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Sam Falotico
United States
เข้าร่วมเมื่อ 14 ส.ค. 2014
Music theory, transcriptions, concerts, and more!
Hiromi’s Sonicwonder - full concert audio - live in Toronto, Canada (2023)
- Venue: Flato Markham Theater (Markham, ON, CA)
- Wednesday, October 18, 2023 @ 8 PM
- Audio: Zoom H4n Pro // seated in far-right seat
- Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
00:00 “Wanted”
10:46 “Sonicwonderland”
24:12 “Polaris”
36:23 “Go Go”
59:09 “Reminiscence”
1:08:04 “Up”
1:30:31 “Place to Be”
1:40:44 “Bonus Stage”
- Wednesday, October 18, 2023 @ 8 PM
- Audio: Zoom H4n Pro // seated in far-right seat
- Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
00:00 “Wanted”
10:46 “Sonicwonderland”
24:12 “Polaris”
36:23 “Go Go”
59:09 “Reminiscence”
1:08:04 “Up”
1:30:31 “Place to Be”
1:40:44 “Bonus Stage”
มุมมอง: 17 567
วีดีโอ
Hiromi’s Sonicwonder - “Bonus stage” - live in Toronto, Canada (2023)
มุมมอง 440ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Place to Be” (Hiromi solo) - live in Toronto, Canada (2023)
มุมมอง 601ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Up” - live in Toronto, Canada (2023)
มุมมอง 759ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Reminiscence” - live in Toronto, Canada (2023)
มุมมอง 387ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Go Go” - live in Toronto, Canada (2023)
มุมมอง 628ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Polaris” - live in Toronto, Canada (2023)
มุมมอง 1.3Kปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Sonicwonderland” - live in Toronto, Canada (2023)
มุมมอง 795ปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi’s Sonicwonder - “Wanted” - live in Toronto, Canada (2023)
มุมมอง 2.2Kปีที่แล้ว
- Venue: Flato Markham Theater (Markham, ON, CA) - Wednesday, October 18, 2023 @ 8 PM - Audio: Zoom H4n Pro // seated in far-right seat - Hiromi’s Sonicwonder - live in Toronto playlist: th-cam.com/play/PLC0T63LpmaLFjKhi0zbyjnNOJcrr8WP2p.html
Hiromi: Piano Quintet - “Place To Be” & "Ribera Del Duerto" - Live @ Sony Hall, NYC (2022)
มุมมอง 586ปีที่แล้ว
- Recorded live @ Sony Hall, NYC - November 30, 2022 (7 PM set) - Audio: Zoom H4n Pro - Hiromi Piano Quintet @ Sony Hall playlist: th-cam.com/play/PLC0T63LpmaLFPcVcdYIUCbuT_YpzXi9hO.html - Full concert audio: th-cam.com/video/-Wq5juEng0Y/w-d-xo.html
Hiromi: Piano Quintet - “Jumpstart” - Live @ Sony Hall, NYC (2022)
มุมมอง 149ปีที่แล้ว
- Recorded live @ Sony Hall, NYC - November 30, 2022 (7 PM set) - Audio: Zoom H4n Pro - Hiromi Piano Quintet @ Sony Hall playlist: th-cam.com/play/PLC0T63LpmaLFPcVcdYIUCbuT_YpzXi9hO.html - Full concert audio: th-cam.com/video/-Wq5juEng0Y/w-d-xo.html
Hiromi: Piano Quintet - “11:49PM” - Live @ Sony Hall, NYC (2022)
มุมมอง 304ปีที่แล้ว
- Recorded live @ Sony Hall, NYC - November 30, 2022 (7 PM set) - Audio: Zoom H4n Pro - Hiromi Piano Quintet @ Sony Hall playlist: th-cam.com/play/PLC0T63LpmaLFPcVcdYIUCbuT_YpzXi9hO.html - Full concert audio: th-cam.com/video/-Wq5juEng0Y/w-d-xo.html
Hiromi: Piano Quintet - “Silver Lining Suite" (all four movements) - Live @ Sony Hall, NYC (2022)
มุมมอง 1.3Kปีที่แล้ว
- Recorded live @ Sony Hall, NYC - November 30, 2022 (7 PM set) - Audio: Zoom H4n Pro - Hiromi Piano Quintet @ Sony Hall playlist: th-cam.com/play/PLC0T63LpmaLFPcVcdYIUCbuT_YpzXi9hO.html - Full concert audio: th-cam.com/video/-Wq5juEng0Y/w-d-xo.html
Hiromi: Piano Quintet - “Silver Lining Suite: Fortitude” - Live @ Sony Hall, NYC (2022)
มุมมอง 248ปีที่แล้ว
Hiromi: Piano Quintet - “Silver Lining Suite: Fortitude” - Live @ Sony Hall, NYC (2022)
Hiromi: Piano Quintet - “Silver Lining Suite: Drifters” - Live @ Sony Hall, NYC (2022)
มุมมอง 640ปีที่แล้ว
Hiromi: Piano Quintet - “Silver Lining Suite: Drifters” - Live @ Sony Hall, NYC (2022)
Hiromi: Piano Quintet - “Silver Lining Suite: The Unknown” - Live @ Sony Hall, NYC (2022)
มุมมอง 176ปีที่แล้ว
Hiromi: Piano Quintet - “Silver Lining Suite: The Unknown” - Live @ Sony Hall, NYC (2022)
Hiromi: Piano Quintet - “Silver Lining Suite: Isolation” - Live @ Sony Hall, NYC (2022)
มุมมอง 444ปีที่แล้ว
Hiromi: Piano Quintet - “Silver Lining Suite: Isolation” - Live @ Sony Hall, NYC (2022)
Hiromi & Michel Camilo - "Desert on the Moon" - Live @ The Blue Note, NYC (2023)
มุมมอง 3.3Kปีที่แล้ว
Hiromi & Michel Camilo - "Desert on the Moon" - Live @ The Blue Note, NYC (2023)
Hiromi & Michel Camilo - "Place to Be" - Live @ The Blue Note, NYC (2023)
มุมมอง 2.6Kปีที่แล้ว
Hiromi & Michel Camilo - "Place to Be" - Live @ The Blue Note, NYC (2023)
Hiromi - "Jumpstart" - piano solo break transcription
มุมมอง 291ปีที่แล้ว
Hiromi - "Jumpstart" - piano solo break transcription
Hiromi & Michel Camilo - "Giant Steps" - Live @ The Blue Note, NYC (2023)
มุมมอง 2.4Kปีที่แล้ว
Hiromi & Michel Camilo - "Giant Steps" - Live @ The Blue Note, NYC (2023)
Hiromi & Michel Camilo - "Spain" - Live @ The Blue Note, NYC (2023)
มุมมอง 6Kปีที่แล้ว
Hiromi & Michel Camilo - "Spain" - Live @ The Blue Note, NYC (2023)
Hiromi & Michel Camilo - "Take the A Train" - Live @ The Blue Note, NYC (2023)
มุมมอง 2.3Kปีที่แล้ว
Hiromi & Michel Camilo - "Take the A Train" - Live @ The Blue Note, NYC (2023)
Laufey - "Like the Movies" - Scatt Solo Transcription
มุมมอง 2.7Kปีที่แล้ว
Laufey - "Like the Movies" - Scatt Solo Transcription
Hiromi & Michel Camilo - "Jumpstart" - Live @ The Blue Note, NYC (2023)
มุมมอง 1Kปีที่แล้ว
Hiromi & Michel Camilo - "Jumpstart" - Live @ The Blue Note, NYC (2023)
Hiromi & Michel Camilo - "St. Thomas" - Live @ The Blue Note, NYC (2023)
มุมมอง 3.7Kปีที่แล้ว
Hiromi & Michel Camilo - "St. Thomas" - Live @ The Blue Note, NYC (2023)
Laufey - "From the Start" - scatt solo transcription
มุมมอง 17Kปีที่แล้ว
Laufey - "From the Start" - scatt solo transcription
Hiromi & Michel Camilo - "Tropical Jam" - Live @ The Blue Note, NYC (2023)
มุมมอง 2.8Kปีที่แล้ว
Hiromi & Michel Camilo - "Tropical Jam" - Live @ The Blue Note, NYC (2023)
Hiromi & Michel Camilo - "Caravan" from the 15th Tokyo Jazz Festival
มุมมอง 1.5Kปีที่แล้ว
Hiromi & Michel Camilo - "Caravan" from the 15th Tokyo Jazz Festival
아 영상은 없다니 아쉽다…
4:43 아잉~
진짜 천재다
레코딩보다도 빠르게치네 ㅋㅋㅋㅋ....
ㄹㅇ ㅋㅋㅋㅋ,, 저러고 미스터치가 없다시피 쳐버리는 실력이란....
진짜 이분보면 악마에게 영혼 팔았다는 말밖에 안떠오름 .. 말안된다
Hi! By any chance do you have the sheet music available as a PDF for this? I love this song and want to sing it for a class (I'm a musical theatre major) and will totally pay you for it!
Was working on this with my favorite student Buy ya ba da Ba ba da ba da Da da - da da Buy ya dai ya ba da Ba bai ya daba daba daba daba dai yaba da Ya da da da
what's that ughhh sound? lamo
4:43 Ahhh ing
5시간전?@@leejisoung91
처음의 미스터치는 유머인가? ㅋㅋㅋㅋㅋ 갑자기 멈춤 ㅋㅋㅋㅋㅋ
6:36
😳😮
I have to sing this for my music exam😭 tysm
0:46 *JACOB COLLIER IS AN ADULT?!?!?!?!?!?!?!?!* I WORKED *TOO* HARD TO GET ADULT RIGHTS JUST FOR *ANOTHER* PERSON THAT I LOVE TO JUST *HAVE* THEM!!!!!!!!!!!!!!!! I know that he appears to be an adult, but *YOU ARE NOT ALLOWED TO TELL ME THAT A PERSON WAS BORN BEFORE ME!!!!!!!!!!!!!!!!* I lost Sawtooth Waves due to the differences between adults and children, so being an adult means STANDING AGAINST THE BEAUTIFUL PRO-CHILDREN WORLD OF PEDOPHILA!!!!!!!!!!!!!!!! GIVE CHILDREN CONSENT FOR DATING AND SEX WITH ADULTS OR *YOU WILL WISH THAT YOU WERE DEAD!!!!!!!!!!!!!!!!* Children. Matter. Too. I've been beating myself up about having not saved the inspiring and talented musician and MLP theorist Sawtooth Waves after OVER A YEAR!!!!!!!!!!!!!!!! It's been the reason for my self-loating in 2024, alongside ALSO not stopping a famine that I discovered last year, finding out that my sister had depression this year, and much more! You're telling me that in my now-worst year, JUST AFTER I CLAIMED 2023 TO BE THE WORST YEAR, a talented musician who could've filled the MASSIVE hole in my heart for Sawtooth (who was a GOD), is now 29-30 years old, *AND I'M NOT!!!!!!!!!!!!!!!!* YOU WILL *NOT* ALLOW HIM TO VOTE OR DO DRUGS , BECAUSE *I* DESERVE LOVE, *TOO!!!!!!!!!!!!!!!!* Don't you think that *I* wanted to experience the 1990's, *PUNK?!?!?!?!?!?!?!?!* And it's not just that he was BORN before me, but he ACTUALLY got to become an adult - The latest year that he could've lived to while ALSO not know what it's like to be part of the adult elite was 2011, but *NOOOO!!!!!!!!!!!!!!!! HE JUST HAD TO BE ALIVE TO MAKE A COVER IN 2019, MOVING PAST HIS 18TH BIRTHDAY AND BEYOND!!!!!!!!!!!!!!!!* You're LUCKY that I don't KILL, or else you AND him would be dead. (Also, there was a “b.” but no “d.”, so he never died, CONFIRMING that he is currently 29-30 and EXPERIENCED his 29th - and possibly 30th - birthday. OK, I didn't check the video's release date, but most people don'tdie at 29-30 years old, *EVEN IF THERE ARE PEOPLE YOUNGER THAN THEM!!!!!!!!!!!!!!!!*) Do you KNOW what a real-life person being older than me means...? It means that I will NEVER be their age or older, and I will have to wake up to a day where I'm younger than him OVER. And OVER. And OVER again!!!!!!!!!!!!!!!! *WE NEED MORE CHILDREN IN THIS WORLD, AND ADULTS BEED TO BE TORTURED FOR THEIR INHUMANE ACTIONS!!!!!!!!!!!!!!!!* In short, *DON'T BE OLDER THAN ME.* And if you ARE, then ESPECIALLY don't be older than me *IF IT'S 2024!!!!!!!!!!!!!!!!*
Thanks for published!!! ❤️❤️🔝🔝🔝🔝🔝🔝🙏🙏🙏
WOW !!!!!
Sacrum
I don't really feel much of the diminished (octatonic) scale in the first few bars, though you've made a fairly plausible case for it. I know that Messiaen didn't use the be-bop scale but the notes of the first few bars do actually correspond with F# be-bop major: F#, G#, A#, B, C#, D natural (the added note), D# and E#.
The end of the bebop major scale is actually the top half of the octatonic scale, which itself is constructed by stacking alternating major and minor seconds. Messiaen's harmonic language was shaped heavily by a set of 7 scales that he presented in his book "The Technique of my Musical Language". He named the seven scales the "Modes of Limited Transposition", named so because the number of possible modes of the scale isn't equal to the number of notes in it. For example, the major scale has seven notes, each note having a resultant mode (the "Church Modes"), whereas the Whole Tone scale has 6 notes but only one mode - If you rotate the scale to start on the second note, the pattern is the same as starting on anywhere else in the scale, because it's just a stack of whole tones. The Whole Tone and Octatonic scales are the first and second of his Modes of Limited Transposition respectively. If you're a jazz musician I'd recommend checking out the other MoLT, particularly Modes 3 and 6; they're definitely on the weirder side but they can work really well for soloing in certain contexts. Unfortunately I don't think Messiaen was particularly influenced by jazz (at least not consciously, some of his works do have a hint of an Ellington vibe in my opinion) but it's really cool how so many harmonic ideas were discovered independently by different styles around the world!
@@conalfisher765 But surely not quite the top half. Be-bop major: C,D,E,F,G,G#,A,B,C. Octatonic tone/semitone: C,D,Eb,F,F#,G#,A,B,C. So that's: G,G#,A,B, and F#,G#,A,B.
@@nigelhaywood9753 There are two modes of the Octatonic Scale, the one you mentioned is the Whole/Half Octatonic scale. G# A B C D (the pattern being HWH) is found at the top of the Half/Whole Octatonic Scale. The two scales are modes of eachother, and are the only modes of the scale, hence why it's a Mode of Limited Transposition, and why jazz musicians will often say it's "symetrical". Really the pattern is just alternating tones and semitones, there isn't really a "beginning" to the scale per say, so there isn't really a "top half" either, I perhaps could have been clearer there with my wording! My meaning was that the Bebop Major scale contains a WHWH pattern which is inherently reminscent of the Octatonic Scale.
@@conalfisher765 Ok. So in that sense they do share four notes. But there are NO examples of semitone, semitone in the octatonic scale. In the be-bop major you get two in a row between V and VI.
@@nigelhaywood9753 I know and I agree, but I'm making the point that there is a pattern in the bebop scale that resembles a part of the octatonic scale. I'm not saying the scales are identical. Just that they have that one part in common, which is the reason why, as you've pointed out, the first few bars of this piece correspond with the F# bebop major scale. The semitone-semitone pattern you're mentioning isn't present in those first few bars, hence why I didn't mention it, and why this piece can't really be analysed as being in F# bebop major (there are some chromatic motions at times but they're nondiatonic and are mostly just planed chords, not bebop major by any means). It's like saying a piece that uses the pitches CDEGA is actually in C Lydian Dominant because the present notes are part of the key; those notes are just C Major Pentatonic, the characteristic notes of Lydian Dominant aren't present so it's not really correct to call it so. The beginning of this piece contains some notes that are in F# Bebop Major, but the piece overall uses a lot more of F# Octatonic modes, which similarly aligns with Messiaen's own analyses of his pieces.
Really, you can say 'even shorter' instead of 'shorter-er'. I imagine you were just being quirky and having some fun, but the level of English in TH-cam is reaching frighteningly low levels! Please don't encourage them. Thank you for a very interesting analysis any way. I have always loved this piece.
Currently imagining how João Gilberto would murmur this song. Nice rendition, and you put the syllables perfectly ESPECIALLY that line "no meu coracão" at 1:04, but personally I prefer this song with João's wispy way of singing.
Just found this gem of analysis. Very extensive and interesting presentation!!
7:27 god i wish people would wait til the very end to clap wtfffffff that was so beautiful its insane
I really dont agree with the form analysis here if im being honest. Saying that measures 13-16 is a reprise of the theme and not an extension of the B theme leading back to the A theme through a common-tone modulation is definitely a stretch. I think ABA'B'Coda is more appropriate. Besides the A theme from the first 4 measure doesnt really follow antecedent-consequent structure, as a D# in the melody over rootnote F# is definitely more resolved than a G# in the melody over rootnote B. D# is without tension, whereas G# has stronger pull back to F#. The piece even ends with D# in the melody and its also a common way to end a piece of jazz music for example.
@@gustavertboellecomposer Traditionally jazz, up until maybe the 70’s, could quite happily end on a major chord with added sixth, in this case, F#6. It’s clear that Messiaen treats it as a resolved home chord, as you said.
@nigelhaywood9753 interestingly, in his own book he cites Renaissance composers and Debussy as the historical basis for the added 6th chord, which is what leads him to treat the added 6th chord as a tensionless chord. There is a whole tiny chapter dedicated to it. That would have been in the late 30's/ early 40's, so it's interesting that he didn't himself make that connection
this is the hiromi I grew up with, and seeing her solo (Sanz trio) is tear worthy
Fake.
how?
Fake.
how?
Holy shit
Hiromi’s solo is genius jesus
1:55
Marian McPartlandのラジオ番組に上原ひろみが出演している際の録音です。本編の番組もリンクから聴けます。とても楽しいです。
"Polaris" is another master piece my favourite of the new album 🥰 specially the ending reminds me the rythm of "African skies" of The Brecker Brothers, maybe Hiromi did it intentionally as a tribute.
The best
Saw this live. It was my first time hearing jazz music IRL and WOW! That was a good show. I had chills the whole time.
I'm so sorry, but I think Sonicbloom is the best Hiromi's band.
I miss Anthony Jackson....
@@DavidFaurealso
It was really wonderful , I convince ! Good choice ! But , she search and try like David Bowie all his life !
I was at this exact show! Thank you for uploading this, been looking for this specific piece everywhere
Love love love Hiromi and bandmates.....
Hell yeah
Has anyone listened to her improvisation to Polaris in this video? 29:00 Hiromi is just so so much ON POINT!!!
Bravo. 変幻自在:surreal, protean
So exciting ! Thanks a lot !!
Amazing..... like testing the boundaries of imagination. (I wonder if it's too much - yet the audience seems to get it - having fun. Of course this is not like Bach or ... anything for that matter. It is just Harumi having fun as the audience responded well latter half especially. Banzai! Well done!
BTW I do enjoy Bach as well: th-cam.com/video/15ezpwCHtJs/w-d-xo.html&ab_channel=OpenGoldberg
Wonderful! Where did you place the recorder?
As recording was technically not allowed, I just held it in my lap. Obviously not the most ideal spot, but got the job done
I use a Zoon h1n and find it fits perfectly in the breast pocket of a shirt (with some tissues around it to keep it stable).
🥰 Holy shit! What an amazing recording sound! Thanks !
Thanks 🙂
YES, was waiting all week for this one
Beautiful, thanks
Super sound quality. Thanks!
beautiful. have you gto any more?
yes! they'll be uploaded across the next 2 weeks!
Great audio! Thank you for sharing the experience!
These two. Oh. What to say. Listening to stuff like this reassures me that AI has not surpassed humanity yet.
Hiromi não nos deixa esquecer a sua 😂😂poderosissima arte😢 bem tocar 🎹 e uma inesquecível compositora que sempre que ouço a sua música forma em mim um estado de êxtase muito Belo continuarei a ouvi-la sempre com o maior prazer bem haja Menina 😮
What's cool about this is, at the show I attended, they played this MUCH slower, and that was great also.