วีดีโอ

01:04:53

GenijaLno

Una Odabella horrible. El montaje espantoso.

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1:10:35

素晴らしいです、ありがとうございます、🎉🎉🎉🎉

They respect the christian mythology and the libretto, Salomé finishes naked thé Dance of the seven veils.

Prekrasno! Splite moj moja lipa radosti!

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❤🍒🧸💐🎨🏵💛🌼🌻🌺💮🌹🇻🇦✝️🇻🇦🌹🌺💡🎶🍒✒📃🎶💛📚🏵🎨🕯🌸🌿🪢🍋🧭🇻🇦✝️🇻🇦🌹⛑🌺💮💐🇦🇲💒🇦🇲💮🪢🇲🇬💒🇲🇬🪅💛🤗❤🌼🔎🌻✒📃🍒🧭🌿🪢🍋🙋‍♂️

One of the most spectacular musical evenings of the 20th century!

Qué maravillosa obra!!! Qué cantantes!!!

Hvala na snimci!

Superb Ramey whose incredible coloraturas and range are unique in this century in low male voice. He stops the show.

Versión llena de frescura y simpática. Muy divertida y con excelentes cantantes que obviamente se lo pasan muy bien durante todo el espectáculo

lovely

Hermosa version

Here is just another marvelous example of how Boito was a MUCH better librettist than composer.

Genijalna Radmila Bakočević..

красиво💯🤗

There might be a third world war but the show must go on

hi mark thank you

Excelente Mark Milhofer! No lo conocía, canta muy bien, pero además que bien actúa!!!

Najbolji skladatelj svih vremena! Mozart. Najbolja opera! Čarobna frula. Glazba koja oduzima dah. Uživam u svakoj noti tog remek djela.

Spettacolare!

Красивая, незатейливая музыка и прекрасное исполнение,стоит слушать и получать удовольствие.

ma la Cuberli nel finale della 1 aria ha avuto problemi.....

Quel dommage que le son soit saboté !...

Exceptional rendition! Rossini at his max of flamboyance! Il viaggio a Reims Pesaro 1984 Abbado Ricciarelli Ronconi Valentini Terrani Cuberli Gimenez Araiza Ramey Raimondi Dara Nucci

What a ganarous audience!

Ho avuto la fortuna di collaborare come assistente scenografia a questo spettacolo iconico. Un altro Carlo, quasi quarant'anni fa. Grazie

Posebno me oduševio B.Dvornik u ulozi šjor Bepa Pegule.

Wonderful. Rossini gives us a kaleidoscope of voices, music that leads to total enjoyment when listening to it. Thank you

SRETAN I BLAGOSLOVLJEN USKRS ✝️🙏❤️❤️❤️

46:16, Ah perbaccone (rec. Bruschino e Sofia) $8:02, A voi condur volete 50:20, Ah donate 52:20, se crudele persistete 58:00, Ho la testa (aria Rinaldi-Bruschino)

There must....MUST be a better private recording than this!? Does anyone have any information or leads into this? I am determined to find an absolute astonishing live recording of this very performance! Thank you in advance! I will pay gladly for a solid recording that is top quality for the Live first premiere recording concert of this last absolute Italian masterwork of the one and only master Rossini!....it is so tragic and sad to me that the recording quality of this very premiere performance of A Reims is decent at best!.... One can hear the high volume output being limited compressed it is horrible!

1:36:51.....one of thee greatest building climaxes of all recorded, written history.

The tallest girl I mean

At 1:52:26 I'm standing right behind Abigaille I am the tallest in the middle !!!!

Was it in Brussels Forest National ?

Brava Penka Dilova!

This is an optimistic vision of Charles X's ascension but Charles proved so deeply unpopular the people revolted and he was forced to abdicate after only 6 years on the throne.

Prekrasna Ljubica Jovic!

Bravissimo!!! Stage and singers very good.

Ja sam ovdje bio ko splitsko dite statist

*Deria N.4 Aria Lord Sidney (0:57:46) strumentale (1:00:19) “Ah perché la conobbi” (1:02:14) “Invan strappar” (1:05:02) coro (1:08:33) “Dell’alma diva” (1:12:39) recitativo scena13 1:13:34 recitativo scena14 N.7 Gran Pezzo Concertato a 14 Voci 1:36:51 “Ah a tal corpo” 1:39:12 lettera 1:40:52 1:41:23 “Fra dolci e cari” 1:42:52 ripresa (1:46:26 Atto II) (1:46:41) recitativo (1:47:38) recitativo scena21 (1:48:35) recitativo scena22 N.9 Finale (2:00:53) (taglio Coro) (2:04:35) recitativo dopo coro (2:05:12) Inno Tedesco (2:06:28) recitativo (2:06:40) Polacca (2:07:35) recitativo (2:08:00) Inno Russo (2:09:10) recitativo (2:09:26) Canzone Spagnola(Alvaro) (2:10:18) recitativo (2:10:37) Canzone Inglese(Lord Sidney) (2:11:58) recitativo (2:12:20) Canzone Francese(Folleville, Belfiore) (2:13:24) recitativo (2:13:36) Tirolese(Cortese, Profondo) (2:14:43) recitativo aria Corinna “All’ombra amena” (2:17:29) (2:17:55) 1strofe (2:19:31) 2strofe (taglio 3, 4 strofe) (2:21:06) 5strofe (2:22:35) coda 2:23:42 stretta “Viva il diletto” (2:24:49) (2:25:13) “Con sacro zelo” 2:25:51 “Viva la Francia”

*Folleville Atto Unico N.1 Introduzione (0:04:07) scena1 (0:04:43) (0:05:49) “Presto presto” (0:07:50) “Benché grazie” scena2 (0:10:25) “Di vaghi raggi” scena3 (0:11:29) (0:14:43) recitativo (0:15:23) “Or state attenti” 0:18:20 recitativo scena4 0:20:00 scena5 (0:20:40) scena6 N.2 Aria Folleville 0:21:00 recitativo 0:23:13 aria Folleville “Partir oh ciel” 0:26:48 ripresa 0:28:36 tempo di mezzo 0:29:45 cabaletta “Grazie vi rendo” 0:31:56 ripresa 0:33:33 stretta (35:33) recitativo N.3 Sestetto (0:36:19) Trombonok (0:37:00) Profondo (0:37:44) Alvaro (0:38:31) Melibea (0:39:17) Libenskof scena10 (0:40:24) Cortese scena11 (0:41:53) sestetto (0:47:37) aria Corinna “Arpa gentil” a (0:50:51) b (0:52:37) a’ con taglio (0:53:58) sestetto “A tali accenti” (0:57:03) recitativo scena12 N.4 Aria Lord Sidney (0:57:46) strumentale (1:00:19) “Ah perché la conobbi” (1:02:14) “Invan strappar” (1:05:02) coro (1:08:33) “Dell’alma diva” (1:12:39) recitativo scena13 (1:13:34) recitativo scena14 N.5 Duetto Corinna Belfiore (1:14:18) recitativo (1:17:13) duetto “Nel suo divin” (1:23:25) tempo di mezzo (1:24:03) “Oh quanto ingannasi” (1:25:48) ripresa (1:28:15) recitativo N.6 Aria Don Profondo (1:28:36) “Medaglie incomparabili” (1:31:04) (1:32:05) 1:34:46 recitativo scena17 1:35:24 recitativo scena18 (1:36:10) recitativo scena19 N.7 Gran Pezzo Concertato a 14 Voci 1:36:51 “Ah a tal corpo” 1:39:12 lettera 1:40:52 1:41:23 “Fra dolci e cari” 1:42:52 ripresa (1:46:26 Atto II) 1:46:41 recitativo 1:47:38 recitativo scena21 (1:48:35) recitativo scena22 N.8 Duetto Melibea Libenskof (1:49:14) (1:50:24) duetto (1:51:46) (1:53:01) (1:54:23) “Al barbaro rigore” (1:56:22) (1:56:53) “Ah no giammai” (1:58:02) ripresa (taglio recitativo scena24) (1:59:43) recitativo scena25 N.9 Finale (2:00:53) (taglio Coro) (2:04:35) recitativo dopo coro (2:05:12) Inno Tedesco (2:06:28) recitativo (2:06:40) Polacca (2:07:35) recitativo (2:08:00) Inno Russo (2:09:10) recitativo (2:09:26) Canzone Spagnola(Alvaro) (2:10:18) recitativo (2:10:37) Canzone Inglese(Lord Sidney) (2:11:58) recitativo 2:12:20 Canzone Francese(Folleville, Belfiore) (2:13:24) recitativo (2:13:36) Tirolese(Cortese, Profondo) 2:14:43 recitativo aria Corinna “All’ombra amena” (2:17:29) (2:17:55) 1strofe (2:19:31) 2strofe (taglio 3, 4 strofe) (2:21:06) 5strofe (2:22:35) coda 2:23:42 stretta “Viva il diletto” (2:24:49) 2:25:13 “Con sacro zelo” 2:25:51 “Viva la Francia”

Cecilia Gasdia as Corinna was far better in 1988 in this same production. There is a video on TH-cam showing that. Her voice fuller with none of the weird howling and trail offs of sound. Unfortunately this was the sound in the commercial recording sold of this fantastic opera in 1984.

Oh I really liked this. The modern costumes worked for me, and even the "fall" of the temple. Good voices and orchestra. I like the really ultra traditional usual exotic look; but this worked too; and it's nice to have a Samson and Dalila that both look the parts. This is such a good opera, but admittedly the finale rarely gets pulled off ideally.. although I have seen it work really well, a couple of times. I think lighting and screen projections do more than most sets are capable of; but my Ideal is when you can blend the two with solid scenery. My curiosity (maybe an odd one) is what does Dalila think or feel at the very last moment? I don't think she is a pure villain, but more a rejected lover who has been hurt, seeking revenge.

Bravo Neralic