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Bach WTC Book 1 G major Prelude

Actually more of a work in progress, but I'm leaving it like this for now. What would you do differently?

Bach WTC Book 1, D Major Prelude

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Use the weight of your arm and spare your forearm and hand muscles! What I forgot to say in the video: relax your hand and arm between each accent and make sure you are using only as much pressure as necessary, not so much that it crunches.

Piatti Caprice 2 - connecting melody with chords

The single biggest roadblock to progress

Do you breathe when you play? Do you hold your breath? Do you only breathe in? Breathing is essential to an organic approach to phrasing and timing.

a Boris Pergamenschikow exercise to make articulation and resonance easy.

How to navigate all those string crossings and shifts? Here are some ideas.

Which phrases to connect, which to keep separate? How to connect when you want to?

Examples from Schumann concerto 2nd movement. Supporting your left hand with the weight of your arm.

If you really can't stop yourself, this is how I'd approach trilling with the 3rd and 4th fingers.

Bach VI Suite Prelude lesson

Feuermann cadenza for Haydn D major concerto lesson

Scale lesson

Vivaldi A Minor Sonata last movement

Bach III Prelude lesson

Schumann concerto questions

Dall'Abaco lesson

Terri's Quarantine Salon

bow change at the tip

1 3 stroke: in German

String crossings part 1

String crossings part 2

Bariolage

Many roads to spiccato

Sautillé

Détaché- get your elbow into it!