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@Waiwaiiiii Thank you. I am glad you liked it. 😊

@FunnyGamerAkash24 Part 4 is already there on my Channel 😊. You can check out the link below : th-cam.com/video/_LNMF8jlPzk/w-d-xo.htmlsi=YWGGxY_GBF9q45KU

Hi @dombee3388 Thank you so much. I am really glad it helped.😊 Sure, I will make more tutorials like this, stay tuned.😁

Hi @kuanhonglim9804, I used "Adobe After Effects". First I did a camera track using "3D camera tracker" in After Effects, and then with the help of a free script "AE3D Export" I exported out the camera track for Maya. 😊

​@@sunitdrozario thank Q, bro, i am using Maya 2022 which version adobe can provide perfect matching?

@@kuanhonglim9804 You can use adobe after effects 2020 and higher. I am not sure if the versions older than that will support or not. But you can use 2020 or higher versions.

@ValentinaRosas-q6y Thank you, I am glad you liked it.😊 I think maybe you don't have enough subdivisions on your model. OR If you have enough subdivisions and still getting hard edges, then you can go to edge mode and select all the edges of the model, and then by holding shift right click, go to "Soften/Harden Edge", and then select "Soften Edge". I think it will solve your problem. If you are still facing any issues, feel free to ask me. 😊

Hi @keepwatching8953 You will find the link for the reference image in the video description itself. 😊

@sheenakataria1333 If you are applying normal map then no need to add height map again. While both normal and height maps give our low-poly models the appearance of more detail, they are used for distinctly different purposes. The most obvious difference is that height maps are greyscale only, because they only portray height differences. Black is 'down', white is 'up', and 0.5 gray means no change of height. Normal maps, on the other hand, do not contain any height information whatsoever. Instead, they contain angle information. They are colorful because the RGB value tells the renderer which direction the slope is facing and how steep that slope is. The most important advantage of this is that we can use angle information to artificially bend edges of adjacent faces toward each other to produce a beveling effect. This cannot be done with only height information, because the renderer would have no way of knowing in which direction the edges should be bent. And that's why I didn't use height map, since I am using normal map. I hope this clears your doubt. If you have any other doubts, please feel free to ask me. 😊

@@sunitdrozario bro I applied with substance. Substance tab mai hota hai na vo jo ek baari Mai pick krleta h. Par usme. Dikat ye h ki shape hi khrab hogyi. Texture daalne se

@@sheenakataria1333 If the shape of your model is getting distorted, that means maybe you need to adjust your displacement value. Select the displacement node from hypershade, and then in attributes, under "Arnold" tab, you will find "Scaler zero value". Try to change that value and see if the result is coming out proper. I hope this will help. Feel free to let me know if you are still facing any issue.😊

@PolygonPimp Your welcome. I am glad you liked it 😊.

Hi, Thank you so much, I am glad you liked it 😊. I think XGen Interactive Grooming doesn't directly support UDIM textures natively within the tool itself. However, you can still use UDIM textures in your workflow by manually assigning them in your renderer. For example, if you're using Arnold Renderer with Maya, you can assign UDIM textures to your groomed geometry by specifying the appropriate file paths in the shader network or using a texture node that supports UDIMs.

@marionrapisarda6612 Thank you. I am glad you liked it. To convert XGen hair to polygons, in the Outliner or the XGen Editor, select the XGen description you want to convert. Then go to "Generate" on the top menu bar, and under that you will find "Convert XGen Primitives to Polygons". Click on that then a option box will open. From that option box, only make sure "Combine Mesh" option is turned on. And keep rest of the settings as default. What "combine mesh" option does is, it makes all the hair in one single polygon. If you don't turn on "combine mesh" option, then it will create every single polygon out of every single hair. After that click on convert. This will create a new polygon mesh based on your XGen hair description. Once the conversion is done, you should see the new polygon mesh in your scene. You can further tweak or refine this mesh as needed. I hope I have answered your question 😊. If you have any other queries, please feel free to ask me.

@srikanth9307 Cool. I am really glad you liked the tutorial 😊

@princeraghav5849 Sure mate. Stay tuned 😊

Thank you so much, I am glad you liked it 😊

@ilya6299 The link for the reference is provided in the video description. 😊 Or you can check the link given below: drive.google.com/drive/folders/1rae4jMK46vm6prF5D5-oh78uMtNQVWOV?usp=drive_link

Hi @nurinarifah285, around 3:03 I have applied circularize components to make the faces circular in shape. By holding shift key on keyboard and right click on the mouse simultaneously, you can select the option 'circularize components'. And after that I pressed 1 on keyboard for rough quality display settings. Previously it was pressed 3 which is the smooth quality display. 😁 I hope I answered your question. Please feel free to ask me if you are still facing any issues. ☺

@jonburgart8649 Oh! I am really very sorry to hear about that. I Pray to God, that you get well soon. And next time you should or rather you must use protective measures, while watching the videos. Such as, "turning off the volume completely and turning on the subtitles on your youTube." I am sure it will help you. ☺

@Mandeep8471 thank you 😁

@MSalmanAlvi I am glad you liked it 😊

Hi Aman, may I know what kind of issue you are facing?

I know. After applying height we can't see that in render. That's the problem. I faced same in 3ds max also 😑​@@sunitdrozario

@sheenakataria1333 Height map is to create a displacement or bump effect on your 3D model. The exact steps can vary depending on the software you are using. I use Autodesk Maya, so here are the general steps for applying a height map in Autodesk Maya: Open your scene: Make sure your model is loaded in the scene. Assign a material: Select the object you want to apply the height map to and assign a material to it (e.g., a Lambert or Arnold Standard Surface material). Open the Hypershade: Go to Windows > Rendering Editors > Hypershade. Add a Displacement Node: In the Hypershade, create a Displacement node (for Arnold, you would use aiDisplacement). Connect this node to the Displacement Shader input of your material's shading group. Load the Height Map: Connect your height map texture to the Displacement node. For Arnold, you can use the aiImage node to load your height map. Adjust Displacement Settings: In the Displacement node, adjust the Scale and other parameters to achieve the desired effect. You may need to tweak these values based on the intensity of your height map. Render Settings: Ensure that displacement is enabled in your render settings. For Arnold, go to Render Settings > Arnold Renderer > Subdivision and Displacement Attributes and make sure displacement is enabled. Render your scene to see the displacement effect applied to your model. And then adjust the displacement settings as per your need. I hope this will help. If you have any other doubts, feel free to ask me in the comment section.

@GhoulsNightOut Thank you very much. I am glad it helped 😊.

Sure mate, Check out the link below : sunitanimator13.gumroad.com/l/Binocular_3D_Model?layout=profile

@punmije 😁 You are right. Annoying but useful 🤗

@ishankphotography876 Sure mate, Check out the link below, you will find all the necessary items there : sunitanimator13.gumroad.com/l/Morning_Star_Weapon_Model?_gl=1*1574anj*_ga*OTc1MDE3MzkyLjE2NzYzNDk2NDQ.*_ga_6LJN6D94N6*MTcxMDY4MDE4Ny40MC4xLjE3MTA2ODAxODguMC4wLjA. For more content visit our website : sunitanimator13.gumroad.com

@pat2e215 Thank you so much ☺. I am really glad it helped. I will keep that in mind about "procedural texture with veins for the eyeball", and will make a tutorial on that also. Stay tuned. ☺

Your welcome mate. I am glad it helped. ☺

@marypresenta6245 Wow a tortoise 🤩. Sure I will make it. Stay tuned.

Thank you so much Sunith. One more request Sunith I want to know how the muscle system of the tortoise is working in the Leo movie. It was so flexible I wanted to learn that. Your help will support me to learn that. Thanks a lot Sunith once again.

@@marypresenta6245 That's all about how great the animators worked on the animation. I don't think they have used any muscle systems on the characters in Leo movie. I might be wrong. But some advanced rigs have muscle systems which have that dynamic controls on them which allows the overlapping movements. I am not expert in rigging but I will try to make some.

Ok Sunith thanks for your reply eagerly waiting for the tortoise modelling series from you

@@marypresenta6245 Sure, I am really glad☺

@Mandeep8471 Thank you so much Mandeep bro 😁

Hi @lukito02 Cutting edges strategically allows you to create UV maps that closely match the shapes of the corresponding parts of the 3D model. This minimizes texture distortion, ensuring that textures appear correctly and without stretching when applied to the model. Cutting UVs along seams makes it easier to paint textures in 2D image editing softwares like Substance Painter, Photoshop etc. Each UV map represents a distinct part of the model, making it simpler to apply textures accurately to specific areas without bleeding into other parts. Strategic UV cutting allows for the efficient arrangement of UV maps, which can enable texture reuse. By using the same texture for multiple parts of the model (for example a house model which have similar shapes like windows and doors), you can save memory and improve rendering performance. I hope this answers your question. If you have any other queries feel free to ask me. I will be more than happy to answer them. ☺

@@sunitdrozario ohh alright, that cleared a lot, thanks. I just have one more question, how do you know where to put the seams?

@@lukito02 It totally depends on the shape of the model. When unwrapping UVs in Maya, you typically want to cut along edges that will allow the UVs to unfold in a way that minimizes distortion and makes texturing easier. Here's a general approach to determining where to cut edges: For planar surfaces, you can often cut along the edges where the surface changes direction. This helps create clean, easily manageable UV islands. For parts of the model that won't be seen or where seams are less noticeable, such as the bottom of a character's shoe, you can cut along edges that are less visible to avoid seams on more visible areas. Some models have natural seams where separate pieces would join in real life, like the seams on clothing or the edges of separate objects that are joined together. Consider the flow of edges on the model. Try to cut along edges that follow natural seams or boundaries to maintain the continuity of the texture. Cut along edges where stretching will be less noticeable or where it can be easily corrected, such as areas that will be covered by a separate texture or where texture details are less important. Use Maya's UV Texture Editor's checker pattern to visualize stretching. Cut along edges that help minimize stretching and maintain a uniform checker pattern. Sometimes, the best way to determine where to cut is through trial and error. Experiment with different edge cuts to see which ones result in the least distortion and easiest texturing workflow. I hope I have answered your question. ☺

@@sunitdrozario thank you so so so much, you've helped me a lot! ❤

@@lukito02 I am glad it helped 😊

Thank you so much ❤😊

@marypresenta6245 Thank you so much 😊

Your welcome 😊. I am glad you liked it.

Your welcome 😊... I am glad you liked it.

Thank you so much, I am glad you liked it 😊

@marypresenta6245 Thanks a lot 😊

@theanimatorsway5565 Thank you very much. I am glad you liked it. ☺ Duplicate special is used to create copies of objects with specific transformations or variations. Unlike the regular duplicate command, Duplicate Special allows you to replicate objects while applying custom scaling, rotation, and translation parameters. It helps speed up the modeling process by letting us duplicate objects while tweaking each one to fit our design precisely. Basically if you are making a face model, then delete one of the side and use duplicate special. Now whatever changes you are making in one side, it will automatically update on the other side. Hope this answers your question. If you still have any doubts, feel free to ask me. I will be more than happy to clear your doubts.☺

@ishankphotography876 Sure will make it. Stay tuned 😁

@ishankphotography876 Sure will definitely do it. Stay tuned 😊

@menulamihimuthu9582 Thank you so much. I am glad you liked it. 😊

Hi @REMIXBOOTHOFFICIAL you can find the link of the reference in the video description.

Thank you so much Mary 😊

I am really glad that it helped 😊.

Creating a portfolio for 3D modeling is essential to showcase your skills and attract potential clients or employers. Choose Your Best Work. Select a variety of your best 3D models that demonstrate your skills and versatility. Include a mix of personal projects and professional work, if applicable. Arrange your work in a logical order. You might organize it by project type, style, or complexity. Consider creating separate sections for different types of 3D modeling (e.g., characters, environments, objects). If possible, include progress shots or breakdowns of your work. This can showcase your workflow and attention to detail. Showcase a range of projects to demonstrate your ability to handle different styles and challenges. Include wireframes, textures, and renders to showcase your modeling, texturing, and rendering skills. Include a clear way for potential clients or employers to contact you. This could be an email address or a contact form. Keep your portfolio up to date with your latest work. Remove outdated or weaker pieces to maintain a high-quality presentation. Hopefully I have answered your question 😊. If you have any other queries, please feel free to ask me.

Thank you Soo much!!

@@devsingh6405 Your welcome😊

@hugosurvendredi Thank you so much 😊.

Hi @marypresenta6245, 1) Press and hold V and D key on keyboard simultaneously the drag the mouse, you can snap the pivot with the any vertex of the object. 2) Press and hold X and D key simultaneously and drag to snap pivot with grid. 3) Press and hold D key then drag the mouse and you can move the pivot freely. Try these shortcuts, and if you are facing any distortion in the mesh while doing these, then go to 'edit', then select 'delete by type', and then 'history'. Hopefully these will solve the issue. Try it and let me know if you are still facing any problem.

Thank you for your reply Sunit. Doing your bird model if any doubt is there I will reach you. Once again thank you so much for this cute bird modelling.

@@marypresenta6245 Sure, Glad to hear that😊. Thank you

Hi Sunit sorry to disturb you. I struck over in the wing portion. You are using the multi cut tool to adjust the edge flow during that time you are making the vertex point inside the faces also but when I am doing only I can make the vertex point on the edges only not on the faces. While your cursor is moving the portion got highlighted in read but for me it is in blue. Can you please help me to solve it. Sunith one humble request next time please do the tutorial slowly I can't able to catch your speed😢

Hi,@@marypresenta6245 I think you're symmetry is turned on, that's why you are getting blue color highlights and also you are not able to create points on faces using multicut tool. You can turn off the symmetry mode and try to use multicut tool. I think it will solve the issue. To turn off symmetry mode, first go to object mode, then hold shift, control and right click simultaneously, then go to symmetry, and turn off symmetry mode. And if you still face any issue please let me know. And about the request of slowing down the speed for this video, you can use TH-cam's playback speed mode to reduce it to 0.5 instead of keeping the playback speed to normal 😁. I will keep that in mind for the future videos. And thank you so much, I am really grateful that you are following my videos. I would love to see your works. 😊 If want, you can tag me your works on Instagram @sunitdrozario

Thank you bro. I am glad you liked it 😊. Sure I will make it. Make sure, you stay tuned for more upcoming exiting stuffs on my channel.

Thanks

Thank you so much mate😁. I am glad you liked it 😊.

I am glad you liked it. Your welcome. 😊

While exporting, you can choose the texture maps from the output templates on Substance Painter. You can check out the video link down below : th-cam.com/video/_LNMF8jlPzk/w-d-xo.htmlsi=pX3GR9zwI0ICfJYU

@@sunitdrozario Thank you for getting back to me. I'll check out the video.

@@aimannadeem4366 your welcome 😊

@zainali8011 Reference image is given on the description of the video. You can also check out the link below. drive.google.com/file/d/1RS0tR5ccMxGl-tp-5ve9UFUcdA9ZSxGj/view?usp=share_link