Lahing Kayumanggi "Brown Race" - Symphonic Poem (1961) Gerard Salonga conducting the Global Studio Orchestra "Lahing Kayumanggi" is a symphonic poem written by Filipino composer Lucio San Pedro in 1961. Literally translating to "Brown Race", the piece was dedicated to the heroic struggles of the Filipino people for independence from colonialism. Here the composers aims to "immortalize the virtues and aspirations of the masses whom [the composer] believes are the pillars of the nation." The piece can be interpreted as a musical representation of the history of the Philippines from its pre-colonial history to the attainment of independence over foreign rule.
The piece contains three main parts, but is played as one movement. The first part is a slow introductory section that uses the rhythmic motifs of the "kumintang" - a song and dance form thought to be originated well before the Spanish conquered the Philippines. This movement can be interpreted as the pre-colonial chapter of the country, before the Spanish invasion.
The 2nd main section, with its different sub-sections, can represent events and sceneries of Spanish-influenced Philippines, starting with the vigorous Allegro Animato section representing the early conflict against the invaders. The Lento ma non troppo section depicting the pastoral imagery of the country is then followed by the Allegretto mas Eleganza section evoking the cheerful celebrations and life in the countryside. Finally, the Alla Marcia section (with the reprise of the Allegro Animato section) represents the final struggle of Filipinos to achieve independence.
The final part, "Tranquillo solemne", restates the Bahay Kubo theme in its grandest manner, achieving repose after the prior section's tumultuousness, signifying freedom and liberty of the Filipino people. Recording: Musika Natin CD "Lahing Kayumanggi - The Music of Lucio San Pedro"
Mural Painting by Carlos “Botong” V. Francisco
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Recording: Jubilate - Marches of Lucio D. San Pedro (CD)