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“You told me once a fallen woman should be forgiven,” “But I didn’t say that I could forgive,” is so profoundly heartbreaking for everybody involved. Perhaps my favorite moment in the show in terms of a single, devastating line.

I just got back for auditions for this musical and I want Sonya so bad so I’m watching this to learn the song ( and emotional support)

Im gonna say something and i dont know if its an opinion held by most: this is honestly the worst song in the musical imo. Sure the character of Mary is good, but I feel like it kinda breaks up the flow of what would have otherwise been a smooth opening quarter of the show

7:15 Anatoles lil finger gun while Pierre is beginning to expierience an all out existential crisis is golden

5:50 The way Anatole's actor scooches the lady in the audience over and wraps his hand around her freaking senda me😅

my god.. ive never heard this song before its beautiful

God I cant even beigin to think about how painstakingly long this must've took to put together, thank you so much I am so glad that this special show is now forever immortalized in an easily viewable fashion

37:44

This and the previous song right back to back with one another makes this THE greatest ending of any musical ive ever seen, don't know how you can top that emotional fulfillment and sincerity after such a twisting story

I miss this show so much!!

I dont know were able to post this(and it still be up), but thank you 💓

Rewatching all of this and I just fell in love with this musical all over again. So thank you immensely!! I would never have been able to see this show otherwise, and this compilation brought it all to life! You don’t understand how much I appreciate this. All the small details I would have missed made this all so much more magical and alive. So thanks!

I love this song but as a french girl, pls, is no one going to tell Amber Heard how to pronounce "charmante"? I had to activate the subtitles to understand what she was saying...

Bro was playing with fire at the beginning right next to the accordion player.

The song that made me watch this show... One of my top 3 musicals of all time.

History will call them best friends🎉

She's my aunt

24:30 AHFHFHDJDJDKSKDKVKVJFJEJWJDJFJRJDJUFUFUFUFUF

God bless slime tutorials and the people who make them. Thank you!

Love this more than the original

This is incredible, but why is the audio clipping so much? :( Was it like that at the source?

WHOLE MUSICAL LYRICS "Prologue" [Pierre:] There's a war going on Out there somewhere And Andrey isn't here There's a war going on Out there somewhere And Andrey isn't here [All:] There's a war going on Out there somewhere And Andrey isn't here There's a war going on Out there somewhere And Andrey isn't here And this is all in your program You are at the opera Gonna have to study up a little bit If you wanna keep with the plot 'Cause it's a complicated Russian novel Everyone's got nine different names So look it up in your program We'd appreciate it, thanks a lot Da da da... Natasha! [Natasha:] Natasha is young She loves Andrey with all her heart [All:] She loves Andrey with all her heart Natasha is young And Andrey isn't here [Sonya:] Sonya is good Natasha's cousin and closest friend [All:] Natasha's cousin and closest friend Sonya is good Natasha is young And Andrey isn't here [Marya:] Marya is old-school, a grande dame of Moscow Natasha's godmother, strict yet kind [All:] Natasha's godmother, strict yet kind Marya is old-school Sonya is good Natasha is young And Andrey isn't here And this is all in your program You are at the opera Gonna have to study up a little bit If you wanna keep with the plot 'Cause it's a complicated Russian novel Everyone's got nine different names So look it up in your program We'd appreciate it, thanks a lot Da da da... Anatole! [Anatole:] Anatole is hot He spends his money on women and wine [All:] He spends his money on women and wine Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here [Hélène:] Hélène is a slut Anatole's sister, married to Pierre [All:] Anatole's sister, married to Pierre Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here [Dolokhov:] Dolokhov is fierce, but not too important Anatole's friend, a crazy good shot [All:] Anatole's friend, a crazy good shot Dolokhov is fierce Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here Chandeliers and caviar, the war can't touch us here Minor characters! [Bolkonsky:] Old Prince Bolkonsky is crazy [Mary:] And Mary is plain [Mary & Bolkonsky:] Andrey's family, totally messed up [Balaga:] And Balaga's just for fun! [All:] Balaga's just for fun! Balaga is fun Bolkonsky is crazy Mary is plain Dolokhov is fierce Hélène is a slut Anatole is hot Marya is old-school Sonya is good Natasha is young And Andrey isn't here And what about Pierre? Dear, bewildered and awkward Pierre? What about Pierre? Rich, unhappily married Pierre? What about Pierre? What about Pierre? What about Pierre?

One time, my friend and I were texting each other the lyrics of Prolouge, and my friend missed and word and was betrayed by her autocorrect and didn't notice until I mentioned it, so she accidentally sent me "Hélène is a solution, Anatole's married to Pierre"

OH HOW SHE BLUSHES HOW SHE BLUSHES MY PRETTY 💥💥💥💥💥💥💥💥💥💥💥💥

I needed to share that the first 3 notes of “Pierre Natasha” is the same notes that make up the first chord of “Pierre”. Maybe this is showing that Pierre has found someone that he has connected with and it’s given his life meaning again? I don’t know anything about music theory.

Gotta love that 1812 club rave.

Natasha, Pierre, and the Great Comet of 1812 was a beloved musical that captured the hearts of audiences with its dazzling tale set in 19th century Russia. But what if this story was reimagined in a modern 21st century setting, with a twist of thrilling espionage and intrigue?In this retelling, Natasha is a successful entrepreneur and secret service agent, tasked with a dangerous mission that could change the course of history. She is a fierce, independent woman who is not afraid to take risks for the greater good. Natasha's fashion sense is edgy and bold, reflecting her fearless personality - she is often seen in grunge-inspired outfits that make a statement wherever she goes. On the other hand, Pierre is a respected journalist known for his investigative skills and sharp wit. He is always dressed in sleek workwear fashion, exuding an air of sophistication and intelligence. Pierre is drawn into Natasha's world when he uncovers a conspiracy that could threaten national security, and the two must work together to unravel the truth. As Natasha and Pierre navigate the dangerous waters of political intrigue, they find themselves caught in a web of lies and deception. Natasha is wrongly accused of a crime she did not commit, and Pierre is determined to clear her name. The main concourse of their mission is a high-stakes game of cat and mouse, as they race against time to uncover the truth before it's too late. The story unfolds with melodious dance sequences that serve as a backdrop to the intense drama unfolding onscreen. The choreography is dynamic and captivating, drawing the audience into the heart of the action. As Natasha and Pierre face obstacles and betrayals at every turn, their bond grows stronger, forging a deep connection that transcends their differences. But when a police informant leads them astray, Natasha finds herself wrongfully imprisoned, and Pierre must fight against all odds to free her. Along the way, they encounter a cast of eccentric characters, from a quirky photographer with a knack for uncovering secrets to a mysterious interior designer with a hidden agenda. As the stakes rise and the deadline looms, Natasha and Pierre must race against time to uncover the conspiracy that threatens to tear their world apart. The journey takes them on a whirlwind adventure through the bustling streets of the city, aboard a luxury cruise boat that glides across a tranquil lake at sunset. Amidst the chaos and danger, Natasha and Pierre find solace in each other's arms, their love blossoming amidst the chaos of their mission. The liquid of their passion flows freely, intertwined with the sensual energy that crackles between them. But as they delve deeper into the mystery at hand, they realize that their feelings for each other may be their ultimate weakness. In the end, Natasha and Pierre emerge victorious, their bond stronger than ever. The thrilling journey they embarked on has changed them forever, shaping their destinies in ways they never imagined. As they look towards the future, they know that they will always have each other, no matter what challenges lie ahead. The modern retelling of Natasha, Pierre, and the Great Comet of 1812 is a riveting tale of love, betrayal, and redemption, set against the backdrop of a world on the brink of chaos. It is a story that captures the timeless essence of human resilience and the power of love to conquer all obstacles.

So beautiful...I wish there was a better quality shot of Josh when Pierre confesses his love to Natasha. The woman in the audience at 3:33 who is leaning over crying...that would have been me. Denee's cry a moment before wrecks me. (Also, the irony: Josh is the brightest, handsomest, best man.)

Where are the high quality clips from!? Was there pro shot made?!

i cannot imagine a more difficult homemade proshot to put together. you are truly an angel on earth and i hope you can experience the kind of euphoria pierre experiences upon seeing the comet

She’s so perfect fr

ILL NEVER BE THIS HAPPY AGAIN 👹👹👹

Sitting down in his father's chair at the end... Mannnnnnnnnnnnn!!!

0:16 DANATOLE KISS

Denée Benton is FANTASTIC. I initially always gravitated towards the off-broadway cast recording because I felt really entranced by Phillipa Soo’s acting in the recording. I think many cast recordings can water down intense songs so that they are more palatable for albums. (Case in point- Eva Noblezada in the vast album for the revival of Miss Saigon vs the recording for Hadestown.) I am always for embracing those acting choices and letting the recording reflect the the actual show, but I understand that it’s often a production influence or actors choice. I think that’s the case with Denée Benton- her voice is gorgeous but between the two albums I always chose Phillipa’s for the acting. However, this bootleg is outstanding. She sounds amazing in the album but is truly so unfettered and blazing on stage. Love her in this role!!!

1:00:35 me

1:30 she totally sees the audience... pft

Just Lovely...really...really... lovely

I JUST discovered this show, omg it’s so good. I had the privilege of watching a showing done near me because my high schools theater teacher was part of the cast (she played Natasha’s god mother) much smaller cast but tbh I think it was amazing. So being able to watch the broadway version is really great too !!

Oh myyyyyy 🥰🥰🥰🥰 After knowing Shoba from Hazbin Hotel & now seeing her broadway work, I truly hope to see her star shine even more! Such a beautiful talent! 🥹🩷❤️

So, I'm reading War & Peace, and I read Natasha as a normal teenager with all of the stereotypical drama of a Teenage Crush on Andrei (and later Anatole) and assorted normal teenage girl behavior. Hearing the Natasha performer sing of her love for Andrei in this production, she makes be a true-believer of her deep and devoted love and longing for Andrei. She is SOOOOOO talented.

I ADORED this show. I'm so glad I got to see it, sat at a table in the front. So fun, got an egg to shake and a cast member gave me something as well. Such a shame it closed so early.

Lol, should be called Natasha, Anatole, and the Great Comet. I went in expecting Pierre to play a much bigger role than he did.

The african american lady is from The Gilded Age what you see is the stage.Opening in London later this year.

omg thanks for editing this! it's so cool to see all the different angles!

some of my favorite parts :) 0:17:24 0:29:51 0:33:00 0:38:32 0:45:32 1:10:59 1:15:29 1:17:20 1:21:57 1:34:15 1:36:32 1:41:45 1:53:27 2:07:12

Timestamps because i'm like that Act I: 0:00:10 Prologue 0:04:45 Pierre 0:08:51 Moscow 0:13:16 The Private and Intimate Life of the House 0:18:58 Natasha & Bolkonskys 0:23:00 No One Else 0:27:29 The Opera 0:37:32 Natasha & Anatole 0:42:09 Natasha Lost 0:44:55 The Duel 0:52:31 Dust and Ashes 0:59:29 Sunday Morning 1:01:37 Charming 1:06:08 The Ball Act II: 1:12:08 Letters 1:18:40 Sonya & Natasha 1:22:47 Sonya Alone 1:26:56 Preparations 1:30:44 Balaga 1:33:26 The Abduction 1:42:09 In My House 1:45:21 A Call to Pierre 1:47:45 Find Anatole 1:49:55 Pierre & Anatole 1:53:58 Natasha Very Ill 1:55:09 Pierre & Andrey 1:58:10 Pierre & Natasha 2:06:09 The Great Comet of 1812 Curtain Call: 2:11:20 Curtain Call

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grace mclean my beloved 😍

what i wouldn't give to see a production of this 😔