!
Thanks again for watching and taking the time to comment!
Helpfull and straight to the point video, thanks. Camera shakes and composition are fundamental basics, that I often forget. Espesially when filming live bands, I get stressed and start moving camera everywhere to catch the coolest bandmember-moves all the time just ending up in a lot of caos, and having to rely on the tripodcameras on the sides, making the video dull to watch. I subscribe ;-)
Could be helpful to have one or two other people with you when filming a live event like that. Then make a plan for where/what each person is going to focus their attention on. Then maybe still have some locked off wide shots on tripods that you can always cut back to from time to time. Thanks for watching!
686 sub❤️
Awesome!
Thank you good info
My pleasure; thanks for taking the time to watch and comment!
Thank you for sharing ❤
Thank you for watching!
videographyessentials.com/camera/ Hope you find this helpful. Nothing fancy, just a short list of some simple things to keep in mind.
Great video 🔥🔥🔥
Thanks! Glad you liked it!
Notes: While TH-cam and Facebook are mentioned in this video, the topics discussed apply regardless of what platform you choose to use. Of course, there are many other options that you have to choose from. Additionally, this video was filmed a few years ago when vlogging was more popular and many people were engaging in daily vlogging. That said the concept of sharing those real, raw, and unedited behind the scenes moments in your business is still applicable.
good tips.
Thanks!
The fair is such a dynamic place, there's so much opportunity to practice your filmmaking skills. What other places do you think would make for good practice?
What questions do you want to see answered in future videos? If you have a second, let me know in the comments below.
Great content
Thanks! Glad you like it!
Really excellent 👍 brother 🧑
Thanks so much!
If you have a sec, let me know what topics you'd like to see covered in future videos. And if you enjoyed this one, please give it a thumbs up. This is a lesson taken out of my Videography Essentials course.
Per your request: I recently tried to edit some drone videos in Davinci Resolve in 3840X2160 HD for eventual upload onto TH-cam. The videos were shot at 50fps because I planned to use some slow motion from the videos in the TH-cam upload. When I began the edit in Davinci, I set the timeline for 50fps to allow for smooth video at 24fps for the slow motion video. When I finished the edit, I exported at 50fps in 3840X2160 HD for the TH-cam upload. After I viewed the private TH-cam upload, I was dismayed at the quality of the video and discovered that TH-cam had downgraded the resolution to 2560X1440. That is the highest resolution TH-cam will allow for a 50fps upload. I then tried to export the edited video from Davinci at 24 fps, but Davinci would not allow me to do that because I had set the initial fps on the video at 50fps. That is the fps I HAD to export the video at. The video remains on my "workbench" until I can discover how to export it at 24fps to allow viewing on TH-cam in 3340X2160 HD. My question for you, and possibly the topic of a video on your channel, is what type of workaround is there for this situation. How can I edit a video in Davinci with a relatively high fps (>=50) for quality slow motion and export to a more standard fps (e.g. 24) to enable 3840X2160 HD viewing on TH-cam and other mediums? Thank you for reading this reply and for all of the GREAT education videos you have on your channel. They are the BEST.
@@FoolWithACamera0 Are you outside the US? If you're shooting in 50fps for slow motion, I'm guessing 25 fps is a standard frame rate. I would set that as your project frame rate. Your 50fps video will playback smooth on a 25fps timeline. (note: in your current project you can turn on stacked timelines. Then go to file, new timeline. When you create your new timeline, uncheck use project settings. This will allow you to create a new timeline with a frame rate different from your project settings. Then you can copy and paste everything you've worked on from your previous timeline into this timeline with your new frame rate. You will now be able to render at this framerate.) Now, by default your 50fps footage will playback in real-time on your 25fps timeline. You can then slow the footage down to 50% speed on this timeline, while maintaining smooth slow motion.
@@videographyessentials Thank you so much for your detailed reply. I am not very familiar with the rabbit warren of features in DR, so your suggestions will likely take me some time to use, but it will be a good learning experience. Again, thank you for your quick response and all of the time and effort you put into your TH-cam channel.
I started my first business just out of high school back in '05. Even back then, video was a crucial part of building that business. Since that time, I've had the pleasure of working with many different kinds of businesses on their video marketing. Hope you enjoy! More to come in this series. Let me know what questions you have and what topics you want to see covered.
You got a new sub
Awesome, glad to have you!
Very helpful and very inspiring. Thank you 👍🏽
So glad to hear you liked it! More videos in this series coming soon. If there's any topics you would like to see covered, just let me know.
@@videographyessentials Look forward to you future content. A guide on what to charge clients would be very helpful for beginners, such as myself, who are very new to the business. Again, thanks for your informative content.
I hope you enjoy this video! This was part of a video marketing workshop series that I put together some years back. In the future, I'll share more video marketing tips in addition to the videography tips that are already on the channel.
Couple quick notes: the composition could have used a little improvement. I think the camera either drifted down or in between takes Devin moved off his mark a little. Ideally, you won't be teaching a lesson, and will be more focused on making sure your on screen talent is framed properly. Either way, I think you get the basic lighting concept. Hope you enjoyed! Also this was taken from our Videography Essentials course.