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Thank you 😊

Yes you could. I only had it that way incase I wanted to add higher RPM's leading to other branches.

@@sotasounduk Thanks! :)

Hi Matt. Is this graph inputs inside of Metasounds? If you want them to act independently you can't copy and paste them. You need create a unique graph inputs which have their own name. Then they will act independently. Hope that helps. :)

@@sotasounduk Okay, thanks! Although I've just gotten to 11:00 where you said they need to work together anyway 😅

@@MattDoesSound 😄 haha. No worries! It's good to know how to get them to work independently anyway.

Thank you very much Matthew! I noticed you put in an order on the website! Thank you so much for the support. 🙂 🙏 You're awesome.

Thanks for watching! :) Hope the vids help with whatever it is you're working on.

Thank you - I appreciate it. :)

Hi and thank you for the comment. Tbh, the reason I used a multi gate was because it was the first way that came to mind. It functions the way I want it to. Would you share with me and anyone else interested what the benefit is of doing it the way you have suggested so we can learn from eachother. Thanks. :)

Thank you I appreciate it! And I'm glad I could help. Take it easy :)

That's strange - It should work exactly the same. Just double click. I'm on version 5.2, it should be same on version 5 and above as far as I'm aware.

@@sotasounduk My version was 5.0.3)

@@Slash_Diman_Sound I've not used 5.03 yet. I'd find hard to believe it's bugged. It should work really. I would advise asking around a few forums to see if anyone else has the same issue. It should work the same way it does in the event graph.

Hi, if you want to go up to 9000 rpm, to avoid excessive pitch shifting you'll need to add more wave players up to 9000. In the previous episode we make a smaller scale version of the metasound and the event graph. Maybe you've watched it already? If you haven't that might help in getting your head around the larger scale version because I go over why the numbers are the way they are. The good news is the higher the rpm the bigger jumps you can make from one wave players to another due to the spacing of ratios. I.e. 1-2 is a doubling and 5-10 is a doubling. Even though one ratio is moving a value of 5 to double it requires less pitch shift to move a value of 1 from 5. If that makes sense. Hope that helps mate. If you do have any specific issues I'll be happy to try and help via the comments.

Nismo Gtr will sound sick btw. Tag me when you get it working if love to hear it. I'm actually going to record my own car sometime next year and put them into the system to get a more real sound. Don't have a Nissan Gtr I'm afraid! 😅

@@sotasounduk thanks for the quick response 😊 my question was actually more related to the previous video indeed, took me only 2 and half hours to take over and understand the graph 😂 I will give it a try with more wave players and than also in the event graph of vehicle to adjust the ratios you turn on/off. Will need help later on and definitely contact you 😂👍🏻 Have a great day

@@thenoobdev Yea once you get your head around it you'll be good. It's literally just a case of bringing those extra wave players together with another mixer and adjusting the pitch shifting so it = 0 for each new sample you add. And the ratio multiplier will also need to get smaller the closer the ratios of each wave players jump is. Thanks man! You have a great day too!

@@sotasounduk you're a legend already ! There's so little good info/documentation/youtube tuts related to good engine audio! Keep up the good work! One more question, the course on video game audio on your website, is that just these series or more? I'm specifically interested in vehicle audio atm 😊

A lot of it is just copy and paste with minor changes to parameters. It's necessary to use the multiple wave players to avoid pitch shifting too much.

@@sotasounduk I'm using engine simulator plugin now, the sounds are amazing! But it has a lot other issues... 🙄 Maybe I'll have to get back and follow your videos from a to z and get some solid car engine audio

@@thenoobdev I've not heard of that plugin. I'll be sure to check it out. And yea thanks for the support! The great thing about this system is if you can get your hands on real car engine loops at different RPMS you can just load them into the wave players and it will sound flawless.

Yes you can attach a macro to the rate of the LFO. For game development I would use the LFO inside UE because you can't make UE communicate with Snapheap. Snapheap is helping do most of the heavy lifting before exporting the different rpm ranges and bringing those audio files into UE. There is a video coming up which will go through this. :) Thanks for the comment.

Hey man thanks! Really appreciate it!

Hi, thanks for the input. If you're talking about Fmod studio I agree it's a very good solution for game audio in general. The idea with this series early on is to get beginners comfortable working inside of unreal engine before introducing middleware. Fmod studio is definitely something that will be covered at some point! Once again thanks for the comment I appreciate it.

Hi Jeremy. Thank you for the comment! I regret to inform you season 2 I'll be working on a poppy track haha. But will be moving on to other genre's with each season. It's very likely S03 will be rock tbh. Thanks for the support. Means a lot.

Thanks SK. Wishing you and your family a great year!

Thank you SK. Starting work on season 2 in January. In the meantime I'm thinking of importing short 5min cuts of this season to keep the channel ticking over in the mean time.

@@sotasounduk Definitely a good idea is that and also you can share those in social media groups in order to grow because you have the quality others do not in your channel and I want you to grow ... once there will be a challenge from my side for you we'll collaborate as we talked .. I think of you always ... this can be that can be ... one good challenge it can be the Ozzy Diary of a madman cover with a symphonic orchestra and drums ... I am working on that tune for orchestrating the parts now .. once I will have all channels up we'll be in touch :)

@@StamatisKekes Sounds good mate. And thank you for the support!

Thank you. That's great, looking forward to hearing what you're working on!

Thank you for the kind words mate. Only two more to go then that's the entire series. Keep an eye out for the mastering episode! :)

Thank you. :)

Thank you for the feedback. As of right now TH-cam only gets a very small portion of my time as I am very busy with clients. So sometimes things aren't going to be perfect with the videos. But I'll take your feedback our on board and appreciate it. Please feel free to check out the portfolio section of my channel where you can see some of the work I have done for clients.

Hey SK, I'm really happy you're finding these helpful! I'll be looking forward to hearing your future vids. :)

@@sotasounduk tomorrow will be the premiere buddy ... not much to change now as the final mix is out and I am running out of time ... but for sure I need another gain staging session as the toms signal is way too weak ... and to redesign the fx chains somehow ... but need to track 3-4 vids in a row and buy me some time ...

I know mate. You're really on it with your uploads! I'm only committing to one a week right now. And still may need to take a small break once this course is fully uploaded. I'm going to have a lot more time next September though so frequency of upload will increase. :) I'll keep an eye for your vids. If you ever want to send me the multis for me to have a go at processing them that could be a good collab idea. You could use the finished processed version in a video and I'll make tut on how they were processed.

@@sotasounduk excellent idea brother ... I will send you soon multis as I always post one per week and one drums only with the drums isolated ... :)

Great. You can find my email on the website. Link in the description. (I'm cautious sharing email on here to be honest)

Hello SK, thank you for the kind words. Feel free to send me some examples of your work via email. You can find contact details by visiting my website (Link in the description). If you send me links to other websites please be sure they are from common and reputable websites (SoundCloud, Spotify, etc). If I don't recognise the URL I will ignore it out of caution. Hope you understand.

I just realised you have stuff on here ha. I'll go give you a sub back and check out some vids!

@@sotasounduk hey thank you so much mate :)

Once again thank you got the kind words! I really appreciate it. Also I agree with the volume of the voice in hindsight. Was very busy with clients work so I was a bit burned out producing this in my free time. New episodes will be released weekly on Mondays until the course is up in full. At which I'll be starting production for series 2 where we'll be taking a look at more contemporary music production. Thank you for the support!