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These guys are such a breath of fresh air in this watered down hip hop culture right now. I’m glad you got to experience them and the historian did a great job.

I am not a fan of many modern day opera singers, but people who say all modern opera singers are trash always use some of the worst examples of old singers to back up their point. I prefer listening to the Melocchi school singers (Corelli, Del Monaco) to get my fix of drama (I'm a tenor).

Tears

If you haven't, you should watch Giant Rooks' cover of David Bowie's Life On Mars. It is absolutely beautiful and they're adorable.

You are talking so match

Your sound system isn’t very good

Are you an elementary school music teacher? 😂😂

Maybe Hate? is not the right song to react to from a singer's perspective. Wonderland or - even better - the acoustic version of Puzzle (then compare to the electric version) will give you a better idea of Saiki's abilities. Don't you Tell Me or Thrill are also very good.

The modern generation is pathetic. They despise the knowledge accumulated over centuries, their voices are thin, guttural, and their high notes sound more like squeaks. A generation that thinks it is very intelligent but that will eventually disappear from the history of opera. They lack refinement, an understanding of the complexity of opera, and good interpretations. It is rare to find a singer who conveys truth in his or her interpretations. Compare any aria sung today with the good singers of the past and the difference becomes obvious.

great voice

I was in that concert, it was marvellous!!!

Can you react to the versio of this song with Tarja?

Also "Planet Hell" and "Darck Chest of Wonders"

Maybe you should check more old Nightwish videos or live performances with Tarja like "Nemo", "Bless the Child".....algo I recommend you "Passion and the Opera"

You should check Ex Libris "Motherland", I think you will love it

He´s soo good he sang his final number Nessun Dorma in wrong lower key, lol.

Hohohohohoho, hihihihihihihih, hahahahahahha. She sings with excessive chicken vibrato, it´s only annoying. And she also makes a lot of weird faces for no reason. I´m sorry but can´t stand this kind of clownery for more than a minute or I just begin to laugh at her..

You're too stupid for this song like a piece of wood, you can give your stupid mustard at the end, you haven't understood your soul

I've seen them live at the Cherokee Casino in NC. They were awesome!!! I have been a long time fan. My personal favorite is, "Blackbird"!!!! You should give it a listen!!! Love your analysis of this song by the way!!!!!

Another Floorgasms score to Floor😁😁😁😁

Opera and Metal all around a very very long time. Just you learn now😁😁🤣 Metal is new Clasical music. Check Wagner check Bach ! They're Metal of their time

You should back it up a bit, every time you stop for a comment. For that reason nope pass on the follow.

LOVE YOUR VIDEO😄💛🧡🩷❤️💚💙🩵💜THANK YOU FOR THIS😄💛🧡🩷❤️💚💙🩵💜

Wait till you hear Myles sing Starlight by Slash.

I have always wondered how she has SO much air. Her control over her abdominal wall must be absolutely unreal. I took a couple years off voice lessons after a stroke ended my career as a violinist and experimented a lot with extending my breath supply by articulating my abdominal wall in certain ways to give my diaphragm more access to the air in my lungs. even as a VERY amateur singer I was able to almost triple my capacity. I can’t help but wonder if part of the secret to her superhuman stamina is taking this kind of training and technique to an extreme that nobody else has ever even attempted.

As a professional musician I had participated in a period performance of Griselda. The first time I heard this performance the opening frightened me because I had no idea who Cecilia was ABC I and I was certain she was doomed to embarrassment attempting to sing this Aria at this tempo practically had a meltdown when she began singing. Even after almost 20 years it BLOWS MY MIND to hear this.

Shame you blocked out the swearing it's really an integral part of the song.

You could see it in spectrogram that she’s moving between her overtones. What I mean is she’s switching which overtone to highlight, such as 3rd order overtone, 4th, 5th, etc.Amazing control.

Ultimate anti-war song. If more people felt these horrid feelings they might be more inclined to talk rather than fight wars that leave our soldiers like the one in this video. Masterpiece by Metallica, absolute perfect portrayal of the nightmarish aftermath of war.

My name is Eugen, and while I am not a singer-though I truly wish I were-I come from a different realm of music. I am a historically informed violinist, dedicating the last decade to the research and performance of repertoire spanning from the second half of the 18th century to the early 20th century. My work delves into understanding the stylistic evolution during this time, especially how performance practices shifted, and how these shifts impacted the music we hear today. The historically informed performance (HIP) movement, in which I am deeply involved, does not seek to dismiss or invalidate the developments of the 20th century, nor the practices of today’s musicians. Rather, it strives to enrich our collective musical taste by uncovering what occurred historically, and why certain changes took place. In many ways, we are asking questions about the why-why were certain traditions lost or replaced? What were the driving forces behind these transformations? The results of this research are often striking. Prior to the 20th century, musicians were not just interpreters-they were improvisers, composers, and actors. They followed traditions that spanned from the 17th through the 19th centuries, traditions that were later forgotten or sidelined. Much of this shift is attributed to the modernist perspective, which emerged prominently in the late 19th century with figures like Wagner. However, this modernist viewpoint, while impactful, was not immediately universal. It wasn’t until a couple of generations later that certain pedagogical approaches-such as those popularized by Carl Flesch and Ivan Galamian in violin-ushered in a stricter adherence to new interpretive norms. One of the most profound changes, in my view, is the loss of improvisation among classical musicians. The interpretive traditions that arose in the 20th century, while valuable, often encourage musicians to follow the interpretations of their teachers or the critiques of the press. In doing so, we lose a vital aspect of music’s original intent: its spontaneity. Regarding the content of this video, where the discussion focuses on where opera went wrong, I believe the presenter touches on crucial points. The way we perform music by composers such as Bellini, Beethoven, Mendelssohn, Meyerbeer, Puccini, and others today differs significantly from how it was originally conceived. The 20th century brought with it a new approach, which in many ways is positive, yet also limiting in certain respects. One of the major shifts we see today is the rise of massive music education programs, which, while expanding access, also raise questions about the homogenization of performance styles. Should we return to singing opera in its historical style? I don’t believe we should confine ourselves exclusively to these historical methods. As artists, we have the responsibility to bring our own creative interpretations to the table. That said, I do believe we should embrace the freedom to experiment-improvisation, in particular, should be a part of our exploration. Why, for instance, should portamento-an expressive device so integral to legato-be discarded? Why not use the full range of techniques, like real legato or true staccato, or experiment with different kinds of trills? A significant reason for these omissions stems from technical concerns. Many modern performers avoid portamento and other nuanced techniques because they present difficulties in post-production, especially when editing recordings. Top-level producers and engineers often discourage their use for these practical reasons. Vibrato, too, is employed frequently to mask minor intonation issues, which, in a world of recordings that are played thousands of times, can draw criticism. Not every musician today has the same confidence in their technical foundation, and vibrato can serve as a way to smooth over these imperfections. Furthermore, we must consider the context of today’s opera houses. Modern theaters are often larger than those of the past, and many singers today do not possess the powerful voices that characterized the elite performers of the 19th century. It’s important to remember that during the 19th century, music education was highly exclusive. Only the top few were allowed the opportunity to study music seriously, and from that elite group, only the very best made it to the stage. This selectiveness resulted in an incredibly high standard of performance. In conclusion, while I agree that the modern approach has brought many benefits, I believe we should also look back to history and incorporate the rich, forgotten traditions of the past.

Not a bad job going from balet too vocals.

VERY INTENSE!

Elizabeth Zharoff from the charismatic voice says she sounds like a video game boss monster during her harsh vocals. Nice reaction. You might like retrospection or cloud factory.

You are so much talking when floor singing

My daughter blatantly lied about me in this. I wasn’t given an opportunity to answer her accusations by this so called “documentary maker”. I was never even approached.

Speaking from experience, she really does know her stuff, and all that the bel canto technique does is try and make singing as easy and economical as possible while training the voice to be flexible and accurate. I know I like the approach.

The CREATIVITY

Great reaction to a great song! N F is a special breed of rapper. His songs take you on an emotional rollercoaster and when the song is over you almost have to catch your breath. It's because his music is so relatable in one way or another that it pulls u in. Would enjoy watching u react to "Just like you) if possible. Keep up the great work! #realmusic

Love your reactions! Please react to the LOVEBITES song SWAN SONG that has a Chopin piano solo intro. Its awesome!

"she doesn't have a really big sound",---really? Sounds massive at the end of the song. Both are marvellous singers though. Great piece of music.

Is a about guy that has no arms no legs no hearing no sight and no face

Chinchilla 1:5 live is amazing real vocals b3autifull song ❤ have wonderfull day, week ,month and year❤

to me it is Light meets dark, it is both spectrums vocally that blend to make a water oil swirl that mesmerizes, symphonic metal knows this and its schoolmaster is both classical and neoclassical modern multi-tempo changes, multiple changes in time signatures that aid in building to a climax and truly a masterful expression of starting off with elegance to build to that apex of emotive pure eruption and the passion of a talented vocal range in contrasting styles.

It looked like David had you at "Hello darkness."

Cultural literacy test: Did you know the woman is impersonating the extremely famous Marilyn Monroe? She didn't sing on the track obviously.

Awesome show

Simplesmente lindo. Uma verdadeira obra de arte

Hello my friend Jules!!!...Believe me this: You have to react to this Incredible Singer with the Most Insane Vocal Range of The World (7.5 Octaves)!!!....When I recommend Dimash to someone like you, sometimes they laugh and they look at me with that look that says "Have you gone crazy?...Nobody can sing like that"....And I smile and tell them "Do you want to bet your car?"...Of course after they hear him their faces say it all!!...Lol!!...They can't believe what they are seeing and hearing....So well, I want to invite you to make a reaction to this incredible singer, who is leaving all the experts with their jaws literally on the floor....In 2017, a 22-year-old singer from Kazakhstan, named Dimash Kudaibergen, was invited to participate in the famous Chinese program for professional singers called "The Singer"!!... In his first appearance, Dimash covered one of the most difficult songs in the world, a famous French composition called "S.O.S. D'un Terrien En Détresse"....Since then all this madness began on the internet, TH-cam and social networks worldwide and he is already considered the best singer on the entire planet... It is almost impossible to see a human being, being able to reach vocal ranges of 8 octaves, that is, the 88 keys of a digital piano, which allows him to reach all registers, both masculine and feminine, that is, he can sing as Bass, Baritone, Tenor, Contratenor, Contralto, Mezzosoprano and Soprano!!....You can see in TH-cam to all kinds of experts (Vocal coaches, analysts, singing teachers, singers, youtubers, reactors, etc.), who have dedicated themselves to watching his videos and verifying for themselves that what is said about him is completely true!!...In addition to all this, Dimash is capable of singing in more than 12 languages!!...In all his concerts worldwide, tickets are sold in just seconds, via the internet, due to the immense popularity he has worldwide....Anyway, I think you haven't met this impressive singer yet, so here is the link to his LIVE PERFORMANCE of the song "Sinful Passion" at Sochi in 2018, and if it doesn't bother you, I would like you to mention me as the person who recommended it to you...Warning: You have to be prepared for thousands of views, comments and new subscribers....Link of the song:....th-cam.com/video/W9FlDMCo8LU/w-d-xo.htmlsi=FeChki639aJASx0b

Never stop a reaction after ONE bar....to explain INSTRUMENTS

0:00 OK, this is going to be interesting 🍿