San Antonio Museum of Art
San Antonio Museum of Art
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Amalia Mesa-Bains: Archaeology of Memory
The San Antonio Museum of Art presents the nationally touring "Amalia Mesa-Bains: Archaeology of Memory," a retrospective celebrating the pioneering artist’s contributions to the field of contemporary art.
"Archaeology of Memory" features forty works created from 1991 to 2024 in a range of media, including ten installations and a film of the artist in her studio directed by Raymond Telles. SAMA’s presentation of the exhibition marks the premiere of a new large-scale sculpture that explores the celestial space of "Cihuatlampa," the Mexica afterlife of women who died in childbirth.
On view through January 12, 2025.
Filming and Editing: Woody Lawson
--
"Amalia Mesa-Bains: Archaeology of Memory" is organized by the Berkeley Art Museum and Pacific Film Archive in collaboration with the Latinx Research Center (LRC) at UC Berkeley.
The exhibition is made possible by generous lead support from the Henry Luce Foundation and The Andy Warhol Foundation for the Visual Arts.
In San Antonio, "Amalia Mesa-Bains: Archaeology of Memory" has been generously supported by The Brown Foundation. Additional funding comes from the John R. & Greli N. Less Charitable Trust, the Marcia and Otto Koehler Foundation, and Chave and Bill Gonzaba. The Museum is thankful to all SAMA members for their support of the exhibition.
The exhibition is curated by María Esther Fernández, Artistic Director, The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, and Laura E. Pérez, Professor of Chicanx, Latinx and Ethnic Studies and Chair of Latinx Research Center, UC Berkeley. Curatorial responsibility at the San Antonio Museum of Art has been undertaken by Lana S. Meador.
มุมมอง: 195

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The Bikeriders
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Have you seen "The Bikeriders" starring Austin Butler, Jodie Comer, and Tom Hardy? The film directed by Jeff Nichols was inspired by a series of photographs taken by Danny Lyon between 1963 and 1967, which resulted in a book by the same title. In this video, Lana Meador, Associate Curator of Modern and Contemporary Art at SAMA, discusses Lyon's photographic style and the significance of "The Bi...
Curator's Pick: Exploring 'The Age of Armor' with Jeffrey Forgeng
มุมมอง 1088 หลายเดือนก่อน
Join Jeffrey Forgeng, Curator of Arms and Armor and Medieval Art at the Worcester Art Museum in Massachusetts, as he takes a closer look at some of his favorite pieces from the exhibition "The Age of Armor." “The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum” is on view at SAMA through May 12.
“Who Made The Armor?” with Jeffrey Forgeng
มุมมอง 688 หลายเดือนก่อน
Join Jeffrey Forgeng, Curator of Arms and Armor and Medieval Art at the Worcester Art Museum in Massachusetts, as he explores the question: Who made the armor? “The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum” is on view at SAMA through May 12.
Curator's Pick: Exploring 'The Age of Armor' with Jessica Powers
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Join Jessica Powers, Chief Curator & Curator of Art of the Ancient Mediterranean World at San Antonio Museum of Art, as she takes a closer look at one of her favorite pieces from the exhibition "The Age of Armor." “The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum” is on view at SAMA through May 12.
Scenes in and Around Kyoto (Rakuchu Rakugai-zu)
มุมมอง 3498 หลายเดือนก่อน
Join Emily Sano, Coates-Cowden-Brown Senior Advisor for Asian Art, Emerita, and Matthew P. McKelway, Takeo & Itsuko Atsumi Professor of Japanese Art History at Columbia University, as they take a closer look at the seventeenth-century Japanese screen from our permanent collection "Scenes in and Around Kyoto (Rakuchu Rakugai-zu)." Japanese folding screens that show Kyoto spread out as a broad ci...
SAMA: The Year Behind and the Year Ahead | 2023 Recap
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Gateway: Carlos Rosales-Silva "Pase Usted"
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Still Brewing Art
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SAMA x Limatus Bespoke Fashion Show
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Traitor, Survivor, Icon: The Legacy of La Malinche
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Soy Malintzin
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Soy Malintzin Promo
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"La Malinche" by Carmen Tafolla
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"La Malinche" by Carmen Tafolla
Online Lecture: Monet in America and Americans in Paris with Ross King
มุมมอง 1992 ปีที่แล้ว
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The Perplexing Voyage of the San Antonio Marine Mosaic: Ostia Antica Travels to San Antonio
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Mays Symposium: Keynote with Artist Wendy Red Star
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Superheroes as Supermyths
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Lunch and Learn: Borders and the Artwork of Wendy Red Star
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art.jargon: Canon
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art.jargon: Provenance
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SAMA, Show Me... Flaming Pearls
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Itoonyero - Entrances: Naomi Wanjiku Gakunga
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Itoonyero - Entrances: Naomi Wanjiku Gakunga
The Valley - RGV: Ethel Shipton
มุมมอง 4702 ปีที่แล้ว
The Valley - RGV: Ethel Shipton
Ghosts of the Old Mississippi: Dismal Swamp/Northern Lights: Liz Ward
มุมมอง 3842 ปีที่แล้ว
Ghosts of the Old Mississippi: Dismal Swamp/Northern Lights: Liz Ward
O1701: Jon Lee
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O1701: Jon Lee
Enter the Dragon: Jennifer Ling Datchuk
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Enter the Dragon: Jennifer Ling Datchuk
Continent: Jenelle Esparza
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The Only Certain Way: Faith: Joe Harjo
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Shape of the Universe, Kandariya Mahadeva: Chris Sauter
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ความคิดเห็น

  • @omargarza7060
    @omargarza7060 9 วันที่ผ่านมา

    I love SAMA. It's one of my favorite museums. Great job, Lana!👏👏👏

  • @renzo6490
    @renzo6490 หลายเดือนก่อน

    Let me begin by telling you that when my brother was just starting school, he rebelled at the rules of spelling. Why did words have to be spelled in a particular way? Why couldn't he spell them as he wanted to spell them? He resented the rules and he resisted the authority of those who made them ! Keep this in mind. I think that Conceptual art originated with people who could not and would not do the difficult work required to become a 'traditional' artist. Can't master the necessary skills ? No knowledge of perspective? Can't draw? Don't want to have to learn color theory? Can't master composition? No knowledge of human anatomy? Can't render tonal values Can’t be bothered ? These are skills that you have to WORK to perfect. It’s difficult. It takes…..effort. You want a fast track to the exalted position of "artist “. Well then, belittle the importance of those skills and debase the notion that they are a prerequisite to creating art. Instead, create an art genre that you CAN do. A new genre. And let's call it Conceptual art. Conceptual artists claim that IDEAS and CONCEPTS are the main feature of their art. They can slap anything together and call it ''conceptual art'' confident that viewers will find SOMETHING to think about it no matter how banal or trivial the artist's concept! There is no way conceptual art pieces can be judged. The promoters of this art have attacked the motives and credibility of authorities and critics who might disparage the work. They have rejected museums and galleries as defining authorities. They reject the idea that art can be judged or criticized . All of this results in a decline in standards. And when you jettison standards, quality suffers. There really IS such a thing as BAD art ! We know this only because we have standards and criteria by which such things can be evaluated. It seems that conceptual art comes down to a basic idea: No one has the right or authority to make any judgements about art ! Art is anything you can get away with ! A whole new language has been created to give the work an air of legitimacy and gravitas. Conceptual art is 'sold' to the unwary public with ....."ArtSpeak". ArtSpeak is a unique assemblage of English words and phrases that the International Art world uses but which are devoid of meaning! Have you ever found yourself confronted by an art gallery’s description of an exhibition which seems completely indecipherable? Or an artist’s statement about their work which left you more confused than enlightened? You’re not alone. Here are examples of ArtSpeak: 'Works that probe the dialectic between innovations that seem to have been forgotten, the ruinous present state of projects once created amid great euphoria, and the present as an era of transitions and new beginnings.'' Or ''The exhibition reactivates his career-long investigation into the social mutations of desire and repression. But his earlier concerns with repression production--in the adolescent or in the family as a whole--give way to the vertiginous retrieval and wayward reinvention of mythical community and sub-cultural traditions.'' This language is meant to convince me that there is real substance to this drivel which is being passed off as art. I don't buy it. But plenty of other people DO buy it. Not because they love the work. They are laying out enormous sums in the belief that their investment will bring them high returns in the future. One Jeff Koons conceptual piece is three basketballs suspended in a fish tank. commons.wikimedia.org/wiki/File:Three_Ball_Total_Equilibrium_Tank_by_Jeff_Koons,_Tate_Liverpool.jpg Here is Koons' own ArtSpeak explanation of his floating basketball 'concept' verbatim: “ This is an ultimate state of being. I wanted to play with people’s desires. They desire this equilibrium. They desire pre-birth. I was giving a definition of life and death. This is the eternal. This is what life is like, also, after death. Aspects of the eternal” Rather lofty goals for 3 basketballs suspended in a fish tank!! It sold for $350,000. I wonder what it would have fetched without Koons' name attached to it. Or take the case of Martin Creed's ball of crumpled white copy paper. www.abebooks.com/signed/Work-sheet-paper-crumpled-ball-Creed/7404135374/bd He made almost 700 of them! Some sold for hundreds of dollars. Martin Creed, when asked during an interview how he would respond to those who say the crumpled paper ball isn’t art said : “ I wouldn’t call this art either. Who says, anyway, what’s good and what’s bad?” Interviewer: ''When confronted with conceptual art, we shouldn’t worry whether it’s art or not because no one really knows what art is.'' Is this what art has come to?? _________________________________ Something radical has happened to the art scene in the past 50 years. Cubism slid into non-representational art....what is often called Abstract. Abstract or non-representational art is a legitimate and often profound genre. But to many people, it appeared as if this new style had no structure, principles or standards of evaluation. It’s markings seemed random and arbitrary. Something that anyone could do. Any composition of blotches or scribbles was “Abstract Art”. This was the slippery slope that led to the abandonment of standards in art. Art is what I say it is....and lots of people jumped on the art bandwagon. Anyone can be an artist. Anyone can mount a show. And who is to say if it has value or not ? A tacit agreement has formed among critics, galleries, publications and auction houses to promote and celebrate certain artists and styles. Objects with no artistic merit are touted and praised . Their value increases with every magazine article, every exhibition in a prestigious gallery. And when they come up for auction, sometimes the auction houses will lend vast sums to a bidder so that it appears as if the work of the particular artist is increasing in value. The upward spiral begins and fortunes are made. And many are reluctant to declare that the Emperor is, in fact, naked lest they appear boorish unsophisticated Philistines ! This is what dominates the art market today. The love of money is the root of all evil. It has corrupted politics. It has corrupted sport. It has corrupted healthcare. It has corrupted religion. And now it has corrupted art. But, there is reason to hope. As much of the wisdom of the Greeks and Romans was kept alive through the Middle Ages in small pockets of learning and culture, ateliers have sprung up around the world that are devoted to preserving and handing down the traditional visual arts: drawing, painting and sculpting to each new generation. And when this craze for conceptual art has burned itself out and when visual art is no longer looked on as mere decoration and when schools that have dissolved their art programs want to reestablish them again, the world will find these skills preserved through the atelier movement.

  • @erikolson5299
    @erikolson5299 หลายเดือนก่อน

    My father, wife, and I inherited a huge collection of this jewelry. Fors time we came back from the estate with 50 pounds…POUNDS of silver Turkoman jewelry.

  • @Kight.10
    @Kight.10 2 หลายเดือนก่อน

    every body talking bout „this is what modern art should be“ and stuff but i wanna know the meaning of this??

  • @zipperpillow
    @zipperpillow 2 หลายเดือนก่อน

    Lovely photos. Very interesting. Fantastic illustrations. Wow. So much hand-crafted workmanship. I hope these priests and Rulers paid those Artisans well, in this world, and not in the next.

  • @mikebatie
    @mikebatie 2 หลายเดือนก่อน

    Beautiful and moving.

  • @xaphyreansar6996
    @xaphyreansar6996 3 หลายเดือนก่อน

    if I may suggest an excellent presentation on the legacy of Malintzin, th-cam.com/video/WMatLnTlMWs/w-d-xo.html

  • @magicknight13
    @magicknight13 3 หลายเดือนก่อน

    Her art and her intentions are so amazing and I am so happy and proud for her!! This was fascinating and very creatively inspiring, thank you for sharing! I hope to get to see her art in person one day 😄

  • @parkerevans213
    @parkerevans213 6 หลายเดือนก่อน

    How do I make them? What do I need?

  • @keiryeleison2933
    @keiryeleison2933 6 หลายเดือนก่อน

    Both modern "art" and contemporary "art" are trash. You can never change my mind. Those are only done by people with no real talent. 🙄🙄🙄

    • @kkamajwi
      @kkamajwi 3 หลายเดือนก่อน

      art is a skill, and realism and hyperrealism requie a lot of it, but it doensn't hold as much value when you have cameras. even with modern and contemporary you have to know the basics which include everything you know thats within realism.

  • @MrNilknarf2
    @MrNilknarf2 8 หลายเดือนก่อน

    I think the Chinese should stay home, and make their country better‼️ They are SPIES, they have a huge spy network

  • @AleriaWright-jm4ut
    @AleriaWright-jm4ut 8 หลายเดือนก่อน

    Additional PSA: start at 16 minutes to breeze past most pleasantries

  • @AleriaWright-jm4ut
    @AleriaWright-jm4ut 8 หลายเดือนก่อน

    PSA: start the video at 12 minutes in unless you want to listen to elevator music for a while

  • @setsukizoma166
    @setsukizoma166 9 หลายเดือนก่อน

    Can you please make more of these videos with the other art movements AND comparisons of each where needed? Even just being able to identify what art falls under the movements?

  • @samanthadavid9683
    @samanthadavid9683 11 หลายเดือนก่อน

    Promo SM

  • @idkiiv9410
    @idkiiv9410 ปีที่แล้ว

    that's tuff

  • @partoutbsb
    @partoutbsb ปีที่แล้ว

    Thaks a lot for this video 🙏

  • @conned
    @conned ปีที่แล้ว

    Since Day one...12-13century...

  • @holisticwealth1925
    @holisticwealth1925 ปีที่แล้ว

    Your daughter is hilarious

  • @hugojaime9565
    @hugojaime9565 ปีที่แล้ว

    Why traitor ? Who told you Anglo-Saxons she was a traitor ? For that matter Sacagawea is a flaming traitor as well, She wasn’t Aztec, neither were Cortez’s 40,000 allies, she was a slave of the Maya then became Cortez’s interpreter and later wife , their kids ended up with noble titles in Spain, again which Mexicans told you she was a traitor ? This is so insulting to Doña Marina who is the mother of modern Mexico , y’all need to stop with that universal fraternity propaganda

  • @AdCreative-ik7dg
    @AdCreative-ik7dg ปีที่แล้ว

    Thx for sharing 👍

  • @bengiemorcaranto484
    @bengiemorcaranto484 ปีที่แล้ว

    1:18

  • @omargarza7060
    @omargarza7060 ปีที่แล้ว

    Suzanne and Lana always do an incredible job. Thank you, ladies! Miss and love my SAMA family. ❤

  • @mr.dakamd5444
    @mr.dakamd5444 ปีที่แล้ว

    Dont be mad, get glad

  • @fishermann1102
    @fishermann1102 ปีที่แล้ว

    i wish they would have given Prof. Hu Dehardt more time to present her talk. Thank you

  • @aidlebookreviews
    @aidlebookreviews ปีที่แล้ว

    Excellent piece. I have a full review of it on my page. Everyone should go out & purchase a copy!

  • @Mason-xy7zr
    @Mason-xy7zr ปีที่แล้ว

    🤔 Promo*SM

  • @orbreyhinkson7484
    @orbreyhinkson7484 ปีที่แล้ว

    Very informative! I love how the video was presented.

  • @Darkless4X
    @Darkless4X ปีที่แล้ว

    Contemporary Art is just Modern Art on meth.

  • @reynaldogonzalez2118
    @reynaldogonzalez2118 2 ปีที่แล้ว

    Quis ut Deus? it´s a retorical question. It means no one is like God. You can find this information even in google, you idiot. William Keyse knows nothing about what he is talking about. How can an american museum have a such ignorant curator?

  • @StevenShelbyDesign
    @StevenShelbyDesign 2 ปีที่แล้ว

    I'm still a lil lost

    • @artandfriends1
      @artandfriends1 ปีที่แล้ว

      Don't be, it's just epochal. The things happening in both eras dictate the art forms

    • @artandfriends1
      @artandfriends1 ปีที่แล้ว

      Hence, in modern art you have the industrial revolution, slavery, wars, colonisation, etc. Contemporary art, post colonialism, globalisation, social media, gender, identity etc

  • @warriorsontheway121
    @warriorsontheway121 2 ปีที่แล้ว

    The crescent moon at the feet of Mary is rooted in this passage from Revelation in the Bible: Revelation 12:1-2: And a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars. She was pregnant and was crying out in birth pains and the agony of giving birth.

  • @65damdamdam
    @65damdamdam 2 ปีที่แล้ว

    Finally someone is pointing this out. Amazing how many so called artists have no clue about this.

  • @dewitt820
    @dewitt820 2 ปีที่แล้ว

    🅿🆁🅾🅼🅾🆂🅼

  • @vernicejillmagsino9603
    @vernicejillmagsino9603 2 ปีที่แล้ว

    13:39 He is Alfredo Lim of Mexico (Mayor of Manila capital of the Philippines) both him and the man on this picture are descendants of Chinese immigrants

  • @vernicejillmagsino9603
    @vernicejillmagsino9603 2 ปีที่แล้ว

    13:39 He is Alfredo Lim of Mexico (Alfredo Lim was the mayor of Manila capital of the Philippines) both him and the man on are Chinese although the Philippines was still in Asia

  • @ungravity9344
    @ungravity9344 2 ปีที่แล้ว

    I love the video :))

  • @lisah336
    @lisah336 2 ปีที่แล้ว

    I was pleased when I saw the Mississippi piece in the new acquisition exhibit. I remembered it from the special exhibit. Thanks for sharing a glimpse of the artist's studio and practice.

  • @teriframe
    @teriframe 2 ปีที่แล้ว

    Thank you for sharing this inspiring story! It's a tremendous gift to get a peak into Ms. Datchuk's studio environment and the thought process and influences behind her work.

  • @cyndirook4561
    @cyndirook4561 2 ปีที่แล้ว

    Terrific work, Chris.

  • @kenlittlerrose4655
    @kenlittlerrose4655 2 ปีที่แล้ว

    Really Beautiful Joe! Thanks for the work and your voice. It is so strong. I hope you get all the attention and audience that you deserve. your friend, Ken

  • @chrissauter1003
    @chrissauter1003 2 ปีที่แล้ว

    So smart. So important.

  • @joeharjo239
    @joeharjo239 2 ปีที่แล้ว

    Amazing work! Congrats to Chris and The Walley's

  • @aniketbharti9837
    @aniketbharti9837 2 ปีที่แล้ว

    YES HALLELUJAH YESHU MASIHA

  • @filsdejeannoir1776
    @filsdejeannoir1776 2 ปีที่แล้ว

    0:16 Being like God doesn't mean being Holy and defending the faith. God doesn't need to defend the faith! "Who is like God??" is a rebuke to the Luciferian that would BE God. The Luciferian who leaves NOTHING to God and would control matter itself.

  • @johnnyringo8312
    @johnnyringo8312 3 ปีที่แล้ว

    Kyle isn’t cryin for you doggy

  • @revolutionrivera-felix9473
    @revolutionrivera-felix9473 3 ปีที่แล้ว

    I love that beginning shot!! It's so awesome to see the parts of the artistic community that just allow such wonderful exploration and experimentation. Keep being creative!

    • @NathanFelixTV
      @NathanFelixTV 3 ปีที่แล้ว

      OMG that opening is epic indeed! Thx for the kind words and support 🙏🏽

  • @helenkinneman
    @helenkinneman 3 ปีที่แล้ว

    It is my great pleasure to follow your musical journey. True Creative Composer Artist. 😍 Love your spiritual core. ❤️

    • @NathanFelixTV
      @NathanFelixTV 3 ปีที่แล้ว

      Thank you 🙏🏽. Your support means the world 🌎

  • @NathanFelixTV
    @NathanFelixTV 3 ปีที่แล้ว

    It's been an honor to partner with y'all at SAMA! Special shoutout to filmmakers Blake Weaver, Mark Peterson and Jeff Zavala at ZCreative!