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EnsembleNewBabylon
Germany
เข้าร่วมเมื่อ 30 ม.ค. 2013
EnsembleNewBabylon.com
EnsembleNewBabylon
EnsembleNewBabylon
Uwe Rasch: KinderStücke, Teil 1 (2019-21, world premiere)
Uwe Rasch (*1957): KinderStücke, Teil 1 (2019-21)
für die Kinder, Frau S. und ihre Helfer
Live-Mitschnitt der Uraufführung am 07.05.2023
Neue Pop Bremen, Friesenstr. 16-19, 28203 Bremen
Ensemble New Babylon
Hoverboard-Fahrende: Isabelle Raphaelis, Mireia Vendrell del Álamo, Benjamin Fischer
für die Kinder, Frau S. und ihre Helfer
Live-Mitschnitt der Uraufführung am 07.05.2023
Neue Pop Bremen, Friesenstr. 16-19, 28203 Bremen
Ensemble New Babylon
Hoverboard-Fahrende: Isabelle Raphaelis, Mireia Vendrell del Álamo, Benjamin Fischer
มุมมอง: 160
วีดีโอ
Trailer Techno 2023_Lila Eule Bremen
มุมมอง 128ปีที่แล้ว
CROSSOVER TECHNO Music in the trailer: excerpts of Chamber Techno (2021) from Johannes von Buttlar Concert program: Johannes von Buttlar (*1982): tekkno II (2023, world premiere) for flute, oboe/schalmei, percussions and electronics ENSEMBLE NEW BABYLON Isabelle Raphaelis - flute Benjamin Fischer - oboe/schalmei Tobias Hamann - percussion Johannes von Buttlar - drums electronics Vinicius Giusti...
Trailer Crossover Techno - Ensemble New Babylon
มุมมอง 6683 ปีที่แล้ว
CROSSOVER TECHNO Music in the trailer: excerpts of Chamber Techno (2021) from Johannes von Buttlar Concert program: Johannes von Buttlar (*1982): Chamber Techno (2021, world premiere) for flute, oboe, bass clarinet, piano, percussion ( moog synthesizer), simmons drums, violin, violoncello, electronics Video stream of our concert "Crossover Techno" on TH-cam th-cam.com/video/MCz9Q-6pOlE/w-d-xo.h...
Trailer Beyond Rock
มุมมอง 1093 ปีที่แล้ว
BEYOND ROCK Music in the trailer: excerpts from Paparousos 8•3 Concert program: Mirela Ivičević (*1980): CASE BLACK (2016) für Ensemble und Elektronik Bassflöte/Piccolo, Bassklarinette, Klavier, E-Gitarre, Schlagzeug, Violine, Violoncello und Elektronik Fausto Romitelli (1963-2004): Trash TV Trance (2002) für E-Gitarre solo Ken Ueno (*1970): …blood blossoms… (2002, German premiere) for amplifie...
Jennifer Walshe & Brian Irvine: 13 Vices - recording session at Sendesaal Bremen
มุมมอง 8204 ปีที่แล้ว
Jennifer Walshe (*1974) & Brian Irvine (*1965): 13 Vices (2015) for string trio, free improvising jazz trio, vocalist and conductor. Excerpts from the recording session at Sendesaal Bremen on 8. November 2020. String trio: Johannes Haase - Violin Hannah Craib - Viola Daniel Sorour - Violoncello Conductor: Lautaro Mura Fuentealba Jazz trio: Angelika Niescier - Sax Mariá Portugal - Drums John Eck...
Sarah Nemtsov: Poker, Roulette - Sendesaal Bremen
มุมมอง 2714 ปีที่แล้ว
Sarah Nemtsov (*1980): Poker, Roulette (2012) Musik in 52 Spielkarten für einen (bis 5) Schlagzeuger inszeniert und mit Schauspieler ad libitum. 1. Konzert unserer Konzertreihe "Ein Stück - ein Konzert", Neue Musik im Sendesaal Bremen. Livemitschnitt vom 16.02.2020. Schlagzeug: Johannes von Buttlar Hsin Lee Tobias Hamann Isabelle Raphaelis Benjamin Fischer
Anton Wassiljew (*1984): I LOVE YOU TOO MY LOVE (2019) - Ensemble New Babylon, Schwankhalle Bremen
มุมมอง 1624 ปีที่แล้ว
Anton Wassiljew (*1984): I LOVE YOU TOO MY LOVE (2019) für zwei Verliebte, Ensemble (Bfl, Bkl, Vl, Vla, Vc) und Audio Mitschnitt (Ausschnitte) von der Uraufführung am 23.11.2019 in der Schwankhalle Bremen.
Andreas Paparousos (*1975): 8•2 (2019) - Ensemble New Babylon, Schwankhalle Bremen
มุมมอง 5574 ปีที่แล้ว
Andreas Paparousos (*1975): 8•2 (2019, UA) für Fl ( Picc), Ob ( EH), Kl ( Bkl), Klav ( Hammond Orgel), Schlzg, Vl, Vla, Vc und Live-Elektronik. Mitschnitt (Ausschnitte) von der Uraufführung am 23.11.2019 in der Schwankhalle Bremen.
Christoph Ogiermann (*1967): NIKIDT (2018/19) - Ensemble New Babylon, Schwankhalle Bremen
มุมมอง 4414 ปีที่แล้ว
Christoph Ogiermann (*1967): NIKIDT (2018/19) für Ensemble (Fl, Ob, Kl, Klav, Git, 2 Schlzg, Vl, Vla, Vc, Kb) und Lauter Blech in elektronischer Umgebung. Mitschnitt (Ausschnitte) von der Uraufführung am 23.11.2019 in der Schwankhalle Bremen.
Heiko Müller (*1955): Ohne Titel... (2019) - Ensemble New Babylon, Schwankhalle Bremen
มุมมอง 5214 ปีที่แล้ว
Heiko Müller (*1955): Ohne Titel…aha…ohne Herr Professor, Hommage a Iannis Xenakis, Stephen Hawking und Greta Thunberg (2019) für Fl, Ob, Kl, Klav, Git, 2 Schlzg, Vl, Vla, Vc, Kb und Lauter Blech Mitschnitt (Ausschnitte) von der Uraufführung am 23.11.2019 in der Schwankhalle Bremen.
Teaser Konzert Morton Feldman im Sendesaal Bremen
มุมมอง 1974 ปีที่แล้ว
Teaser Konzert Morton Feldman im Sendesaal Bremen
Anamorphosis Trailer_Ensemble New Babylon
มุมมอง 1.7K9 ปีที่แล้ว
Anamorphosis Trailer_Ensemble New Babylon
ENSEMBLE NEW BABYLON_inszeniertes Konzert
มุมมอง 1K10 ปีที่แล้ว
ENSEMBLE NEW BABYLON_inszeniertes Konzert
2. Teaser für das Konzert am 01.04.2013, Kulturzentrum Schlachthof Bremen - Kesselhalle
มุมมอง 8711 ปีที่แล้ว
2. Teaser für das Konzert am 01.04.2013, Kulturzentrum Schlachthof Bremen - Kesselhalle
1. Teaser für das Konzert am 01.04.2013, Kulturzentrum Schlachthof Bremen - Kesselhalle
มุมมอง 14911 ปีที่แล้ว
1. Teaser für das Konzert am 01.04.2013, Kulturzentrum Schlachthof Bremen - Kesselhalle
ENSEMBLE NEW BABYLON - Trailer für das Gründungskonzert am 29.11.2012
มุมมอง 36411 ปีที่แล้ว
ENSEMBLE NEW BABYLON - Trailer für das Gründungskonzert am 29.11.2012
ENSEMBLE NEW BABYLON_Konzertausschnitt vom 29.11.2012 in der Weserburg
มุมมอง 31311 ปีที่แล้ว
ENSEMBLE NEW BABYLON_Konzertausschnitt vom 29.11.2012 in der Weserburg
Apenas tocar sem querer ouvir, a mente pára e descansa.
Thank you.
The Aki Takahashi Kronos Quartet version doesn't cut it after listening to this. The slow playing of the piano arpeggios and the super low volume of the strings in this version makes the Kronos version sound raucous and clumsy.
Now you can run it by "Spectral Layers" by Steinberg (the company that make "Cubase") and remove the bangs around 1h04s. There's other software that does the same.
Simply incredible. Have listened to this for years (as well as many other Morton Feldman pieces) and it's always an experience. Wonderful.
set it off
"Mich interessieren Musiker, die ... eine bestimmte Haltung vermitteln" "Es hat alles, was ich jemals gewollt habe."
Развлечение буйных пациентов клининки для душевнобольных после действия больших доз успокоительного.
У Политыкина интереснее композиции.
feldman's masterpiece
Toll!
Tolles Programm! Glückwunsch!
Exquisite
bravo!
Me gusta Morton Feldman pero creo que peca de obras demasiado largas. Lo bueno, si breve...por ejemplo Webern. Sería fantástico que acompañase a la actuación una o varias pinturas de Mark Rotko.
It would have been hilarious if someone had shouted "Encore!"
I saw a performance of the 2 hour violin and string quartet a couple nights ago and very quietly said 'One more song!' during the applause but was too scared to shout it loud enough for everyone to hear...
Around 1h00 someone started throwing the furniture on the floor, loud banging, I thought, this is not part of the piece. Love the music.
This is one of my favourite Feldman pieces. So glad I found this performance - you've really done it justice. Fabulous!
Wonderful performance! I can't even imagine how one could maintain ones powers of concentration for almost an hour and a half to play this music, in which nothing really happens, and during which the textures rarely change. It seems like an endurance test, and this is one of the shorter late Feldman pieces! Amazing.
@OnceTheyNamedMeiWasnt You're probably right, but I remember being in wind ensemble back in the late Pleistocene, and music this "uneventful" would have had me nodding off behind my tuba. Don't get me wrong: I like Feldman's music a lot. I'm not sure that I'm ready to say that I "love" it, but I do like it a lot. What impresses me is how he comes up with these wonderful arpeggiated piano chords which are not really dissonant, but are never tonal, and thus never seem to imply any harmonic structure or form. It's like listening to a natural process. I have tried to sit at my own piano and spontaneously come up with similar chords, and I cannot. I have read three books by Morton Feldman, so I know that there was no "system" behind his harmonic language. He seems to have been a completely "naive" composer (in the terminology of Messiaen -- one who composes freely just from his imagination, and doesn't use any structural or formal crutches -- Messiaen did the same when harmonizing his birdsong, which seems even more superhuman to me).
and your more than exquisite performance has kept these concepts alive!
this music has elements that certainly make you aware of the natural algorithms around you within nature and your spirit
sodelicious.................
quite delicious.....
This is the best thing I've ever heard.
I listen to this lying down in the grass after a long run.
Disruptiva Mente genial, un trance musical. Felicitaciones a tod@s!!
This music sounds like it was composed for Auschwitz prisoners awaiting their turn at the shower.
FU
Those prisoners would not be in the mood to write music...
That's an astonishingly idiotic thing to say. Especially about the work of a 20th Century Jewish composer whose work actually is informed by the holocaust. You should be ashamed of yourself.
This my favorite Feldman work, I have listened to for years glad to see it performed.
This music sounds like it was composed for Auschwitz prisoners awaiting their turn at the shower.
My favorite as well. Amazing to see a live performance.
I try to keep an open mind about new music and listen to a lot of it, but to paraphrase John Cleese "I don't know much about music, but I know what I like" And I don't like this.
一次心灵的沐浴。我觉得不再焦虑,不再疲惫了。感谢。❤
Beautiful interpretation.
TH-cam brought me here after listening to a Meshuggah album. Somehow this is just what I needed!
素晴らしい!
Wonderful execution, the mystical depth of Feldman's music is felt in every bar, congratulations. I take this opportunity to point out a musical work of mine directly inspired by this work by Feldman: th-cam.com/video/rwAti6ZecNY/w-d-xo.html
So misterious and yet so beautiful🤔
It's not mysterious if it's repetitive and monotonous.
Excelente interpretación gracias!!!!
Fantastic! Thank you!
Sehr schönes Konzert!
so good...
so good...
pop-ism...
Vielen, vielen herzlichen Dank für diese Aufführung und die Veröffentlichung des Videos! -Übrigens geht es bei --5:02-- Laufzeit mit der Aufführung der Komposition los.-
Thanks God! Really beautiful music.
Das war der Hammer!!!
Das war ein meeeeegamäßig mitreißendes Konzert!!! Bravo, ein tolles Ensemble seid ihr!!
DANKEEE :)
Eine wirklich großartige Leistung von allen Beteiligten! Herzlichen Glückwunsch zu diesem Konzert! 👍🏼🎼
astounding performance and beautiful late work of Feldman. Congrats and many thanks! Waiting for more :)
Jesus Christ, how long must one listen to such drek, before throwing in the towel and yelling, "I surrender, just stop torturing me! " Such utter garbage deserves no human audience. Wait, maybe we can find a critic who will praise this shit to high heaven in a reputable newspaper, and then we'll make the composer a "notable composer of the twentieth century". Please read Tom Wolfe's outstanding expose on the illegitimate "art" of the twentieth century, "The Painted Word". You'll better understand why we are now being exposed to such miserable 'creations" as this Feldman vomit.
Wolfe's argument was that art had been turned into little more than a pretense for art theory, that it had ceased to have value in itself. Yet is there not a delicate, otherworldly beauty in Feldman's composition here? Feldman's "paintings" might be drab and minimalistic, but must art be all extravagant beauty and splendor? I couldn't begin to explain any of the compositional theory that drives Morton Feldman's pieces, but they're still quite pleasant as a sort of aural environment. It's like the sound of wind blowing through a decrepit wooden house, eerie and sad and starkly beautiful. If you consider this torture, I'd hate to imagine your suffering exposed to the sight of a rainy day.
Go cry in a corner
Jesus here. The solution is simple. Don't listen.
I like listening to it :(
each to his own.
The photo of the black girl...
Viel Glück für die Zukunft mit dem Projekt. Ich erinnere mich noch an die ersten Aufführungen (?) 2013 in Bremen mit anschließenden Publikums- Gesprächen. Da hat sich ja ganz schön was getan. Bitte gesund bleiben und, um mit Heinz Erhardt zu sprechen: "Zähne hoch und Kopf zusammen beißen."
Bolshevik trash
No, it's the opposite of Socialist Realism trash like Shostakovich.
Heheheh. Nazis sympathizer.
@@pkmcburroughs That would still be more admirable than liking bad music like this. Sorry Mr ugly pfp
unreal piece, that bring you deeeep in the ocean. Would be interesting to play it with an other temperament for the piano.
zum Wundern schön und animierend::::::::::::::::::::::::::::::::::::::::::::::::::
Entzückender geht es wirklich nicht... Die Atmosphäre hier ist einfach unübertrefflich!