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เข้าร่วมเมื่อ 10 พ.ย. 2020
Lyadov: Selected Preludes (Sofronitsky)
Vladimir Sofronitsky plays Anatoly Lyadov's selection of preludes.
Op, 57 No. 1
Op, 31 No.2
Op, 36 No.3
Op, 40 No.3
Op, 57 No. 1
Op, 31 No.2
Op, 36 No.3
Op, 40 No.3
มุมมอง: 2 238
วีดีโอ
Handel: Capriccio in F major, HWV 481 (Amaral Vieira)
มุมมอง 68210 หลายเดือนก่อน
José Carlos Amaral Vieira plays Handel's Capriccio in F major, HWV 481 (G.183) Studio recording, 1986
Borodin: Petite Suite for piano (Nikolayeva)
มุมมอง 13Kปีที่แล้ว
Tatiana Nikolayeva plays Alexander Borodin's Petite Suite for piano (originally "Petit Poème d'amour d'une jeune fille" Pictures of Russian artist Ivan Kramskoy). 1. Au couvent. Andante religioso C♯ minor: 00:00 2. Intermezzo. Tempo di menuetto F major: 04:54 3. Mazurka I. Allegro C major: 08:14 4. Mazurka II. Allegretto D♭ major: 11:28 5. Rêverie. Andante D♭ major: 15:23 6. Sérénade. Allegrett...
Liszt: Die Loreley, S.273/1 (Ganz)
มุมมอง 3.2Kปีที่แล้ว
Rudolph Ganz plays Franz Liszts's Die Loreley (S.273/1)
Scriabin: Quasi Waltz in F Major, Op. 47 (Kastelsky)
มุมมอง 1.1Kปีที่แล้ว
Valery Kastelsky plays Alexander Scriabin's Quasi Waltz in F Major, Op. 47
Scriabin: Quatre Morceaux, Op. 51 (Kastelsky)
มุมมอง 2.5Kปีที่แล้ว
Valery Kastelsky plays Alexander Scriabin's 4 pieces Op. 51. Fragilite: 0:00 Prelude: 2:19 Poeme Aile: 3:16 Danse Languide: 4:29
Chopin: Variations on 'Je vends des scapulaires', Op.12 (Skanavi)
มุมมอง 2.2Kปีที่แล้ว
Katia Skanavi plays Chopin's Introduction and Variations on 'Je vends des scapulaires', Op.12.
Debussy: Images Book I, Reflets dans l'eau, L.110 (Chitose Okashiro)
มุมมอง 302ปีที่แล้ว
Chitose Okashiro plays Debussy's Reflets dans l'eau (Reflections in the Water) from Images, Book I.
Debussy: Prélude No. 6 "Général Lavine, eccentric", L. 123 (Tagliaferro)
มุมมอง 219ปีที่แล้ว
Magda Tegliaferro plays Claude Debussy's prélude Book 2 No. 6 'Général Lavine', Recital at Wigmore Hall, 16 January 1983.
Debussy: La Cathédrale Engloutie (Tagliaferro)
มุมมอง 317ปีที่แล้ว
Magda Tagliaferro plays Debussy's La Cathédrale Engloutie, Recital at Wigmore Hall, 16 January 1983.
Bach: Capriccio, BWV 992 (Fleisher)
มุมมอง 1.2Kปีที่แล้ว
Leon Fleisher plays Bach's Capriccio in B-flat major, BWV 992 "On the Departure of a Beloved Brother" 00:00 1. Arioso: Adagio 02:07 2. Fughetta 03:15 3. Adagissimo 06:12 4. Andante 06:35 5. Postilion's aria: Allegro poco 07:55 6. Fugue in imitation of the posthorn
Chopin: Mazurkas Opus 59 (Milkina)
มุมมอง 485ปีที่แล้ว
Nina Milkina plays Chopin Mazurkas Opus 59, recorded in 1970 1. Moderato (A minor): 0:00 2. Allegretto (A♭ major): 4:18 3. Vivace (F♯ minor): 6:52
Chopin: Mazurka Opus 59 No.3 (Milkina)
มุมมอง 210ปีที่แล้ว
Nina Milkina plays Chopin Mazurka Opus 59 No.3, recorded in 1970
Hahn: The Dreams of Prince Eglantine (Tagliaferro)
มุมมอง 559ปีที่แล้ว
Hahn: The Dreams of Prince Eglantine (Tagliaferro)
Gabrilovich: Mélodie In E Minor, Op. 8 (Hough)
มุมมอง 697ปีที่แล้ว
Gabrilovich: Mélodie In E Minor, Op. 8 (Hough)
Scriabin: Poème Op. 32 no. 1 (Heinrich Neuhaus)
มุมมอง 1.1Kปีที่แล้ว
Scriabin: Poème Op. 32 no. 1 (Heinrich Neuhaus)
Chopin: Mazurka in A Minor, Opus 17, No.4 (Horowitz)
มุมมอง 1.9Kปีที่แล้ว
Chopin: Mazurka in A Minor, Opus 17, No.4 (Horowitz)
Liszt: Cantico del Sol di San Francesco S. 499 (Amaral Vieira)
มุมมอง 1Kปีที่แล้ว
Liszt: Cantico del Sol di San Francesco S. 499 (Amaral Vieira)
Liszt: Epithalam zu Eduard Reményis Vermählungsfeier, S. 526 (Amaral Vieira)
มุมมอง 840ปีที่แล้ว
Liszt: Epithalam zu Eduard Reményis Vermählungsfeier, S. 526 (Amaral Vieira)
Liszt: Variations on a Theme of Bach S.180 (Amaral Vieira)
มุมมอง 4.9Kปีที่แล้ว
Liszt: Variations on a Theme of Bach S.180 (Amaral Vieira)
Liszt: Liebesträume, S.541 (Yuncham Lim)
มุมมอง 831ปีที่แล้ว
Liszt: Liebesträume, S.541 (Yuncham Lim)
Chopin: Scherzo No. 4 in E major, Op. 54 (Marc-André Hamelin)
มุมมอง 7Kปีที่แล้ว
Chopin: Scherzo No. 4 in E major, Op. 54 (Marc-André Hamelin)
Bach/Liszt: Prelude and Fugue, S. 462, No. 1 in A Minor (Amaral Vieira)
มุมมอง 296Kปีที่แล้ว
Bach/Liszt: Prelude and Fugue, S. 462, No. 1 in A Minor (Amaral Vieira)
Liszt: Unstern! Sinistre, Disastro S.208, (Amaral Vieira)
มุมมอง 1.2Kปีที่แล้ว
Liszt: Unstern! Sinistre, Disastro S.208, (Amaral Vieira)
Liszt: Nuages gris, S. 199 (Amaral VIeira)
มุมมอง 2.7Kปีที่แล้ว
Liszt: Nuages gris, S. 199 (Amaral VIeira)
Preciosa interpretación🥰
Congratulations to the pianist. He really maintains the calm. I know it’s hard to stay calm without running or getting very loud in this kind of transcriptions. Excellent work by Bach and excellent piano writing by Liszt ❤ It freaks me out the voice leading at 8:25 😮 wtf Bach?! Sounds harsh but great!
BWV 543. Высшая форма музыки. Музыки Богов.
4:53
Θεσπέσιον !!!
this recording is almost a semitone sharper. why is that
Himmlisch ❤
Hamelin is amazing as always. This is a stunning work, but no. 2 scherzo is still my fav in this genre.
Sublimely beautiful! Thank you for uploading 🙏
Once again, it ain't what you got but what you do with it that counts. Fugue must have simple subjects. But what Bach does with this one is so fantastic & dramatic. Of course, Liszt's treatment only adds to it.
S.499
Lyadov has such a charming way of resolving chords on the off-beat. Love the program. Thx.
Божественная музыка! .. Вечная любовь - наслаждения и страдания...!!! Радость встречи и тяжесть расставания!!..
Thanks for bringing Sofronitsky's recordings out. One of my favourite old-russian-school geniuses.
the piano sounds absolutely beautiful, you can occasionally hear the hammers gently recoiling off the strings which makes it an even more satisfying experience to listen to
Beautiful pianism.
Ce n'est pas à 100% fidèle à la version originale. pour orgue , On n'a pas l'impression d'entendre exactement le même morceau, Ça reste mieux de l'écouter à l'orgue
Tu peux détailler ce que tu n'aimes pas dans cette version stp ?
Magda is the piano goddess!
C'est formidable!
Version légendaire de Monsieur Hamelin 🥇
La interpretación de Amaral Vieira ha sido fuego al alma y a la mente cual concimiento del alma de Bach pasando por las furias y la nebulosidaded de Liszt.
L ho studiata....😅
I think that playing the pedal parts in octaves is just too much. It requires using the sustain pedal, which adds to making the whole thing muddy. I think the single lowest bass note would be plenty, and be more organistic (not muddy), and more pianistic, more legato, and less virtuosic, and match the treble better. It's a naive listener who thinks that when the tune comes in on the pedal, it needs to drown everything else out. We all know that Liszt was kind of over the top anyway. Why not improve him? He's not God. He's more like Liberace.
Well, it was Liszt giving this rendition to Bach. In Arts any improvement, if able to do so to the perfect-imperfection of an artist leads to a new Art. There is no such idea of improving in arts. There is only new arts. That is what Liszt did. That is what you would commit, whether sinfully or not, terminating with creating your art. Of course, then, it remains the recognition of it, which is yet another artz itself.
Thanks for the chuckle. I think of Liberace as Liszt for the masses. Your "kind of over the top" was perfect, leaving room for people like me who, call me cornball, love his kind of "over the top".
@@painetcirque5695 Should we just call it new Artz, then? It happens all the time. Art is a collaboration between composer and performer. They are both artists. Performers change dynamics, tempo, instruments. Surely a few notes with the same letter names are not off the table? Or keyboard?
Mesmerizing.... can't stop listening
4:48
The Bach classification for the original organ piece is BWV543.
Maravilhoso!
Потрясающе!
what emotional harmonics.
I've always found Lyadov fascinating. It's always been said Scriabin's early style is based on Chopin's, but I think Lyadov is a much more immediate influence than Chopin.
.....and perhaps even More so....ARENSKY: "Morceaux" and "Characteristic Pieces" for Piano + Opera Nos. 22, 25, 28, 30, 33, 34, 36, 41, 42, 52, 53, 63, 74....BRAVO from Mexico City!
Peerless Arrau! Listeners might also enjoy Liszt's later, slightly longer variant version of No. 5, played by the fine Canadian pianist Joel Hastings: th-cam.com/video/blunXwqP5RA/w-d-xo.html
Interesting how the fugue doesn’t have the Picardy third ending on major, but the prelude does. I’m still confused if Liszt or Bach wrote no Picardy third?
How do you know that
Such a genius
Thank you
Музыка небожителей
Il s'agit du prélude et fugue BWV 543 transcrit par Liszt
❤❤
I’m confused is it Bach or Liszt? Prelude certainly sounds like Bach
The original work is by Bach; we listen here to a transcription for piano by Liszt.
Yes, Liszt transcribed a few of Bach's Organ works for Piano
Лежу зараз хвора в ліжку, це мої ЛІКИ❤ я скоро одужаю❤ ця музика прекрасна ❤животворна, та, що зціляє❤❤❤❤
дякую за коментар! Музика завжди найкращі ліки, все буде добре, щасливого одужання❤
Дякую ❤
B R A V O !!!!!! I had only heard the Alexis Weissenberg recording of this and rarely elsewhere. A magnificent performance, beautiful clarity of every line in spite of its great complexity. A total artistic experience. Thank you
Thank you for the commentary! Amaral Vieira is certainly one of a kind
this reminds me of Heroes Of Might And Magic III Soundtrack - Inferno Town.
Lundo demais.
Wow ❤💯
Compare this to a real version of BWV 543: th-cam.com/video/pQiZG9rqS1k/w-d-xo.htmlsi=dLLvPG8v3D6eGU40 This piano transcription sounds like Bach, as written by Czerny into his _Pianistengeläufigkeitsschule._ Composers, even Baroque ones, had the timbres of particular instruments in mind when they wrote, and those who have done post-Baroque transcriptions have too often not taken that into account, erroneously declaiming that, "Oh, those Baroque guys would just play on anything they had to hand." Such transcriptions from organ works are frowned upon now. With the richness of its choices of sonority, it makes more musical sense to transcribe _for_ organ rather than doing a piano reduction of its music.
Wonderful l have no words to describe it.this is a piece l d like to learn to play
Who wrote the poem ? It looks like old german. I know it is about spring and a lark but can someone translate please ?
Hi, I tried to translate the poem. I hope it is correct 🙃: Murmuring sings the well, dewy shines the earth, in the shrubs of the heath the ringing of the herd. Blissfully the gaze moves between gentle fields over fragrant flowers to the flowering forests. Graze, herd! Under the rocky slope I want to lie down quietly. Dreaming in the singing. All around so lonely! I am overcome by a longing, my heart becomes sad and tears are flowing and the tears are falling, and the well is singing and the lark sings above me. How quick it swings itself! Can I still see it? Higher, higher its flight seems to become. It disappears in the clowds, my hot complaints about the earth to carry up to God.
Nice.
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Fantastic
Sur my playLiszt direct