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Timothy Vallier
เข้าร่วมเมื่อ 29 เม.ย. 2006
Music and Tech
How to Animate Sources in OBS using the Move Transition Plugin
A brief tutorial on How to Animate Sources in OBS using the Move Transition Plugin.
And! We’re going to do it using OBS, and a free plugin.
Music:
Downtown Glow by Ghostrifter & Devyzed
Creative Commons - Attribution-NoDerivs 3.0 Unported - CC BY-ND 3.0
Music promoted by www.chosic.com/free-music/all/
And! We’re going to do it using OBS, and a free plugin.
Music:
Downtown Glow by Ghostrifter & Devyzed
Creative Commons - Attribution-NoDerivs 3.0 Unported - CC BY-ND 3.0
Music promoted by www.chosic.com/free-music/all/
มุมมอง: 16 593
วีดีโอ
Your Channel Wasn’t Accepted for Monetization - How to Appeal
มุมมอง 7K2 ปีที่แล้ว
I was recently hit with the dreaded “Your Channel Wasn’t Accepted for Monetization” message from TH-cam. Thankfully, I appealed and got this decision reversed, and in this video I’m going to go over how to do that for yourself. Music Credit: Morning Routine by Ghostrifter Official | soundcloud.com/ghostrifter-official Music promoted by www.chosic.com/free-music/all/ Creative Commons CC BY-SA 3....
How to Stabilize Footage Like a PRO with Davinci Resolve
มุมมอง 287K2 ปีที่แล้ว
This video will teach you how to fix your shaky, nausea-inducing footage with the built-in stabilization feature. And! We’re going to do it using the free version of Davinci Resolve. Music: Downtown Glow by Ghostrifter & Devyzed Creative Commons - Attribution-NoDerivs 3.0 Unported - CC BY-ND 3.0 Music promoted by www.chosic.com/free-music/all/
How to Edit Dialogue Like a PRO with Davinci Resolve
มุมมอง 72K2 ปีที่แล้ว
Before you found this video, you were struggling to make your dialogue sound professional. After this video, you will have all the skills you need to make your dialogue POP with just 3 easy steps. And! We’re going to do it using the free version of Davinci Resolve. Music: Downtown Glow by Ghostrifter & Devyzed Creative Commons - Attribution-NoDerivs 3.0 Unported - CC BY-ND 3.0 Music promoted by...
One Way to MARS: A NEW Musical
มุมมอง 2.5K4 ปีที่แล้ว
A NEW MUSICAL - Listen to the ENTIRE cast album including book and lyrics and immerse yourself in this one-way journey! One Way to Mars, a 75-minute musical audio drama by Timothy and Mallory Vallier, follows Natalie, a neuroscientist and mother, who is invited to embark on a pioneering one-way trip to Mars. But to take part, she must leave everything on Earth behind. This is the Valliers’ reim...
Kaija Saariaho's Près I Visualization
มุมมอง 5K12 ปีที่แล้ว
A visualization of Kaija Saariaho's Près I. Features a 3D Spectrogram, Waveform, Frequency, and 2D Spectrogram. Created by Tim Vallier using WebGL, Screenflick, and Final Cut Pro X. A live version is viewable with the latest version of Google Chrome at bit.ly/presviz. To download the files and set it up yourself see here: bit.ly/V4HSQ9
How can i appeal
Really helpful, thank you.
Thank you so much :)
This was very helpful and I love that the video wasn't super long. I get lost in longer videos.
Thanks ❤
can you feel the difference in audio
Thank you very much! Very useful instructions!
I deleted my videos does the appeal still valid?
Why would you normalize before adding effects? Aren't you losing dynamic range unnecessarily by doing so?
Normalizing doesn't change the dynamic range.
@@drtimv It does affect the dynamic range how much you can still add. If you normalize to -1dB, you only have 1dB of headroom for fx and mixing.
You're right about headroom, but the total dynamic range hasn't been altered, only gain has been applied equally through the normalization process. Once you use the compression after normalization, you're squeezing the peaks, which opens up the headroom again. That's where you apply the final gain in the compressor plugin to your preference. If after compression, you still plan to add effects which add any gain (additive EQ for example) you might run in to headroom issues but only if those are after the compressor in your signal chain (as it's also acting as a limiter). Normalizing at the beginning isn't required though, it's just a preference. I find that amateurs often record at questionably low signal levels and then struggle during the editing process not realizing how quiet their overall mix is. However, in summary, it does not affect the dynamic range.
Will I lose my channel or YPP if rejected?
Would this get my films close to how Hollywood films sound? I love the simplicity of the video.
thanks!
Please help me
Your channel remains ineligible for monetization Our reviewers found that your appeal wasn't successful. You still have the opportunity to reapply for monetization. What should you do next? 1. Review the appeal feedback Reviewers provided this feedback about your appeal: Appeal didn't contain enough visual examples of your filming, editing, or creative process Our reviewers did not find enough information in your video appeal to confirm if you own the content or if you've made substantial changes to someone else's original work. Leam more 2. Review the initial feedback Reviewers found that your channel doesn't follow all of TH-cam's monetization policies. Reused content Content is not clearly an original creation of this channel, and may have been repurposed from anoth 3. Edit your channel and reapply for monetization Make changes to your channel to address the initial feedback shown in step 2. Changes can include editing or deleting videos and updating video details. You can reapply starting November 22, 2024, as long as your channel meets the requirements. Leam more Reapply
Please help me
HOW DO YOU ONLY VIEW VERTICAL ????
Cool man it's works. Thanks.
bro this is exactly what I've been looking for! you're a legend, thank you!
It would have been nice if you actually used an audio sample
@@henryposadas3309 the voice over was edited using the methodology demonstrated. I debated with making a before and after but opted for a shorter video overall.
Thank you very much. Just wanted a simple no fuss fix. This saved my video!
Thank you. I am working on a project and I have several moving pre existing dead pixels due to stabilization. How should I process the footage to clean dead pixels and stabilize the footage?
Wouldn't it look better if before stabilization you reduce the clip speed to say 80%? Or play with % depending on the clip.
OMG you just saved me so much footage!
Wish i had seen this first it didn't outline that on the phone iT just said submit a appeal video. Socks that I already submitted without the editing proof
this helped so much i just subbed
Great content i did appeal but didnt make it through now working in my channel content and watch hours again
my channel has not monetized. Notice as : "When you use music generated by Dream Track in a long-form video, your video won’t be monetized via ads or subscription (TH-cam Premium) rev share." Please help so that I can reapply.
Cool going to try this! 😊
My problem is I can't get past the step 2 error for Google Adsense. Can I submit an appeal? I didn't see where I could.
I’m having the same problem! It’s so frustrating. Have you figured it out yet?
It was a mission to find where to submit it but finally did and wasn’t approved. Haven’t been monetized since July. Got monetized for 2 weeks and then they took it away. Can’t talk to anyone from TH-cam or Google.
Editing the editing tutorial... Editception
Awesome Timothy! You're the best! 👍 Thanks..
Hi Timothy, you should continue doing tutorials for DAVINCI RESOLVE, I really like the way you teach, you sound very friendly and understandable, on other channels there some TH-camRS who do not have a talent teaching like that, and the sound of your voice draws attention to learning, thank you so much! - I subscribed today!
Thanks for the feedback! Any topics in particular you'd like to see covered?
what happens if theres alot of noise in the audio and the high pass isnt helping at all? thanks
i found premieres/after effects subspace warp is the much more capable and versatile algorithm for most situations, it also takes about 20 times longer usually, but since actually editing something in adobe products is and absolute terrible slow and crash laden mess. you stabilize that in premiere and then export losless to a real editing software like davinci. in some cases you can even add davincis stabilizer to further stabilize for slight improvements.
This is hands down the best video tutorial on Da Vinci I have watched. Thank you!
Thanks 🙏
GREAT! THANK YOU A LOT!
Glad it helped!
thank you
You're welcome
why does my video slow down when I try to stabilize it?
Probably processing power is limited on your machine.
I made a mistake with it and did not get it back.
Bummer
Nice introduction to stabilization for complete beginners! However, given that the title includes "Like a PRO", I would have hoped for a few explanations on how the three different algorithms work, to build up actual understanding instead of just clicking buttons (like a PRO would do) 🙃
Fair enough - if you read the documentation on how the algorithms work you won't learn much about how they work with your specific footage, just how they approach. In the end, guess and check is the best way to approach it, or just re-shoot the footage. Hope this helps.
RAW video is not real common. Do you consider RAW as any source video or is your MOV you were editing consider truly RAW? Raw video refers to unprocessed video data directly from the camera sensor, preserving all the original information. MOV files, on the other hand, can contain both raw video data (if encoded as such) and other compressed video formats (such as H.264 or ProRes). When you encounter an MOV file, it could be raw video (unlikely) or a compressed video format (more common). Was your MOV RAW video or compressed?
You’re confused and overcomplicating things. In video production, "raw footage" refers to the unedited, original video material that is captured during filming. This footage has not been altered, trimmed, or processed in any way, and it includes all the takes, mistakes, and background noise. Raw footage is used as the starting point in the editing process, where it will be cut, organized, and refined into the final video product.
@@drtimv How do you distinguish between raw video and unedited compressed video?
@@MstrRo1 if you’re discussing footage straight out of the camera, compressed or uncompressed, it’s raw footage. If you’re discussing formats, you would say compressed or uncompressed and then add the attributes like RedRAW or Apple ProRes. It’s two different conversations.
@@drtimvAccording to my research, interestingly enough, "it is technically possible to store raw video data within an MOV container." Must be why, it matters not, in the context of your video. I am just learning, so thank you for the clarification.
@@MstrRo1 of course - you’ll find the conversation about codecs is usually separate from containers as well. It can get confusing. 🫤
as a beginner is this quality better than cap cut, which is said to be easy to use
a lot better
Miles better
get transform isn’t working for me
Sometimes it doesnt work if u just duplicate it. Try making a new move source rather then duplicating
thanks Timothy, awesome tips!
Happy to help!
Your recent appeal was successful. You can now monetise your videos
Let's goooooo!
Thanks for the vid! BTW I enjoy walking that bridge.
Me too!
Very clear explanation; thank you so much !
Informative ❤❤❤
"Don't shoot footage that is SO super wiggly" - brillian tip......... from someone who never tried. As well "less shaky video == better software stabilization", is not always true. but for timelapse more opposite, while algoritms have hard time to fix minimum movements..... And resolve suck with walking stabilization, as well as any other software if movement is slow.