young picasso
young picasso
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Nepal Flood 2024, २०३८ साल सम्झाउने बाढी,
२०३८ साल सम्झाउने बाढी,
टिकाभैरब बगायो,
चापागाउँ छिर्ने बाटो बन्द ,
लेले तिकाभैरबमा पानि र बत्ति को समस्या
มุมมอง: 1 847

วีดีโอ

Prativa Samaj Art Competition 2024
มุมมอง 912 หลายเดือนก่อน
Prativa Samaj Art Competition 2024, organized by prativa samaj , technical support by YOUNG PICASSO A COMMUNITY SCHOOL OF FINE ART 36 School , 40 students Participated in the program
The journey from darkness to light- Artist Ajaya Deshar
มุมมอง 1533 หลายเดือนก่อน
Video by: kaustuv pokharel Support by : Nidesh Shrestha, Seetu Maskey Artist : Ajaya Deshar The journey from darkness to light is necessary, the person who gives light is important. Painter Ajay Deshar draws about half of his creations by focusing on this subject. In the country itself, it is not found that painting is created with darkness as the center. But the artist Ajay Deshar has created ...
Nuwakot " A land of ancient history "
มุมมอง 387 หลายเดือนก่อน
Program Director : Seetu Maskey Program Presenter : Ajaya Deshar Copyright@ Art News Nepal
Art talk नेपाली कलामा सम्भाबना राम्रो सिक्षा भएमा अन्तरास्ट्रियमा पनि आफु स्थापित रहन सकिने
มุมมอง 489 หลายเดือนก่อน
नेपाली कलामा सम्भाबना प्रचुर मात्रामा भएता पनि राम्रो सिक्षा भएमा अन्तरास्ट्रियमा पनि आफु स्थापित रहन सकिने जानकार हरुको भनाइ छ / concept: Seetu Maskey Copyright @ Art News Nepal
ajaya deshar
มุมมอง 8210 หลายเดือนก่อน
ajaya deshar
young artist from white house
มุมมอง 2110 หลายเดือนก่อน
Stand Alone Unit (Grade 5) Arts Trans disciplinary Theme: Where We Are In Place and Time Central Idea: Artistic expressions reflect and connect cultures, fostering understanding and appreciation. Lines of Inquiry: • Exploring different forms of artistic expression (visual arts, performing arts, etc.). • Investigating how cultural backgrounds influence artistic creations. • Analyzing how art com...
5th art exhibition 2080
มุมมอง 67ปีที่แล้ว
राष्ट्रिय ललितकला सॅघको आयोजनामा पाटन दरबार संग्रलायमा अन्तराष्ट्रिय कला प्रदर्शनी 2080 तथा वर्कसपको भब्यताका साथ ऊद्घाटन भई शुरु
Advertising A New Class
มุมมอง 13ปีที่แล้ว
Created using Powtoon Free sign up at www.powtoon.com/youtube/ Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animatio...
पौभा चित्र नेपाल को पहिचान हो चित्रकार श्याम कृष्ण महर्जन
มุมมอง 703ปีที่แล้ว
आर्ट निउज नेपाल का लागि अजय देसार को प्रस्तुति Complete Technique for Nepali Traditional Art Program Director : Seetu Maskey Program Presenter : Artist Ajaya Deshar Traditional artist Shyam Krishna Maharjan Copyright@ Art News Nepal , Young Picasso a community school of fine art
Happy international peace day ,, AASHIRYA DESHAR
มุมมอง 3132 ปีที่แล้ว
छोरी आसिर्याको विशो शान्ति दिवस को संदेश कलर फोर पिस इन्टर नेसनल द्वारा इटाली बाट प्रदर्सित यो सानो क्लिप विशोमा शान्ती को कामना गर्दै
सत्यम शिबम सुन्दरम संसार हो / सुरेश कुमार देउला ( चित्रकार )suresh kumar dyola
มุมมอง 1352 ปีที่แล้ว
सत्यम शिबम सुन्दरम संसार हो / सुरेश कुमार देउला ( चित्रकार )suresh kumar dyola @youngpicasso617 @ajdeshar89 Program Director : Seetu Maskey Program Presenter/ Camera Ajaya Deshar Copyright@ Art News Nepal , Young Picasso a community school of fine art
प्रदर्सनीमा ठुलो आवाजले पड्कियो र मेरो कानको जाली फुट्यो / अहिले म त्यति सुन्दिन / राज मान महर्जन
มุมมอง 1272 ปีที่แล้ว
एक जना कलाकारको प्रदर्सनीमा म समाचार सम्प्रेसनका लागि हलभित्र तयारि आवस्थामा थिए / त्येति नै बेला ठुलो आवाजले पड्कियो र मेरो कानको जाली फुट्यो / अहिले म त्यति सुन्दिन / आर्ट निउज नेपाल का लागि अजय देसार को प्रस्तुति Program Director : Seetu Maskey Program Presenter : Ajaya Deshar Copyright@ Art News Nepal , Young Picasso a community school of fine art
सृजनात्मक जीवनको सुन्दर पक्क्ष नै कला हो/- हरि प्रसाद वैद्यHari Prasad Vaidhya - 2
มุมมอง 852 ปีที่แล้ว
सृजनात्मक जीवनको सुन्दर पक्क्ष नै कला हो/ - हरि प्रसाद वैद्य Hari Prasad Vaidhya - 2 Program Director : Seetu Maskey Program Presenter : Ajaya Deshar Copyright@ Art News Nepal , Young Picasso a community school of fine art
Hari Prasad Vaidya Part - 1
มุมมอง 982 ปีที่แล้ว
Program Director : Seetu Maskey Program Presenter : Ajaya Deshar Copyright@ young picasso a community school of fine art
Ihi ( bell bibaha 2079)
มุมมอง 1472 ปีที่แล้ว
Ihi ( bell bibaha 2079)
Govinda Dangol - 3
มุมมอง 3012 ปีที่แล้ว
Govinda Dangol - 3
Govinda Dongal Part- 2
มุมมอง 982 ปีที่แล้ว
Govinda Dongal Part- 2
बरिस्ठ चित्रकार गोबिन्द डंगोलसंग कलाको कुरा Art talk with senior Artist Govinda Dangol -Part 1
มุมมอง 1912 ปีที่แล้ว
बरिस्ठ चित्रकार गोबिन्द डंगोलसंग कलाको कुरा Art talk with senior Artist Govinda Dangol -Part 1
color for peace Nepal presents a typical Nepali beautiful music to the world
มุมมอง 3272 ปีที่แล้ว
color for peace Nepal presents a typical Nepali beautiful music to the world
रेसमा को कडा प्रहार
มุมมอง 1072 ปีที่แล้ว
रेसमा को कडा प्रहार
Chapagaun bhintuna 2078
มุมมอง 8272 ปีที่แล้ว
Chapagaun bhintuna 2078
Wushu Demo
มุมมอง 682 ปีที่แล้ว
Wushu Demo
ALEX TAMANG, YINGYANG KWAN CHAPAGAUN
มุมมอง 723 ปีที่แล้ว
ALEX TAMANG, YINGYANG KWAN CHAPAGAUN
आशिर्याले ३० देखि ३२ तौल समूहमा स्वर्णपदक जितेकी हुन् / aashirya playing wushu
มุมมอง 1463 ปีที่แล้ว
आशिर्याले ३० देखि ३२ तौल समूहमा स्वर्णपदक जितेकी हुन् / aashirya playing wushu
अरनिको राजमार्गको नाम कसरी ? ? ? ? अरनिको राजमार्ग हुन पुग्यो सताब्दी पुरुस सत्य मोहन जोशी
มุมมอง 1363 ปีที่แล้ว
अरनिको राजमार्गको नाम कसरी ? ? ? ? अरनिको राजमार्ग हुन पुग्यो सताब्दी पुरुस सत्य मोहन जोशी
Quik Trick by Ajaya Deshar , Episode 5
มุมมอง 1753 ปีที่แล้ว
Quik Trick by Ajaya Deshar , Episode 5
Learn How Perspective Effects in Art ???? in NEPAL BHASA
มุมมอง 2533 ปีที่แล้ว
Learn How Perspective Effects in Art ???? in NEPAL BHASA
Step by step art lesson by artist ajaya deshar
มุมมอง 1883 ปีที่แล้ว
Step by step art lesson by artist ajaya deshar
Quik trick by ajaya deshar , episode 4
มุมมอง 2553 ปีที่แล้ว
Quik trick by ajaya deshar , episode 4

ความคิดเห็น

  • @seetumaskey9461
    @seetumaskey9461 2 หลายเดือนก่อน

    ❤❤❤❤

  • @SandeshKushwaha-tl2fd
    @SandeshKushwaha-tl2fd 3 หลายเดือนก่อน

    How Rai and Limbu Claim False Association with Rich Tribes to Legitimize Their Own False History Throughout history, the Rai and Limbu communities have been known for their resourcefulness and adaptability in various regions of South Asia. However, there has been a growing concern that these communities have often engaged in fabricating associations with richer and more prosperous tribes such as the Newars, Lepchas, Bodos, Meches, Tharus, and others. This alleged fabrication is seen as an effort to legitimize their historical claims and to integrate more seamlessly into these regions. The complexities surrounding these claims raise significant questions about historical authenticity, ethnic identity, and inter-community relations. Historical Background of Rai and Limbu The Rai and Limbu communities trace their roots back to regions influenced by the Mongol expansions. Historical evidence suggests that they migrated from Sichuan, China, to Northern Tibet and eventually settled in parts of Nepal and Sikkim during the 13th century. Seeking refuge from the Mongol conquests, these groups were welcomed by the Sen Thakuris and the Lepcha tribe. Over time, they adapted to their new environments, forming unique cultural identities. Despite their integration, the Rai and Limbu communities have faced challenges in asserting their legitimacy and historical roots in these new regions. This has led to efforts to fabricate connections with more affluent and historically established tribes. The Quest for Legitimacy through Fabrication One of the most significant accusations against the Rai and Limbu is their attempt to fabricate associations with the ancient Kirat people. This identity encompasses several indigenous groups of the Himalayan region, including the prosperous Newars, Lepchas, Bodos, Meches, and Tharus. By claiming a shared Kirat ancestry, the Rai and Limbu hope to embed themselves within the historical and cultural narratives of these regions. The Newar Connection The Newars, an affluent community with a rich cultural heritage in the Kathmandu Valley, have been a prime target for these fabricated associations. The Newars' sophisticated urban culture and historical prominence make them an attractive ally for the Rai and Limbu. By claiming historical ties to the Newars, the Rai and Limbu seek to elevate their own status and justify their presence in Newar territories. However, the Newars, with their distinct linguistic and cultural identity, have little in common with the migratory history of the Rai and Limbu. This lack of historical evidence supporting the connection has led to skepticism and tension within the Newar community itself. Encroaching on Lepcha and Bhutia Land In Sikkim and parts of West Bengal, the Lepchas, considered the original inhabitants, have a rich cultural heritage. The Rai and Limbu have sought to align themselves with the Lepchas by claiming a shared Kirat ancestry. This association is used to justify their migration into Lepcha territories and assert their rights over land and resources. This fabricated connection has exacerbated conflicts between the Lepcha and Bhutia communities in India. The Bhutias, another significant ethnic group in Sikkim, have been drawn into disputes over land and heritage, partly fueled by the Rai and Limbu' claims. These actions have contributed to ethnic discord and instability in the region. Infiltrating Assam and Meghalaya In Assam and Meghalaya, the Bodos, Meches, and other indigenous tribes have faced similar claims from the Rai and Limbu. By asserting a Kirat identity, the Rai and Limbu attempt to integrate into these regions and gain access to land and opportunities traditionally reserved for indigenous groups. Recent ethnic violence in Assam, which has seen clashes between various tribal groups, has been partly fueled by the false claims and associations made by the Rai and Limbu. Their attempts to insert themselves into the socio-political fabric of Assam have led to increased competition for resources and heightened ethnic tensions. The Role of the Khas and Tharus In Nepal, the Khas Aryas and Tharus have also been drawn into the web of fabricated associations. The Rai and Limbu, by claiming a historical connection with these communities, seek to expand their territorial claims and secure a place within the broader socio-political landscape of Nepal. The Tharus, with their unique cultural practices and historical ties to the Terai region, have found little in common with the Rai and Limbu. The Tharus, primarily of Indo-Aryan descent, have distinct cultural and linguistic identities that do not align with the Kirat narrative. This further underscores the opportunistic nature of the fabricated Kirat identity. Furthermore, the fabricated associations have led to tensions between the Tharus and the Madhesis, another significant community in the Terai region. The Rai and Limbu attempts to assert their presence have exacerbated existing

  • @zeeyabharati3098
    @zeeyabharati3098 3 หลายเดือนก่อน

    Great information sir ❤❤

  • @seetumaskey9461
    @seetumaskey9461 3 หลายเดือนก่อน

    Wow great information about the reservation of our culture.

    • @SandeshKushwaha-tl2fd
      @SandeshKushwaha-tl2fd 3 หลายเดือนก่อน

      How Rai and Limbu Claim False Association with Rich Tribes to Legitimize Their Own False History Throughout history, the Rai and Limbu communities have been known for their resourcefulness and adaptability in various regions of South Asia. However, there has been a growing concern that these communities have often engaged in fabricating associations with richer and more prosperous tribes such as the Newars, Lepchas, Bodos, Meches, Tharus, and others. This alleged fabrication is seen as an effort to legitimize their historical claims and to integrate more seamlessly into these regions. The complexities surrounding these claims raise significant questions about historical authenticity, ethnic identity, and inter-community relations. Historical Background of Rai and Limbu The Rai and Limbu communities trace their roots back to regions influenced by the Mongol expansions. Historical evidence suggests that they migrated from Sichuan, China, to Northern Tibet and eventually settled in parts of Nepal and Sikkim during the 13th century. Seeking refuge from the Mongol conquests, these groups were welcomed by the Sen Thakuris and the Lepcha tribe. Over time, they adapted to their new environments, forming unique cultural identities. Despite their integration, the Rai and Limbu communities have faced challenges in asserting their legitimacy and historical roots in these new regions. This has led to efforts to fabricate connections with more affluent and historically established tribes. The Quest for Legitimacy through Fabrication One of the most significant accusations against the Rai and Limbu is their attempt to fabricate associations with the ancient Kirat people. This identity encompasses several indigenous groups of the Himalayan region, including the prosperous Newars, Lepchas, Bodos, Meches, and Tharus. By claiming a shared Kirat ancestry, the Rai and Limbu hope to embed themselves within the historical and cultural narratives of these regions. The Newar Connection The Newars, an affluent community with a rich cultural heritage in the Kathmandu Valley, have been a prime target for these fabricated associations. The Newars' sophisticated urban culture and historical prominence make them an attractive ally for the Rai and Limbu. By claiming historical ties to the Newars, the Rai and Limbu seek to elevate their own status and justify their presence in Newar territories. However, the Newars, with their distinct linguistic and cultural identity, have little in common with the migratory history of the Rai and Limbu. This lack of historical evidence supporting the connection has led to skepticism and tension within the Newar community itself. Encroaching on Lepcha and Bhutia Land In Sikkim and parts of West Bengal, the Lepchas, considered the original inhabitants, have a rich cultural heritage. The Rai and Limbu have sought to align themselves with the Lepchas by claiming a shared Kirat ancestry. This association is used to justify their migration into Lepcha territories and assert their rights over land and resources. This fabricated connection has exacerbated conflicts between the Lepcha and Bhutia communities in India. The Bhutias, another significant ethnic group in Sikkim, have been drawn into disputes over land and heritage, partly fueled by the Rai and Limbu' claims. These actions have contributed to ethnic discord and instability in the region. Infiltrating Assam and Meghalaya In Assam and Meghalaya, the Bodos, Meches, and other indigenous tribes have faced similar claims from the Rai and Limbu. By asserting a Kirat identity, the Rai and Limbu attempt to integrate into these regions and gain access to land and opportunities traditionally reserved for indigenous groups. Recent ethnic violence in Assam, which has seen clashes between various tribal groups, has been partly fueled by the false claims and associations made by the Rai and Limbu. Their attempts to insert themselves into the socio-political fabric of Assam have led to increased competition for resources and heightened ethnic tensions. The Role of the Khas and Tharus In Nepal, the Khas Aryas and Tharus have also been drawn into the web of fabricated associations. The Rai and Limbu, by claiming a historical connection with these communities, seek to expand their territorial claims and secure a place within the broader socio-political landscape of Nepal. The Tharus, with their unique cultural practices and historical ties to the Terai region, have found little in common with the Rai and Limbu. The Tharus, primarily of Indo-Aryan descent, have distinct cultural and linguistic identities that do not align with the Kirat narrative. This further underscores the opportunistic nature of the fabricated Kirat identity. Furthermore, the fabricated associations have led to tensions between the Tharus and the Madhesis, another significant community in the Terai region. The Rai and Limbu attempts to assert their presence have exacerbated existing

  • @BalkishorBalkishorchaudhary
    @BalkishorBalkishorchaudhary 3 หลายเดือนก่อน

    We can learn something different from this video..great sir ....

  • @exhausted9523
    @exhausted9523 3 หลายเดือนก่อน

    wahh sir regent naaune feri :( hami pass vayera jana atisakyo

  • @BMAcharya-p3e
    @BMAcharya-p3e 3 หลายเดือนก่อน

    great

  • @norahshrestha8445
    @norahshrestha8445 3 หลายเดือนก่อน

    wow👏👏

  • @kexahelloheehee1853
    @kexahelloheehee1853 ปีที่แล้ว

    Prakshyam is a talented artist 😘

  • @sudhanmaharjan5982
    @sudhanmaharjan5982 ปีที่แล้ว

    best capture

  • @seronikasthrestha4162
    @seronikasthrestha4162 ปีที่แล้ว

    Very beautiful dance wow keep it up❤️

  • @OO-rz8mj
    @OO-rz8mj ปีที่แล้ว

    Very talented in dancing and singing😊 keep it up pearlina☺️love the energy😘🥰

  • @barunrana4314
    @barunrana4314 2 ปีที่แล้ว

    राधे राधे राधेशयाम जी अति उत्तम प्रस्तुति

  • @devildenish7805
    @devildenish7805 2 ปีที่แล้ว

    ❤️❤️❤️🇳🇵

  • @exhausted9523
    @exhausted9523 2 ปีที่แล้ว

    hi sir ur Ben is back

  • @yantrakala
    @yantrakala 2 ปีที่แล้ว

    well done

  • @Artist_13
    @Artist_13 2 ปีที่แล้ว

    Helloo Sir! How are you?

    • @youngpicasso617
      @youngpicasso617 2 ปีที่แล้ว

      Hello dear hope everything is fine with you and your family

    • @Artist_13
      @Artist_13 2 ปีที่แล้ว

      @@youngpicasso617 yes Sir! Everything's perfectly fine!🙃💕

  • @adrinthapa849
    @adrinthapa849 2 ปีที่แล้ว

    Sir u did very good job i hope your daughter will also do good works like you

  • @dildesharkumar9617
    @dildesharkumar9617 2 ปีที่แล้ว

    Hlo dk heare .. aj doy mis . God bless you aj love by dk .

  • @prabasdahal7824
    @prabasdahal7824 2 ปีที่แล้ว

    Hi sir

  • @rajangaming5542
    @rajangaming5542 3 ปีที่แล้ว

    Thankyou sir for teaching new idea

  • @EasiestOrigamiYouCanFind
    @EasiestOrigamiYouCanFind 3 ปีที่แล้ว

    Wow nice art!!

  • @producerboy22
    @producerboy22 3 ปีที่แล้ว

    i don't understand newari language but i like this video : )

  • @satirikos1234
    @satirikos1234 3 ปีที่แล้ว

    got a question, can something that we see fall below eye level because of perspective? Perspective will only make things get smaller and smaller as they move further away right?

  • @Artist_13
    @Artist_13 3 ปีที่แล้ว

    Thanku sir❤

  • @exhausted9523
    @exhausted9523 3 ปีที่แล้ว

    Sir are u speaking Chinese?

    • @Artist_13
      @Artist_13 3 ปีที่แล้ว

      No, he's speaking nepali

    • @youngpicasso617
      @youngpicasso617 3 ปีที่แล้ว

      I am speaking newari language ....

  • @Artist_13
    @Artist_13 3 ปีที่แล้ว

    Wow sir! Really awesome!

  • @abhigyathesquid4172
    @abhigyathesquid4172 3 ปีที่แล้ว

    wow

  • @mrphantomff3776
    @mrphantomff3776 3 ปีที่แล้ว

    Great 👌

  • @sistatabajagain6508
    @sistatabajagain6508 3 ปีที่แล้ว

    Wonderful !

  • @sudishsapkota1628
    @sudishsapkota1628 3 ปีที่แล้ว

    hi

  • @exhausted9523
    @exhausted9523 3 ปีที่แล้ว

    Do u remember me sir?

    • @youngpicasso617
      @youngpicasso617 3 ปีที่แล้ว

      ya i do .... hope you enjoyed the video .....

  • @ranagajasing5334
    @ranagajasing5334 3 ปีที่แล้ว

    पशुपति नाथको जय जय होस्

  • @ramrocontenthal9662
    @ramrocontenthal9662 3 ปีที่แล้ว

    🙂my art teacher

  • @grismagraphicpvt.ltd.1604
    @grismagraphicpvt.ltd.1604 3 ปีที่แล้ว

    Just enjoying the program ...

  • @grismagraphicpvt.ltd.1604
    @grismagraphicpvt.ltd.1604 3 ปีที่แล้ว

    One of the best art program......waiting for more videos.....

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    ललितपुर को 4 वटा वडाको सम्पदा हरुको बिवरण सहितको पुस्तक " हाम्रो सम्पदा" लेखन प्रकाशन पश्चात् त्यहाका अन्य परम्परा हरुका बिषयमा लेखहरु प्रकाशित गरेका छौ।सम्पदा र संस्कृति का बिषयमा स्थानीय सरोकार लाई प्राथमिकता मा राखि गुरुयोजना बन्नु पर्दछ।

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    एउटा पर्चा प्रकाशित गरेर पशुपति नाथको महत्त्व दर्शाउने प्रयास नगर्ने कोषले ठुलो योजना को कुरा गर्नु बिनासमात्रै हुने हो।

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    पशुपतिसुर्यघाट ,रामायण भजन र भैरव साधना पनि मिलाप मासिकमा प्रकाशित छ।सवैले अध्यन गरौ।शाक्यसुरेनजी लाई सम्झना।

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    पशुपति नाथ र बिश्व ब्याबस्था,पशुपति नाथ: दर्शन तथा पुजन सवैले अध्यन गरौ।

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    संस्कृति ,स्वराज्य र समाजबाद अबको चिन्तन पशुपति नाथबाट प्रारम्भ गरिइनु पर्दछ।

  • @interreligious1
    @interreligious1 4 ปีที่แล้ว

    पशुपतिनाथ र बिश्वब्याबस्था को मार्गचित्र मा अगाडि बढ्नु पर्दछ।अयोग्य मानिस ,बिना गुरुयोजना अगाडि बढेको कोषको गतिविधि ले अराजकता निम्त्याउने देखिन्छ ।संस्कृति को संरक्षण का नममा जथाभावी गर्ने कुरा रोकिइनु पर्नेछ ।

  • @mikeshshr
    @mikeshshr 4 ปีที่แล้ว

    Your are an inspiration for young people. Great work :)

  • @ereneren318
    @ereneren318 4 ปีที่แล้ว

    Is it possible to get english subtitles ????? Then you would have more abonnees. He is a verry interesting painter. Is it possible to get more info in english ???

    • @youngpicasso617
      @youngpicasso617 4 ปีที่แล้ว

      Dear eren thank you for comment .. we will try to give subtitle soon ...

  • @anilkarmacharya5364
    @anilkarmacharya5364 5 ปีที่แล้ว

    Keep it up babu 👍

  • @shovakarmacharya3860
    @shovakarmacharya3860 5 ปีที่แล้ว

    Go ahead, best of luck 👍

  • @pundaridulal9312
    @pundaridulal9312 6 ปีที่แล้ว

    keep it up..!

  • @soniyaandcousins9887
    @soniyaandcousins9887 7 ปีที่แล้ว

    lo #anu maya thik xa ♡♥

  • @dilipdeshar
    @dilipdeshar 10 ปีที่แล้ว

    @ Rabin: Bro, we don't have good narrator, So i think this is good, Ajay@ It should cover outlet too, so that internal tourest will be increase. Anyway Ajay good job...:w

  • @rabindeshar1897
    @rabindeshar1897 11 ปีที่แล้ว

    there should be narration in the video ..it would be better..anyways it is good that bajrabarahi temple is now in yotube