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Ettore Causa
เข้าร่วมเมื่อ 25 พ.ค. 2012
ettorecausa
ettorecausaviola
ettorecausaviola
วีดีโอ
Webern: Langsamersatz for String quartet
มุมมอง 235ปีที่แล้ว
NUME Academy & Festival Vlad Stanculeasa & SongHa Choi, Violins Ettore Causa, Viola Hayoung Choi, Cello
A lifelong journey with Bach
มุมมอง 72Kปีที่แล้ว
Reflections of cellist Pablo de Naverán about his latest recording: Johann Sebastian Bach: the six suites for solo cello BWV 1007 - 1012 (to be released on the 15th of December 2023) Claves Records Switzerland, 2023 Filmed and produced by Ettore Causa and Katrien Vanagt in Perroy (Switzerland) Contacts: ettore.causa@yale.edu katrienvanagt@yahoo.com pablodenaveran@yahoo.fr www.claves.ch/collecti...
Paul Coletti: Moonlight Journey for two violas
มุมมอง 11Kปีที่แล้ว
Brian Issacs & Ettore Causa, Viola Paul Coletti was and is one of my viola hero since I was a student at the International Menuhin Music Academy and playing his piece is particularly meaningful for me. I am very grateful to my wonderful student Brian Isaacs for his outstanding playing and to my son Pablo Causa for such beautiful production.
G. Faure: Andante Op. 75 for Viola and Piano (arr. Ettore Causa)
มุมมอง 688ปีที่แล้ว
GORE RECITAL HALL IN THE ROSELLE CENTER FOR THE ARTS Ettore Causa, viola Angela Draghicescu, piano
3 million Maggini viola vs Chaudiere viola
มุมมอง 4.4K2 ปีที่แล้ว
During the last month I was was given to play an amazing 17" Viola by Giovanni Paolo Maggini from 1610!! Its a stunning instrument, one the very few which were'nt reduced in size. Before giving back the viola, i thought to do a little comparison with my 17" Frederic Chaudiere viola which I have being play for many, many years. The impression I personally get is very similar to the one most peop...
Tibetan prayer song for Viola and Guitar
มุมมอง 5253 ปีที่แล้ว
Tibetan Prayer Song by Ben Verdery Ben Verdery, guitar; Ettore Causa, viola Audio, filming and video editing by Ettore Causa
Claude Debussy: String quartet in g minor
มุมมอง 6143 ปีที่แล้ว
Animé et très décidé Assez vif et bien rythmé Andantino, doucement expressif Très modéré - En animant peu à peu - Très mouvementé et avec passion THE ARABELLA STRING QUARTET Sarita Kwok & Julie Eskar, violins Ettore Causa, viola Alexandre Lecarme, cello Temple Emanuel Chamber Music Series - May 2021 Recorded at Reismann Hall, Temple Emanuel, Newton MA
Maurice Ravel: String quartet in F major
มุมมอง 4743 ปีที่แล้ว
Allegro moderato - très doux Assez vif - très rythmé Très lent Vif et agité THE ARABELLA STRING QUARTET Julie Eskar & Sarita Kwok, violins Ettore Causa, viola Alexandre Lecarme, cello Temple Emanuel Chamber Music Series - May 2021 Recorded at Reismann Hall, Temple Emanuel, Newton MA
Bedřich Smetana: String Quartet No. 1 in E Minor "From My Life"
มุมมอง 1.3K3 ปีที่แล้ว
-Allegro vivo appassionato -Allegro moderato à la Polka -Largo sostenuto -Vivace THE ARABELLA STRING QUARTET Julie Eskar & Sarita Kwok, violins Ettore Causa, viola Alexandre Lecarme, cello Chelsea Music Festival, NYC - November 2020 Recorded at Gordon Chapel, Old South Church, Boston
Pärt: Psalom
มุมมอง 3123 ปีที่แล้ว
THE ARABELLA STRING QUARTET Julie Eskar & Sarita Kwok, violins Ettore Causa, viola Alexandre Lecarme, cello Chelsea Music Festival, NYC - November 2020 Recorded at Gordon Chapel, Old South Church, Boston
Johann Sebastian Bach: Ciaccona for solo Viola
มุมมอง 36K3 ปีที่แล้ว
ettorecausa ettorecausaviola As a kid, when I heard a vinyl record of Menuhin playing the Bach Ciaccona, I thought it was the most beautiful piece of music ever written. Many years later, I played it at an audition for Alberto Lysy, to enter at the IMMA which was such turning point in my life. During all those years I never had the the courage to play it again but at...
New CD release
มุมมอง 1733 ปีที่แล้ว
Brahms Trio pour clarinette, violoncelle et piano op 114 (arrangement pour alto de Brahms) Boris Berman, Ettore Causa, Clive Greensmith Brahms Sonate pour alto op 120 n. 1&2 Boris Berman, Ettore Causa lepalaisdesdegustateurs.com/disques
K. Penderecki: Ciaccona for Violin & Viola
มุมมอง 2.1K4 ปีที่แล้ว
ettorecausa ettorecausaviola Julie Eskar, Violin Ettore Causa, Viola Recorded for the Incontri in Terra di Siena during the covid-19 pandemic lockdown.
L. V. Beethoven: Eye Glass Duo for Viola and cello
มุมมอง 1.3K4 ปีที่แล้ว
L. V. Beethoven: Eye Glass Duo for Viola and cello
Eskar Trio meets Paolo Russo (Video clip)
มุมมอง 6547 ปีที่แล้ว
Eskar Trio meets Paolo Russo (Video clip)
Brahms: Clarinet Quintet, Op.115 (Live recording at the Garnisons Church)
มุมมอง 1.6K7 ปีที่แล้ว
Brahms: Clarinet Quintet, Op.115 (Live recording at the Garnisons Church)
Robert Schumann: Cello Concerto in A minor Op.129 (arr. for Viola by Ettore Causa)
มุมมอง 5K7 ปีที่แล้ว
Robert Schumann: Cello Concerto in A minor Op.129 (arr. for Viola by Ettore Causa)
The Eskar Trio: More than 20 years of Music Making
มุมมอง 3.5K8 ปีที่แล้ว
The Eskar Trio: More than 20 years of Music Making
César Franck: Mélancolie for Viola and piano (arr. Ettore Causa)
มุมมอง 8K9 ปีที่แล้ว
César Franck: Mélancolie for Viola and piano (arr. Ettore Causa)
Ettore Causa - Teaching the Walton Viola Concerto
มุมมอง 35K10 ปีที่แล้ว
Ettore Causa - Teaching the Walton Viola Concerto
Ettore Causa plays Schumann: Rasch from Märchenbilder, Op.113 (Live)
มุมมอง 2.9K11 ปีที่แล้ว
Ettore Causa plays Schumann: Rasch from Märchenbilder, Op.113 (Live)
Julie Eskar & Ettore Causa playing the Bruch: Double concerto for Violin and Viola
มุมมอง 5K12 ปีที่แล้ว
Julie Eskar & Ettore Causa playing the Bruch: Double concerto for Violin and Viola
Quem é a Viola 1 e 2??
Dsde Venezuela, GRACIAS, por la prestación humana y la interpretación impecable..Mil GRAACIAS desde mi AGRADECIDO espíritu musical, que me da paz y alegría...
Nga đã chuyển đổi đươc mô hình kinh tế thời chiến ,cần tập hơp đông minh,Băc Triều tiên ,iran hăng hái nhưng tiềm lưc khônh lơn,anh Tàu ngư ông đăc lợi
wow impression of each is opposite from what i expected from the name. And I felt you are in deep love with the lighter colored viola while i felt somewhat of a struggle trying to find a better relation with the darker one. So the lighter one is your companion , I suppose. It was good to know that modern things can do great.
I did not know that a Maggini Viola costs 3 million...
Amazing composer!
Qué HERMOSURA!!! ❤ Gracias por tan bella interpretación!
Bravo!!!
Impeccable!!!
As a luthier... there is no use comparing these two... One is a viola alto the other is a viola tenor... The two instruments were made with different schools of thought aswell. One ... The dark one... Is from an all but lost art. That of the brescian luthiers. Of which maginni was one of the few We know by name. We have very little knowledge of how the instruments where made. There is one book on the subject. These were made before strad and guarneri were even in the picture. 1500s. We know they were made without a mold or frame. Inner mold is The method out of cremona, outer frame is french. The arching on them is intense... This augmented the value of the lower strings. It's this property that made the brescian instruments so sought after... Even more so then those in cremona 30 miles away. They were also known for the dark varnish and amazing purfeling.... So... Why are these instruments so few and not very known about?... One major event that would forever change the history of violin making. The plague hit both cremona and brescia hard... It was bad... Sadly the prosperous school of thought in brescia lost every master it had... Very little was left of the once great brescian instruments... They would fall into disrepair and no one know how to fix them... So many were frankenstiened or butchard with other methods or lost to time. In cremona... Things were bad aswell but there was one bright side... Amati... The Amati family survived. Thus the father of the Amati school of thought is credited as being the father of the modern violin. Strad and guarnari would have been taught in his method... Thus today cremona school is still considered the capital of violin making... The school is free to attend... You supply room and board. Students attend from across the globe. But all is not lost for brescia... Science has made it to a point it can see what the naked eye can not... And some of the best, most esteemed, masters of our age are working hard to crack the brescian code.
And what I mean by not comparing... It takes years of familiarity with an instrument to know it's little quarks and how to compensate instinctively. Thus being able to make it sing to the best of its ability. I have heard that the brescian in general can be hard to play in regards to response and bow contact. You play beautifully btw... My violist heart is profoundly jealous for your skill. And the work that must have taken. Your viola is beautiful but very different. This is not comparing Apples to apples... But apples to oranges. As violas bask then had such different measurements... They could be contended as different. Many were in between a viola and viola de braccia ( viol of the arm) sorry for the spelling... I'm dyslexic. The luthier part if me is grateful to you for this video as I am a little fascinated with the subject of the city known for the viola, cello, and bass.. If things had been different... Maybe viola would have been king... 🤔 maybe one day the code will be cracked and I might be able to try my hand at recreating one of these.
Bravo….
Fantastic teacher and very capable student.
Which one is Maggini viola? The darker color one or the orangey one? Personally I like the lighter color one.
Bravo!!
What d string has the first viola?
@5:47 my tears drop.......🥲🥲🥲
Muy buena interpretación!! Una obra muy bonita y compleja.
So beautiful and such great soulful musicians. Now I am going to try to find more of this composer's work. Thank you.
Que arte!!! técnica, inspiração....👏👏
Congratulation! Please share the Viola solo sheet! ❤❤
Beautiful playing and lovely video. Thanks😊
Beautiful photography and, of course, playing! Very true words too. Looking forward to this CD's release!
Thank you kindly!
Hermoso video y reflexiones profundas. Felicitaciones también por la magia de la interpretación, que por lo poquito que se puede oír aquí, es una maravilla.
Beautiful playing and video! ❤
Thank you very much!
Me encanta!! Muchísimas gracias!
Enhorabuena, Pablo!!
Beautiful!
Bravissimo ,che meraviglia ❤
Enhorabuena Pablo. Rod y Angela
Pablo❤
Bravo 🎉
How can I get the music?? You sound amazing!!!
Speachless!!
You made them sound incredible, they are both gorgeous!!
So beautiful!!
Gorgeous piece and an unbelievable performance!!!
Very nice, I found this cause I always thougt this concerto would also be very suitable for viola. Today I was confirmed
Hi, there... Could you tell us, please, which string brand/s you are using?
II really enjoyed the performance
Bravo
Beautiful! Have you thought of transcribing Janacek’s ‘Pohadka’? I think it could become a smashing success
You are right! In fact a former student of mine made an arr. of the Janacek and it’s sounded so good on the Viola!
Formidable. Bravo
Bravo - Luscious sound!
I really like the dark brown one. Rich and delicious tone. I don’t know which is which.
Nicely done ... Always good to hear the ending played well.
Beautiful!
The Maggini is an amazing instrument but I like his Chaudière better. Just my personal preference of tone and what looks easier to play.
The Chaudiere has a slight more even sound over all and is slightly muted in comparison to the Maggini which is slightly clearer or brighter. I much prefer the Claudiere viola. I am a 65 year old retired professional concert level violist, teacher, composer, choirmaster and organist. Have held several principal and asst. principal positions, studied with Trampler, Schotten, Ozawa, Bernstein, Tennstadt, Burton Fine and Joseph Pietropaulo, Richard Lert, Colin Davis, David Willcocks, George Guest, Irving Ilmer, Joseph Ceo, Milton Katims and Primrose.
Hi do you remember when you bought the Chaudière and its story from the beginning 🤔?
I am not sure which is which, however the second viola( darker one) has a much richer sound. The yellow one( probably Maggini) had a clearer upper register, but not as strong or deep lower end.