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The Epic Rise of Image Comics: A Creative Revolution
In 1992, the comic book world was shaken to its core by the launch of Youngblood and Spawn. These groundbreaking titles were the vanguard of Image Comics, a bold new publisher that took on the giants, nearly brought Marvel to its knees, and faced its own near-collapse before bouncing back to become the third largest comic publisher on the planet.
But what is Image Comics really about? How did it rise from a daring idea to a powerhouse of creativity? And what impact does it have on the comic book world today? Let's dive in and uncover the story behind this game-changing publisher!
It all began when seven top creators broke away from Marvel to start their own venture, sparking a revolution that would change comics forever. At Image, they flipped the script: comics would now be printed on higher-quality paper, with richer colors, and most importantly, creators would finally own the rights to their characters. Say goodbye to censorship, and hello to a world of comics that were raw, edgy, and unapologetically bold.
This return to comics' rebellious roots - full of intense action, gore, sex appeal, and boundary-pushing stories - was a massive hit.
Now, three decades later, Image Comics has left an indelible mark on the industry. They've not only raised the bar on production quality but also revolutionized how creators are treated and pushed the envelope on storytelling.
And guess what? Image is still thriving! While they might not be the biggest player, they are without a doubt one of the most innovative and creative forces in comics today.
#imagecomics #spawn #youngblood #comicbookhistory #indiecomics #marvel #marvelcomics #robliefeld #toddmcfarlane #comiccreators #graphicnovels #comicbookculture #comicbookart #comicbookcommunity #comicbookfans #comicbookcollecting #comicsexplained #comics #popculture #comicbookheroes #superherocomics #independentcomics #comicbooks #superheroes #nerdculture #geekculture #comicbookmovies #comiccommunity #diehard #deadpool #Cabot #Troll #wolverine #Deadlock #Prophet #Shatterstar #Cable
มุมมอง: 203

วีดีโอ

Dark Knight No More? How Frank Miller chronicled Batman's Beginning and End
มุมมอง 179หลายเดือนก่อน
Everyone knows how Batman's career starts, but how does it end? In 1986, Frank Miller answered this with two iconic stories: "Batman: Year One" and "The Dark Knight Returns." These arcs redefined Batman as a 1980s dark, brooding hero, setting a new industry standard and inspiring the films by Tim Burton. The two stories couldn't be more different! "Year One" is a cool, controlled detective stor...
The Punisher: Rise and Fall of Marvel's Darkest Anti-Hero
มุมมอง 473หลายเดือนก่อน
In this video, we dive deep into the dark and gritty world of Marvel's most infamous anti-hero: The Punisher. Discover the origins of Frank Castle, the man behind the skull emblem, and how a tragic loss turned him into a relentless vigilante. We'll explore his rise as a formidable force in the Marvel universe, his impact on comic book culture, and the controversial ways he has been politicized ...
The Comic Book That Saved Marvel: How the Fantastic Four Sparked a Revolution
มุมมอง 9722 หลายเดือนก่อน
Let's dive into the comic book that saved Marvel and set the stage for the Marvel Cinematic Universe-and it’s not The Avengers, but the Fantastic Four! In 1961, Stan Lee and Jack Kirby teamed up to change comic book history. Aiming to rescue a struggling, near-bankrupt company, they created not just new superheroes, but an entire universe of them. And not just that-they also pioneered a whole n...
Who’s Afraid of Comics? Fredric Wertham and the 1950s Anti-Comics Crusade
มุมมอง 1732 หลายเดือนก่อน
One of the most influential publications in comic book history may have been… a book. In 1954, psychiatrist Fredric Wertham accused comic books of inciting criminal behaviour among children. His book "Seduction of the Innocent" was the culmination of the Great Comics Scare of the 1950s. In that decade, superhero comics were swept away by crime and horror books. And although these comics reached...
Captain America: Evolution of an American Comic Icon!
มุมมอง 1733 หลายเดือนก่อน
Superhero comics are about as American as apple pie, but one hero stands out as the most American of them all: Captain America. Introduced at the start of WWII to boost morale and support for fighting Nazis, Cap quickly became the embodiment of American values, the 'American Dream' personified, and the nation's 'patriotic conscience.' But as the US changed, so did Cap. After WWII, the country w...
Superman & Comics: A Double Origin Story!
มุมมอง 3193 หลายเดือนก่อน
Superman: A Comic Book Icon's Evolution In 1938, Superman leapt into the comic book world, sparking a revolution in storytelling. Created by Jerry Siegel and Joe Shuster, Superman faced initial skepticism from publishers and critics who associated “Supermen” with Nietsche and fascism. Moreover, the early Superman was a rebel, who fought against social injustices with direct action. As Superman ...

ความคิดเห็น

  • @Extremezotako
    @Extremezotako 9 วันที่ผ่านมา

    I really enjoyed this video about youngbloof and image comics, keep up the good work 👍

  • @stanpopescu3067
    @stanpopescu3067 9 วันที่ผ่านมา

    Captain Marvellous strikes again!

  • @LeendertvanHoogenhuijze
    @LeendertvanHoogenhuijze หลายเดือนก่อน

    More feelings!

  • @GunthersLoyalSoldier1307
    @GunthersLoyalSoldier1307 หลายเดือนก่อน

    Punisher is a hero, he’s an example of what happens when the law doesn’t work then people need to take justice into their own hands. I mean, what do you do when someone like Kingpin is real and he’s constantly being let out? What should the people do if someone like Joker is real? Guy kills an entire city block and he just gets sent to Arkham but he walks out like it’s a revolving door. The Punisher wouldn’t be needed if the heroes killed criminals who have done evil and are repeat offenders. There are some people that beyond saving, if you think someone like Thanos can be saved then you’re just delusional. Yes, I’m sure there’s a story where he turns good but how long did it take for him to turn bad?

  • @art.benjaminpaulus
    @art.benjaminpaulus หลายเดือนก่อน

    Hell yeah Bart! excellent work! Kitchen Irish, which I remember discussing with you in great detail years ago, is one of the comics that made me want to make them.

  • @vasp99
    @vasp99 หลายเดือนก่อน

    The only reason Kirby returned to Atlas Comics was because he was broke due to his lawsuits against National Comics and badly needed work . Atlas had recently lost its two key artists so there happened to be a slot for Kirby . The stuff you mention about Stan being the only employee at Atlas seems to be a flat out "invention " on your part . You lost me when you trotted out that silly lie .

    • @GeekLitCentral
      @GeekLitCentral หลายเดือนก่อน

      These are my sources, @vasp99! - In “American Comics” (2021, p. 158-9), Jeremy Dauber writes about the “Atlas Implosion” of 1957 (Marvel was called Atlas at the time), when they went from over sixty to eight titles: “[Publisher] Goodman was down to a single employee [Stan Lee], who only issued previously commissioned, stockpiled inventory”. - In his well-researched comic book biography of Jack Kirby (2020), Tom Scioli relates the scene of workmen carrying the furniture out, and Kirby telling Lee to hold off on that because, “we can turn things around” (p.’s 101 and again at 105-6).

  • @oliverortiz8507
    @oliverortiz8507 หลายเดือนก่อน

    I enjoyed this video.

  • @marat12111982
    @marat12111982 หลายเดือนก่อน

    The punisher's evolution is unwittingly an allegory for our current political climate: mainstream political forces (Marvel) can't tame extremists (Punisher).

  • @A.J.456
    @A.J.456 หลายเดือนก่อน

    Comic history time! Lets go! 🔥🔥

  • @thesmilyguyguy9799
    @thesmilyguyguy9799 2 หลายเดือนก่อน

    :- D

  • @henrycuevas2834
    @henrycuevas2834 2 หลายเดือนก่อน

    Good video, I only had four objections 1) Sol Brodsky inked a lot of Kirby's early works as did Dick Ayers.. Mr. Brodsky said the the 'rock" appearance of the Thing came later. He was originally covered with the same scaly protection that a dinosaur would have.......2) the difference between the FF and the others was also accented by Kirby with the team NOT having costumes. Stan even bragged about that. Something happened (either Lee or publisher Goodman's insistence) before issue # 3. With the intro of the "flying bathtub" --the original Fantasti-Car-- the team was garbed in uniforms. There is no way to know for sure but Jack's last resistance came when Sue made a costume for Ben and that included a mask. The mask didn't stay and the costume's top was forgotten because it took away from the monstrous appearance that Jack had intended for Ben....... 3) The X-men were NOT originally hated by non-mutants. The military encouraged them in their fight with Magneto (issue 1) and The Vanisher (#2). That plot came in weakly in # 4, and in full strength in # 5 when a mob wanted to attack Magneto's disguised underling, the Toad. This was also Jack's influence...... 4) after reading interviews of Jack and Roz Kirby and some artist contemporaries, I have to cringe when you say "co-create" and put Stan in the mix. There is so much controversy about that. Even with Spider-man, Lee had three different stories on how HE came up with for the character's origin. The last one continues up until today. Stan supposedly saw a fly climbing a wall. Okay, then why didn't he come up with the Amazing Fly-Man? Please don't think that I want to knock a person who cannot stand up for himself today. I think his wit was instrumental in drawing away readers from DC I just wanted to remind you that there are many who will counter the co-creator concept.

    • @petermj1098
      @petermj1098 2 หลายเดือนก่อน

      Stan literally went with the name Spider-Man because it sounded better as a superhero. Stan made X-Men freaks of society and Claremont evolved the freaks of society into a discrimination theme. Jack Kirby cared more about god stories and epic stories. And Steve Ditko cared more about Objectvist vigilante stories. Stan was the one who cared about making imperfect human superhero stories. The fantastic four powers are literally a reflection of their personality. Reed Richards stretching power is a reflection of his obsessive and clingy personality. Sue Storms invisibility powers is a reflection of her shy and protective personality. Johnny’s fire power is a reflection of his carefree and reckless personality. Ben’s rock body is a reflection of his hardheaded and stone personality. Stan understood that he had to make superheroes relate to human life more by making them more relatable and imperfect. The fantastic four did succeed not just cause they are cosmic adventure superheroes, but because they are superhero they are an imperfect family living with each other who happen to be cosmic adventure superheroes.

    • @henrycuevas2834
      @henrycuevas2834 2 หลายเดือนก่อน

      @@petermj1098 We can argue about this without convincing each other. You naturally esteem Stan more than I do. You take HIS story. There are differing stories such as Jack being the one in # 3 and 4 making the X-men feared by humans, not Stan. Discrimination was there BEFORE Claremont. You would have to convince me otherwise in the light that Magneto had to rescue Wanda from a mob during a back-story in X-men #4 .... Joe Simon and Jack Kirby came up with a form of Spider-man years before Stan claimed to have invented the character. Jack suggested it to Stan and gave him a few drawn pages of the character, Stan though he looked too Capt America-like and gave the assignment to Steve Ditko. Anyway, I have been a veteran of many "Stan is a scam" vs "Stan is God-like" arguments to know that there will never be a shared consensus

    • @petermj1098
      @petermj1098 2 หลายเดือนก่อน

      @@henrycuevas2834 Ok but the writing in Jack Kirby and Steve Ditko’s solo work are totally different than when they work with Stan. I really have a hard time being that “they wrote the stories are all along” when the writing of stories and characters are not even the same or similar. Stan still built Marvel after Kirby and Ditko left and people saying Stan had no clue how to write is just absurd even though he brought in and mentored other writers and artists.

    • @henrycuevas2834
      @henrycuevas2834 2 หลายเดือนก่อน

      @@petermj1098 Again folks want to jump into that rabbit hole. "Writing" involves captions and narration. You can look at what I wrote and you will never see me bash Stan. Plotting is taking the story from the beginning to the middle to the end. Steve in Spider-man 11 started it without any imput from Stan and starting with Spider-man 18 Sitko did it consistantly. If anyone wants to dispute that find someone else other than me.... I've had it after almost 7 years of that crap.

    • @petermj1098
      @petermj1098 2 หลายเดือนก่อน

      @@henrycuevas2834 Most of Jack Kirby’s characters in his solo work are gods, supernatural or epic based. If Jack Kirby made more characters about imperfect human superheroes in his solo work I would have a better time believing he was writer all along, but he did not and more interested in making epic stories. And Ditko making Objectivist focused vigilantes with a black and white morality. Stan has been consistent about Marvel focusing on imperfect human superheroes even after they left. Like yeah Kirby and Ditko came out with the style and costumes on their own but in terms of CHARACTER I really don’t really see how they came up with it considering they were not interested imperfect superheroes anymore after leaving Marvel.

  • @BrendanJSmith
    @BrendanJSmith 2 หลายเดือนก่อน

    The Marvel Epic Collections are an awesome way to get into Marvel's heroes!

    • @GeekLitCentral
      @GeekLitCentral หลายเดือนก่อน

      Yes, those are, indeed, epic! It's how I started reading X-men again

  • @KiwiPirate
    @KiwiPirate 2 หลายเดือนก่อน

    Marvellous 😊

  • @LeendertvanHoogenhuijze
    @LeendertvanHoogenhuijze 2 หลายเดือนก่อน

    Another banger of a video!

  • @A.J.456
    @A.J.456 2 หลายเดือนก่อน

    New video! Awesome!

  • @A.J.456
    @A.J.456 2 หลายเดือนก่อน

    Comics changed history!

  • @LeendertvanHoogenhuijze
    @LeendertvanHoogenhuijze 2 หลายเดือนก่อน

    Who knew captain America was actually interesting 🤔

  • @LeendertvanHoogenhuijze
    @LeendertvanHoogenhuijze 2 หลายเดือนก่อน

    Amazing content.

  • @fredrohde4638
    @fredrohde4638 3 หลายเดือนก่อน

    I was never interested in Superman, but I enjoyed this video.

  • @A.J.456
    @A.J.456 3 หลายเดือนก่อน

    Such a detailed video! Interesting to see a European perspective on the Man of Steel.

  • @KiwiPirate
    @KiwiPirate 3 หลายเดือนก่อน

    Thanks, Bart, I learned a lot! Any plans for a video about The Flash? I would like that Barry much ;)

    • @GeekLitCentral
      @GeekLitCentral หลายเดือนก่อน

      I'll think about it! And in that case, I'll make it extra flashy ;-)