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You definitely can! But if you want to make a simple reese bass in serum, you can do it with a saw wave with multiple voices and a low pass filter like MG Low 24!

Thanks a ton man! 🙏🏽

Any time! 🤝

I wish, but I'd get copyrighted! 😭

You'll have to assign the track to a bus and create a new track where the input is the bus you just created. From there, just hit record and move the yellow slider in the sampler to shorten the sample! Hope this helps!

Thank you man! Will try and get a video out on drums!

For sure! I'll get working on it!

@@isantiago_ amazing I appreciate it!

Appreciate that! 🙏🏽

Unfortunately no, you’ll need a DAW. OBS is perfect for streaming or recording yourself making music!

Just a guy with a laptop who loves house music 😅

Thank you bro 🙏🏽

😳😳

🍕🤝

Thank you, and yes I did automate the rate during the build! (I'll also get to working on a melodic techno vid 👀)

@@isantiago_ I try doing that kinda transition but not able to pull it as smooth as you.. any tips on it ?

If you're talking about how I automated the rate at the end of the build up at 5:08, there's two ways I would approach it: 1) make sure my automation mode is set to touch and select the rate in shaperbox, then zoom in as far as I can in the track view and draw in the points where I want to automate. Then I would change my mouse tool to the "automation curve tool" and adjust that automation to curve a little bit. The second way I would approach (and this involves a little math) is to use a tempo calculator to find out what I want the rate to be once I end. For example if I am at 128 bpm and want the automation to end in 16th notes, I'd make sure to have the rate at 8.533 Hz. I'd probably also do the same thing of using the automation curve tool as well to make it sounds cleaner. Hope this helps and if you need a more in depth answer feel free to DM me on instagram! @isantiago.wav

@@isantiago_ man thank you so much, just checked your melodic techno video too its fire

Appreciate that man! Glad I could help you out!

Glad you found it helpful and like the track!

It's Logic Pro!

Totally feel you 😅 His sound design and mixing are so clean!

I've just been here! 😅

Will be coming out with more! 🫡

Thanks my guy! 🙏🏽

@@isantiago_ you're welcome. James is one of my favorite. Awesome 💯 Galatians 6:9. You're a blessing.

Appreciate that man means a lot! God bless! ❤️

Thank you, glad you enjoyed it 🙏🏽

Thanks man! Roll Neers!

Appreciate you! 🙌🏼

Thank you!!

Thanks man! And that’s awesome I just took a listen and that track is dope!! 🔥 what a coincidence!

Feel that! But remixing can always be a great way of finding some!

Thank you! I guess I kinda do look like him 😆

🙏🏽🙏🏽

If you hold shift + control and drag between 2 audio files, it will create a crossfade. Hope this helps!

I used Serum to make the sound! It's built off of a basic triangle wave in osc A and I used the FFT_Squeal Wavetable in osc B with a short attack, medium decay and short release for the envelope. Also added a multiband compressor and distortion... Hope this helps!

Me too man! 💃

Thanks man! Glad you enjoyed it

Hey man appreciate the comment and hopefully this response helps! So when working with that time delay effect I usually have 2 tracks with shaperbox on them: one that I automate in hertz and one that stays fixed on the tracks tempo. That way if I want to have my vocals feel "out of time" I'll put them on the track that is using shaperbox in hertz and if I want to have them play with the tempo of the track (like 16th notes), I'll move them to the other track. Let me know if this helps! If you need more detail I can try and make a quick TH-cam shorts too

Appreciate the response, I have the 2 separate tracks running already its more of that punchiness you are getting from time delay I am struggling with, it may be the placement of the chop sample as i can get a similar effect off a longer sustained note@@isantiago_

Ah okay, then I'd experiment with where you chopped the sample as you mentioned, maybe using a part of the sample that has a little more of a punchy transient, but you can also try adjusting the start of the ramp (there should be a point you can grab) or you can use the square mode instead of ramp down like I used in the video (square mode could give you a little more punch)

Depending on your DAW, make sure you have blending/bleeding on for each chop so that they overlap and it sounds as close to 1 sustained note as possible without any dips or pops, and then all you need to do is apply the tremolo/stutter affect

Thank you! Will keep making more vids!🙌🏼

Lol