วีดีโอ

Anch'io ricordo una traviata parma i loggionisti gli sono corsi incontro per picchiarla veh

Hearing his voice affect me as an opera lirica-enthusiast in a singular way, who can describe this in any language or with any words?

❤o

Protti's art seems to have aroused some controversy among reviewers and listeners. Many complained the voice didn't possess the,"bite," for villainous roles such as Barnabas ( Gioconda ) or Iago. I found him ideal in these roles. His ultra smooth legato emphasized the sneaky malevolence of Iago. By the time he's fully manipulated Otello, he has no idea he's been captivated. A barnstormer such as Gobbi,for me, just doesn't make as much sense. It was always good to hear Gobbi's robust voice. It just seemed more relevant in certain less nuanced characterizations. Oddly enough, I would imahine Gobbi as a more appropriate Rance. But, there's room for Protti's nuanced singing as well. We were lucky to have both!

Two sacred monsters! Thank you, liricadiva.

Fiacco per i suoni aperti che in quest opera sono deleteri.

👍👍👍🙏

THE BEST.

Brava Anna Caterina! Grazie, liricadiva.

Una de las mas grandes sopranos de siglo XX

Hooty hollow voice with little core and resonance. A very manufactured over-produced voice, with no top nor bottom. Over estimated her entire career, imho

#AnnaCaterinaAntonacci is a total human contradiction, to start with as a person she leaves a lot to be desired, she has no people skills. I started out as a soprano, on nights when I couldn't reach the high notes she switched to the mezzo-soprano register. And it's not like that, you're either a soprano or a mezzo, for example we have two female singers, who have the same vocal range, they go from the C in the middle of the piano to the High C, how do we determine if they have the same tessitura, which one is a mezzo or which one is a soprano? What determines your vocal register is the color of your voice, if your voice is sweet, clear and light, you are a lyrical soprano, if your musical notes are powerful and your voice goes above the orchestra you are dramatic, but if the color of your voice is dark, deep and although you reach the high notes, but with some difficulty, perhaps you are a mezzo. You can also be a short soprano, that is, a soprano that doesn't have certain high notes, or that has very good low notes, in that case you are a short soprano with good low notes. But you don't have to do like #Pl.acidoDomingo who, no longer reaching tenor notes, suddenly, and suddenly is a baritone, the voice doesn't work that way, the classification of voices doesn't work like that, that's not correct. #AnnaCaterinaAntonacci singing the soprano aria from #StabatMater by the Maestro from Pesaro her voice sounds like a mezzo-soprano because of the color, the timbre of her voice, but there are notes, like the first one she notes when she starts to which she strangles it, on the other hand when she sings the High C, she opens her mouth so much that the strings do not close completely and the voice comes out airy, that is to say when the strings are not closed well the sound and air passes, then a sound with air comes out, the first High C a little out of key and the second is fine. Personally, as a Professor of Lyric Singing, I do not like her voice or her personality, when I accompanied her on the Piano in a Recital, she did not even come to the rehearsals, she showed up at the theater, she did not allow me access to her dressing room, so that we could at least talk about whether the program was the same or there was some variation, or what the "encores" would be. She came out to sing, she didn't even look at my face, as if to tell me she was ready to start, so I started, when she finished, she greeted me for the applause she received, and she didn't even have the courtesy to shake my hand, in a sign of gratitude. I can tell you that after the first part I thought about leaving through the artists' entrance and leaving, but I didn't do it because I'm a professional.

👍👍👍🙏

It's such a long time I haven't heard Jenny Drivala , that I almost forgot how good she is! Thank you, liricadiva.

VIVA CABALLE

La Deutekom was a perfect Norma

meravigliosa!

That’s why he is a Legend 👑

Bravissima! ❤❤❤ Adorabile Renata!

She sounds flat on high D

La ultima revision que hizo Bellini de Norma le adjudico a los papeles de Norma y Adalgisa a dos sopranos lirico ligeras asi que esta version es correcta

BRAVA,BRAVA,BRAVA

MARAVILLOSA

GRAN CANTANTE

MARAVILLOSA

❤❤❤toujours superbe notre immense beau tenor immortel merci a vous de nous le garder tellement présent bravos

Mamma mia... una fuoriclasse assoluta ! Ascoltata dal vivo tanti anni fa, ma non la ricordavo così brava.

The queen of the glottal attack and ethereal pianniaimo.

Regina

A very good rendition. Thank you, liricadiva.

Straordinaria interpretazione e competenze tecniche 💎

Muy bueno! Gracias por compartirlo.

Bravissima

She is outstanding indeed! Thank you, liricadiva.

She really was something else... A vocal monster through and through. Thanks for the great content!

FAKE

fake HIGH D

Perfect voice for Norma

Sounds more like a D ... flat. Calantina

Doris Soffel -Elisabetta

That D is a fake. It´s in a different key. AND EVERY FAN KNOWS HER SOUND. So, don´t lie.

👍👍👍🙏

Brava Jolanta! Excellent performance Grazie, liricadiva.

A

👍👍👍🙏

Very well rendered. Thank you, liricadiva.

Brava Dimitra! Grazie, liricadiva.

SPLENDID !!!!

Elisabetta è la Reynolds?

La blague...le contre-ré...on dirait Grubi...mauvais montage