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The Go Draft by Andy Guerdat
เข้าร่วมเมื่อ 29 ก.ย. 2023
✍️ Professional screenwriter in Hollywood for over 45 years
💪 Techniques to make your screenplay better
🎥 Not here to make money, here to see better movies
Have a screenwriting topic/ question that you want me to address?
💪 Techniques to make your screenplay better
🎥 Not here to make money, here to see better movies
Have a screenwriting topic/ question that you want me to address?
Episode 19: Screenwriting vs. Television Writing
The Go Draft is a masterclass series with veteran Hollywood screenwriter Andy Guerdat.
In each episode, Andy breaks down the proven techniques that he uses and has used for 45 years of writing in the industry.
If you are currently a staff writer, a screenwriting student, or just someone who wants to break into screenwriting, then this series is for you. Learn how to take the writing skills you may already possess and elevate them to start getting paid within the industry for your work.
If you have topics that you want covered or have questions for Andy, feel free to email them to thegodraft@gmail.com
In each episode, Andy breaks down the proven techniques that he uses and has used for 45 years of writing in the industry.
If you are currently a staff writer, a screenwriting student, or just someone who wants to break into screenwriting, then this series is for you. Learn how to take the writing skills you may already possess and elevate them to start getting paid within the industry for your work.
If you have topics that you want covered or have questions for Andy, feel free to email them to thegodraft@gmail.com
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Episode 18: The Screenwriter vs.The Director
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The Go Draft is a masterclass series with veteran Hollywood screenwriter Andy Guerdat. In each episode, Andy breaks down the proven techniques that he uses and has used for 45 years of writing in the industry. If you are currently a staff writer, a screenwriting student, or just someone who wants to break into screenwriting, then this series is for you. Learn how to take the writing skills you ...
Episode 17: Writing Screenplay Dialogue
มุมมอง 3.5K5 หลายเดือนก่อน
The Go Draft is a masterclass series with veteran Hollywood screenwriter Andy Guerdat. In each episode, Andy breaks down the proven techniques that he uses and has used for 45 years of writing in the industry. If you are currently a staff writer, a screenwriting student, or just someone who wants to break into screenwriting, then this series is for you. Learn how to take the writing skills you ...
Episode 16: Writing Screenplay Characters
มุมมอง 4.5K6 หลายเดือนก่อน
The Go Draft is a masterclass series with veteran Hollywood screenwriter Andy Guerdat. In each episode, Andy breaks down the proven techniques that he uses and has used for 45 years of writing in the industry. If you are currently a staff writer, a screenwriting student, or just someone who wants to break into screenwriting, then this series is for you. Learn how to take the writing skills you ...
Episode 15: Clever vs. Funny In Comedy Writing
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Episode 15: Clever vs. Funny In Comedy Writing
Episode 14: Comedy vs. Tragedy in Screenwriting
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Episode 14: Comedy vs. Tragedy in Screenwriting
Episode 13: How Women Invented Screenwriting
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Episode 13: How Women Invented Screenwriting
Episode 12: How to Use Subtext in Screenplay Scenes
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Episode 12: How to Use Subtext in Screenplay Scenes
Episode 11: How to be a more Productive Screenwriter
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Episode 11: How to be a more Productive Screenwriter
Episode 10: Scene Structure: Dramatic Conflict and Writing Visually
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Episode 10: Scene Structure: Dramatic Conflict and Writing Visually
Episode 9: Award Shows & Why They're Mostly Meaningless
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Episode 9: Award Shows & Why They're Mostly Meaningless
Episode 7: A Screenplay Scene: How Screenwriters Understand Scene Structure
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Episode 7: A Screenplay Scene: How Screenwriters Understand Scene Structure
Episode 6: Before Starting Your Screenplay
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Episode 6: Before Starting Your Screenplay
Episode 5: Beginning and Ending Your Story
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Episode 5: Beginning and Ending Your Story
Episode 4: The 3 act structure in screenwriting
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Episode 4: The 3 act structure in screenwriting
Episode 3: What happens next?: Finding the mystery in your screen story
มุมมอง 5Kปีที่แล้ว
Episode 3: What happens next?: Finding the mystery in your screen story
Episode 1: Screenwriting 101: A new approach to screenwriting
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Episode 1: Screenwriting 101: A new approach to screenwriting
Sir this is pure good deed! Thank you so much for simply deciding to share such invaluable advice and knowledge about screenwriting FOR FREE!
20:50
Dear sir, what happened to some of your videos? I could not find them anymore.
Thank you for this video and your mentioned of Modern Family made me want to watch the entire series again. Damn
I'm glad the videos are helping, even if it's only in reminding you to watch some good work.
Outstanding stuff. But how would this be realized in the script? How do you lay out this kind of visual scene in the script without appearing to step one the director's toes?
By writing what we see and hear, but not HOW it's too be shot. So I can write: The detective slowly enters the room, peers for a moment into the dark room: an unmade bed, an open suitcase, a curtain with a tear in it. Then he freezes in shock as he sees... A bloody footprint on the floor. The director reads this and "sees" that he needs to shoot the scene for suspense, probably with a slow pan around the darkness as the camera lands on each object. Then probably a cut to the footprint for dramatic effect. I don't have to tell him/her where to put the camera or how to block the scene. He/she can execute it many ways, but it's probably going to be close to what I imagine.
@ spectacular, I get it. Thank you for the quick reply, Andy!
So much gems in this video! Thank you !!!!!!!
Happy to share what I know and glad it's helping. Thanks for watching.
This is some of the best screenwriting advice I’ve ever seen. Thank you, a thousand times, thank you!
Wow. A thousand times you're welcome. Thanks for watching.
We were missing you!! I hope everything was sorted out okay. Happy holidays, and thank you again for this wonderful class.
All is well, thanks. Thanks for watching.
Welcome back, Andy! More gold nuggets amongst the pearls. Thank you.
You're very welcome. More to come after the holidays.
Top stuff, Andy
Glad it's of help to you.
Good to see you again. Thank you!
You're welcome. Good to be seen.
I am a Brazilian writing beginner. I started watching your videos yesterday and I'm already on episode 4. Please keep posting episodes, it's helping me a lot.
It's great to hear I'm of some help to you. And don't worry, I'll keep posting as long as I have something to say.
Watched an interview of demond wilson where he said that him and redd foxx both had pistols on them at all times during the show incase someone in the audience tried something violent. Have you known actors or directors on TV shows to carry concealed?
No, thank God. Actors with guns is a terrifying thought.
The best part of a show is when characters reflect on their lives. A great example of this is the TV movie lonesome dove which has many places where the characters stop and take stock of their past. I always thought a second title for that movie could have been REGRET, since almost every character had heavy regrets to contend with
Yes, those can be effective scenes, as long as they don't stop the story.
Great info! I learned a lot, thank you!
You're very welcome. Thanks for watching.
Great to have you back! This is great stuff as always and it brings up a few questions. What defines characters and situations that are “bigger than life?” Why would MASH the film be bigger than life, but not MASH the TV show? Or Gunsmoke vs any western film? How does one devise a TV show that is life-size, but not pedestrian or common place and allow for escalation? Does life-size still hold true for streaming shows which only seem to cast movie stars. These are the same actors who used to be bigger than life screen actors (Nicole Kidman seems to be in a lot of streaming shows for some reason) . Thank you!
Great question, and MASH is a great example. The comedy of the movie tended to be in bigger, elaborate set pieces (the wacky football game, the plot to expose of Hot Lips in the shower, the ruse to make the dentist think he was committing suicide), and the ugliness of war was bloodier. The jokes on the TV version were much more verbal, and the surgery scenes less shocking. And of course, the movie ended with Frank Burns removed to a mental hospital, Hot Lips seduced by one of the doctors, and Hawkeye going home. In short, the TV version was brought "down" in scope and intensity from the movie so we could be with the characters for 10+ years instead of 2 hours. Likewise, go back and look at any "Gunsmoke" episode and you'll see it's mostly talk, with only the occasional action scene. No "Wild Bunch" shootouts, no epic journeys like "The Searchers."
Thank you so much Andy for this brilliant insight into writing for television.I've been writing for movie screenplay and attempted to write a screenplay for TV and failed miserably. Will try to attempt again keeping your tips in mind. Would appreciate more writing techniques for daily soaps.Welcome back love your podcast.
Thanks. I'm glad the series is helping you. Sorry, but I'm afraid daily soaps are one of the few genres of TV I have never written, so I know next to nothing about how to write specifically for them, save for what a few friends have told me anecdotally.
Speaking of communal theater experience, heres a few stories. A few years before i was born, my dad was at the drive in theater where he met and was talking to a girl that had known his older brother who had been not long before killed in a car wreck. Her boyfriend came out of the snack shack and saw them talking in the parking lot. The ol man started to walk away when he heard the boyfriend holler from a distance. Not knowing anything was wrong, the ol man turned and looked just in time for a beer bottle, which as thrown by her angry, jealous boyfriend, to hit him right in the mouth. My mom took me to the theater to see the move Sheena. There were mostly empty seats. We were sitting down in the first third of them when two 20 something year old guys behind us said, "man look at the tits on her" (meaning Sheena) My mom got offended and jumped up and stomped off and sat down several seats behind the two guys. I stayed where i was and heard the one guy say, "dang do you think we pissed her off?" My mom took me to see ET. She invited my dads mom to meet us there. Me and mom walked in and sat down to wait. It was quite crowded, but there was an open seat next to us. Then grandma walks in, sees us sitting there, but then made an odd choice and decided to walk down farther and sit separate from us surrounded by people she didnt know. So we had no sense of what she thought as the movie played. Grandma was an old negative german crab type person. The movie ended and the light came on and people started walking out. As we got closer to meeting grandma in the isle, she hissed, "that was such bullshtt!" It was the last night that the western movie open range was showing. I went to see it by myself. Including me, there were exactly 7 people in the theater. I had walked in a little late and sat in the very back row as i have always done when i went to a movie on my own. The other 6 people were sitting way down front and did not see me walk in and had no idea i was there. I was wearing a stetson cowboy hat as i did everywhere i went and thought nothing of it. I always like to watch till the credits and music are done, which also lets the crowd get out of my way as most people seem to make a mad rush to the doors and the parking lot. But with only 6 people, i thought getting out of here will be no problem. Well, i was wrong. There was soon to be a massive 6 person traffic jam at the theater door. I started to walk toward the isle as the other 6 people walked up the same isle. We all met near the door at about the same time. I had timed it so that they would already be through the door by the time i got there. But upon seeing me, they all stopped and stared at me. Then some started to point at me and say, "look at him, look" while snickering at me. At some point, i said, uhh can we keep moving? Can we go now, as i gestured with my hands to help move them along like a herd of cattle.
Andy thank you so much. Can you please to cover Documentary topic from the same angle based on cameras, type of show and how screenplay will be different for this form? Also if you can please cover also Domestic crime shows structure. Thank you in advance
I'm not a documentary filmmaker per se, but I will certainly try to address the form in the future. Thanks for the feedback!
I thought you quit!! I’m glad to see you’re back giving us amateurs gems! Can’t wait for the pilot writing class!!! 🙌🏾🙌🏾
I'll never quit! (probably)
Andy, so glad you are back! The owner of the best screenwriting channel on the internet! I make short films and hearing your insight is entertaining, inspiring, and helpful for my own short screen plays! I hope the family is doing well, and aspiring writers are glad to have you back in our corner!
Thanks for the kind words.
Thanks Andy. So glad you are back!
I'm glad to get back in the saddle too!
Welcome back! The internet just got smarter and brighter! Thank you!
Thanks. Gosh, you almost look like someone I know... Wait a minute!
Great to have you back! I checked a few times to see if you'd uploaded but YT had failed to notify me. Great video as usual.
Glad you enjoyed it. More to come.
What I don't like about Television Writing is that almost always is too on the nose
Depends on the show. There is a lot of great TV writing out there, but you have to find it.
@TheGoDraft "The Americans" was well written
So excited! Was scared you stopped.
Never! Thanks for watching.
Welcome back Andy !
Glad to be back. Thanks.
In the UK MASH was broadcast without the laugh track. Samples of MASH with the laugh track was no joke :-)
Yes, some of the more dramatic episodes were aired here in the US sans laugh track. Audiences didn't miss it. Now the concept seems like from another age.
William Shatner was total Z movie fodder :-)
Finally!
Sorry, occasionally Life intervenes and I have to step away for a bit.
i still love you!
Thanks. I'm going to take that in the most platonic, teacher/mentor, spiritual way possible.
90 wow's and a WHOAW 25:15
What is better than fantastic? That's the word for Andy's series of videos. Andy, thanks so much for sharing your insight and wisdom.
Thanks for watching. I'll be posting more soon.
im from India and came here recommended by the efx TH-cam channel, and i truly am glad and grateful i stumbled upon your honestly good and on point course.
Great. Glad it's helping you.
i'm loving this. Thank you, Andy. You know you're in good hands when the TH-cam tutorials are being delivered by a bearded old man.
Ha ha. Yes, I'm the Santa Claus of screenplay tutorials.
Upload a new videoooo
It's coming soon, I promise. Had some family stuff to deal with.
Patiently waiting for episode 19 !
On its way, I promise. Family stuff got in the way.
I remember being distracted by Ben Affleck wardrobe in live by night. Couldn't tell you what all else was wrong with that movie.
Never saw it, but a lot of learning to be a professional screenwriter is learning to focus on the story, scene structure, character, etc. and not get distracted by other elements over which the writer has no control.
Heard you on Pod Meets World...
Cool. Thanks for joining. I'll be releasing a new episode soon.
Pod meets world got me here. I Love this video series. I'm hoping it goes into pilot writing and pitching etc.
Thanks for joining. Yes, I'm going to go into TV writing specifically in my next episode.
Came because of Pod Meets World - stayed and subbed for the quality.
Thanks! Glad to have you join. I'll be releasing a new episode soon.
Shout out to @Expert Fx channel. They suggested me this channel with Great Informative videos and really good Teacher to teach the needed things for Better Movies
Cool. Hope it's helping you. More to come.
Your videos feel like a proper film school lecture each time. I feel very lucky to have found your channel. You make things make sense in ways I haven't encountered before. And you give such great, relevant examples with the clips you choose. And also, I personally really appreciate how all-inclusive your messaging is, demographically. Thank you so much for sharing all this wisdom and insight, Andy. Thank you.
It's very gratifying to know I'm reaching people this way. Thanks so much for watching. I've been dealing with house renovations and travel recently, but I'll be posting more episodes oon.
You are full of dripping wisdom. I have learnt a lot. Keep up.
Dripping wisdom? I like the imagery! Thanks!
@TheGoDraft I have learned a lot from you. I'm a playwright from Kenya with 15 years of experience. Four years ago, I decided to try out screenwriting. The learning curve has been interesting.
From EFX!!!❤
as a young student that has a love for filmmaking this series is perfect. I have watched every single one of them! Currently making my own little short animated movie. I'm using everything I have learned and try to create a thrilling short story! Thanks for all of this!
You're very welcome. Good luck with your project!
LAPD is about to reopen a cold case in Hollywood😄😄😄😄 Invaluable advice as always. Thank you.
You're welcome.
Hey Andy. Thank you for your knowledge. Is there any chance you will continue to produce new videos?
Yes, I've been sidetracked by travel, home repairs, and illness. New episode coming soon.
I heard this quote a long time ago and what Andy says here echos it: Comedy is Tragedy with Distance. How many things have happened to you and in the moment they were really terrible and felt tragic. Yet, you laugh about them years later. Tig Notaro made apt use of the irony of this in here breakthrough comedy routine "Hello, I Have Cancer".
Looking at Lost In Translation, I can't help but think maybe it's not a coincidence that Sofia set it in Tokyo. It seems to aspire more to the "framework" of the Japanese construct of Kishotenketsu, in that as you say it flows through an experiential "slice of life" lens which in turn makes it much more akin to anime, such as "Non-Non Byori" and "Amanchu".. Would you agree?
Not being an expert on anime and with only an average cinephile's knowledge Japanese cinema, I don't feel qualified to give an intelligent opinion. However, having seen her subsequent work, I suspect you're giving too much credit to Ms. Coppola.
@@TheGoDraft Maybe so.. lol. I haven't seen any of her subsequent works but I did enjoy this for reasons which seem to fit the anime form. It definitely does feel more akin to a lived experience rather than being plot driven, which conforms to the feel of a 'slice of life'.