วีดีโอ

sublime ❤

8:24 The Firebird...

😇✨✨✨Merci Beaucoup 🕊️🌱✨🌳🙏💕💫

0:34 вступление h-moll 1:37 тема Тамары 2:33 вступление D-dur 3:39 тема Тамары 5:12 ГП 3 попевки 7:10 ПП 1-й элемент 7:52 ПП 2-й элемент 18:08 тема Тамары tr-be

Wonderful textural variety and colorful orchestration.Before this I'd only heard 'Islamey'. I recently learned his choral setting of 'The Angel Cried...' ; I hope his symphonies and concertos have similar questions qualities to this and his choral writing.

tar

Andante maestoso - 0:00 Poco a poco più animato - 3:59 Allegro moderato, ma agitato - 4:40 Poco animato - 5:34 Poco più animato - 5:48 Meno mosso (doppio movimento) - 6:33 Poco meno mosso. Allegretto quasi andantino - 7:25 Poco più mosso - 8:10 Più agitato - 8:53 Poco più animato - 9:18 Vivace (alla breve) - 9:54 Poco meno mosso, ma agitato - 10:55 L’istesso tempo - 13:31 Pochissimo meno mosso - 15:29 Poco a poco più animato - 15:43 Animato - 16:12 Poco più mosso - 16:30 Ancora poco più animato - 16:47 Meno mosso (doppio movimento) - 17:00 Andante (menno mosso. Tempo del comincio) - 17:35

So very beautiful, thank you. (The Netherlands)

00:38 05:08

I think Rimsky-Korsakov picked up a few ideas here that he later developed in Scheherazade.

Déroule l'apogée a la nature Éclairés surgissent la forêt de l'espace

Hermosas sinfonías las de este compositor No lo conocía Casi todos los compositores rusos son grandes También me gusta mucho Kalinnikov (Radico en la Cd de México)

a cougher throughout, just saying

A wonderful piece, and beautifully orchestrated. For me the performance seems a bit slow and missing the sweep that I hear in other performances, just my opinion. thank you!

A very great conductor indeed. And sadly missed by those who recognized his extreme ability and humanity in a world of egoism.

Great performance. M.Balakirev is the Great Master of orchestra.

Кто дизлайк поставил такой прекрасной музыке ?

The best performance of this is an old Columbia mono LP with Beecham.

ненавижу имя Тамара

Act I A mill on the banks of the River Dnepr. Natasha, the Miller’s daughter, is waiting for the Prince she loves so passionately. Somewhat rude and mercenary, the Miller instructs his daughter how to behave with her beloved: he wants to see some profit from the Prince’s favour. Soon the Prince himself appears, having come to speak with Natasha. Natasha is delighted at the Prince’s arrival. The Miller calls the peasants to comfort the Prince with singing and dancing, though the latter remains unaffected. The Prince tells Natasha that they are soon to be parted. Natasha guesses that the Prince is planning to marry someone else. The Prince tries to buy his way out with extravagant presents and gives Natasha a necklace. The shattered Natasha informs the Prince that she is soon to become a mother. Promising not to abandon her and the child, the Prince departs. Natasha scolds her father bitterly for being driven by greed and forcing her into this situation. In despair she plunges herself into the Dnepr. Act II A luxurious mansion. The Prince is celebrating his marriage amid great pomp and merriment. An ancient wedding ritual is underway. Suddenly a sad song can be heard about an abandoned girl who drowned herself. The guilty party was never unmasked. When the Prince attempts to kiss his young bride a woman’s scream can be heard. The banquet guests are left in disarray. Act III Scene 1 The Prince’s palace. The Princess is sad in her loneliness. The days when the Prince loved her have long since passed. Now she is increasingly left alone. Olga, the Princess’ friend, tries to distract her with a merry song. Having learned that the Prince plans to spend the night alone on the banks of the Dnepr, Olga and the Princess set out to look for him. Scene 2 Night, the banks of the Dnepr. Twelve years have passed since the Prince last visited Natasha. The mill on the banks of the Dnepr have long been in ruins, but the Prince is still drawn here by some unseen force. The Prince’s appearance frightens the mermaids who have come to the surface to play in the moonlight. The Prince sadly recalls his former happiness. Suddenly a shabby old man in rags appears before him. It is the Miller, now insane and imagining himself to be a raven and the guardian of this place. He attacks the Prince. Hunters rush in and save their master. Act IV Scene 1 The underwater palace of the mermaids on the bed of the Dnepr. Natasha has become queen of the mermaids. She sends them to the surface to play in the moonlight with her daughter Rusalochka with the order to meet her father on the shore and tell him that Natasha still loves him and is waiting for him. Left alone, she dreams of love and revenge on her rival in love. Scene 2 The shore of the Dnepr. The Prince has come once more to the ruins of the mill. Rusalochka approaches him from the waters and calls on him to follow her. The Princess hastens in together with Olga and tries to stop her husband, but the Miller pushes him into the water. The mermaids take the body of the Prince to their queen.

Act I A mill on the banks of the River Dnepr. Natasha, the Miller’s daughter, is waiting for the Prince she loves so passionately. Somewhat rude and mercenary, the Miller instructs his daughter how to behave with her beloved: he wants to see some profit from the Prince’s favour. Soon the Prince himself appears, having come to speak with Natasha. Natasha is delighted at the Prince’s arrival. The Miller calls the peasants to comfort the Prince with singing and dancing, though the latter remains unaffected. The Prince tells Natasha that they are soon to be parted. Natasha guesses that the Prince is planning to marry someone else. The Prince tries to buy his way out with extravagant presents and gives Natasha a necklace. The shattered Natasha informs the Prince that she is soon to become a mother. Promising not to abandon her and the child, the Prince departs. Natasha scolds her father bitterly for being driven by greed and forcing her into this situation. In despair she plunges herself into the Dnepr. Act II A luxurious mansion. The Prince is celebrating his marriage amid great pomp and merriment. An ancient wedding ritual is underway. Suddenly a sad song can be heard about an abandoned girl who drowned herself. The guilty party was never unmasked. When the Prince attempts to kiss his young bride a woman’s scream can be heard. The banquet guests are left in disarray. Act III Scene 1 The Prince’s palace. The Princess is sad in her loneliness. The days when the Prince loved her have long since passed. Now she is increasingly left alone. Olga, the Princess’ friend, tries to distract her with a merry song. Having learned that the Prince plans to spend the night alone on the banks of the Dnepr, Olga and the Princess set out to look for him. Scene 2 Night, the banks of the Dnepr. Twelve years have passed since the Prince last visited Natasha. The mill on the banks of the Dnepr have long been in ruins, but the Prince is still drawn here by some unseen force. The Prince’s appearance frightens the mermaids who have come to the surface to play in the moonlight. The Prince sadly recalls his former happiness. Suddenly a shabby old man in rags appears before him. It is the Miller, now insane and imagining himself to be a raven and the guardian of this place. He attacks the Prince. Hunters rush in and save their master. Act IV Scene 1 The underwater palace of the mermaids on the bed of the Dnepr. Natasha has become queen of the mermaids. She sends them to the surface to play in the moonlight with her daughter Rusalochka with the order to meet her father on the shore and tell him that Natasha still loves him and is waiting for him. Left alone, she dreams of love and revenge on her rival in love. Scene 2 The shore of the Dnepr. The Prince has come once more to the ruins of the mill. Rusalochka approaches him from the waters and calls on him to follow her. The Princess hastens in together with Olga and tries to stop her husband, but the Miller pushes him into the water. The mermaids take the body of the Prince to their queen.

Act I A mill on the banks of the River Dnepr. Natasha, the Miller’s daughter, is waiting for the Prince she loves so passionately. Somewhat rude and mercenary, the Miller instructs his daughter how to behave with her beloved: he wants to see some profit from the Prince’s favour. Soon the Prince himself appears, having come to speak with Natasha. Natasha is delighted at the Prince’s arrival. The Miller calls the peasants to comfort the Prince with singing and dancing, though the latter remains unaffected. The Prince tells Natasha that they are soon to be parted. Natasha guesses that the Prince is planning to marry someone else. The Prince tries to buy his way out with extravagant presents and gives Natasha a necklace. The shattered Natasha informs the Prince that she is soon to become a mother. Promising not to abandon her and the child, the Prince departs. Natasha scolds her father bitterly for being driven by greed and forcing her into this situation. In despair she plunges herself into the Dnepr. Act II A luxurious mansion. The Prince is celebrating his marriage amid great pomp and merriment. An ancient wedding ritual is underway. Suddenly a sad song can be heard about an abandoned girl who drowned herself. The guilty party was never unmasked. When the Prince attempts to kiss his young bride a woman’s scream can be heard. The banquet guests are left in disarray. Act III Scene 1 The Prince’s palace. The Princess is sad in her loneliness. The days when the Prince loved her have long since passed. Now she is increasingly left alone. Olga, the Princess’ friend, tries to distract her with a merry song. Having learned that the Prince plans to spend the night alone on the banks of the Dnepr, Olga and the Princess set out to look for him. Scene 2 Night, the banks of the Dnepr. Twelve years have passed since the Prince last visited Natasha. The mill on the banks of the Dnepr have long been in ruins, but the Prince is still drawn here by some unseen force. The Prince’s appearance frightens the mermaids who have come to the surface to play in the moonlight. The Prince sadly recalls his former happiness. Suddenly a shabby old man in rags appears before him. It is the Miller, now insane and imagining himself to be a raven and the guardian of this place. He attacks the Prince. Hunters rush in and save their master. Act IV Scene 1 The underwater palace of the mermaids on the bed of the Dnepr. Natasha has become queen of the mermaids. She sends them to the surface to play in the moonlight with her daughter Rusalochka with the order to meet her father on the shore and tell him that Natasha still loves him and is waiting for him. Left alone, she dreams of love and revenge on her rival in love. Scene 2 The shore of the Dnepr. The Prince has come once more to the ruins of the mill. Rusalochka approaches him from the waters and calls on him to follow her. The Princess hastens in together with Olga and tries to stop her husband, but the Miller pushes him into the water. The mermaids take the body of the Prince to their queen.

2:14 my favourite part...

It is hard to believe that this is a professional orchestra.

Debussy and Pierre Louys used to play it together on the piano.

Mi compiaccio per la rarità della proposta.Si tratta in effetti di un autore poco noto dalle nostre parti,ma a mio avviso molto interessante,grazie!

Tamara is one of my favorite piece in whole of romantism, i've listened to it more than 15 times. and wooow... i don't want to be salty, and start a fight... but that's a full orchestra not knowing what emotions it's supposed to transmit... :/ Nagano blew the piece, there. And the sound mixer doesn't have a clue. Seriously, people, if you want to enjoy it for real, this version... wayyyy better : th-cam.com/video/zvmG2okLYSA/w-d-xo.html

I- Allegro ma non troppo (00:08) II- Scherzo alla Cosacca (09:48) III- Romanza (17:20) IV- Finale: tempo di Polacca (26:26)

Thank you for uploading this glorious and so so understated work. Balakirev is so REAL. A great composer whose tactlessness (or more accurate word, honesty) in his own day cost him much with influential forces then and which probably reverberates on to today.