วีดีโอ

@@bluemoon6579 thanks for the feedback!

I would do that if I could, but for some reason my macbook is unable to install the software update required to install musehub so...

Ok, I downloaded musehub and musesounds, but i honestly do not think it fits this piece. The string section sounds horrendous for this kind of style

thank you for your support.

thank you!

thank you

The reason why i notated the right hand as triplets and the left hand as sextuplets was because in the left hand one motion is 6 notes while in the right hand one motion is 3 notes. Like, the right hand melody is crotchets, so one crotchet is 3 notes, so that's why

This is not written in the style of a fantasy.

@@ObscureGaruda My mistake, I didn't know what else to name it. Any recommendations?

⁠@@doritoapollo123 1: The harmony is very simple. Your dominant chords shouldn’t sound so obvious. Try using more typical fantasy harmony like a diminished seven chord instead. Try throwing in chords that might not make as much sense as I-IV-V. Use augmented and diminished chords, throw in some ninths to thicken the sound, and don’t be afraid to borrow chords from other modes, like minor/phrygian/lydian, especially to replace the IV and II chords. 2: Typically, you want to not rely on arpeggios too much. If you look at Chopin, he uses arpeggios, but the top note of each arpeggio outlines a melody, instead of just being plain chords being arpeggiated. 3: You need much more chromaticism and more non chord tones besides passing tones. Try appoggiaturas, leaping tones, suspensions, etc. 4: You need a clear melody and harmony that isn’t just block chords (especially in slower sections). You’re style of eighth and sixteenth note melodies over blocky and static accompaniment get old very quickly. 5: Your piece rambles because there isn’t a strong theme to unite the piece. If you look at Chopin’s Fantasie Impromptu, the theme is instantly recognizable from bar 1. 6: I see at some points you try to go for the florid style of fantasies by having sextuplets in the left hand, but this is not the way to do it. You need to utilize polyrhythms, and keep the melody OFF of the beat. If you look at works by Chopin, his arpeggios outline a melody, but the melody notes are rarely lining up with the beat. If you outline the basic 4/4 pattern with your melody, it becomes blocky and cumbersome very quickly. Look at the second theme of Fantasie Impromptu. 7. Instead of always using block chords or arpeggios to accompany your melodies, use some counterpoint to make it sound interesting. 8. You need to build more tension before your important cadences. Do this by adding counterpoint, thickening the sound over time, avoiding cadences, modulating (the modulation should happen right when the climax hits), sitting in the dominant for longer, and adding rhythmic complexity. The BIGGEST issue is that right after listening to it, I don’t remember a single melody you had, except maybe the coda. You REALLY need a strong and obvious theme to unite the whole piece. Otherwise, it’s just a bunch of rambling. As for what to name it, I have no idea. It doesn’t fit into any real form. Just give it a random title without referencing the form. Reference pieces like Tzigane, Damnation of Faust, Czardas, Appalachian Spring, etc.

@@ObscureGaruda I gotta admit that this piece isn't my best woven together, thx for the feedback

I highly doubt that, but thanks anyway :)

thx

thankyou

I'm just playing the first phrases of them. Some of these pieces I can play in entirety, but at least half of them I just played the beginning parts.

Well, some pieces that might fit your skill level if you're playing the rondo alla turca can be the following: Chopin Prelude No.4 in E Minor, Mozart K.545 Piano Sonata, Various baroque minuets, and Beethoven piano sonata no.20, opus 49-2. There is honestly no specific way of learning many pieces quickly, just go by your own pace.

@@doritoapollo123 Ok but its still very impressive in my opinion since you play the small parts very good! You got a new subscriber!

@@doritoapollo123 Ok i will check the pieces out thank you very much!

@@picasso_yrrah thank you for your subcription!

@Dor_atar Good point.

Thanks!

just dont borrow too much :)

@@doritoapollo123 Jajaja don't worry Im just kidding

This is my worst piano sonata out of my 11 but thanks

@@doritoapollo123 I like the first movemant a lot. For some reason it remided me of some rhapsody that I've heard. But I can't tell you which song it sounds like.

@@alexandregb566 thank you! if you want, you can check out some of my other pieces in my channel :)

Thanks!

Thank you!

Thank you! your descriptions are quite accurate

Although number 3 was meant to sound solemn and depressing

@@doritoapollo123 Thanks, and that's fine. Now that you mentioned, that's seldom true.

Thank you for your comment! I compose quite fast I believe. This sonata took me around 10 days. Yes, I've composed a couple half-hour pieces.

@@doritoapollo123 Waw. 10 days, and you make long pieces. Around 2 weeks, and I make around 4-minute pieces (check them out if you want in my pfp).

Thx

thank you!

oh its you

just noticed lmao

still goated tho

@@tudorciocoiu6956 much appreciated

Thank you for your feedback.

Do you have any comments for the other movements?

Muchas gracias!

Can you teach us how to do this？Thanks a lot🎉🎉

It is not necessary to talk bad about composers you believe to be to be inferior to you. To be fair, I do really like some of your compositions, and I do respect how skillful you are. Instead of just saying it is bad, what points of it can I possibly improve? Comments that say what I can do better will help me improve.

thank you!

thank you for your kind words!

thank you