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for real though!

Its my lousy mix haha

Im sorry life got in the way. Both the program and our next album are sitting on my harddrive. Both almost finished, five years in the making :( I both got kids(3) and family members got sick. But thats how it is, if you want you can shoot me a pm or add me on messenger you can get an exercise for free. Thank you for your support and patience/ Jens

Ofcourse tenors can have great falsettos. However it's more common for baritones and bassos to be trained as countenors for example. Then does this apply to all tenors or all baritones? Hell no

Well It's in the context of classical singers. So classical tenors in "general" usually cant unlock all the mechanisms, mainly because they train in diffrent way that doesnt focus on that at all. However Ofc tenors can unlock all the mechanisms if they tran for it!

No it's not, it's a function that can be present in mixedvoice. In whistlevoice its extremly active

It's various techniques for building and controlling the whistleregister. A lot of them that you havent seen on the web before

it just doesn't work like that. they aren't simple antagonists, and whatever gesture you're looking at always has a context you can usually spot by observing their head movement. The situations in which they are antagonistic is limited.

@@MisterOpera The only way I could see this is the Vocalis Muscle part of the TA can involve a tensing mechanism on the chords as well as relaxing the posterior part. None of these muscles work in a vacuum, so it's likely not rigidly fixated.

Flageolet is a vocalfunction that can be used through the range. And it's the key to whistle. Whistle will always have flageolet but flageolet will not always be whistle.

Hey man, yeah I do 1 on 1 lessons :) Focusing on voicebuilding connecting the voice a d breaking down songs.

@@Jensviktorjohansson awesome! What’s the best way to get in touch with you?

@@Jensviktorjohansson I'd kind of be interested. How can I get in touch with you?

Sure I can add you on Facebook. I might be abit on/off as we just got a new kid, but i love chatting vocals :)

Hehe I understand you are excited. You know im avalible for whistlevoice lessons if you feel like you want to get ahead of the program :)

@@viktorclay6956 I tried to contact you but I don't have any information.. Could you please share your email

Play with it I hit a c7

@@modub1435 ive been playing with it a bit, the highest i’ve gotten is a c#7, it’s a difficult note to get but still

@@modub1435 also is there anything in particular you do to get that high

@@theslomobroandmore2335 I do my exercises early mornings that’s when my voice is at its peak and easier to nail my control over it. Warm up And drink tea with lemon and honey

@@modub1435 ok, if you don’t mind me asking what exercises do you use?

Poets of the fall- cradled in love

@@viktorclay6956 thank you very much

Part two is a while in the future probably years. But it all depends on if the first program gets momentum. My goal with this program is to be able to work with this not just on the side. To be able to give it alot more time and energy. Part one will contain all my best whistletechnique and how to build your voice for these sounds. It is basicly the bulk, the gymroutine for the voice you need. Part two will be a new product probably focused more on the singing part then the voicebuilding path but that is yet to be decided. Gotta finish part 1 first haha.

Thanks man il reupload it and increase the volume :)

Its bugged im afraid, but fear not i will upload many other new videos in a short ammount of time. You can always write here if you want. Cheers and good luck

Thanks man it means alot, it's going very well ive recorded many videos :)

Hey man sorry for the delay, im on summer holiday :) the program is already written, Ive got alot of videos to record. Stuff like artwork and illustrations is also one of the points ive got left. Im resuming work on it in august and i hope part one will ve finished at the ebd of the year. I originaly was thinking september/ october but Ive been experimenting with alot of new exercises that i also want to include hence the delay. Cheers and im really happy for your comments

To be honest I dont use it much for mixxing myself(i cant) im more of a belter/ rock screamer. A friend of mine is very very good with muxxing from tgis function. th-cam.com/video/pNFj2r9b1Is/w-d-xo.html Listen to that and hope it helps

Thanks man, one of my favourites aswell. I think the cover is decent,but man Russel is a scary vocalist. One day I might be able to do one that gets close to him :)

Big thanks man :)

Well yeah, Ive got a friend who's very good at using it in his mixedvoice. It's a tension so you can activate it almost all over the range, however I dont reccomend using it to low. It can mess you up and unbalance your voice

@@viktorclay6956 I see. Thanks for the reply btw. Also I agree with your saying that flageolet is a mechanism and not some "voice" above head voice claim by these vocal coaches etc. Finally someone who understands it.

@@viktorclay6956 If low flageolet is not falsetto, and falsetto was used in operatic training in the 1800s, then why was it taught to be brought down into the lowest notes of the voice? What purpose does that serve, if it imbalances the entire range? Also, why do some people sing better after warming up with flageolet tension (and a very high larynx)?

Based on how you define this, I don't think that what I was doing is flageolet tension. Discovered it in full voice today, with the nasal port closed, and it's not an airy sound. What I call "flageolet" is very airy, but it's not falsetto. If you plug your ears and say "hoo'" on A4 with the larynx all the way up, it is very loud in the skull and is felt between the eyes. This sound goes lower than my falsetto does- all the way to the bottom range. So, I think it's some form of chest voice. Not flageolet tension, though. Who knows what this is, really... It's been a lifetime trying to figure it out. All that's certain is that it helps in ways falsetto never did.

@@into.the.wood.chipper. Hey man, this is the very reason I define flageolet as a function and not a register. Falsetto can be trained all over the range and should be trained all over. That stuff you describe works, but it also depends on the singer, some singers(mostly females) on the contrary needs to learn fuller sounds to get balanced. As with flag tension, the reason it shouldnt be brough down to low is that it can create a split in the voice. Wich can be hard to get tidof. Good question btw I hope your satisfied with the answer :)

Big thanks man, im really exited myself it has alot of exercises thats not out on the web

@@viktorclay6956 You sound really amazing !!! I would like to learn more from your vocal program !

@@ethanchen3660 Thanks man, im working very hard on this atm. My main goal is to make this really practical, and step by step. So hopefully you will be blown away and able to put it into your routines and singing :) Cheers and thanks for the kind words

@@viktorclay6956 Hey Viktor, how are you doing? Just want to know how has it been with your vocal program ? Your fans (AKAme) are waiting for the news about it :)

This warms my heart :)

Yo im actualy in the makings of a vocalprogram for this, where i go through all my tips and tricks so just keep looking out for it on this channel :) cheers

@@viktorclay6956 still no update on the program?

Consider it a process where you build the tiny muscles a little each day. It doesnt take alot of work, but consistent work spreadout over time. There are alot of things you can do to make it good. Setting up the lowrange balancing the registers. Im working on a vocalprogram that describes this process. I do give lessons in this if you feel like youve been hitting a brickwall and are not improving a couple of sessions can set you on the right path. Hope this helps and good luck with your flageolet :) It's so much fun

Hey I actually have flageolet and the best tip I could give you is to kinda squeak up high in your falsetto range while being relaxed and it should feel like your vocal cords are really tight together. When you feel it's getting really high in your falsetto range, don't try to push it higher and try to stay at the same volume. The contrast between flageolet and falsetto/headvoice is the same the one between chest and falsetto! It's really weird, it feels like you have a third passagio!

Vocal fry as high as you go

Or feel the pooping sensation . Grunt feeling

@@musicval7462 I've been attempting this flageolet thing for around a month or two, but still haven't been able to produce the sound (I've reached the upper half of the 5th octave, but my larynx raises significantly so I think I'm not quite there yet.) A lot of people talk about feeling a tuck/grip/tightness in their cords when doing flageolet. Recently I concluded that I was looking for this feeling by squeezing my throat, thinking it would slam my cords together (which didn't). I actually just started to develop my mixed voice, so I'm not sure if I should work on my mixed or flageolet first. Anyways, I won't give up!