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Patrick Conoley
เข้าร่วมเมื่อ 24 ต.ค. 2012
"All the genuine, deep delight of life is in showing people the mud-pies you have made;
and life is at its best when we confidingly recommend our mud-pies to each other's sympathetic consideration."
-J.M. Thorburn
and life is at its best when we confidingly recommend our mud-pies to each other's sympathetic consideration."
-J.M. Thorburn
Rɘtrospɘktus SQ in a minor expanded embellished FINAL
Still a few more articulation refingments and embellishments.
มุมมอง: 22
วีดีโอ
Four Kings and a Star (revised)
มุมมอง 33ปีที่แล้ว
• Epiphany-the arrival of the three magi (kings) at the King’s stable-is the close of Christmastide. • Featured in the story are the kings of the East and the Star that led them to Bethlehem. • There are three fairly familiar Christmas songs that deal with this journey o The French carol, La Marche des Rois (March of the Three Kings) that is the first recorded secular Christmas Carol, dating pe...
Four Kings and a Star
มุมมอง 44ปีที่แล้ว
• Epiphany-the arrival of the three magi (kings) at the King’s stable-is the close of Christmastide. • Featured in the story are the kings of the East and the Star that led them to Bethlehem. • There are three fairly familiar Christmas songs that deal with this journey: o The French carol, La Marche des Rois (March of the Three Kings) that is the first recorded secular Christmas Carol, dating p...
2023 Orchestration challenge PMC Some revisions
มุมมอง 35ปีที่แล้ว
Improved dynamic balances. A little more subtle. The D pedal in intro still there. A little jazzy anticipation in violins in M20 & M82 Added a dotted motif derived from the opening two notes of the movement in M21,23 & M83,85 Low flutes elevated to audible position M48-55
2023 Orchestration challenge Patrick M. Conoley
มุมมอง 318ปีที่แล้ว
An Orchestration Club has an annual "challenge" to take a short piece, typically for piano solo, and orchestrate it for a large musical ensemble. This year the subject piece was the first movement of Beethoven's Piano Sonata in F#. The video is my setting of the piece.
Rondeau, Leigh Hunt (Jenny Kissed Me When We Met) Song for Baritone
มุมมอง 28ปีที่แล้ว
A cute 19th century poem by Leigh Hunt, 1838 (had to correct a lyric error)
O Mistress Mine
มุมมอง 11ปีที่แล้ว
Last night was Twelfth night, the last night of the Christmas Festival. So, here's a little song from Shakespeare's "Twelfth Night, or What You Will."
Ponette
มุมมอง 29ปีที่แล้ว
The poem, by the composer, recounts the story of the French movie of the same name. Ponette Petite Ponette si chère puis était en deuil de sa mère qui a été lá enterrée, qui recemment est retournée trop tôt, pour jamais, dans la terre. Il faisait, lors, un peu de vent léger, frais, mais presque constant, quand, sous l’arbre defolié, elle sur l’herse fut montée- Ponette, qui avait trois ans. Ell...
The Lamb & The Tyger Songs for Baritone and Piano
มุมมอง 18ปีที่แล้ว
William Blake's classic, "The Lamb," from Songs of Innocence, and "The Tyger," from Songs of Experience. Contrasting themes, contrasting moods.
Lord, make me an instrument of Your peace (St. Francis's Prayer)
มุมมอง 70ปีที่แล้ว
For SATB choir and soloists and piano
Veni Emmanuel
มุมมอง 21ปีที่แล้ว
The cello and the piano discuss their longing for the long-awaited Messiah.
Come, Little Leaves, Song for Baritone and Piano
มุมมอง 100ปีที่แล้ว
A poem with perhaps a dual meaning Come, Little Leaves by George Cooper “Come, little leaves,” said the wind one day, “Come o'er the meadows with me and play; Put on your dresses of red and gold, For summer is gone and the days grow cold.” ... Dancing and whirling, the little leaves went; Winter had called them, and they were content; soon, fast asleep in their earthy beds, The snow laid a cove...
Oi Betlehem for SATB, Flute, Oboe, Cello & Piano
มุมมอง 30ปีที่แล้ว
The Basque carol. O Bethlehem O'er you a brilliant star is shining. O Bethlehem. Heavenly hosts of angels bring to the world glad news of an Infant King. Round you the hill and valleys are echoing. O Bethlehem.
Excursions after a Hindu Theme, Wind Quintet
มุมมอง 26ปีที่แล้ว
Excursions after a Hindu Theme, Wind Quintet
Doxology Chorale Prelude for Brass Quintet
มุมมอง 67ปีที่แล้ว
Doxology Chorale Prelude for Brass Quintet
Thank you!
I like it a lot
Une remarque: orchestrer c'est, bien souvent, ajouter des éléments à l'original afin que la version orchestrée ne sonne pas "maigre" par rapport à l'original, mais , en aucun cas, cette adjonction ne doit se faire au prix de fautes d'écriture élémentaires qui n'existent pas chez Beethoven. En d'autres termes: pour orchestrer Beethoven ou d'autres maîtres des époques classique et romantique il faut d'abord avoir une maitrise parfaite de l'harmonie tonale..
Patrick, good! Friendly advice, I hope you don't mind. Watch out for too low flute parts, they just won't ever be heard against several instruments at once. :) Horns are never placed inside a woodwind choir, by the way.
thank you. i will review.
👍@@patrickconoley4550
Good idea about the Flutes corrections. They are truly too low to be heard. The Bassoons above the Horns was an interesting choice,. OTHERWISE I loved a few of your ideas ♥ @patrickconoley4550
There are some really cool ideas here. I understand that you're fighting your sound set for balance, but there are several places where the flutes will get completely lost in the mix, e.g. b.41ff, 2nd flute in b.47ff. What's your reasoning for using a Wagner-style arrangement of the instruments in the score? (Horns between the clarinets & bassoons.)
Thank you for your observation. My concept started with a wind quintet plus timpani and strings. It's not a complete horn choir. I'll look at the flute passages. A revision will be posted soon.
Good idea about the Flutes. They are truly too low to be heard, OTHERWISE I loved a few of your ideas ♥@@patrickconoley4550
I like the usage of pizz against the triplets m.29-31 Your simplification of the rolling patterns at m.19-25 are working, but removes some of the Beethoven "drive" and attenuates the excitation of this passage. Make sure your dynamics are appropriate: fff are probably not necessary in this piece. But overall: Good job!
Thank you for the feedback. The pizz-triplets are quite a mood and textural contrast. This is a different interpretation of 29-25, abstracting new motifs from the harmony of the running 16ths. To run the 16ths for the whole passage seemed to be too much, so I went for the dotted 8th-with-16th and syncopation instead for drive. Dynamics in playback are problematic. To get the blend I often have to do the conductor's job of reducing one instrument's dynamic to a level that graphically doesn't make sense in the score. This is the first orchestration that I have done for a large ensemble. Thanks again.